STEPHEN CRANE The author of The Red Badge of Courage writes from England, where he had settled two years earlier. Calling Card Signed: "Yours faithfully/ Stephen Crane/ March 16, 1899", on verso of his personal 3x1½ card, printed: "Stephen Crane./ Brede Place./ Sussex” (not visible in frame). Also includes a black and white 3x4½ photograph of the author, 2x3½ visible. America's foremost "naturalistic" author Stephen Crane (1871-1900) moved to England in 1897. Although Crane never served in the military, he won international acclaim with The Red Badge of Courage, his 1895 book that told the story of a young soldier during the American Civil War. He later served as a war correspondent, covering the Greco-Turkish War (1897) and Spanish-American War (1898) for foreign newspapers. Crane's signature is virtually unobtainable in any form. The one offered here is especially desirable as it was penned by him on his calling card. Crane suffered from tuberculosis and died in a German sanitarium the year he signed this card. He was 28. Card lightly toned. Otherwise, fine condition. read more...

HERMAN MELVILLE His clipped signature, with his portrait, two first day covers of stamps honoring him, and a picture of a whale. One of the rarest of all signatures! Signature: "Herman Melville", 4½x4, with four unsigned items: a printed portrait of Melville; two first day covers of stamps honoring him; and a color illustration of a whale, presumably Moby Dick. Herman Melville (1819-1891, born in New York City) worked at a young age as a cabin boy and sailor on merchant vessels. During an unsuccessful whaling expedition, he took part in a mutiny, was jailed and escaped. His seafaring inspired many of his later works, including Typee: A Peep at Polynesian Life (1846), Omoo, a Narrative of Adventures in the South Seas (1847) and his masterpiece, Moby Dick (1851). Moby Dick, unlike his earlier works, was neither a critical or financial success. Melville's later writings, such as Pierre (1852), The Confidence Man (1857) and the short stories Bartleby the Scrivener and The Encantadas reflected his despair and contempt for society's corruption, hypocrisy and materialism. Melville took a break from writing to work as a customs read more...

SAMUEL CLEMENS (MARK TWAIN) His dual signature as Clemens and Twain, on his original handwritten letter thanking poet Edward Lummis, who had written to praise Twain's books. Accompanied by a copy of Lummis' poem addressed to Twain, and by a Typed Letter Signed from Mark Twain scholar Robert Hirst, discussing both letters Autograph Letter Signed: "S.L. Clemens/Mark Twain", 1 page, 5½x8¾. Hartford, 1886 May 17. To Mr. Edward W. Lummis. In full: "If I too were a poet, I would acknowledge your pleasant compliments in verse; but I am not, & so am forced to say my thanks in the ruder form of prose -- which is like answering the gracious salutation of a bugle with a fog-horn." Creased, shaded, folds, lightly soiled. All touches writing and signature. Accompanied by Typed Letter Signed: "Robert H. Hirst" as General Editor, Mark Twain Project, 1p, 8½x11. University of California, Berkeley, 1983 September 28. In part: "Lummis had written to Mark Twain from Worcester College, Oxford University, England, on 6 May 1886. read more...

MARGARET MITCHELL Writing to friend and fellow author Edwin Granberry, she complains of the constant invasions of her privacy following publication of Gone With the Wind; Typed Letter signed: "Margaret", 1 page, 7¼x10½. No place, no date, but undoubtedly written from her home in Atlanta in the late in the late 1930s, before the appearance of the film. On personal letterhead to Edwin and Mabel Granberry in full: "I've been intending to write to you for a long time - but you see how far my wants have gotten me. The reason was that when I went to N. Y. to see about the movie contract, my over strained eyes practically gave up the ghost. Herschel B [Brickell, a friendly literary critic], loaded me on the train in a bad way and since that time (up until a week ago) I've been lying in a dark room with a black bandage over my eyes. No, there's nothing seriously wrong and I'm writing you all to tell you so far already the rumor is out that I've gone blind. I wouldn't like for you to hear that and not know the truth. My eyes just needed a rest and so did I. Now I have new glasses and can see very well. It may be some time before I can do any reading or writing but I'm glad enough at being out of the dark. read more...

JOHN STEINBECK Letter to an ex-wife as he toured the Deep South, the journey recalled in his book Travels with Charley. His son "Cat" and  boyhood friend Glenn Graves are mentioned in this very personal letter. Autograph Letter signed: "John", 3¼x5½ postcard. Postmarked Pelahatchie, Mississippi, December 3, 1960. Addressed in his own hand on verso to Gwyn Steinbeck (his ex-wife). In full: "Doing the deepest south now. I'm in Miss. Near the Alabama border. Saw the ladies perform in N. O. [New Orleans] (mother love). Going to Montgomery now and then Cracker country, then up the Smokeys. Should be home some time next week. This has been a long hard grind. Maybe I learned something. We'll see. Sorry to hear about Cat. He makes it so hard for himself. Can't think what next. Glenn Graves had a good record company. See you." Novelist JOHN STEINBECK (1902-1968), who was noted for his portrayals of hard-working people and social themes, won the Nobel Prize for Literature in 1962. read more...

SAMUEL CLEMENS ("MARK TWAIN") Preparing to set sail for America, he defers a dinner invitation in Florence by explaining that he will arrive by way of New York and Chicago, "because it is much more creditable to go 8,000 miles to pay a dinner-call than it is to go a matter of 600 yards". A classic example of the author's dry wit, matted and framed to 13½x11½. Autograph Letter signed: "Auf Wiedersehen/S L Clemens", 2 pages (integral leaf), 3¾x6. Double-matted and framed with an unsigned picture of Clemens and explanatory plaque, to an overall size of 13½x11½. Villa Villiani, Settignano, Florence [Italy], 1893 March 20. To "Mrs. Ross" [Janet, Mrs. Henry Ross], in full: "It was my purpose to run in & indulge my pleasure in the society of Sir William & my Lady a little more, & I count it a loss that I failed of the chance; but my time has been all taken up in clearing the decks for America. I shall go over & pay my dinner-call the moment I get back from America. This seems unprompt; but I have a read more...

JOEL CHANDLER HARRIS. Scarce Cabinet Card Photograph signed: "Faithfully yours:/Joel Chandler Harris". Sepia, 4¼x6½ overall, image 4x5¾ (two surfaces). Photographer's imprint beneath image and on verso: "C.W. Motes/Photographer,/No. 34 Whitehall St./Atlanta/GA." In the 1880s, Harris, a former journalist for Georgia newspapers, became one of the first American writers to use original dialects in his stories rooted in Black folklore. His lead character was Uncle Remus, a servant who entertains the young son of his master with tales of Brer Rabbit, Brer Fox and Brer Bear, animals with distinctly human qualities. His books, which are credited with preserving the African-American heritage of the old South, include Uncle Remus, His Songs and His Sayings (1880), Nights with Uncle Remus (1883) and Uncle Remus and Brer Rabbit (1906). Fragile condition. The photo had split, touching the "d" in Chandler. It is repaired by conservator's tape on verso and by encapsulation. Stained on verso. Upper corners chipped, edges worn. Pencil notes on verso (unknown hand). read more...

MARGARET MITCHELL She writes to close friend and fellow author Edwin Granberry about his new play, and mentions several prominent US actors and writers, including Alexander Woolcott and the Lunts. Typed Letter signed: "Margaret", 2 pages (front and verso), 7¼x10½. Atlanta, Georgia, 1941 February 3. On personal letterhead to "Dear Edwin and Mabel" [Granberry], in full: "The combination of Bretaigne Windust and Roual Pene duBois gave us as much delight as it did you. The show can't hep being 120 proof with two such names. I was inclined to agree with Frank Sullivan to agree with Frank Sullivan, however, and will have to see these two gentlemen myself before I believe in their names. We were so happy and proud at the good news and hope you will have time to keep us posted on progress. Naturally, we are bursting to know what the Lunts think. I am sorry they are on tour now because that will probably delay their decision, as their time is pretty well occupied with long jumps and one-night stands. Do I understand that the interest of Mr. W. and Mr. DuB. Means that someone has bought the play or intends to produce it if they can get the right stars? We hope so ardently for the Lunts and can hardly wait to know what happens. read more...

MARGARET MITCHELL Typed letter from Pulitzer Prize-winning writer and author of Gone With the Wind, to Edwin Granberry (and wife), who wrote one of the first good reviews of her book. She discusses how sorry she is for not writing them sooner describing herself as "oafish of oafs", explaining how busy she has become and will send a lengthier letter when the time is allowed Autograph Letter Signed: "M. M. M", 4p, 7x11. No place, 1936 July 27. To "Mabel and Edwin" [Granberry, an early reviewer of Gone With the Wind]. In full: "You two have every right to think me the most oafish of oafs for not having written you sooner to thank you for sanctuary, good food and best of all, marvelous company. Each morning I've risen, bent on writing to you and, as Hell began to pop before I even got my coffee down, I'd think 'No, I'll wait till I get time for a long letter.' And the time hasn't come. I don't know when it will come as John and my brother Steve, after a five hour conference about this so-and-so contract, sprung on me tonight a plan to go to N.Y. tomorrow and settle the thing in person. I have no clothes, no hats, not a change of underwear or an extra pair of stockings, but it seems that I'm going to N.Y. read more...