ERNEST HEMINGWAYHandwritten 1936 manuscript likely intended for publication in Esquire magazine, vividly describing the horrors of war, with his third person signature in the text Autograph Manuscript signed in text: "Mr. Ernest Hemingway" in pencil, 1 page, 8½x11. No place, c. 1936. Headed by him: "Please Mr. Ernest Hemingway by Paul Harris, The American Criterion, Dec 1935, about 'letters' appearing monthly in Esquire…." Ernest Hemingway was a frequent contributor to "Esquire" magazine. He wrote a total 31 "letters" which were published in "Esquire" in the 1930s. In the September 1935 issue, he wrote: "Notes on the Next War: A Serious Topical Letter". This may be a rough draft of one of the 31 "letters". Hemingway has made an "X", crossing out the entire letter. In part: "Mr. Hemingway, you were at the front. You saw people die? I was ten and I saw people, I saw something in them die and they had to go on making believe they were alive still with their guts out of them. I saw people age.

MARGARET MITCHELL Pleased that friend and fellow author Edwin Granberry is writing again, she shares with him her relief that the frenzy over the movie version of her book has abated with the outbreak of war: "The world has far more important things to think about these days than me." Several other literary notables are mentioned in this letter. Typed Letter signed: "Margaret", 3 pages, 7¼x10½. Atlanta, Georgia, 1940 September 23. To "My dear Mabel and Edwin [Granberry], you varmint". In part: "Here I've gone around feeling blue ever since I had the last news of you (Edwin) that you had given up any notion of writing any more. I had thought about what a waste of talent it was and had heroically restrined myself from writing and telling you so. Then, a month ago, vague rumors began trickling into my ears at parties that you were writing again. Don't ask me who told me because I don't know. I go places and meet two hundred strangers in thirteen and a half minutes, and some of them say, 'Oh, do you know Edwin Granberry who is doing some writing?' and before I could catch them they would disappear and twelve more strange faces would stand before me.

SAMUEL L. CLEMENS (MARK TWAIN) Visiting Sweden in search of a cure for his daughter's epilepsy, Clemens asks a bookseller to send him some "the very best of Clark Russell's sea-tales". Autograph Letter Signed: "SL C.", 1p, 5½x8½. Sanna, Rosendala, Sweden, 1899 July 16. "Telegraphic address: Sanna Jonkoping, Sweden". To bookseller "C&W". In full: "Please send me a couple of the very best of Clark Russell's sea-tales that you've got in stock. If any of my photos are only about as big as this page, we shall be glad to have them here - but bigger ones we prefer to leave with you for the present. If you haven't heard from Clara when this reaches you, please drop her a line. Jonkoping is pronounced Zhenshepping - think of that!" Samuel, his wife Olivia and their daughter Jean had arrived in Sweden early in July 1899, and remained until October. JEAN CLEMENS (1880-1910), then 19 years old, suffered from epilepsy. Clemens had heard of an osteopathic treatment as practiced by Heinrick Kellgren in Sanna. Kellgren's method was known as the "Swedish movements".

SAMUEL L. CLEMENS (MARK TWAIN) Signed 4½x7 autograph letter from a London hotel, writing that he hopes to lecture in Britain "if other & more necessary business shall permit." ALS: "Saml. L. Clemens", 1 page, 4½x7. Langham Hotel,/Portland Place, London. W, no year, October 18. To unknown recipient. Begins: "Sir". In full: "I think it will be 2 or 3 weeks before I shall really know whether I can lecture in Great Britain or not. So I am obliged to be thus indefinite in my reply. I certainly shall lecture about 8 or 10 times in this country if other & more necessary business shall permit." From the University of California Press review of Volume 5 of Mark Twain's Letters prepared by the Mark Twain Project at the University of California, Berkeley. "After beginning work on The Adventures of Tom Sawyer, he [Clemens] set it aside to collaborate, almost as a lark, on a novel with Charles Dudley Warner. After a few months of intense labor in the winter of 1872-1873, they produced The Gilded Age, which gave a lasting name to the era it satirized.

ERNEST HEMINGWAY and PAULINE HEMINGWAY The author and his second wife sign a 1930 Trust Agreement, consigning bonds and preferred stocks to the trust. Typed Document signed: "Ernest Hemingway" and "Pauline Pfeiffer Hemingway" on page 7, 10 pages, 8¾x11¼. New York, 1930 February 18.Trust Agreement with City Bank Farmers Trust Company. The Hemingways, who were living in Paris, France at this time, donate property described on Schedule A for "Trust Estate": "$10,000 Kingdom of Belgium External Sinking Fund 6% bonds due January 1, 1955; 100 Shares Electric Bond and Share Company 6.00 Cumulative Preferred Stock; 300 Shares William H. Warner & Co. Inc. Preferred Stock Par Value $100".Also signed by a Trust Officer. Struggling writer Ernest Hemingway (1899-1961) met Pauline Pfeiffer, an editor with the Paris edition of "Vogue" at a party in Paris in 1925. Hemingway, who was married to his first wife, Hadley Richardson, at the time, divorced Hadley, the mother of his first son, and married Pauline on May 10, 1927, the year after his novel, The Sun Also Rises, had been published. The Hemingways, who had two sons, Patrick and Gregory, traveled extensively.

MARGARET MITCHELL She writes to close friend and fellow author Edwin Granberry about his new play, and mentions several prominent US actors and writers, including Alexander Woolcott and the Lunts. Typed Letter signed: "Margaret", 2 pages (front and verso), 7¼x10½. Atlanta, Georgia, 1941 February 3. On personal letterhead to "Dear Edwin and Mabel" [Granberry], in full: "The combination of Bretaigne Windust and Roual Pene duBois gave us as much delight as it did you. The show can't hep being 120 proof with two such names. I was inclined to agree with Frank Sullivan to agree with Frank Sullivan, however, and will have to see these two gentlemen myself before I believe in their names. We were so happy and proud at the good news and hope you will have time to keep us posted on progress. Naturally, we are bursting to know what the Lunts think. I am sorry they are on tour now because that will probably delay their decision, as their time is pretty well occupied with long jumps and one-night stands. Do I understand that the interest of Mr. W. and Mr. DuB. Means that someone has

HERMAN MELVILLE Author Herman Melville wrote this letter to publisher George P. Putnam from Pittsfield, Massachusetts. It accompanied a proof of one of his stories. Melville's signature is one of the rarest of all, and handwritten letters by him are highly desirable. Autograph letter signed "H Melville". 1 page, 4¾x7½, with embossing in top left corner. Pittsfield, Massachusetts, dated "Jan 27th". Addressed to George P. Putnam, Esq., 10 Park Place, New York City. In full: "Dear Sir: Re-enclosed is the proof [not included]. Very Truly Yours". We believe this letter was written between 1852 and 1855, when Putnam's publishing company G. Putnam Broadway was based at 1010 Park Place, New York City. Melville published a number of short stories through Putnam's Monthly Magazine during this time, including Bartleby the Scrivener (1853), The Encantadas, or: Enchanted Isles (1854) and Benito Cereno (1855). GEORGE PALMER PUTNAM (1814-1872, born in Brunswick, Maine) published many important American authors, like Melville, through his publishing house of G. Putnam Broadway, which later became G. P. Putnam's Sons.

TWO RARE ORIGINAL AUTOGRAPH MANUSCRIPT PAGES FROM THE GILDED AGE, ONE IN THE HAND OF MARK TWAIN, THE OTHER IN THE HAND OF HIS COLLABORATOR, CHARLES DUDLEY WARNER (WITH A SUGGESTION BY MARK TWAIN) THE GILDED AGE: SAMUEL L. CLEMENS and CHARLES DUDLEY WARNER. Comprises: (1) SAMUEL L. CLEMENS (MARK TWAIN). Autograph Manuscript, unsigned, 1p, 5x8. From Part 2, Chapter XI of The Gilded Age.Clemens has penned: "396" at upper margin (it has been crossed out and renumbered "307" by Warner). Clemens writes, in full: "he saw the pathetic sorrow in their faces when they asked for more & there was no more to give them, he hated himself for his stupidity and pitied the hunger famishing young things with all his heart. The other matter that disturbed him was the dire inflation that had begun in his stomach. It grew & grew, it became more & more supportable. Evidently the apples turnips were swelling fermenting. He forced himself to sit still as long as he could, but the distress steadily augmented till his anguish conquered him at last." From the actual published text of The Gilded Age:

HERMAN MELVILLE Extremely rare clipped signature, accompanied by an unsigned postcard photo of the author Signature: "Herman Melville", 4x1 fragment clipped from a letter. 1¾x¼-inch portion torn at lower left blank corner, lightly stained, light show-through from writing (not his) on verso. Overall, fine and rare. Accompanied by unsigned postcard photograph. B/w, 4¼x6. Fine condition. American novelist Herman Melville (1819-1891) first found fame with his romances: Typee: A Peep at Polynesian Life (1846) and Omoo, a Narrative of Adventures in the South Seas (1847). In 1851, his masterpiece, Moby-Dick; or The Whale, dedicated to his friend Nathaniel Hawthorne, introduced readers to some of literature's most enduring characters -- Captain Ahab, the cabin boy/narrator Ishmael, and Moby Dick, the great white whale. Two items.