The artist signs a color poster titled "Maharishi". Poster signed: "Max 72". Signed in pencil on lower right side.15½ x 17, 1972. Titled "Maharishi", the work depicts a holy man seated with his legs crossed on a green platform, surrounded by the night sky. Peter Max, born in Berlin in 1937, spent most of his first ten years in Shanghai, and then traveled the world with his parents before immigrating to the US in 1953. Already an award-winning graphic artist and designer, Max burst on the cultural scene in the 1960s, first with his "psychedelic art" and then with a new concept, "cosmic art." Max, who works in many mediums, has been the official artist for the Grammy Awards, the New Orleans Jazz Festival, the Woodstock Music Festival and 5 Super Bowls. He has decorated a Boeing 747, a Dale Earnhardt racecar, and 265 murals on the US border. He has designed popular US and UN stamps, painted five US Presidents, the Beatles, the Rolling Stones, Mikhail Gorbachev, and the Dalai Lama. He painted individual portraits of 356 firefighters who lost their lives heroically on 9/11, presenting these portraits to the families, and then at President Bush's request designed 356 more for the firefighters' memorial. Fine condition.

Visually striking 9¾x12½ print of a swan in flight, signed by the French painter, affixed to16x20 card stock Printed Art signed: "G Braque", 9¾x12½ print affixed to a 16x20 piece of card stock. French painter Georges Braque (1882-1963) painted everything from landscapes to still-lifes, his style evolving from Impressionism to Fauvism to Cubism. Braque and Picasso were co-developers of the Cubist style. By the time of his death, Braque was considered one of the great elder statesmen of the art world. Additionally. he is credited with producing the first papier collé picture in 1912. Fine condition.

Remarkable signed, handwritten letter to a friend, describing his Florida vacation plans in very vivid detail. Remington has included a drawing of himself sketching an alligator. ALS: "Frederic R", 1 page, 7x8¾. No date, no place, but Florida. To unnamed correspondent. Begins: "Dear One". In full: "That's better than I expected - I have had the grip and been d-- sick - I have got catarrel [sic, catarrhal] to beat hell - I am going to die or take the old lady and pull for  the palmetos _ which I do on Florida Special tomorrow - how long? The length is decided by how my money holds out - that's the motive -- Three weeks if I like it -- a year if you will come and bring Madam. Going to take a shot-gun and I am going in for sport. No d-- high diddle diddle in a big cave full of niggers and dudes. -- Clear shooting and I want to feel a big tarpon pull. Going Jacksonville - Tampa -- & think far south -- Will write you -- but its too good to think you will come -- If you did -- me boy we would have some fun -- Got sketching kit want to shoot alligator. -- want to draw nigger -- want rest and good old fashioned loaf.…"

The painter sketches images of his eight-year-old daughter “dressing up” in a bustle and comments on his art and that of his son Lucien. Autograph Letter signed: "C. Pissarro", 1 page (front and verso), 10x8 which folds to 5x8. Pissarro writes from his home in Eragny to his niece in England of family matters and of his art. Specifically, he thanks her for sending his children clothing and draws two humorous sketches of Cocotte, his eight-year-old daughter, wearing a bustle from a front and side view. He also writes of the completion of his drawings created in the town of Rouen, a favorite locale of impressionist artists. His son Lucien was in Paris at the time of this letter, and he helped his father prepare for art shows from there. Pissarro states that he is forwarding his drawings from Rouen as well as an etching done by Lucien. Like a proud father, he continues to talk about Lucien's work specifically on a children's book which was giving the boy trouble when it came to drawing the animals and father jokes of the final product: "...it will be ready in 2 or 3 days.…"

Bronze sculpture by the artist, titled "Creation". Large bronze sculpture, 14½ inches tall, 9¾ inches wide, 9¾ inches long. Circa 1987. Titled "Creation". Painter, sculptor, and author Charles Bragg (1931-2017) was a social satire artist. His art has been exhibited in museums and galleries, commissioned by Playboy, and documented in a PBS program. He won a Gold Medal from the National Society of Illustrators and an Award of Merit from the Art Directors Guild of New York. His publications include Charles Bragg on Medicine (1984), Charles Bragg: The Works! A Retrospective (1999), and Asylum Earth (2013). Excellent condition.

1987 Lenny Dykstra personally owned, original artwork by LeRoy Neiman Original Artwork titled "Slugger" and signed "LeRoy Nieman '87" 17 x 23. This distinctive work from the most famous name in sports art was apparently either commissioned by or gifted to Dykstra by Neiman and captures "Nails" in the distinctive pinstriped uniform of that glorious World Championship era. The painting is titled "The Slugger" and autographed by Neiman in pencil at bottom right.  LeRoy Neiman (1921-2012) is best known for his brilliantly colored, energetic illustrations. Based in New York City, he is recognized as the consummate sports artist of the 20th century. In 1972 he was named the official artist for the Olympic Games. He was designated the outstanding sports artist in America by the Amateur Athletic Union (1976) and was given the Olympic Artist of the Century Award in 1979, and Sport Artist of the Year Award in 2007. Len "Nails" Dykstra played outfield for the New York Mets from 1985 to 1989, participating in the World Championship. With the Philadelphia Phillies (1989-1996) he reached the World Series again, this time in a losing effort against the Toronto Blue Jays.

Ten months after being dismissed from teaching for using a male model in a women's drawing class, the artist signed this handwritten letter explaining that requests for instructional casts must be addressed to the director who fired him Autograph Letter Signed: "Thomas Eakins", 1¾ pages, 4½x8. Philadelphia, 1886 December 7. To Mr. Frank M. Cowles. The letter is placed on a smaller frame with a hinge, allowing for a plaque featuring the letter's full message in a plaque behind it. In Full: "Those casts of which you speak were made from my dissections at the Pennsylvania Acad. Of the Fine Arts while I was a professor there. I am no longer connected with the institution, so I would advise you to address Mr. Edward H. Coates who is chairman of the committee on Instruction. His address is 116 Chestnut St. Philadelphia. The old arrangement was that they should be furnished to any art student or art institution at cost price which varies somewhat. My remembrance is that the whole set came to about 11 or 12 dollars. My delay in answering your note was caused by a seeming possibility that I should have seen Mr. Coates myself, which however I did not find time to do.…"

Matisse signs a typed New Year's greeting for 1953 on verso of this 6x4 printed version of his self-referential painting, The Painter and His Model Printed Art signed in Ink: "H. Matisse" on verso, 6x4. His typed note in French above his signature, translated in full: "My thanks and my best/ wishes for 1953". The printed card features a reproduction of his painting, The Painter and His Model, from the Museum of Modern Art, Paris. A short version of the title, simply The Painter, is printed on this card. French painter, sculptor, and printmaker Henri Matisse (1869-1954), who was influenced by Post-Impressionism, revolted against Pointillism and became a leader of the Fauvist school, although his later work moved in other directions. He was a master in the use of form and color to convey emotion. A lifelong friend and rival of Pablo Picasso, Matisse shared many similarities with his contemporary. However, he differed from Picasso in that Matisse usually painted from nature. In The Painter and His Model (1917) Matisse also depicts himself in his Paris studio painting in another well-known work, Laurette in a Green Robe (1916). Lightly toned. Otherwise, fine condition.

Artist Proof lithograph of the work titled "Settling In". Artist Proof Lithograph signed: “AP”, "Norman Rockwell". 18 x 14¾ visible. Norman Rockwell (1894-1978) captured scenes from American life in his magazine covers and illustrations, often noted for their humorous and accurate depictions of 1940's and 1950's life. Rockwell's drawings, however, were skillfully executed with minute attention to detail and were so realistic that they usually resembled photographs rather than paintings. He painted over 300 covers for the "Saturday Evening Post" (1916-1965) after beginning his career at age 18 as an illustrator for "Boy's Life". In addition to his many works for the Post, Rockwell illustrated the "Boy Scout Calendar" from 1926-1976. Rockwell published his autobiography, Norman Rockwell, My Adventures as an Illustrator, in 1960. Fine condition. Framed to an overall size of 28¾ x 25½.

: "Auguste Rodin", 2¼p, 6½x8½. 25 Via Gregoriana, Rome, 1915 February 5. To Mrs. Mary W. Harriman. In French, with translation. In full: "The letter which I received in Rome, your letter, is very useful to give me joy, and to appease my worries. I know thus that the bust has arrived with Miss Greysby, who took it and conducted it with the greatest care. Miss Greysby was a member of the committee of the exhibition at the Duke of Westminster's, and never lost sight of it, when I was away for one month. It is a permission of Providence, that this bust carried to London to His Grace the duke, it was protected by the Museum of the Queen; Kensington where it was exhibited, among the works that I had given to England, until the day it left the bust at Kensington, has been regarded by the artists and the writers. At the Duke's residence a month before, it was in the approbation of Her Majesty the Queen, the Queen Alexandra and the dowager Queen of Russia. They have been benevolent graces for the bust and for my sculptures. Thus your letter has gratified me. Your solicitude so great in Paris so that, the bust of your dear and illustrious husband, be also to your liking, to your memory, had perfectly succeeded.…"

Carl Anderson, Rube Goldberg, Dick Moores, Jerry Scott, Otto Soglow, Pat Sullivan, and Russ Westover sign and draw their own cartons. Comprises: (1) DICK MOORES. Cartoon signed: "Dick Moores". B/w, 5x6¾. Dick Moores (1909-1986), a former assistant to Chester Gould on "Dick Tracy" and a Disney animator, is best known for working with Frank King on "Gasoline Alley", which Moores took over upon King's death in 1969. Fine condition. (2) RUBE GOLDBERG. Original Art inscribed and signed: "Love to/Jane Ann/Bodenheimer/from/Boob McNutt,/Mike & Ike/Pearl &/Bertha/Rube Goldberg./Aug./1934". B/w, 6x7¾. Rube Goldberg (1883-1970), who is also known for his complicated contrivances, has drawn the characters from "Boob McNutt", which he introduced in 1915, on letterhead of The Balsams, Dixville Notch, New Hampshire. Horizontal fold touches characters, light horizontal crease at 2 letters of characters' names. Fine condition. (3) CARL ANDERSON. Original Art signed: "Carl/Anderson". B/w, 4x5¼. Pen and ink drawing of Carl Anderson's (1865-1948) comic strip character Henry, who was picked up by King Features Syndicate in 1934. Mid-horizontal fold at blank area. Fine condition.

Artist signed lithograph of George Burns and to George Burns. Artist Proof Lithograph signed: "To George Burns on his 89th birthdate - HIRSCHFELD”, Numbered AP XX/XXX. 10½ x 14 visible. Hirschfeld (1903-2003) was a renowned cartoonist, author and theatrical caricaturist with "The New York Times" from 1929. From 1945 on, Hirschfeld began incorporating the name of his daughter, Nina, in his drawings. The addition became so popular with his audience that after 1956 he began adding a numeral after his signature to signify how many "NINAs" he had hidden in the work. Hirschfeld died on January 20, 2003 at the age of 99. Framed to an overall size of 19¾ x 23½. Fine condition.…"