W. C. FIELDS Signing as "The great man/Continental Claude", he pens a letter to his mistress Carlotta in New York Autograph Letter signed: "The great man/Continental Claude", 1p, 8½x10¼. On lightweight airmail paper. No place, no date, but with original envelope postmarked Los Angeles, Hollywood, December 27, 1939. Addressed by Fields to Miss C. Douglas [Carlotta Monti], Hotel Marie Antoinette, Broadway at 66 St., New York City. Torn flap. Creased, soiled and worn. Unrelated notes on verso (unknown hand). In full: "Something or other was at ah La Cava's Morales you know her and she enquired about you. I told her you were making the grade in N.Y. That you had been on here to attend your case but returned. She expressed regrets she had not seen you. She made La Cava a sweater. I think I admired the sweater and she suggested making me one. Being continental and never forgetting the days of chivalry I accepted graciously. She evidently knows Margo and they are coming some afternoon to measure me. Do you think I should order a pair if drawers too? This thing is running into a book, so will saw off. Keep well- and think for pastime. Always my best and most important wishes. M.M. sends Love." Creased, folds, lightly nicked edges. W.C.

WILLIAM F. "BUFFALO BILL" CODY 6¾x9 black and white photograph mount with an exceptional quality image of the western icon, signed "W.F Cody, 'Buffalo Bill'" Inscribed Photograph Mount signed: "W.F Cody,/"Buffalo Bill"/To- W.S. Metz", B/w 6½x8 image, 6¾x9 overall. Photographer imprint at lower mount reading: "Prince/Parisian Panel/31 Union Square. New York/Penna Ave. & 11th St. Washington D.C."William Frederick Cody (1846-1917) earned the name "Buffalo Bill" for killing thousands of buffalo as a hired hunter in 1867 and 1868. Cody had begun his Wild West career herding cattle at age nine. Five years later, he became the Pony Express' youngest rider. Throughout the Civil War, Cody worked as a government scout, extracting from life and the West all it had to offer. His western notoriety grew with his adventures, including those during the Sioux War, in which he purportedly fought a duel with Chief Yellow Hand. Cody's theatrical career was launched that same year with his re-enactments of such Indian battles.

W. C. FIELDS and FLO ZIEGFELD Both sign and initial a typed documentary letter (1924) extending Fields' contractual obligation to a Ziegfeld production. Documentary Letter signed: "W. C. Fields", "F. Ziegfeld, Jr." , 1 page, 7¼x10½. New York City, 1924 November 12. On Ziegfeld's New Amsterdam Theatre letterhead to W. C. Fields, New York City. Both have initialed a one-line ink addition in Ziegfeld's hand. Noting that Fields' current Equity Run-of-the-Play Contract for J. P. McEvoy's "Comic Supplement" expires on June 1, 1925, Fields agrees to extend his commitment after that date at the rate of $1,750 per week, provided that Fields is successful through the Actors Equity Association in getting released from a conflicting commitment with Phillip Goodman. Fields' weekly salary is to rise to $2,000 per week if "Comic Supplement" should continue running into 1926. Red-nosed, gravel-voiced, bottle-hitting American comedian W. C. FIELDS (1880-1946), born William Claude Dukenfield, began his career in silents, later excelling in such films as David Copperfield (as Micawber), My Little Chickadee (with Mae West) and The Bank Dick.

W.C. FIELDS Original Prohibition-era W.C. Fields comedy sketch. Manuscript Comedy Sketch titled and signed: "One of the six best Cellars/By/W.C. Fields", 13¼p, 6x8¼, separate sheets. No place, no date. The 18th Amendment to the U.S. Constitution went into effect on January 16, 1920. As of that date, "the manufacture, sale, or transportation of intoxicating liquors within, the importation thereof into, or the exportation thereof from the United States and all territory subject to the jurisdiction thereof for beverage purposes is hereby prohibited." Prohibition is the topic of this comedy sketch, One of the Six Best Cellars, which is written with a bit of satire. The phrase "six best cellars" was an expression first used in 1920 referring to the best hideaways where liquor was stored during Prohibition. The phrase was used in a "Los Angeles Herald" story on December 8, 1920 stating that actress Mabel Normand, known to be a heavy drinker, had one of the "six best cellars" of Prohibition liquor in the Hollywood film colony. Although not dated, this comedy sketch was likely written during the Prohibition era. In the early 1920s Fields wrote many comedy sketches while performing in New York's vaudeville, most notably in the Ziegfeld Follies.

W. C. FIELDS Very youthful 4½x6½ image in bow tie and stiff collar Photograph signed: "W. C. Fields" B/w, 4½x6½. W. C. Fields (1879-1946) began entertaining as an amusement park juggler at the age of fourteen. He was a vaudeville headliner before he was twenty and toured Europe in 1901, giving a command performance at Buckingham Palace. His Broadway debut in The Ham Tree (1905) was followed by appearances in the Ziegfeld Follies (1915-1921) and in George White's Scandals (1922). Fields starred in Poppy on Broadway (1923) and the next year made his first film, Janice Meredith (1924). Fields' style, verbal rather than visual, and his irascible con-man philosophy made him a favorite, especially with the advent of sound, where his raspy voice provided the final touch to his comedy. He starred in movies including My Little Chickadee (1940) and Never Give a Sucker an Even Break (1941). Nobody contributed more wry quotations ("Anyone who hates children and animals can't be all bad.") to American folklore. Signature in poor contrast but legible. Light silvering. Surface creases. Corners worn and chipped. Ink stamp on verso. Multiple pencil marks (unknown hand) on verso.

WILLIAM F. CODY The famous Wild West showman pens a hopeful letter to his friend, stating "New England was never big for me. But wait till we start west. I predict a big season." The letter was written during the downfall of Cody's show empire due to outside expenses draining the immense profits from his show Autograph letter signed: "Col.", 1 page, 8½x11 framed to an overall size of 25½x18½. Buffalo Bill's Wild West combined with Pawnee Bill's Great Far East. May 29, 1911. Portsmouth, [New Hampshire]. In full: "Dear Mayor Glad Light, Your letter which found me is fine health. We had two bad towns last week. Fitchburg & Newburyport. No one ever done business in either. The week hurt us at least $2000 in Lowell-sent your bank 5100 today to take up one of my notes. Been getting good deposits from the mines. Been getting in shape [illegible] or any one. I believe I'll walk a sale of the [illegible]. Note if good are doing. [illegible]. While I telegraph you for now we are all OK here-now. And barring accident we will be OK. New England was never big for me. But wait till we start west. I predict a big season.

W.C. FIELDS, MAURICE CLEARY and GENE TOWNEThe legendary comedian and actor and two others sign a six-month agreement for the production and airing of radio broadcasts starring Fields. Typed DS: "W.C. Fields" as Party of the First Part on page 4 and intiialed: "W.C.F." three times on page 3 and once on page 4, 4p, 8½x13, separate sheets, bound together onto 9x13¾ blue legal sheet (imprinted "Stephen Monteleone/Attorney and Counsellor at Law/Petroleum Securities Building/Flower Street at Tenth/Los Angeles)". Los Angeles, California, 1932 November 11.This agreement, which is for a period of six months (November 11, 1932-May 11, 1933), states that Fields, who "possesses special, unique and unusual ability as an artist", Cleary, "skilled and experienced in arranging for the production of any such performances [by Fields] and the disposal of the same for use over the radio", and Towne, who "possesses unique ability in the presentation of original stories and plays to be used [by Fields] in broadcasting the same over the radio", agree to collaborate on radio performances.

W. C. FIELDS Preparing for his role as "The Great Man" in his last starring role, later titled Never Give a Sucker an Even Break, Fields hires his own writer, to be paid by him, not by the studio. The writer (John T. Neville) has also signed. Documentary Letter Signed: "W. C. Fields", "John T. Neville", 1 page, 8½x11. Universal City, California, 1941 February 22. Neville acknowledges that he has been hired personally by W. C. Fields in connection with Fields' pending movie for Universal Studios, and understands that is to be compensated by Fields, owed nothing by Universal. Fields signs his "approval and consent to the foregoing." Ink note at top left (unknown hand), underlined in red: "The Great Man". W.C. FIELDS (1879-1946) began entertaining as an amusement park juggler at the age of fourteen. He was a vaudeville headliner before he was twenty and toured Europe in 1901, giving a command performance at Buckingham Palace. His Broadway debut in The Ham Tree (1905) was followed by appearances in the Ziegfeld Follies (1915-1921) and in George White's Scandals (1933). Fields starred in Poppy on Broadway (1923) and the next year made his first film, Janice Meredith (1924).

W. C. FIELDS Handwritten letter to his mistress Carlotta Monti, signed as "The Great Man". Monti is not spared Fields' caustic wit: "You say your voice has improved ... Thank Christ you never took up the cornet." Autograph Letter signed: "The Great Man", 2 pages (integral leaf), 8½x11. No place, 1939 January 11. To "Dear Carlotta". In full: "You say your voice has improved, but if you cannot commercialize on it, it will do you very little good, and cause others who have to listen to it quite a bit of business. Thank Christ you never took up the cornet. I will ask mickey mouse or pals to meet you at the station with station wagon. So look for either upon your arrival. [next 3 sentences written in cramped script in margin.] I will call you up at 8th St. Don't be fretting about your birthday. You know money is very good and I hate to hear anyone mention it. I will be out of town as the painters come in Monday. We will be most anxious to see you and have you tell us about London, Berlin, Paris, Moscow, etc. Carlo-Ta-Carlo-Ta". W.C. Fields (1879-1946) began entertaining as an amusement park juggler at the age of fourteen.