AS HER WRITING CAREER WINDS DOWN, THE FAMED AUTHOR SELLS THE INVENTORY OF SEVERAL OF HER PUBLISHED WORKS - BUT RETAINS CONTROL OVER HER LITERARY LEGACY   AYN RAND, ROBERT HESSEN and BEATRICE HESSEN. Scarce Typed DS: "Ayn Rand" on page 3, 3p, 8½x11, separate sheets. New York City, 1976 June 12 (dated by Rand). Letter of Agreement to Rand from Palo Alto Book Service. Begins: "Dear Ayn". In full: "This will serve as our Agreement for the Palo Alto Book Service for the purpose of promoting and selling the remaining inventory of The Ayn Rand Letter, The Objectivist, the bound copies of The Objectivist Newsletter, and the pamphlets published by The Objectivist Newsletter and The Objectivist. We will receive the physical inventory of the above as well as any remaining stock of your novels and non-fiction works, including Introduction to Objectivist Epistemology, all of which are held by The Objectivist Book Service, Inc. The inventory will be shipped to us, insured, via book rate, or by truck, if that method should prove less expensive. We will share the cost of shipment with the Objectivist Book Service, Inc. read more...

ERNEST HEMINGWAY Handwritten 1936 manuscript intended for publication in Esquire magazine, vividly describing the horrors of war, with his third person signature in the text Autograph Manuscript signed in text: "Mr. Ernest Hemingway" in pencil, 1 page, 8½x11. No place, c. 1936. Headed by him: "Please Mr. Ernest Hemingway by Paul Harris, The American Criterion, Dec 1935, about 'letters' appearing monthly in Esquire...." Ernest Hemingway was a frequent contributor to "Esquire" magazine. He wrote a total 31 "letters" which were published in "Esquire" in the 1930s. In the September 1935 issue, he wrote: "Notes on the Next War: A Serious Topical Letter". This may be a rough draft of one of the 31 "letters". Hemingway has made an "X", crossing out the entire letter. In part: "Mr. Hemingway, you were at the front. You saw people die? I was ten and I saw people, I saw something in them die and they had to go on making believe they were alive still with their guts out of them. I saw people age. I saw the unseeable, the drawn faces, the haunted eyes...A child is sensitive to change in those he knows [he is referring to an aunt, a cousin, involved in changes resulting from life in wartime]. read more...

TWO RARE ORIGINAL AUTOGRAPH MANUSCRIPT PAGES FROM THE GILDED AGE, ONE IN THE HAND OF MARK TWAIN, THE OTHER IN THE HAND OF HIS COLLABORATOR, CHARLES DUDLEY WARNER (WITH A SUGGESTION BY MARK TWAIN) THE GILDED AGE: SAMUEL L. CLEMENS and CHARLES DUDLEY WARNER. Comprises: (1) SAMUEL L. CLEMENS (MARK TWAIN). Autograph Manuscript, unsigned, 1p, 5x8. From Part 2, Chapter XI of The Gilded Age. Clemens has penned: "396" at upper margin (it has been crossed out and renumbered "307" by Warner). Clemens writes, in full: "he saw the pathetic sorrow in their faces when they asked for more & there was no more to give them, he hated himself for his stupidity and pitied the hunger famishing young things with all his heart. The other matter that disturbed him was the dire inflation that had begun in his stomach. It grew & grew, it became more & more supportable. Evidently the apples turnips were swelling fermenting. He forced himself to sit still as long as he could, but the distress steadily augmented till his anguish conquered him at last. read more...

JOEL CHANDLER HARRIS. Scarce Cabinet Card Photograph signed: "Faithfully yours:/Joel Chandler Harris". Sepia, 4¼x6½ overall, image 4x5¾ (two surfaces). Photographer's imprint beneath image and on verso: "C.W. Motes/Photographer,/No. 34 Whitehall St./Atlanta/GA." In the 1880s, Harris, a former journalist for Georgia newspapers, became one of the first American writers to use original dialects in his stories rooted in Black folklore. His lead character was Uncle Remus, a servant who entertains the young son of his master with tales of Brer Rabbit, Brer Fox and Brer Bear, animals with distinctly human qualities. His books, which are credited with preserving the African-American heritage of the old South, include Uncle Remus, His Songs and His Sayings (1880), Nights with Uncle Remus (1883) and Uncle Remus and Brer Rabbit (1906). Fragile condition. The photo had split, touching the "d" in Chandler. It is repaired by conservator's tape on verso and by encapsulation. Stained on verso. Upper corners chipped, edges worn. Pencil notes on verso (unknown hand). read more...

STEPHEN CRANE The author of The Red Badge of Courage writes from England, where he had settled two years earlier. Calling Card Signed: "Yours faithfully/ Stephen Crane/ March 16, 1899", on verso of his personal 3x1½ card, printed: "Stephen Crane./ Brede Place./ Sussex” (not visible in frame). Also includes a black and white 3x4½ photograph of the author, 2x3½ visible. America's foremost "naturalistic" author Stephen Crane (1871-1900) moved to England in 1897. Although Crane never served in the military, he won international acclaim with The Red Badge of Courage, his 1895 book that told the story of a young soldier during the American Civil War. He later served as a war correspondent, covering the Greco-Turkish War (1897) and Spanish-American War (1898) for foreign newspapers. Crane's signature is virtually unobtainable in any form. The one offered here is especially desirable as it was penned by him on his calling card. Crane suffered from tuberculosis and died in a German sanitarium the year he signed this card. He was 28. Card lightly toned. Otherwise, fine condition. read more...

SAMUEL L. CLEMENS (MARK TWAIN) The American author famous for his characters Huck Finn and Tom Sawyer signed and wrote this framed letter in 1895! Autograph Letter Signed: "S L Clemens", 2p, 3¾x6, conjoined leaves. On letterhead of Villa Viviana Settigano, (Florence, Italy). Written from Hartford, Connecticut, 1895 February 20. To "My Dear Mrs. Bronson". In full: "Mrs. Clemens sends her best bow & thanks with mine for your steadfast kindness in regard to the glass. I shall drop Moses of the Tower a line & propose as you suggest. I shall drop Mr. Forbes a line, too, & ask him to waive rank & call on me, & as soon as I get a chance I will pay back in kind. Florence is 4,000 miles from here & I hardly ever attempt the achievement of going there. This further off than any place that I've got friends in except heaven Hell, & sometimes even that resort doesn't seem so far. (But I didn't need to make that correction - it doesn't seem to disexaggerate  (sic) the distance as much as I thought it would.) Mrs. Clemens' health is not improving, I am sorry to say, but the rest of us are without ailments. read more...

MARGARET MITCHELL Writing to friend and fellow author Edwin Granberry, she complains of the constant invasions of her privacy following publication of Gone With the Wind; Typed Letter signed: "Margaret", 1 page, 7¼x10½. No place, no date, but undoubtedly written from her home in Atlanta in the late in the late 1930s, before the appearance of the film. On personal letterhead to Edwin and Mabel Granberry in full: "I've been intending to write to you for a long time - but you see how far my wants have gotten me. The reason was that when I went to N. Y. to see about the movie contract, my over strained eyes practically gave up the ghost. Herschel B [Brickell, a friendly literary critic], loaded me on the train in a bad way and since that time (up until a week ago) I've been lying in a dark room with a black bandage over my eyes. No, there's nothing seriously wrong and I'm writing you all to tell you so far already the rumor is out that I've gone blind. I wouldn't like for you to hear that and not know the truth. My eyes just needed a rest and so did I. Now I have new glasses and can see very well. It may be some time before I can do any reading or writing but I'm glad enough at being out of the dark. read more...

MARGARET MITCHELL The year the film version of her Gone with the Wind premiered (1939), Mitchell signed this typed letter, forwarding with skeptical comments a letter she had received. Framed with 2 pictures of Mitchell to an overall size of 29½x18. Typed Letter signed: "Margaret", 1 page, 5¾x9. Atlanta, Georgia, 1939 May 3. On personal letterhead to "Dear Franklin" [Garrett]. One strike-over and ink correction in her hand. Triple suede matted and framed with two portraits of Mitchell to an overall size of 29½x18. In full: "I am enclosing a letter I recently received [Item not included], for I thought some of the information in it might be of interest to you. Because of the manifold errors in the letter I have doubts as to the lady's statement that her father was the first white child born in Atlanta. You will notice that she says her grandfather had fifteen hundred slaves and the plantation covered the 'whole of Dahlonega County.' I believe at that time there were about five thousand people in the county of which Dahlonega is the seat. However, knowing your interest in such matters, I am passing the letter on to you. Please return it when you have finished reading it. read more...

SAMUEL CLEMENS (MARK TWAIN) His dual signature as Clemens and Twain, on his original handwritten letter thanking poet Edward Lummis, who had written to praise Twain's books. Accompanied by a copy of Lummis' poem addressed to Twain, and by a Typed Letter Signed from Mark Twain scholar Robert Hirst, discussing both letters Autograph Letter Signed: "S.L. Clemens/Mark Twain", 1 page, 5½x8¾. Hartford, 1886 May 17. To Mr. Edward W. Lummis. In full: "If I too were a poet, I would acknowledge your pleasant compliments in verse; but I am not, & so am forced to say my thanks in the ruder form of prose -- which is like answering the gracious salutation of a bugle with a fog-horn." Creased, shaded, folds, lightly soiled. All touches writing and signature. Accompanied by Typed Letter Signed: "Robert H. Hirst" as General Editor, Mark Twain Project, 1p, 8½x11. University of California, Berkeley, 1983 September 28. In part: "Lummis had written to Mark Twain from Worcester College, Oxford University, England, on 6 May 1886. read more...