MARGARET MITCHELL Typed letter from Pulitzer Prize-winning writer and author of Gone With the Wind, to Edwin Granberry (and wife), who wrote one of the first good reviews of her book. She discusses how sorry she is for not writing them sooner describing herself as "oafish of oafs", explaining how busy she has become and will send a lengthier letter when the time is allowed Autograph Letter Signed: "M. M. M", 4p, 7x11. No place, 1936 July 27. To "Mabel and Edwin" [Granberry, an early reviewer of Gone With the Wind]. In full: "You two have every right to think me the most oafish of oafs for not having written you sooner to thank you for sanctuary, good food and best of all, marvelous company. Each morning I've risen, bent on writing to you and, as Hell began to pop before I even got my coffee down, I'd think 'No, I'll wait till I get time for a long letter.' And the time hasn't come. I don't know when it will come as John and my brother Steve, after a five hour conference about this so-and-so contract, sprung on me tonight a plan to go to N.Y. tomorrow and settle the thing in person. I have no clothes, no hats, not a change of underwear or an extra pair of stockings, but it seems that I'm going to N.Y.

JOHN STEINBECK This contract signed by the American author authorized a German production of Of Mice and Men Typewritten contract signed: "John Steinbeck", 2p, 7½x12½ New York, New York, 1946 June 3.John Steinbeck signed this contract, dated June 3, 1946, allowing German-speaking actors to perform Of Mice and Men, his 1937 novelette featuring the tragic characters of Lennie and George, two migrant laborers. The work had been chosen by the Book-of-the-Month Club and quickly became a best seller, sparking both Broadway's and Hollywood's interest in adapting it into a play. While writing Of Mice and Men in 1936, Steinbeck was growing increasingly interested in the theater, believing it to be the best medium to reach the common working man. In fact, Steinbeck actually wrote the book with the intention of making it a novel/play - a novel which could be performed as it was without needing to be revised for the stage. However,this experiment failed, and Steinbeck was forced to adapt it - his first attempt at writing a screen play. He was advised and encouraged by dramatist George S.

ERNEST HEMINGWAY Handwritten 1936 manuscript likely intended for publication in Esquire magazine, vividly describing the horrors of war, with his third person signature in the text Autograph Manuscript signed in text: "Mr. Ernest Hemingway" in pencil, 1 page, 8½x11. No place, c. 1936. Headed by him: "Please Mr. Ernest Hemingway by Paul Harris, The American Criterion, Dec 1935, about 'letters' appearing monthly in Esquire…." Ernest Hemingway was a frequent contributor to "Esquire" magazine. He wrote a total 31 "letters" which were published in "Esquire" in the 1930s. In the September 1935 issue, he wrote: "Notes on the Next War: A Serious Topical Letter". This may be a rough draft of one of the 31 "letters". Hemingway has made an "X", crossing out the entire letter. In part: "Mr. Hemingway, you were at the front. You saw people die? I was ten and I saw people, I saw something in them die and they had to go on making believe they were alive still with their guts out of them. I saw people age.

SAMUEL L. CLEMENS (MARK TWAIN) Signed 4½x7 autograph letter from a London hotel, writing that he hopes to lecture in Britain "if other & more necessary business shall permit." ALS: "Saml. L. Clemens", 1 page, 4½x7. Langham Hotel,/Portland Place, London. W, no year, October 18. To unknown recipient. Begins: "Sir". In full: "I think it will be 2 or 3 weeks before I shall really know whether I can lecture in Great Britain or not. So I am obliged to be thus indefinite in my reply. I certainly shall lecture about 8 or 10 times in this country if other & more necessary business shall permit." From the University of California Press review of Volume 5 of Mark Twain's Letters prepared by the Mark Twain Project at the University of California, Berkeley. "After beginning work on The Adventures of Tom Sawyer, he [Clemens] set it aside to collaborate, almost as a lark, on a novel with Charles Dudley Warner. After a few months of intense labor in the winter of 1872-1873, they produced The Gilded Age, which gave a lasting name to the era it satirized.

DASHIELL HAMMETT Signed and notarized 1930 contract selling Paramount the rights to one of his stories Typed Contract signed: "Dashiell Hammett", 4 pages, 8½x11, separate sheets. No place, but County of Los Angeles, 1930 November 26. Contract between Hammett and Paramount Publix Corporation regarding the sale of the rights "to an original story entitled AFTER SCHOOL written by the seller [Hammett]." Hammett was paid "the sum of Five Thousand ($5000.00) Dollars, receipt whereof is hereby acknowledged." Countersigned by the Executive Manager of Paramount Publix Corporation. Lightly creased. Nicked at upper right blank corner of first page, file holes at blank left margins. Fine condition. Accompanied by typed notarized statement signed: "Alfred A. Grosser" as Notary Public, 1 page, 8½x11. Attesting that "personally appeared DASHIELL HAMMETT, personally known to me to be the person whose name is subscribed to the foregoing instrument...." Lightly creased, chipped at upper right blank corner. File holes at blank left margin. Fine condition. After School became City Streets, released in 1931 and starring Gary Cooper.

MARGARET MITCHELL Letter to fellow author and literary booster Edwin Granberry, accepting congratulations for her Pulitzer Prize but expressing a desire to preserve at least a little personal privacy. Typed Letter signed: "Margaret", 1 page, 7¼x10½. Atlanta, Georgia, 1937 May 12. On personal letterhead to ""Dear Edwin", [Granberry], in full: "That was certainly a grand, long letter and John and I appreciated it immediately. Thanks again for the congratulations about the Award. I am just beginning to come up for air and realizing that it is really true. Since the news came so much has happened - flashlights going off, reporters slithering out of the cracks in the floor and the house full of people - that I have had no chance to really think. One of the nice features of the affair was that Harold Latham, who dug up the book, just happened to be in Atlanta on the day the Award was announced. He gave me a party complete with newspaper friends, as many orchids as a Kentucky Derby winner and barrels of Champaigne. While you and Herschel kept telling me last summer that it would undoubtedly work out this way, I just couldn't believe it.

MARGARET MITCHELL Pulitzer Prize-winning writer Margaret Mitchell, author of Gone With the Wind, sends a letter to Edwin Granberry, who wrote one of the first good reviews of her book. In it, she discusses life as a celebrated author "has been such a hell". Typed Letter signed: "Margaret", 1p, 7¼x10¾. Atlanta, Georgia, 1936 October 29. On personal letterhead to Edwin (Granberry). In full: "I forgot to say in my last letter that I admired very much your tricky side stepping in that article you wrote. How neatly you evaded the fact that you not only stood in the station of a North Carolina hamlet and waited for me but you stood and stood and waited and waited. Dearie, till I die I'll get a laugh at the memory of that day with me getting madder and madder as I waited and you three loafing with your backs against the station while I charged in and out, addressing strangers, asking questions, bargaining with taxi drivers for the trip. Edwin, all the while I was up there with you all, I let you talk about my work. Make up your mind that when next I see you, it will be your work that will be talked about.

VOLTAIRE Signed letter from Paris written just weeks before his death in 1778, fearing that hypocritical priests will deny him a church burial. This letter to the Count of Rochefort, written in fine French (fully translated) and in a beautiful hand, shows that the sage had lost none of his mental acuity Letter signed: "V", 2 pages (integral leaf) 4½x7 folded, 9x7 open flat. Paris, 1778 April 16. To the Comte de Rochefort. In French, fully translated: "I must apologize for having written so formally to Madame Dix-Neuf Ans ["Nineteen Years"]. I apologize for taking so long to thank you for your pleasant letter, sir, but I have had lately a very violent fever, following two fatal illnesses from which I escaped. I think that Monsieur the Abbey of Beauregard, preacher of Versailles, so-called former Jesuit, would willingly refuse me a burial, which is very unfair, because they say that I would not ask for more than to bury him; and he owes me, it seems, the same courtesy. I do not think whatsoever that the master and mistress of the house mocked this abbey of Beauregard.

MARGARET MITCHELL Long personal letter to friend and fellow author Edwin Granberry, mentioning several literary friends and the exigencies of life in wartime Typed Letter signed: "Margaret", 3 pages, 7¼x10. Atlanta, Georgia, 1942 September 21. On personal letterhead to "Dear Mabel and Edwin" [Granberry], in part: "I have been laying off to write to you for the longest and foolishly postponed doing so until I could write a long letter. That time may never come, and so I am grabbing this opportunity while the house painters are out at lunch. ... I've just come back from a quick trip to New York where John had to be on business. The only people I saw were the Clifford Dowdeys, who asked to be remembered to you. Clifford has been having fits trying to get into the army, with no luck so far because his eyes are bad. He has almost finished a new novel , which is about Memphis or Natchez in the 1830's. He told me news of Kenneth Littauer which I am passing on to you. He has been in the air corps for nearly a year, with the rank of major. His address is Headquarters 21st Bomb Group, MacDill Field, Tampa, Florida.