JOHN STEINBECKThis contract signed by the American author authorized a German production of Of Mice and Men Typewritten contract signed: "John Steinbeck", 2p, 7½x12½ New York, New York, 1946 June 3.John Steinbeck signed this contract, dated June 3, 1946, allowing German-speaking actors to perform Of Mice and Men, his 1937 novelette featuring the tragic characters of Lennie and George, two migrant laborers. The work had been chosen by the Book-of-the-Month Club and quickly became a best seller, sparking both Broadway's and Hollywood's interest in adapting it into a play. While writing Of Mice and Men in 1936, Steinbeck was growing increasingly interested in the theater, believing it to be the best medium to reach the common working man. In fact, Steinbeck actually wrote the book with the intention of making it a novel/play - a novel which could be performed as it was without needing to be revised for the stage. However,this experiment failed, and Steinbeck was forced to adapt it - his first attempt at writing a screen play. He was advised and encouraged by dramatist George S.

MARGARET MITCHELL Pleased that friend and fellow author Edwin Granberry is writing again, she shares with him her relief that the frenzy over the movie version of her book has abated with the outbreak of war: "The world has far more important things to think about these days than me." Several other literary notables are mentioned in this letter. Typed Letter signed: "Margaret", 3 pages, 7¼x10½. Atlanta, Georgia, 1940 September 23. To "My dear Mabel and Edwin [Granberry], you varmint". In part: "Here I've gone around feeling blue ever since I had the last news of you (Edwin) that you had given up any notion of writing any more. I had thought about what a waste of talent it was and had heroically restrined myself from writing and telling you so. Then, a month ago, vague rumors began trickling into my ears at parties that you were writing again. Don't ask me who told me because I don't know. I go places and meet two hundred strangers in thirteen and a half minutes, and some of them say, 'Oh, do you know Edwin Granberry who is doing some writing?' and before I could catch them they would disappear and twelve more strange faces would stand before me.

TWO RARE ORIGINAL AUTOGRAPH MANUSCRIPT PAGES FROM THE GILDED AGE, ONE IN THE HAND OF MARK TWAIN, THE OTHER IN THE HAND OF HIS COLLABORATOR, CHARLES DUDLEY WARNER (WITH A SUGGESTION BY MARK TWAIN) THE GILDED AGE: SAMUEL L. CLEMENS and CHARLES DUDLEY WARNER. Comprises: (1) SAMUEL L. CLEMENS (MARK TWAIN). Autograph Manuscript, unsigned, 1p, 5x8. From Part 2, Chapter XI of The Gilded Age.Clemens has penned: "396" at upper margin (it has been crossed out and renumbered "307" by Warner). Clemens writes, in full: "he saw the pathetic sorrow in their faces when they asked for more & there was no more to give them, he hated himself for his stupidity and pitied the hunger famishing young things with all his heart. The other matter that disturbed him was the dire inflation that had begun in his stomach. It grew & grew, it became more & more supportable. Evidently the apples turnips were swelling fermenting. He forced himself to sit still as long as he could, but the distress steadily augmented till his anguish conquered him at last." From the actual published text of The Gilded Age:

AS HER WRITING CAREER WINDS DOWN, THE FAMED AUTHOR SELLS THE INVENTORY OF SEVERAL OF HER PUBLISHED WORKS - BUT RETAINS CONTROL OVER HER LITERARY LEGACY   AYN RAND, ROBERT HESSEN and BEATRICE HESSEN.Scarce Typed DS: "Ayn Rand" on page 3, 3p, 8½x11, separate sheets. New York City, 1976 June 12 (dated by Rand).Letter of Agreement to Rand from Palo Alto Book Service.Begins: "Dear Ayn". In full: "This will serve as our Agreement for the Palo Alto Book Service for the purpose of promoting and selling the remaining inventory of The Ayn Rand Letter, The Objectivist, the bound copies of The Objectivist Newsletter, and the pamphlets published by The Objectivist Newsletter and The Objectivist.We will receive the physical inventory of the above as well as any remaining stock of your novels and non-fiction works, including Introduction to Objectivist Epistemology, all of which are held by The Objectivist Book Service, Inc. The inventory will be shipped to us, insured, via book rate, or by truck, if that method should prove less expensive. We will share the cost of shipment with the Objectivist Book Service, Inc. The physical inventory shall, at all times, remain your property.

MARGARET MITCHELL Her typed and signed 1937 letter upon learning that Gone With the Wind had won the Pulitzer Prize, addressed to the literary critic who had first predicted that it would, framed with her picture in the Gallery of History style to 30x22. Typed Letter Signed: "Margaret", 1 page, 6½x10. Atlanta, Georgia, 1937 May 4.To Mabel and Edwin Granberry. In full: "Your telegram has just arrived and thank you so very much for it. As soon as I got the news last night I thought of you two and Herschel at the table last summer when you predicted it and I laughed so hard my glasses fell into the gravy. Naturally, this is a happy day for me and a wire like yours adds greatly to my happiness." Typed note by Granberry at lower margin: "(NOTE: GONE WITH THE WIND had just won the Pulitzer Prize. - E.G.)". MARGARET MITCHELL(1900-1949) had won the Pulitzer Prize for her novel, Gone With the Wind, the day before she wrote this letter. Mitchell, who had begun writing her epic about the Civil War and Reconstruction South in 1926, finally submitted her manuscript to Macmillian Company in 1935.

STEPHEN CRANEThe author of The Red Badge of Courage knew conflict from football, not the battlefield.Rare AQS: "Stephen Crane", 1p, 5½x2¾. In full: "I have never been in a battle, of course, and/I believe that I got my sense of the rage/of conflict on the foot ball field." America's foremost "naturalistic" author had moved to England in 1897. Although he never served in the military, Crane won international acclaim with The Red Badge of Courage,his 1895 book that powerfully told the story of a young soldier during the American Civil War. He later served as a war correspondent, covering the Greco-Turkish War (1897) and the Spanish-American War for foreign newspapers. Crane, who suffered from tuberculosis, died in a German sanitarium at the age of 28. Crane's signature is virtually unobtainable in any form. Fine condition. Accompanied by PSA/DNA LOA.

MARGARET MITCHELL Letter to fellow author and literary booster Edwin Granberry, accepting congratulations for her Pulitzer Prize but expressing a desire to preserve at least a little personal privacy. Typed Letter signed: "Margaret", 1 page, 7¼x10½. Atlanta, Georgia, 1937 May 12. On personal letterhead to ""Dear Edwin", [Granberry], in full: "That was certainly a grand, long letter and John and I appreciated it immediately. Thanks again for the congratulations about the Award. I am just beginning to come up for air and realizing that it is really true. Since the news came so much has happened - flashlights going off, reporters slithering out of the cracks in the floor and the house full of people - that I have had no chance to really think. One of the nice features of the affair was that Harold Latham, who dug up the book, just happened to be in Atlanta on the day the Award was announced. He gave me a party complete with newspaper friends, as many orchids as a Kentucky Derby winner and barrels of Champaigne. While you and Herschel kept telling me last summer that it would undoubtedly work out this way, I just couldn't believe it.

MARGARET MITCHELL Mitchell, always shy about the spotlight on her following Gone With the Wind, confides to friend and fellow author Edwin Granberry that "it is tempting fate to ever write a book or a play. If you do, everything except a plague of grasshoppers arrives." Typed Letter signed: "Margaret", 2 pages (front and verso), 7¼x10½. Atlanta, Georgia, 1941 November 11. On personal letterhead to "Dear Mabel and Edwin" [Granberry], in full: "We were very distressed to learn of your illness, Mabel, and I was glad to see Fred Hanna at a party Sunday night and learn that you really were up and about. Don't you think you Granberrys have managed all the plagues of Egypt now? I never knew any family, except us, to have as much trouble. (And, as Michael Arlen remarked in 'The Green Hat,' 'the Marches are never let off of anything.') Things are well with us now but I remember, with no pleasure, the first five years we were married when everyone in our family seemed to have something happen to them. Perhaps it is something all couples must go through with, but I hope the Granberrys are really through now. Edwin, you know it is tempting fate to ever try to write a book or a play.

JOEL CHANDLER HARRIS.Scarce Cabinet Card Photograph signed: "Faithfully yours:/Joel Chandler Harris". Sepia, 4¼x6½ overall, image 4x5¾ (two surfaces). Photographer's imprint beneath image and on verso: "C.W. Motes/Photographer,/No. 34 Whitehall St./Atlanta/GA." In the 1880s, Harris, a former journalist for Georgia newspapers, became one of the first American writers to use original dialects in his stories rooted in Black folklore. His lead character was Uncle Remus, a servant who entertains the young son of his master with tales of Brer Rabbit, Brer Fox and Brer Bear, animals with distinctly human qualities. His books, which are credited with preserving the African-American heritage of the old South, include Uncle Remus, His Songs and His Sayings (1880), Nights with Uncle Remus (1883) and Uncle Remus and Brer Rabbit (1906). Fragile condition. The photo had split, touching the "d" in Chandler. It is repaired by conservator's tape on verso and by encapsulation. Stained on verso. Upper corners chipped, edges worn. Pencil notes on verso (unknown hand).