W. C. FIELDS Handwritten letter to his mistress Carlotta Monti, signed as "The Great Man". Monti is not spared Fields' caustic wit: "You say your voice has improved ... Thank Christ you never took up the cornet." Autograph Letter signed: "The Great Man", 2 pages (integral leaf), 8½x11. No place, 1939 January 11. To "Dear Carlotta". In full: "You say your voice has improved, but if you cannot commercialize on it, it will do you very little good, and cause others who have to listen to it quite a bit of business. Thank Christ you never took up the cornet. I will ask mickey mouse or pals to meet you at the station with station wagon. So look for either upon your arrival. [next 3 sentences written in cramped script in margin.] I will call you up at 8th St. Don't be fretting about your birthday. You know money is very good and I hate to hear anyone mention it. I will be out of town as the painters come in Monday. We will be most anxious to see you and have you tell us about London, Berlin, Paris, Moscow, etc. Carlo-Ta-Carlo-Ta". W.C. Fields (1879-1946) began entertaining as an amusement park juggler at the age of fourteen. read more...

W. C. FIELDS and FLO ZIEGFELD Both sign a contract for Fields' appearance in the play "J. P. McEvoy's Comic Supplement". Not a standard form contract, this one has been written with Fields in mind. Contract signed: "Flo Ziegfeld", "W. C. Fields", 4 pages, 7¼x10½. Also initialed by both at a minor correction: "F.Z.", "W. C. F." New Amsterdam Theatre, New York, N.Y., 1924 November 10. On Ziegfeld's personal letterhead, Fields signs his acceptance of a commitment to appear in a play bearing the temporary title "J. P. McEvoy's Comic Supplement," to be produced on or before January 15, 1925. Fields is guaranteed top billing in the play credits and all advertising, and will receive $1, 750 per week for the full run of the play. He must attend five weeks of rehearsals without compensation. Clause 5 is of special interest: "You agree to get in touch promptly after the execution of this agreement with the author of this play, Mr. McAvoy and to aid and facilitate him and co-operate with him in every matter to the end that the parts to be assigned to you shall be adapted to your special talents and ability. You agree to render such services without any additional compensation. read more...

WALT DISNEY Signed reproduction of an original celluloid drawing used in Alice in Wonderland. Printed Image Mount signed: "Walt Disney" in green crayon. Color, 11x8, matted to 17x20 (two surfaces). The success of Walt Disney's first full-length cartoon feature, Snow White and the Seven Dwarfs (December 1937), led to additional cartoon films, including the popular Alice in Wonderland, released in 1951. This printed illustration was most probably released by Walt Disney Productions in Burbank, California. Typical of these reproductions is a label affixed to their backs issued by Walt Disney Productions in Burbank. There is a remnant of a label on the verso of this image that appears to be the same size as ones we have previously seen. These labels are the official information and authenticity that accompany the print. The studio typically issued only 100 of the reproductions for a specific image. The labels always stated: "This is a reproduction of an original celluloid drawing, actually used in the Walt Disney production...Celluloid paintings are the final step in the creation of the Walt Disney animated picture." This charming print is signed by the innovative American animator. read more...

AUTHENTIC LEATHER COLLAR WORN BY BULLET, ROY ROGERS' "WONDER DOG"   [ROY ROGERS]. Dog Collar, unsigned. Black leather dog collar decorated with studs and red plastic "jewels", 19 inches long, one inch wide. "Roy Rogers" imprinted in capital letters in white on back. This collar, which was originally sold at an auction held at the Roy Rogers & Dale Evans Museum in Victorville, California, was worn by Roger's "wonder dog", Bullet. A founding member of the Western music group, Sons of the Pioneers (1934), Roy Rogers (1911-1998) broke into films as a singing cowboy the following year. Beginning in 1938, he had starring roles in dozens of Western films. From 1951-1957, Rogers, "The King of the Cowboys", and Dale Evans, "The Queen of the West", whom Rogers married in 1947, starred in The Roy Rogers Show. Their co-stars included Trigger, Roy's golden palomino, Dale's horse, Buttermilk, Pat Brady (Roy's comic sidekick) and Bullet, the Wonder Dog. Normal wear at edges. Fine condition. read more...

W. C. FIELDS Preparing for his role as "The Great Man" in his last starring role, later titled Never Give a Sucker an Even Break, Fields hires his own writer, to be paid by him, not by the studio. The writer (John T. Neville) has also signed. Documentary Letter Signed: "W. C. Fields", "John T. Neville", 1 page, 8½x11. Universal City, California, 1941 February 22. Neville acknowledges that he has been hired personally by W. C. Fields in connection with Fields' pending movie for Universal Studios, and understands that is to be compensated by Fields, owed nothing by Universal. Fields signs his "approval and consent to the foregoing." Ink note at top left (unknown hand), underlined in red: "The Great Man". W.C. FIELDS (1879-1946) began entertaining as an amusement park juggler at the age of fourteen. He was a vaudeville headliner before he was twenty and toured Europe in 1901, giving a command performance at Buckingham Palace. His Broadway debut in The Ham Tree (1905) was followed by appearances in the Ziegfeld Follies (1915-1921) and in George White's Scandals (1933). Fields starred in Poppy on Broadway (1923) and the next year made his first film, Janice Meredith (1924). read more...

W.C. FIELDS Original Prohibition-era W.C. Fields comedy sketch. Manuscript Comedy Sketch titled and signed: "One of the six best Cellars/By/W.C. Fields", 13¼p, 6x8¼, separate sheets. No place, no date. The 18th Amendment to the U.S. Constitution went into effect on January 16, 1920. As of that date, "the manufacture, sale, or transportation of intoxicating liquors within, the importation thereof into, or the exportation thereof from the United States and all territory subject to the jurisdiction thereof for beverage purposes is hereby prohibited." Prohibition is the topic of this comedy sketch, One of the Six Best Cellars, which is written with a bit of satire. The phrase "six best cellars" was an expression first used in 1920 referring to the best hideaways where liquor was stored during Prohibition. The phrase was used in a "Los Angeles Herald" story on December 8, 1920 stating that actress Mabel Normand, known to be a heavy drinker, had one of the "six best cellars" of Prohibition liquor in the Hollywood film colony. Although not dated, this comedy sketch was likely written during the Prohibition era. In the early 1920s Fields wrote many comedy sketches while performing in New York's vaudeville, most notably in the Ziegfeld Follies read more...

W. C. FIELDS Signing as "The great man/Continental Claude", he pens a letter to his mistress Carlotta in New York Autograph Letter signed: "The great man/Continental Claude", 1p, 8½x10¼. On lightweight airmail paper. No place, no date, but with original envelope postmarked Los Angeles, Hollywood, December 27, 1939. Addressed by Fields to Miss C. Douglas [Carlotta Monti], Hotel Marie Antoinette, Broadway at 66 St., New York City. Torn flap. Creased, soiled and worn. Unrelated notes on verso (unknown hand). In full: "Something or other was at ah La Cava's Morales you know her and she enquired about you. I told her you were making the grade in N.Y. That you had been on here to attend your case but returned. She expressed regrets she had not seen you. She made La Cava a sweater. I think I admired the sweater and she suggested making me one. Being continental and never forgetting the days of chivalry I accepted graciously. She evidently knows Margo and they are coming some afternoon to measure me. Do you think I should order a pair if drawers too? This thing is running into a book, so will saw off. Keep well- and think for pastime. Always my best and most important wishes. M.M. sends Love." Creased, folds, lightly nicked edges. W.C. read more...

JOHN WAYNE Cavalry gloves he wore in The Horse Soldiers Ephemera Unsigned. Leather, US Cavalry-style riding gloves worn by Wayne in the dramatic Civil War film, The Horse Soldiers (1959). Inside the left-hand glove is a sewn M-G-M label with John Wayne's name typed on it. John Wayne (1907-1979) is considered one of the greatest actors of all time, most famous for his many Western film roles. He made his debut in the 1926 silent film Brown of Harvard in an uncredited role. His first lead role came just four years later in Raoul Walsh's The Big Trail (1930), where Wayne portrays a trapper who is part of a settlement group travelling along the Oregon Trail. This role did not lead to stardom, but he continued to appear in B-movies throughout the 1930s. John Ford's 1939 film Stagecoach is the film that rocketed the actor to fame. Wayne's films tend to be either Westerns or military-themed. His most famous Westerns, including The Searchers (1956), Red River (1948), Rio Bravo (1959), and True Grit (1969), helped define the genre. As he grew more read more...

BORIS KARLOFF Movie still from 1931's Frankenstein, with Karloff as the monster and choking a victim to death in a doorway, signed "Sincerely" by him. A must have for horror fans! Photograph signed "Sincerely/Boris Karloff". B/w, 7¾x10 overall, 7¼x9¼ image, one surface. This is a prize horror autograph and one that every horror fan should have: a signed photograph of Boris Karloff as the monster in 1931's Frankenstein! Karloff (1887-1969, born William Henry Pratt in Camberwell, London, England) was an English actor. Karloff had originally wanted a career in the diplomatic service, but he instead became one of Hollywood's most frightening actors. In 1931, he starred as the monster in the original Frankenstein, a role that had been turned down by Bela Lugosi. Karloff, who also scared the daylights out of movie-goers in the films The Mummy (1932) and The Ghoul (1933), also hosted and occasionally starred in the TV series Thriller. He gave one of the best of his many film performances in the 1968 Peter Bogdanovich film Targets, in which he virtually played himself - an aging star of horror movies. Lightly toned, creased and bowed. read more...