W. C. FIELDS Handwritten letter to his mistress Carlotta Monti, signed as "The Great Man". Monti is not spared Fields' caustic wit: "You say your voice has improved ... Thank Christ you never took up the cornet." Autograph Letter signed: "The Great Man", 2 pages (integral leaf), 8½x11. No place, 1939 January 11. To "Dear Carlotta". In full: "You say your voice has improved, but if you cannot commercialize on it, it will do you very little good, and cause others who have to listen to it quite a bit of business. Thank Christ you never took up the cornet. I will ask mickey mouse or pals to meet you at the station with station wagon. So look for either upon your arrival. [next 3 sentences written in cramped script in margin.] I will call you up at 8th St. Don't be fretting about your birthday. You know money is very good and I hate to hear anyone mention it. I will be out of town as the painters come in Monday. We will be most anxious to see you and have you tell us about London, Berlin, Paris, Moscow, etc. Carlo-Ta-Carlo-Ta". W.C. Fields (1879-1946) began entertaining as an amusement park juggler at the age of fourteen.

W. C. FIELDS Very youthful 4½x6½ image in bow tie and stiff collar Photograph signed: "W. C. Fields" B/w, 4½x6½. W. C. Fields (1879-1946) began entertaining as an amusement park juggler at the age of fourteen. He was a vaudeville headliner before he was twenty and toured Europe in 1901, giving a command performance at Buckingham Palace. His Broadway debut in The Ham Tree (1905) was followed by appearances in the Ziegfeld Follies (1915-1921) and in George White's Scandals (1922). Fields starred in Poppy on Broadway (1923) and the next year made his first film, Janice Meredith (1924). Fields' style, verbal rather than visual, and his irascible con-man philosophy made him a favorite, especially with the advent of sound, where his raspy voice provided the final touch to his comedy. He starred in movies including My Little Chickadee (1940) and Never Give a Sucker an Even Break (1941). Nobody contributed more wry quotations ("Anyone who hates children and animals can't be all bad.") to American folklore. Signature in poor contrast but legible. Light silvering. Surface creases. Corners worn and chipped. Ink stamp on verso. Multiple pencil marks (unknown hand) on verso.

W.C. FIELDS, MAURICE CLEARY and GENE TOWNE The legendary comedian and actor and two others sign a six-month agreement for the production and airing of radio broadcasts starring Fields. Typed DS: "W.C. Fields" as Party of the First Part on page 4 and intiialed: "W.C.F." three times on page 3 and once on page 4, 4p, 8½x13, separate sheets, bound together onto 9x13¾ blue legal sheet (imprinted "Stephen Monteleone/Attorney and Counsellor at Law/Petroleum Securities Building/Flower Street at Tenth/Los Angeles)". Los Angeles, California, 1932 November 11.This agreement, which is for a period of six months (November 11, 1932-May 11, 1933), states that Fields, who "possesses special, unique and unusual ability as an artist", Cleary, "skilled and experienced in arranging for the production of any such performances [by Fields] and the disposal of the same for use over the radio", and Towne, who "possesses unique ability in the presentation of original stories and plays to be used [by Fields] in broadcasting the same over the radio", agree to collaborate on radio performances.

WILLIAM F. CODY Readying his TE Ranch and stating that his Wild West Show is "doing big". ALS: "Col" with "Cody" in text, 1p, 8¼x11¼. New York, no year April 7.With an original "Buffalo Bill's/Wild West" envelope addressed by Cody to: "Mattie & Eli Jer[?]/TE Ranch/Ishawood/Big Horn Co W[yoming]." Postmarked Owensboro, KY, May 10, 1901.In 1895, Cody began moving cattle to Wyoming. He received a large herd from his friend and hunting companion, Mike Russell. The herd wore the TE brand. Thus Cody named his ranch the TE Ranch. The TE was once rated at 4600 acres, but Cody added other ranches to it and the conglomerate was considered his Big Horn Basin Holdings. He was about 50 when he bought the TE and he considered it a haven from the world. To Mattie & Eli.In full: "The wild west show doing big. Now my dear good friends-the next two months you have got lots to do-hire plenty men-to get the crops in-plow lots of new ground-get in every acre you can-Make a good big garden-clean up all the deadwood in the timber pasturers (sic)-And plant grass seed among the trees-don't cut any green bushes or trees.

WILLIAM F. CODY: BUFFALO BILL 4¼x6½ cabinet card photo, signed both as W.F. Cody and as Buffalo Bill Cabinet Card Photograph signed: "W.F. Cody/'Buffalo Bill'". B/w, 4¼x6½. Superb portrait of William F. Cody with his desirable double signature. Photographer's imprint, "Gessford/238 Fifth Ave./N.Y.", at lower mount. William Frederick Cody (1846-1917) was a rider for the Pony Express in 1860, a scout for the Kansas Cavalry against the Indians (1863) and served in the U.S. Army in the Civil War (1863-1865). From 1867-1868, he furnished buffalo meat for the Union Pacific Railroad construction crews, earning his nickname, "Buffalo Bill". Cody was a scout for the 5th U.S. Cavalry from 1868-1872 and in 1876. From 1872-1883, he was on stage as an actor at first in E.Z.C. Judson's play, Scouts of the Plains. He organized Buffalo Bill's Wild West Show in 1883 and toured the United States and Europe successfully for over 30 years. Fine condition.

WILLIAM F. CODY ("BUFFALO BILL") Signed photo and photo mount both as W.F. Cody and Buffalo Bill. Photograph Mount inscribed and signed: "W.F. Cody/'Buffalo Bill'/To Ormsby Trench/1903". B/w, 7x9 overall, image 3¾x5½ (two surfaces). Photo by Marceau Studios, 258 Fifth Avenue, New York. William Frederick Cody earned the name "Buffalo Bill" for killing thousands of buffalo as a hired hunter in 1867 and 1868. Cody's theatrical career was launched in 1872 with re-enactments of Indian battles. By 1883, he formed his first Wild West spectacle, becoming a master showman. Vintage mount is lightly foxed, soiled and slightly stained with some wear at edges. Photo is lightly soiled and slightly foxed. Signature and inscription in fine condition.

WILLIAM F. 'BUFFALO BILL' CODY The man known for his showmanship and scouting skills signed this handwritten letter concerning his financial issues. Various close associates liquidate Cody's assets so that he can pay his creditors. Autograph Letter Signed: "W. C. Cody" one page both sides, 8.5 x 11, Chicago Shan-Kive and Round-Up letterhead. Dated September 18, 1916. Letter to his attorney Henry Hersey regarding his grim financial situation. In Part: “They can explain this situation to you better than I care for they have not kept me well footed. But if you do not hear from them, I'll write you all I know. First Link got judgement for about $11,800. And sold the Irma hotel and four lots and bid it in him self. I have until Jan. 15th 1917. In which to reclaim the property. There separately he sold the fixtures, paintings, etc - I furnished the money and had W.L. Walls bid them in for me. Then Link advertised and sold a hotel of mine called Pahaska Tepee. I furnished the money and had Walls bid that in for me.

WILLIAM F. "BUFFALO BILL" CODY 6¾x9 black and white photograph mount with an exceptional quality image of the western icon, signed "W.F Cody, 'Buffalo Bill'" Inscribed Photograph Mount signed: "W.F Cody,/"Buffalo Bill"/To- W.S. Metz", B/w 6½x8 image, 6¾x9 overall. Photographer imprint at lower mount reading: "Prince/Parisian Panel/31 Union Square. New York/Penna Ave. & 11th St. Washington D.C."William Frederick Cody (1846-1917) earned the name "Buffalo Bill" for killing thousands of buffalo as a hired hunter in 1867 and 1868. Cody had begun his Wild West career herding cattle at age nine. Five years later, he became the Pony Express' youngest rider. Throughout the Civil War, Cody worked as a government scout, extracting from life and the West all it had to offer. His western notoriety grew with his adventures, including those during the Sioux War, in which he purportedly fought a duel with Chief Yellow Hand. Cody's theatrical career was launched that same year with his re-enactments of such Indian battles.

"BUFFALO BILL" CODY Handwritten letter to former rival - now partner - Pawnee Bill Lillie - outlining plans for a California tour of their wild west show. "And if all goes well we could clean up a wagon load of money." Autograph Letter signed: "Col.", 1 page, 8½x11. Saco, Maine, May 30 (circa 1908). On letterhead of Buffalo Bill's Wild West and Pawnee Bill's Far East to "Dear Major" [William Lillie]. In full: "The reason I would not sign up with Craft. They went back on the Contract they had Bacon draw and sent two of their own fixing. You see by the route of Sells Floto that they are playing all of the Country west of the Rockies and North West. And I think we should do it. I think the summer of the Great Panama Fair at San Francisco we could show all that Country. In the Spring three shows. San Francisco July, Aug. Sep. Then Southern Cal. Oct. And if all goes well we could clean up a wagon load of money." William Frederick Cody (1846-1917) earned the name "Buffalo Bill" for killing thousands of buffalo as a hired hunter in 1867 and 1868.