W. C. FIELDS - DOCUMENT SIGNED 11/11/1932 WITH CO-SIGNERS - HFSID: 276293

W. C. FIELDS - DOCUMENT SIGNED 11/11/1932 CO-SIGNED BY: GENE TOWNE , MAURICE - HFSID 276293

The legendary comedian and actor and two others sign a six-month agreement for the production and airing of radio broadcasts starring Fields. Typed DS: "W.C. Fields" as Party of the First Part on page 4 and intiialed: "W.C.F." three times on page 3 and once on page 4, 4p, 8½x13, separate sheets, bound together onto 9x13¾ blue legal sheet (imprinted "Stephen Monteleone/Attorney and Counsellor at Law/Petroleum Securities Building/Flower Street at Tenth/Los Angeles)". Los Angeles, California, 1932 November 11. This agreement, which is for a period of six months (November 11, 1932-May 11, 1933), states that Fields, who "possesses special, unique and unusual ability as an artist", Cleary, "skilled and experienced in arranging for the production of any such performances [by Fields] and the disposal of the same for use over the radio", and Towne, who "possesses unique ability in the presentation of original stories and plays to be used [by Fields] in broadcasting the same over the radio", agree to collaborate on radio performances. Fields is to be paid 60%, Cleary will receive 20% and Towne will be given 20% of net profits and royalties.

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W. C. FIELDS - AUTOGRAPHED SIGNED PHOTOGRAPH - HFSID: 290553

Very youthful 4½x6½ image in bow tie and stiff collar Photograph signed: "W. C. Fields" B/w, 4½x6½. W. C. Fields (1879-1946) began entertaining as an amusement park juggler at the age of fourteen. He was a vaudeville headliner before he was twenty and toured Europe in 1901, giving a command performance at Buckingham Palace. His Broadway debut in The Ham Tree (1905) was followed by appearances in the Ziegfeld Follies (1915-1921) and in George White's Scandals (1922). Fields starred in Poppy on Broadway (1923) and the next year made his first film, Janice Meredith (1924). Fields' style, verbal rather than visual, and his irascible con-man philosophy made him a favorite, especially with the advent of sound, where his raspy voice provided the final touch to his comedy. He starred in movies including My Little Chickadee (1940) and Never Give a Sucker an Even Break (1941). Nobody contributed more wry quotations ("Anyone who hates children and animals can't be all bad.") to American folklore. Signature in poor contrast but legible. Light silvering. Surface creases. Corners worn and chipped. Ink stamp on verso. Multiple pencil marks (unknown hand) on verso. Finger print impressions at top right. Otherwise, fine condition.

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W. C. FIELDS - CONTRACT SIGNED 02/22/1941 WITH CO-SIGNERS - HFSID: 290558

W. C. FIELDS - CONTRACT SIGNED 02/22/1941 CO-SIGNED BY: JOHN T. - HFSID 290558

Preparing for his role as "The Great Man" in his last starring role, later titled Never Give a Sucker an Even Break, Fields hires his own writer, to be paid by him, not by the studio. The writer (John T. Neville) has also signed. Documentary Letter Signed: "W. C. Fields", "John T. Neville", 1 page, 8½x11. Universal City, California, 1941 February 22. Neville acknowledges that he has been hired personally by W. C. Fields in connection with Fields' pending movie for Universal Studios, and understands that is to be compensated by Fields, owed nothing by Universal. Fields signs his "approval and consent to the foregoing." Ink note at top left (unknown hand), underlined in red: "The Great Man". W.C. FIELDS (1879-1946) began entertaining as an amusement park juggler at the age of fourteen. He was a vaudeville headliner before he was twenty and toured Europe in 1901, giving a command performance at Buckingham Palace. His Broadway debut in The Ham Tree (1905) was followed by appearances in the Ziegfeld Follies (1915-1921) and in George White's Scandals (1933). Fields starred in Poppy on Broadway (1923) and the next year made his first film, Janice Meredith (1924).

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W. C. FIELDS - DOCUMENT SIGNED 03/13/1946 WITH CO-SIGNERS - HFSID: 292087

W. C. FIELDS - DOCUMENT SIGNED 03/13/1946 CO-SIGNED BY: NORMAN - HFSID 292087

Agreement with the J. Walter Thompson advertising firm setting strict rules for Fields' script for a radio broadcast, co-signed by producer and ad executive Norman Blackburn Document signed: "W. C. Fields", "Norman Blackburn", 1 page, 8¾x14. Hollywood, California, 1946 March 13. Agreement with the J. Walter Thompson advertising agency, acting as agent for Standard Brands, Inc., governing Fields' forthcoming appearance on the Chase and Sanborn radio program, March 24, 1946. The agreement stipulates that Fields must adhere strictly to a script approved in advance by the firm and by Fields himself, and that Fields shall not "improvise, extemporize or use unapproved material." It further stipulates that Fields shall be held blameless from any claims for "slander, libel, copyright infringement, etc." arising from the program. Fields is to receive $3,500 for his performance. W.C. FIELDS (1879-1946) began entertaining as an amusement park juggler at the age of fourteen. He was a vaudeville headliner before he was twenty and toured Europe in 1901, giving a command performance at Buckingham Palace. His Broadway debut in The Ham Tree (1905) was followed by appearances in the Ziegfeld Follies (1915-1921) and in George White's Scandals (1933).

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W. C. FIELDS - AUTOGRAPH LETTER SIGNED - HFSID: 289990

Letter to his mistress Carlotta, lambasting New York weather, music lovers, and his latest movie, which he calls "an abortion." Fields signs ironically as "The Great Man." A vivid example of Fields' view of the world! Autograph Letter signed: "The G. Man", 3 pages, 8½x11. No place, no date, but mailing envelope is postmarked postmarked April 13, 1939, with his handwritten return address of "Bel Air, Cal". To "Dear Katrinka" [Carlotta Monti], in full: "Thanks for your letter which was despondent indeed. N. Y. will make one so. I do not want to go all over these items, again, and again, but I must divest myself of a few more - more weather pro[g]nostications. Spring in N.Y. is most capricious. One day it will snow, and the next day it will be real warm. Warm sunshine will greet you in the morning and a cold rain will follow within a few hours or vice versa. Therefore you need a light coat and my suggestion would be no sweater. The brown overcoat I gave you is ideal for an eastern spring coat. It is semi rain proof and will keep out the chill wind. However, I am enclosing you a check for a hundred dollars for a light coat - in all probability you have the coast in question here and haven't enough to send for it.…"

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W. C. FIELDS - AUTOGRAPH LETTER SIGNED - HFSID: 283831

Three-page autograph letter to his mistress Carlotta Monti, signed by Fields as "Continental Claude", calling Hitler "full of mierda" and confiding, "like the three monkeys I see nothing, know nothing, and won't drink anything 'cept Beer." Autograph Letter signed: "Continental Claude", 3 pages, 8½x11. Bel Air, Labor Day. To "Katrinka & Claudia". ["Katrinka" was Fields' pet name for Carlotta Monti.] In full: "I suppose you are wondering why you have not received your packard as yet. And telling your friends I am not a man of my word. Give me time and I can explain anything. Practically all nations will be in the war by the time this missive arrives. But you, unfortunately for yourself contended the whole world would be at war. It was then I accepted your wager 'I'll bet you the whole world will be at war by 1940. If not you give me a packard.' It was a bet made in all fairness. I forget what I was to receive had you lost. However all is fair in something or other and war. I will pay off if it becomes real serious. I firmly believe it will be of short duration, in which case you will receive a small packard. Hitler is full of 'mierda' [Spanish for "shit"] and the unfortunate part of it for him is it is mostly in his neck and he can taste it.…"

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W. C. FIELDS - AUTOGRAPH LETTER SIGNED - HFSID: 179355

Signing as "The great man/Continental Claude", he pens a letter to his mistress Carlotta in New York Autograph Letter signed: "The great man/Continental Claude", 1p, 8½x10¼. On lightweight airmail paper. No place, no date, but with original envelope postmarked Los Angeles, Hollywood, December 27, 1939. Addressed by Fields to Miss C. Douglas [Carlotta Monti], Hotel Marie Antoinette, Broadway at 66 St., New York City. Torn flap. Creased, soiled and worn. Unrelated notes on verso (unknown hand). In full: "Something or other was at ah La Cava's Morales you know her and she enquired about you. I told her you were making the grade in N.Y. That you had been on here to attend your case but returned. She expressed regrets she had not seen you. She made La Cava a sweater. I think I admired the sweater and she suggested making me one. Being continental and never forgetting the days of chivalry I accepted graciously. She evidently knows Margo and they are coming some afternoon to measure me. Do you think I should order a pair if drawers too? This thing is running into a book, so will saw off. Keep well- and think for pastime. Always my best and most important wishes. M.M. sends Love." Creased, folds, lightly nicked edges. W.C.

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W. C. FIELDS - TYPED LETTER SIGNED 11/10/1924 WITH CO-SIGNERS - HFSID: 287816

W. C. FIELDS - TYPED LETTER SIGNED 11/10/1924 CO-SIGNED BY: FLORENZ FLO - HFSID 287816

Both sign a contract for Fields' appearance in the play "J. P. McEvoy's Comic Supplement". Not a standard form contract, this one has been written with Fields in mind. Contract signed: "Flo Ziegfeld", "W. C. Fields", 4 pages, 7¼x10½. Also initialed by both at a minor correction: "F.Z.", "W. C. F." New Amsterdam Theatre, New York, N.Y., 1924 November 10. On Ziegfeld's personal letterhead, Fields signs his acceptance of a commitment to appear in a play bearing the temporary title "J. P. McEvoy's Comic Supplement," to be produced on or before January 15, 1925. Fields is guaranteed top billing in the play credits and all advertising, and will receive $1, 750 per week for the full run of the play. He must attend five weeks of rehearsals without compensation. Clause 5 is of special interest: "You agree to get in touch promptly after the execution of this agreement with the author of this play, Mr. McAvoy and to aid and facilitate him and co-operate with him in every matter to the end that the parts to be assigned to you shall be adapted to your special talents and ability. You agree to render such services without any additional compensation." Red-nosed, gravel-voiced, bottle-hitting American comedian W. C.

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W. C. FIELDS - DOCUMENT SIGNED 11/11/1932 WITH CO-SIGNERS - HFSID: 276293

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W. C. FIELDS - CONTRACT SIGNED 02/22/1941 WITH CO-SIGNERS - HFSID: 290558

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W. C. FIELDS - AUTOGRAPHED INSCRIBED PHOTOGRAPH 10/11/1928 - HFSID: 285843

11x14 sepia photo of Fields in the stage version of his skit, "The Caledonian Express," signed and inscribed to author and publisher Arthur Samuels. Field's inscription includes one of his famous lines from the stage and screen skit: "You'll ha to git oot/o' the compartment." Oversized Photograph inscribed and signed: "To My friend/Arthur -you'll ha to git oot/o' the compartment,/from his friend/Bill Fields/Oct 11 - 1928." Sepia, 11x14. Remarkable studio portrait inscribed to Arthur Samuels, who was involved with the publishing of "Ladies Home Journal" and authored Poppy. Half-view left profile by Hal Phype. Fields has quoted one of his lines from the Earl Carroll's Vanities sketch "The Caledonian Express" (1928), in which the legendary comedian played four Scottish characters trying to remove an uninvited guest from a train compartment. Fields repeated the skit in the film Follow the Boys (1945), but that time played the intruder. Samuels' Poppy made Fields a Broadway star in 1923, and he reprised the role in two film versions. Surface creases at upper right corner with fraying at that corner, else fine, handsome and rare.

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W. C. FIELDS - AUTOGRAPH LETTER SIGNED 01/11/1939 - HFSID: 290554

Handwritten letter to his mistress Carlotta Monti, signed as "The Great Man". Monti is not spared Fields' caustic wit: "You say your voice has improved ... Thank Christ you never took up the cornet." Autograph Letter signed: "The Great Man", 2 pages (integral leaf), 8½x11. No place, 1939 January 11. To "Dear Carlotta". In full: "You say your voice has improved, but if you cannot commercialize on it, it will do you very little good, and cause others who have to listen to it quite a bit of business. Thank Christ you never took up the cornet. I will ask mickey mouse or pals to meet you at the station with station wagon. So look for either upon your arrival. [next 3 sentences written in cramped script in margin.] I will call you up at 8th St. Don't be fretting about your birthday. You know money is very good and I hate to hear anyone mention it. I will be out of town as the painters come in Monday. We will be most anxious to see you and have you tell us about London, Berlin, Paris, Moscow, etc. Carlo-Ta-Carlo-Ta". W.C. Fields (1879-1946) began entertaining as an amusement park juggler at the age of fourteen. He was a vaudeville headliner before he was twenty and toured Europe in 1901, giving a command performance at Buckingham Palace.

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W. C. FIELDS - DOCUMENT SIGNED 11/12/1924 WITH CO-SIGNERS - HFSID: 283420

W. C. FIELDS - DOCUMENT SIGNED 11/12/1924 CO-SIGNED BY: FLORENZ FLO ZIEGFELD - HFSID 283420

Both sign and initial a typed documentary letter (1924) extending Fields' contractual obligation to a Ziegfeld production. Documentary Letter signed: "W. C. Fields", "F. Ziegfeld, Jr." , 1 page, 7¼x10½. New York City, 1924 November 12. On Ziegfeld's New Amsterdam Theatre letterhead to W. C. Fields, New York City. Both have initialed a one-line ink addition in Ziegfeld's hand. Noting that Fields' current Equity Run-of-the-Play Contract for J. P. McEvoy's "Comic Supplement" expires on June 1, 1925, Fields agrees to extend his commitment after that date at the rate of $1,750 per week, provided that Fields is successful through the Actors Equity Association in getting released from a conflicting commitment with Phillip Goodman. Fields' weekly salary is to rise to $2,000 per week if "Comic Supplement" should continue running into 1926. Red-nosed, gravel-voiced, bottle-hitting American comedian W. C. FIELDS (1880-1946), born William Claude Dukenfield, began his career in silents, later excelling in such films as David Copperfield (as Micawber), My Little Chickadee (with Mae West) and The Bank Dick. The vaudeville veteran, who appeared in every version of the "Ziegfeld Follies" from 1915 to 1921, made his last film, Sensations of 1945, in 1944. FLORENZ ZIEGFELD, JR.

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W. C. FIELDS - MANUSCRIPT SIGNED - HFSID: 285867

Original Prohibition-era W.C. Fields comedy sketch. Manuscript Comedy Sketch titled and signed: "One of the six best Cellars/By/W.C. Fields", 13¼p, 6x8¼, separate sheets. No place, no date. The 18th Amendment to the U.S. Constitution went into effect on January 16, 1920. As of that date, "the manufacture, sale, or transportation of intoxicating liquors within, the importation thereof into, or the exportation thereof from the United States and all territory subject to the jurisdiction thereof for beverage purposes is hereby prohibited." Prohibition is the topic of this comedy sketch, One of the Six Best Cellars, which is written with a bit of satire. The phrase "six best cellars" was an expression first used in 1920 referring to the best hideaways where liquor was stored during Prohibition. The phrase was used in a "Los Angeles Herald" story on December 8, 1920 stating that actress Mabel Normand, known to be a heavy drinker, had one of the "six best cellars" of Prohibition liquor in the Hollywood film colony. Although not dated, this comedy sketch was likely written during the Prohibition era. In the early 1920s Fields wrote many comedy sketches while performing in New York's vaudeville, most notably in the Ziegfeld Follies.

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W. C. FIELDS - DOCUMENT SIGNED 11/11/1932 WITH CO-SIGNERS - HFSID: 276293

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Actors & Actresses from the 2000s | Show Bills

EDIE ADAMS - SHOW BILL SIGNED CIRCA 1966 - HFSID 322079

The actress signs her name on a showbill for a production of Born Yesterday in North Carolina Show bill signed: "Edie Adams", in black felt tip, 28 pages, 6x9 affixed to a 9x12 sheet.

Sale Price $115.00

$140.00
RENE AUBERJONOIS - SHOW BILL SIGNED - HFSID 175883

Playbill signed: "René Auberjonois" on front cover, 50p, 5½x9. New York City, circa January 1973. Complete "Playbill Magazine" for the original Broadway musical, Tricks, which played at the Alvin Theatre from January 8-13, 1973.

Price: $120.00
CARROLL BAKER - SHOW BILL SIGNED CIRCA 1977 - HFSID 322084

She signs a show bill from her Peachtree Theatre performance of Bell, Book and Candle. Accompanied by unsigned candid photo of Baker with theatre producer Christopher B. Manos. Show bill signed: "Carroll Baker" 27 page, 6x9 affixed to 9x12 sheet.

Price: $160.00
GEORGE BAKER - SHOW BILL SIGNED 09/04/1956 - HFSID 142992

The actor signs a show bill for the play Towards Zero Show bill signed: "George Baker", 8p, 4¾x7¼. London, circa 1956. Program for the Agatha Christie play Towards Zero, St. James Theatre, first performance 1956 September 4. Signed on cast page.

Price: $90.00
ALEC BALDWIN - SHOW BILL SIGNED WITH CO-SIGNERS - HFSID 301566

Both sign a Broadway playbill. Show Bill signed: "Kim Basinger", "Alec/Baldwin", 70 pages, 5½x8½. Playbill for a production of How to Succeed in Business Without Really Trying at New York's Richard Rodgers Theatre.

Price: $260.00
CHRISTINE BARANSKI - SHOW BILL SIGNED - HFSID 285037

Signed Playbill cover for Neil Simon's Rumors at the Broadhurst Theatre Show Bill Cover signed: "Christine/Baranski", 5½x8½.

Price: $120.00
MIKHAIL BARYSHNIKOV - SHOW BILL SIGNED CIRCA 1989 - HFSID 227183

A Playbill for Metamorphosis, signed by it's star Playbill signed: "M. Baryshnikov", on the cover, 92p, 5½x8½. Franz Kafka's Metamorphosis, Ethel Barrymore Theatre, New York City, Opening Night: March 6, 1989.

Price: $280.00
ANN BEACH - SHOW BILL SIGNED - HFSID 201154

The actress signs her name on a showbill for a production of Mame Showbill signed: "Best Wishes/Ann Beach", in red felt tip, 22 pages, 6x9. A showbill for Mame at the Theatre Royal Drury Lane.

Price: $160.00
PAUL BENEDICT - SHOW BILL COVER SIGNED - HFSID 78808

Playbill cover from the 1974 Booth Theatre production of Bad Habits, a dual with Benedict playing a role in each play. Show bill cover signed "Best,/Paul Benedict". 5½x8¾. Playbill cover from the Booth Theatre Production of Bad Habits (1974, 177 performances).

Price: $100.00
RAY BOLGER - INSCRIBED SHOW BILL SIGNED - HFSID 74269

Ray Bolger signs a playbill for By Jupiter to a fan. Playbill inscribed and signed: "To Bruno Senotto/All the best!/Ray Bolger", 36p, 6¾x9. New York City, circa June 1942-June 1943. Playbill for By Jupiter, an original musical by Rodgers and Hart, at the Sam S.

Price: $280.00
PHILIP BOSCO - SHOW BILL SIGNED - HFSID 309465

The Tony Award winning actor signs in black felt tip on this Playbill for a production of An Inspector Calls. Showbill signed: "Philip Bosco", in black felt tip, 67 pages, 5½x8½. Playbill for a production of An Inspector Calls at the Royale Theatre in New York.

Price: $180.00
PHILIP BOSCO - SHOW BILL SIGNED - HFSID 309467

The Tony Award winning actor signs in black felt tip on this Playbill for a production of Donnybrook! Showbill signed: "Philip Bosco", in black felt tip, 38 pages, 6½x9. Playbill for a production of Donnybrook! at the 46th St. Theatre in New York.

Price: $180.00
LEO BURMESTER - SHOW BILL SIGNED - HFSID 343782

The Broadway and film actor signs this Playbill for one of his first theater roles Show bill signed: "Leo Burmester" in blue felt. 8 pages, 5½x9. Showbill for the Century Theatre productions of "Lone Star" and "Pvt. Wars" in July 1979, signed on page 5.

Price: $180.00
ELLEN BURSTYN - SHOW BILL SIGNED - HFSID 181595

Playbill signed: "Ellen Burstyn". 68p, 5½x8½. Playbill for The Booth Theatre's Broadway production of Shirley Valentine in which she starred.

Price: $180.00
JOHN CARRADINE - SHOW BILL SIGNED CIRCA 1974 - HFSID 266180

John Carradine signs a program for his performance of Arsenic and Old Lace at the Guilford Playhouse, Lake Winnipesaukee, New Hampshire. Show Bill signed: "Love/from/John Carradine", 24p, 6x9.

Price: $180.00
DIAHANN CARROLL - INSCRIBED SHOW BILL COVER SIGNED - HFSID 313808

The actress signs her name on a Playbill for a production of Agnes of God Inscribed show bill cover signed: "To Gene/Diahann/Carroll", in blue ink, 66 pages, 5½x8½. A Playbill for a production of Agnes of God.

Price: $180.00
CHUCK CONNORS - INSCRIBED SHOW BILL SIGNED - HFSID 310333

The sports star and actor signed his name on this show bill for Mary, Mary that features him on the front cover Inscribed show bill signed: "Fran,/Best Wishes/to a very/nice friend,/Chuck Connors", in red felt tip, 21 pages, 6x9.

Sale Price $175.00

$220.00
TOM COURTENAY - SHOW BILL COVER SIGNED - HFSID 78799

Signed Playbill cover from the Plymouth Theatre production of Otherwise Engaged, with Courtenay on the cover with a microphone in his hand. Courtenay was nominated for a Tony for his portrayal of Simon in this production. Show bill cover "Tom Courtenay" in blue ink.

Price: $120.00
NORM CROSBY - SHOW BILL COVER SIGNED - HFSID 78776

A show bill cover for the Westbury Music Fair signed by the comedian and actor Show bill cover signed: "Norm Crosby", in blue ink, 5½x8½. Showbill cover for the Westbury Music Fair.

Price: $100.00
JOHN CULLUM - INSCRIBED SHOW BILL SIGNED - HFSID 288032

The two time Tony Award for Best Actor in a Musical winner signs a 1973 show bill for El Capitan at the Ford's Theatre in Washington D.C. Inscribed Stage Bill signed: "To Mary,/From a good/friend your sister, Laura./Good Luck,/John Cullum", 5½x9.

Price: $120.00
SINEAD CUSACK - SHOW BILL SIGNED - HFSID 40365

She signs a show bill for her Tony nominated performance in Much Ado About Nothing at Gershwin Theatre Show bill signed: "With Best/ wishes/ Sinead/ Cusack " in blue ink, 86p, 5½x8½.

Sale Price $105.00

$120.00
JIM DALE - SHOW BILL COVER SIGNED - HFSID 78812

Jim Dale signs an undated Playbill cover for the Circle in the Square Joseph E. Levine Theatre production of Scapino!. Show bill cover signed: "Jim Dale", 1p, 5½x9. Undated Playbill cover for the Circle in the Square Joseph E. Levine Theatre production of Scapino!.

Price: $120.00
BLYTHE DANNER - SHOW BILL COVER SIGNED 1980 - HFSID 78786

The actress signs on the cover of Key, featuring her in Harold Pinter's play Betrayal Magazine Photograph signed: "Blythe/Danner". B/w, 5½x8½. A "critic's darling" thanks to her husky voice and pleasantly mannered acting style, Blythe Danner (b.

Sale Price $105.00

$120.00
PHYLLIS DILLER - SHOW BILL COVER SIGNED - HFSID 322236

A show bill cover for a play at the Drury Lane Theaters, signed by Diller in black felt tip Show bill cover signed: "Phyllis Diller", in black felt tip, 5¾x8¾.

Sale Price $105.00

$120.00
DONAL DONNELLY - SHOW BILL SIGNED - HFSID 309469

The Godfather actor signs on the Playbill for a production of Philadelphia, Here I Come! Show bill signed: "Donal Donnelly", in black ink, 57 pages, 6x9. Playbill for a production of Philadelphia, Here I Come! at the Helen Hayes Theatre in New York.

Price: $180.00
ROY DOTRICE - INSCRIBED SHOW BILL SIGNED - HFSID 313494

The actor signs on a Playbill for his first ever role on Broadway in Brief Lives, which also happened to be his first starring role Inscribed Show Bill signed: "To Dave/ Sincere Wishes/ Roy Dotrice" in black felt tip, 44p, 5¾x9.

Sale Price $105.00

$120.00
SANDY DUNCAN - SHOW BILL SIGNED - HFSID 78784

Playbill Cover signed: "Sandy Duncan", 5½x9. Playbill for the Lunt-Fontanne Theatre's production of Peter Pan. Duncan is pictured on the cover. Duncan has been nominated for three Tony awards, one each for Canterbury Tales (1968), The Boyfriend (1971) and Peter Pan (1980).

Price: $120.00
LOLA FALANA - INSCRIBED SHOW BILL SIGNED - HFSID 252649

The singer, actress and dancer signs this program for an appearance by Lou Rawls with her as a special guest, in blue ink Inscribed Show bill Signed: "To K[illegible]/Love/LoLa/FaLana"in blue ink on front cover. 16 pages, 5¾x9.

Sale Price $115.00

$140.00
LILLIAN GISH - INSCRIBED SHOW BILL SIGNED CIRCA 1937 WITH CO-SIGNERS - HFSID 76678

Stars of The Star-Wagon (at the Empire Theatre) sign a Playbill from their 1937 performance.

Price: $380.00
CUBA GOODING JR. - SHOW BILL COVER SIGNED - HFSID 324129

Playbill for a performance of The Trip to Bountiful signed by the actor in black felt tip Show bill cover signed: "Cuba Gooding, Jr.", in black ink, 5½x8½. 44 pages. Playbill for a performance of The Trip to Bountiful at the Stephen Sondheim Theatre in New York.

Price: $260.00