W. C. FIELDS and FLO ZIEGFELD Both sign and initial a typed documentary letter (1924) extending Fields' contractual obligation to a Ziegfeld production. Documentary Letter signed: "W. C. Fields", "F. Ziegfeld, Jr." , 1 page, 7¼x10½. New York City, 1924 November 12. On Ziegfeld's New Amsterdam Theatre letterhead to W. C. Fields, New York City. Both have initialed a one-line ink addition in Ziegfeld's hand. Noting that Fields' current Equity Run-of-the-Play Contract for J. P. McEvoy's "Comic Supplement" expires on June 1, 1925, Fields agrees to extend his commitment after that date at the rate of $1,750 per week, provided that Fields is successful through the Actors Equity Association in getting released from a conflicting commitment with Phillip Goodman. Fields' weekly salary is to rise to $2,000 per week if "Comic Supplement" should continue running into 1926. Red-nosed, gravel-voiced, bottle-hitting American comedian W. C. FIELDS (1880-1946), born William Claude Dukenfield, began his career in silents, later excelling in such films as David Copperfield (as Micawber), My Little Chickadee (with Mae West) and The Bank Dick read more...

D. W. GRIFFITH Chastened by a messy divorce from his first wife, the famed director signs a prenuptial agreement with his bride to be, Evelyn Baldwin, who has also signed here. Document signed: "David Wark Griffith", "Evelyn Baldwin", 2 pages, 8½x13. No place, 1936 March 2. In anticipation of his pending marriage to Evelyn Baldwin, Griffith irrevocably transfers to her all rights to an annuity contract with the Aetna Life Insurance Company of Hartford, Connecticut, yielding annual income of $5,632.80 for the rest of her life. In exchange, Baldwin releases Griffith, along with his heirs and assigns, from any additional claims except for assets freely given to Baldwin by Griffith. The agreement is to become effective only on the consummation of the Griffith-Baldwin marriage. David Llewelyn Wark GRIFFITH (1875-1948) directed his first film in 1908, and in 1910 became the first to shoot a film in Hollywood. His Judith of Bethulia (1914) was among the first feature films, and the controversial Birth of a Nation (1915), became the first blockbuster movie hit, inspiring the movie industry that we have known since. read more...

W. C. FIELDS and FLO ZIEGFELD Both sign a contract for Fields' appearance in the play "J. P. McEvoy's Comic Supplement". Not a standard form contract, this one has been written with Fields in mind. Contract signed: "Flo Ziegfeld", "W. C. Fields", 4 pages, 7¼x10½. Also initialed by both at a minor correction: "F.Z.", "W. C. F." New Amsterdam Theatre, New York, N.Y., 1924 November 10. On Ziegfeld's personal letterhead, Fields signs his acceptance of a commitment to appear in a play bearing the temporary title "J. P. McEvoy's Comic Supplement," to be produced on or before January 15, 1925. Fields is guaranteed top billing in the play credits and all advertising, and will receive $1, 750 per week for the full run of the play. He must attend five weeks of rehearsals without compensation. Clause 5 is of special interest: "You agree to get in touch promptly after the execution of this agreement with the author of this play, Mr. McAvoy and to aid and facilitate him and co-operate with him in every matter to the end that the parts to be assigned to you shall be adapted to your special talents and ability. You agree to render such services without any additional compensation. read more...

W.C. FIELDS, MAURICE CLEARY and GENE TOWNE The legendary comedian and actor and two others sign a six-month agreement for the production and airing of radio broadcasts starring Fields. Typed DS: "W.C. Fields" as Party of the First Part on page 4 and intiialed: "W.C.F." three times on page 3 and once on page 4, 4p, 8½x13, separate sheets, bound together onto 9x13¾ blue legal sheet (imprinted "Stephen Monteleone/Attorney and Counsellor at Law/Petroleum Securities Building/Flower Street at Tenth/Los Angeles)". Los Angeles, California, 1932 November 11. This agreement, which is for a period of six months (November 11, 1932-May 11, 1933), states that Fields, who "possesses special, unique and unusual ability as an artist", Cleary, "skilled and experienced in arranging for the production of any such performances [by Fields] and the disposal of the same for use over the radio", and Towne, who "possesses unique ability in the presentation of read more...

WILLIAM F. CODY Autograph letter to General Nelson Miles (1896), introducing a friend, signed "Your old Scout/W.F. Cody" ALS: "Your old Scout/W.F. Cody", 1 page, 6x9½. New Hampshire House, New York, 1896 January 29. To General Nelson A. Miles, Washington, D.C. In full: "Please permit me to introduce Mr. J.L. Cunningham and (sic, an) old personal friend who wishes to speak to you. If you will give him a hearing. You will greatly oblige." Both NELSON MILES and BILL CODY overlapped in their time of military service during the western campaigns against the Indians. Cody was Chief Scout for the 5th Cavalry and Miles commanded the 5th Infantry. They served under Philip Sheridan. In 1896, the year of this letter, Cody's Wild West Show was extensively touring and he was also developing his land in Cody, Wyoming; while Miles was Commander in Chief of the Army. Great associations, worthy of further research. Lightly creased. ¾-inch separation at upper left blank horizontal fold. 2-inch separation at lower left horizontal fold touches 1 word (all intact). ¾-inch separation at lower right blank horizontal fold. read more...

W.C. FIELDS. ALS: "Willie", 2p, separate sheets, 8½x11. Bel Air, Cal., Sunday (October 15, 1939). Original envelope addressed by Fields to: "Miss Jane Fowler/National Park College/Forest Glen/Maryland". Lightly creased. Fine condition. Jane Fowler was the daughter of his friend, Gene Fowler. Fields had developed a crush on Jane but the affection was unreciprocated. To "my dear nice niece Janey pie". In full: "Thanks for your letter of the 11th, but first I want to tell you that I was coming to forest Glen and engage quarters close to the college, listen to the lesson and get a little added education. Further I could watch you and see that you took your salt peter but when I read your envelope, 'W. C. Feilds' [he has circled the "ei"] I swooned. My own plum, do they not teach you I before E except after C. Suppose after our wedding you go to the Cadillac agency and say 'two 16's, one sport roadster and one coupe, hand the gentleman in attendance a check for $17,000.00 and you sign it 'Jane Feilds.' You do not like the jailhouse any more than I do. If as much. Dear do be careful. I answered your dear wire after I got the necessary funds together to pay for it but I made a mistake and sent it care of Booker T. read more...

W. C. FIELDS Handwritten letter to his mistress Carlotta Monti, signed as "The Great Man". Monti is not spared Fields' caustic wit: "You say your voice has improved ... Thank Christ you never took up the cornet." Autograph Letter signed: "The Great Man", 2 pages (integral leaf), 8½x11. No place, 1939 January 11. To "Dear Carlotta". In full: "You say your voice has improved, but if you cannot commercialize on it, it will do you very little good, and cause others who have to listen to it quite a bit of business. Thank Christ you never took up the cornet. I will ask mickey mouse or pals to meet you at the station with station wagon. So look for either upon your arrival. [next 3 sentences written in cramped script in margin.] I will call you up at 8th St. Don't be fretting about your birthday. You know money is very good and I hate to hear anyone mention it. I will be out of town as the painters come in Monday. We will be most anxious to see you and have you tell us about London, Berlin, Paris, Moscow, etc. Carlo-Ta-Carlo-Ta". W.C. Fields (1879-1946) began entertaining as an amusement park juggler at the age of fourteen. read more...

HATTIE McDANIEL and DANIEL T. O'SHEA The year the famous actress won her Academy Award for Selznick's Gone With the Wind, the first Black American to win an Oscar signs an agreement to work for Selznick International Pictures in 1940 with options through 1946. Partly Printed Contract signed: "Hattie McDaniel", 22p, 8½x11. Culver City, California, 1939 December 30. Countersigned: "Daniel T. O'Shea" as Producer. In part: "Subject: Producer employs Artist to render her services exclusively to Producer as an actress, performer, or entertainer in motion picture photoplays, television, and to make radiobroadcasts and personal appearances when, where and as requested by Producer. Term: From: January 1, 1940 (20 week guarantee) To: June 30, 1940. Compensation: $500.00 per week (20 week guarantee)…." Eight options after the principal six month period ends are listed, raising McDaniel's salary to $550 per week to the end of 1940 with consecutive annual raises which would reach $1500 per week if she worked for Selznick through 1946. read more...

WALT DISNEY The business pioneer has inscribed and signed this printed illustration of Goofy. It's framed with an unsigned photo of Disney surrounded by many of his beloved animated characters Printed Illustration Inscribed and Signed: "To/ Ann/ Sincerely -/ Walt Disney". B/w, 7¼x9¼. Image of two cartoon drawings, one full-size and one of the head of "Goofy". Goofy, who became the symbol of "Everyman" in Disney cartoons, first appeared over six decades ago in "Mickey's Revue" (1932). Then a bit player, he was named Dippy Dawg until he got his "official" name for his goofy work in "Orphan's Benefit" (1934). Goofy became a star in the 1935 cartoon, "Moving Day", and his popularity resulted in his own line of Disney merchandise. Teamed with Mickey Mouse and Donald Duck in a number of cartoons, Goofy had his first starring role in 1939's "Goofy and Wilbur". Goofy later went on to appear in his own series of comic books (1953). read more...