HENRI de TOULOUSE-LAUTREC Signed handwritten 1893 letter in French to Gustave Geffroy, with whom he would co-author a book the following year ALS: "T-Lautrec" in French, 1 page, 4¼x5¼. Monday. No place, no date. On verso of sheet imprinted "Service Telegraphique/Telegram",postmarked Paris, 1893 October 23.To Gustave Geffroy, Paris.In full: "Forgive me for being late to meet you, but I would like to speak with you tomorrow Tuesday at 6. I will come to see you at The Justice. I hope I have not lost the opportunity meet with you." Congenitally stunted French painter and printmakerHENRI de TOULOUSE-LAUTREC (1864-1901) is renowned for his posters, lithographs and book illustrations of Parisian nightlife in the "belle époque" of the 1890s. His early painting, "The Laundress", sold for $22.4 million in 2005. Gustave Geffroy (1855-1926) was an art critic who wrote for Clemenceau's "La Justice". He was the subject of artist Paul Cezanne's painting The Unfinished Portrait of Geffroy (1896) which hangs in the Louvre today.

CAMILLE PISSARROThe painter signs a richly detailed, 4-page handwritten letter to his wife Julie (1892), discussing business and family affairs, and expressing frustration at mail delays Autograph Letter signed: "C. Pissarro", 4 pages (front and verso), 4½x7. Eragny (France), 1892 December 27. To"My dear Julie". In French, translated in full: "One cannot rely on the punctuality of the mail these days; would you believe that your letter to Lise only arrived here yesterday, thus too late to be communicated in time; I hope that you were nevertheless on time at your aunt's. Something else even more extraordinary, I received yesterday the letter that you sent to Lucien on Saturday, the imbeciles at the Hotel who know my name, even though Lucien is staying with them, still sent the letter to me; I thought it would be useless to send it back because it would have come back to me, and besides it was too late. The 2 p.m. train just came by, nobody. Lucien wrote that he would perhaps miss it and would be on the 3:45. I enclose herewith a letter from Mrs. Mirbeau that must be answered.

NORMAN ROCKWELLThis print of the artist's illustration "The Lobster Man" is signed by him in the bottom-right corner Lithograph Signed: "Norman Rockwell". Actual image 18x23. Color. "The Lobster Man". NORMAN ROCKWELL (1894-1978) captured scenes from American life in his magazine covers and illustrations, often noted for their humorous and accurate depictions of 1940's and 1950's life. Rockwell's drawings, however, were skillfully executed with minute attention to detail and were so realistic that they usually resembled photographs rather than paintings. Hepainted over 300 covers for the The Saturday Evening Post (1916-1965) after beginning his career at age 18 as an illustrator for Boy's Life. In addition to his many works for the Post, Rockwell illustrated the "Boy Scout Calendar" from 1926-1976. Rockwell published his autobiography, Norman Rockwell, My Adventures as an Illustrator, in 1960. Eight-inch tear along back of frame in paper backing. Frame side panel on right side open from lack of adhesive. Thin side panels at all edges have detached (not effecting frame, signature or lithograph). Frame is thick wood and stable.

HENRI MATISSEHe signs this 10¼x14 color print, Abstract Figure (Blue Series) Printed Art signed in Pencil: "H.M." Color, 10¼x14. The print is titled Abstract Figure (Blue Series). From Proof, Pre Publication Edition, Verve. French painter, sculptor, and printmaker Henri Matisse (1869-1954), who was influenced by Post-Impressionism, revolted against Pointillism and became a leader of the Fauvist school, although his later work moved in other directions. He was a master in the use of form and color to convey emotion. A lifelong friend and rival of Pablo Picasso, Matisse shared many similarities with his contemporary. However, he differed from Picasso in that Matisse usually painted from nature. Slightly soiled at blank left edge. Otherwise, fine condition.

HENRI TOULOUSE-LAUTRECHe signs an autograph letter thanking a fellow artist for his "articles against the critics." Autograph letter signed: "T-Lautrec", 1 page, 4½x7. No place, no date. To "My dear Marty". In French, translated. In full: "We remain open next week, so you may let it be known. I don't know if I asked you to do it yesterday. Thanks for the articles against the jurists. Cordially" French painter and printmaker Henri Toulouse-Lautrec (1864-1901) is famous for his posters and other images of Parisian nightlife in the "belle époque" of the 1890s. His early painting, "The Laundress", sold for $22.4 million in 2005. The letter is written to young fellow artist Andre Edouard Marty, later a leader of the Art Deco movement. Slightly creased. Ink transference at upper blank margin from folding the letter before ink had dried. Fine condition.

THE NOTED WESTERN ARTIST WRITES OF HONG KONG AND DRAWS TWO CARTOONS ILLUSTRATING WHERE THE BEST SCOTCH IN CHINA CAN BE FOUND FREDERIC REMINGTONThe noted western artist pens os Hong Kong and draws two cartoons illustrating where the best scotch in China can be found Autograph Note on Original Art Signed: "Frederic Remington", 2p, 8x6½, front and verso. Matted, not in the Gallery of History style, to 13x11½ (both sides visible). New Rochelle, New York, no date, Monday. On imprinted "Endion" letterhead to "My dear Julian", journalist Julian Ralph. In full, as written: "Much obliged for the photo. - The[y] move like the patients in a chiropodists ante-room. But its a good photo. - I see there are the G-darndest plagues going in in Hong Kong - Foo-Chin - Ko-so - Fol-hi and other Chinese settlements on the coast that it aint safe this side of the Big Correl fence - I think any man who will go to China would go to Hell for a Pastime. Did you give Willie Bull-calf a good send off?

CHESTER GOULDHe signs an original mechanical art for camera-ready set-up of a "Dick Tracy" comic strip published on Sunday, February 14, 1971 Original Art signed: "Chester/Gould," two 23x12½ sheets attached to form one 23x25 sheet. Original mechanical art for camera-ready set-up. "Dick Tracy" for Valentine's Day, Sunday, February 14, 1971. Tracy thinks he has cornered the Chameleon, one of the bizarre criminals created by Gould. In the "Crimestoppers Textbook" note at top right: "st. valentine's day massacre - seven gangsters gunned down in garage 42 years ago!"Chester Gould (1900-1985) introduced crime and violence into the comics with his creation of "Dick Tracy", the first non-humorous comic strip, which debuted in the "Detroit Mirror" on October 4, 1931. Gould drew the strip, which was praised for its realism, for 46 years, two months and 21 days before retiring on Christmas Day in 1977. Dick Tracy was a modern deductive investigator who cleverly for hunted clues, fingerprints and even footprints.

FRANK LLOYD WRIGHT CALLS HIS WORK "THE ONLY TRULY AMERICAN EXPRESSION IN THE ART OF ARCHITECTURE"   FRANK LLOYD WRIGHT.Extremely rare Partly Printed DS: "Frank Lloyd Wright Architect", 1p, 5½x8½. No date, no place. An application for information to be published in a directory.Headed: "Business or Professional Record". In the upper portion, which asks for "data to enable the editor to do complete justice to your business or professional record", Wright has written, in full: "Work characterized as 'New School of Middle West' in America -- Abroad, as the architecture of the 'Prairie Dimension' -- the only truly American expression in the art of Architecture. Many foreign publications of distinction publish the work and European architects manifest increasing interest in it." Wright has also written "None" twice in columns asking for information on being an officer or director of a corporation and the office or position occupied. At the bottom of the form is a line that reads "Please enclose your business card or other printed matter in order that spelling of names may be verified." Beneath it, Wright has added "(Never had one!)".

ALFRED STIEGLITZSigned autograph letter to a biographer concerning photographic plates missing from his collection Autograph Letter signed: "Alfred Stieglitz", 2 pages, 8½x11, front and verso (hinged to show both sides). New York City, 1933 December 18.To his friend (and author) Grace E. Titus, who was working a book about the innovative photographer.In full, as written: "Every number of Camera Work was published complete when issued. The way it happens that Plates are missing is that frequently Camera Work came out of the Bindery with Plates to be inserted by me personally after binding. Some years ago many of the Insets were either destroyed or mislaid. Hence the impossibility of completing many issues at present I know of no way of acquiring missing plates except in keeping one's eyes open for numbers of Camera Work as they may appear in the market Absolutely complete sets of Camera Work are very, very rare & are priceless. No I have no reproductions either There are none The Plates in Camera Work for the major part are photo gravures made directly from original negatives & were made under my direction as were the prints.