SAMUEL L. CLEMENS (MARK TWAIN) Signed 4½x7 autograph letter from a London hotel, writing that he hopes to lecture in Britain "if other & more necessary business shall permit." ALS: "Saml. L. Clemens", 1 page, 4½x7. Langham Hotel,/Portland Place, London. W, no year, October 18. To unknown recipient. Begins: "Sir". In full: "I think it will be 2 or 3 weeks before I shall really know whether I can lecture in Great Britain or not. So I am obliged to be thus indefinite in my reply. I certainly shall lecture about 8 or 10 times in this country if other & more necessary business shall permit." From the University of California Press review of Volume 5 of Mark Twain's Letters prepared by the Mark Twain Project at the University of California, Berkeley. "After beginning work on The Adventures of Tom Sawyer, he [Clemens] set it aside to collaborate, almost as a lark, on a novel with Charles Dudley Warner. After a few months of intense labor in the winter of 1872-1873, they produced The Gilded Age, which gave a lasting name to the era it satirized.

DASHIELL HAMMETT Signed and notarized 1930 contract selling Paramount the rights to one of his stories Typed Contract signed: "Dashiell Hammett", 4 pages, 8½x11, separate sheets. No place, but County of Los Angeles, 1930 November 26. Contract between Hammett and Paramount Publix Corporation regarding the sale of the rights "to an original story entitled AFTER SCHOOL written by the seller [Hammett]." Hammett was paid "the sum of Five Thousand ($5000.00) Dollars, receipt whereof is hereby acknowledged." Countersigned by the Executive Manager of Paramount Publix Corporation. Lightly creased. Nicked at upper right blank corner of first page, file holes at blank left margins. Fine condition. Accompanied by typed notarized statement signed: "Alfred A. Grosser" as Notary Public, 1 page, 8½x11. Attesting that "personally appeared DASHIELL HAMMETT, personally known to me to be the person whose name is subscribed to the foregoing instrument...." Lightly creased, chipped at upper right blank corner. File holes at blank left margin. Fine condition. After School became City Streets, released in 1931 and starring Gary Cooper.

MARGARET MITCHELL Writing to friend and fellow author Edwin Granberry, she complains of the constant invasions of her privacy following publication of Gone With the Wind; Typed Letter signed: "Margaret", 1 page, 7¼x10½. No place, no date, but undoubtedly written from her home in Atlanta in the late in the late 1930s, before the appearance of the film. On personal letterhead to Edwin and Mabel Granberry in full: "I've been intending to write to you for a long time - but you see how far my wants have gotten me. The reason was that when I went to N. Y. to see about the movie contract, my over strained eyes practically gave up the ghost. Herschel B [Brickell, a friendly literary critic], loaded me on the train in a bad way and since that time (up until a week ago) I've been lying in a dark room with a black bandage over my eyes. No, there's nothing seriously wrong and I'm writing you all to tell you so far already the rumor is out that I've gone blind. I wouldn't like for you to hear that and not know the truth. My eyes just needed a rest and so did I. Now I have new glasses and can see very well. It may be some time before I can do any reading or writing but I'm glad enough at being out of the dark.

MARGARET MITCHELL Her typed and signed 1937 letter upon learning that Gone With the Wind had won the Pulitzer Prize, addressed to the literary critic who had first predicted that it would, framed with her picture in the Gallery of History style to 30x22. Typed Letter Signed: "Margaret", 1 page, 6½x10. Atlanta, Georgia, 1937 May 4.To Mabel and Edwin Granberry. In full: "Your telegram has just arrived and thank you so very much for it. As soon as I got the news last night I thought of you two and Herschel at the table last summer when you predicted it and I laughed so hard my glasses fell into the gravy. Naturally, this is a happy day for me and a wire like yours adds greatly to my happiness." Typed note by Granberry at lower margin: "(NOTE: GONE WITH THE WIND had just won the Pulitzer Prize. - E.G.)". MARGARET MITCHELL(1900-1949) had won the Pulitzer Prize for her novel, Gone With the Wind, the day before she wrote this letter. Mitchell, who had begun writing her epic about the Civil War and Reconstruction South in 1926, finally submitted her manuscript to Macmillian Company in 1935.

MARGARET MITCHELL She writes to close friend and fellow author Edwin Granberry about his new play, and mentions several prominent US actors and writers, including Alexander Woolcott and the Lunts. Typed Letter signed: "Margaret", 2 pages (front and verso), 7¼x10½. Atlanta, Georgia, 1941 February 3. On personal letterhead to "Dear Edwin and Mabel" [Granberry], in full: "The combination of Bretaigne Windust and Roual Pene duBois gave us as much delight as it did you. The show can't hep being 120 proof with two such names. I was inclined to agree with Frank Sullivan to agree with Frank Sullivan, however, and will have to see these two gentlemen myself before I believe in their names. We were so happy and proud at the good news and hope you will have time to keep us posted on progress. Naturally, we are bursting to know what the Lunts think. I am sorry they are on tour now because that will probably delay their decision, as their time is pretty well occupied with long jumps and one-night stands. Do I understand that the interest of Mr. W. and Mr. DuB. Means that someone has

ERNEST HEMINGWAY Handwritten 1936 manuscript likely intended for publication in Esquire magazine, vividly describing the horrors of war, with his third person signature in the text Autograph Manuscript signed in text: "Mr. Ernest Hemingway" in pencil, 1 page, 8½x11. No place, c. 1936. Headed by him: "Please Mr. Ernest Hemingway by Paul Harris, The American Criterion, Dec 1935, about 'letters' appearing monthly in Esquire…." Ernest Hemingway was a frequent contributor to "Esquire" magazine. He wrote a total 31 "letters" which were published in "Esquire" in the 1930s. In the September 1935 issue, he wrote: "Notes on the Next War: A Serious Topical Letter". This may be a rough draft of one of the 31 "letters". Hemingway has made an "X", crossing out the entire letter. In part: "Mr. Hemingway, you were at the front. You saw people die? I was ten and I saw people, I saw something in them die and they had to go on making believe they were alive still with their guts out of them. I saw people age.

MARGARET MITCHELL Long personal letter to friend and fellow author Edwin Granberry, mentioning several literary friends and the exigencies of life in wartime Typed Letter signed: "Margaret", 3 pages, 7¼x10. Atlanta, Georgia, 1942 September 21. On personal letterhead to "Dear Mabel and Edwin" [Granberry], in part: "I have been laying off to write to you for the longest and foolishly postponed doing so until I could write a long letter. That time may never come, and so I am grabbing this opportunity while the house painters are out at lunch. ... I've just come back from a quick trip to New York where John had to be on business. The only people I saw were the Clifford Dowdeys, who asked to be remembered to you. Clifford has been having fits trying to get into the army, with no luck so far because his eyes are bad. He has almost finished a new novel , which is about Memphis or Natchez in the 1830's. He told me news of Kenneth Littauer which I am passing on to you. He has been in the air corps for nearly a year, with the rank of major. His address is Headquarters 21st Bomb Group, MacDill Field, Tampa, Florida.

VOLTAIRE Signed letter from Paris written just weeks before his death in 1778, fearing that hypocritical priests will deny him a church burial. This letter to the Count of Rochefort, written in fine French (fully translated) and in a beautiful hand, shows that the sage had lost none of his mental acuity Letter signed: "V", 2 pages (integral leaf) 4½x7 folded, 9x7 open flat. Paris, 1778 April 16. To the Comte de Rochefort. In French, fully translated: "I must apologize for having written so formally to Madame Dix-Neuf Ans ["Nineteen Years"]. I apologize for taking so long to thank you for your pleasant letter, sir, but I have had lately a very violent fever, following two fatal illnesses from which I escaped. I think that Monsieur the Abbey of Beauregard, preacher of Versailles, so-called former Jesuit, would willingly refuse me a burial, which is very unfair, because they say that I would not ask for more than to bury him; and he owes me, it seems, the same courtesy. I do not think whatsoever that the master and mistress of the house mocked this abbey of Beauregard.

JOEL CHANDLER HARRIS.Scarce Cabinet Card Photograph signed: "Faithfully yours:/Joel Chandler Harris". Sepia, 4¼x6½ overall, image 4x5¾ (two surfaces). Photographer's imprint beneath image and on verso: "C.W. Motes/Photographer,/No. 34 Whitehall St./Atlanta/GA." In the 1880s, Harris, a former journalist for Georgia newspapers, became one of the first American writers to use original dialects in his stories rooted in Black folklore. His lead character was Uncle Remus, a servant who entertains the young son of his master with tales of Brer Rabbit, Brer Fox and Brer Bear, animals with distinctly human qualities. His books, which are credited with preserving the African-American heritage of the old South, include Uncle Remus, His Songs and His Sayings (1880), Nights with Uncle Remus (1883) and Uncle Remus and Brer Rabbit (1906). Fragile condition. The photo had split, touching the "d" in Chandler. It is repaired by conservator's tape on verso. Stained on verso. Upper corners chipped, edges worn. Pencil notes on verso (unknown hand).