WILLIAM F. CODY: BUFFALO BILL 4¼x6½ cabinet card photo, signed both as W.F. Cody and as Buffalo Bill Cabinet Card Photograph signed: "W.F. Cody/'Buffalo Bill'". B/w, 4¼x6½. Superb portrait of William F. Cody with his desirable double signature. Photographer's imprint, "Gessford/238 Fifth Ave./N.Y.", at lower mount. William Frederick Cody (1846-1917) was a rider for the Pony Express in 1860, a scout for the Kansas Cavalry against the Indians (1863) and served in the U.S. Army in the Civil War (1863-1865). From 1867-1868, he furnished buffalo meat for the Union Pacific Railroad construction crews, earning his nickname, "Buffalo Bill". Cody was a scout for the 5th U.S. Cavalry from 1868-1872 and in 1876. From 1872-1883, he was on stage as an actor at first in E.Z.C. Judson's play, Scouts of the Plains. He organized Buffalo Bill's Wild West Show in 1883 and toured the United States and Europe successfully for over 30 years. Fine condition. read more...

AUDIE MURPHY The Hollywood actor and World War II hero's lieutenant's hat, a lobby card for his film Battle at Bloody Beach and a signed document. Comprises: (1) Dark green officer's hat. The wool hat with black and gold piping bears a silver first lieutenant's bar pinned at front. When flattened, the hat measures 10x5. Fine condition. With color copy (on 8½x11 sheet) of the original signed card indicating that "Lt. Audie Murphy, U.S.A." donated this hat to the "Navy Relief Fund Auction". These auctions, held for the benefit of Navy veterans, were first held in 1944. Heavily creased. (2) Original unsigned color lobby card, color, 14x11. Battle at Bloody Beach stars Audie Murphy (pictured) as Craig Benson, a civilian working for the Navy helping supply guerilla insurgents in the Philippines in WWII. His sole motive is to find his bride from whom he was separated during the Japanese invasion two years earlier. Lightly creased at lower margin. Lightly soiled and stained. Ink and pencil notes (unknown hand) on verso (no show through). (3) Document Signed: "Audie/Murphy", 1p, 8½x11. No place, 1969 June 19. In part: " read more...

WILLIAM F. 'BUFFALO BILL' CODY The man known for his showmanship and scouting skills signed this handwritten letter concerning his financial issues. Various close associates liquidate Cody's assets so that he can pay his creditors. Autograph Letter Signed: "W. C. Cody" one page both sides, 8.5 x 11, Chicago Shan-Kive and Round-Up letterhead. Dated September 18, 1916. Letter to his attorney Henry Hersey regarding his grim financial situation. In Part: “They can explain this situation to you better than I care for they have not kept me well footed. But if you do not hear from them, I'll write you all I know. First Link got judgement for about $11,800. And sold the Irma hotel and four lots and bid it in him self. I have until Jan. 15th 1917. In which to reclaim the property. There separately he sold the fixtures, paintings, etc - I furnished the money and had W.L. Walls bid them in for me. Then Link advertised and sold a hotel of mine called Pahaska Tepee. I furnished the money and had Walls bid that in for me.” read more...

JAMES CAGNEY Signed letter filled with recollections of playing George M. Cohan in Yankee Doodle Dandy, and of Cohan's reaction to the film. Cagney's account, brimming with colorful anecdotes, illuminates a landmark of film history. Typed Letter signed: "J. Cagney", 2 pages 7¼x10½. Verney Farm, Staffordville, New York, 1979 July 3. To "Dear Mr. McGilligan", in full: "In answer to your recent letter, all the information you mention regarding the Cohan contribution to 'Yankee Doodle Dandy' is quite accurate. There was never a script submitted to Mr. Cohan. He sent a friend out, who was a lawyer, to view the rough cut. My brother Bill escorted Mr. Raftery to a projection room, and sat him down in a big comfortable chair. Inasmuch as the script had not been submitted, my brother was full of misgivings, feeling the lawyer would step all over it. My brother was wrong. About twenty minutes into the film it really got to Mr. Raftery. As he sat on the other end of the room, my brother could feel the lounge vibrating as he realized Mr. Raftery was crying. Bill knew he was home free then. The other obstacle was in reference to Cohan's first wife, Ethel Levy. read more...

W. C. FIELDS Letter to his mistress Carlotta, lambasting New York weather, music lovers, and his latest movie, which he calls "an abortion." Fields signs ironically as "The Great Man." A vivid example of Fields' view of the world! Autograph Letter signed: "The G. Man", 3 pages, 8½x11. No place, no date, but mailing envelope is postmarked postmarked April 13, 1939, with his handwritten return address of "Bel Air, Cal". To "Dear Katrinka" [Carlotta Monti], in full: "Thanks for your letter which was despondent indeed. N. Y. will make one so. I do not want to go all over these items, again, and again, but I must divest myself of a few more - more weather pro[g]nostications. Spring in N.Y. is most capricious. One day it will snow, and the next day it will be real warm. Warm sunshine will greet you in the morning and a cold rain will follow within a few hours or vice versa. Therefore you need a light coat and my suggestion would be no sweater. The brown overcoat I gave you is ideal for an eastern spring coat. It is semi rain proof and will keep out the chill wind. read more...

THE STRATTON STORY: A FILM PRODUCTION ARCHIVE Collection of ten items from the production of this 1949 film, the true story of a great baseball comeback. Included are the original contract signed by Monty Stratton; his pass to the MGM studios; a baseball signed by 15 cast and crew members; a signed baseball card showing the White Sox pitcher; photos and lobby cards signed by stars James Stewart and June Allyson; a DVD of the movie; a release form signed by Hall of Fame catcher Bill Dickey allowing use of his photo stills from this film; and a souvenir album inscribed by cast and crew to Monty's son Dennis! Collection comprised of: 1) Contract signed: "Monty Stratton", 25 pages, 9x13½. Culver City, California, 1948 February 26. Agreement between Monty Stratton ("the artist") and Loew's, Incorporated ("the producer"), acquiring Stratton's services as "technical adviser, director, coach, and/or technical writing assistant" at the discretion of the producer. Also signed by a Loew's Vice President (name illegible). He may also be used as an actor, and shall make personal appearances for film promotion. Stratton is to be paid $500 per week for the length of the contract, one year beginning on the signing date. read more...

W. C. FIELDS 11x14 sepia photo of Fields in the stage version of his skit, "The Caledonian Express," signed and inscribed to author and publisher Arthur Samuels. Field's inscription includes one of his famous lines from the stage and screen skit: "You'll ha to git oot/o' the compartment." Oversized Photograph inscribed and signed: "To My friend/Arthur -you'll ha to git oot/o' the compartment,/from his friend/Bill Fields/Oct 11 - 1928." Sepia, 11x14. Remarkable studio portrait inscribed to Arthur Samuels, who was involved with the publishing of "Ladies Home Journal" and authored Poppy. Half-view left profile by Hal Phype. Fields has quoted one of his lines from the Earl Carroll's Vanities sketch "The Caledonian Express" (1928), in which the legendary comedian played four Scottish characters trying to remove an uninvited guest from a train compartment. Fields repeated the skit in the film Follow the Boys (1945), but that time played the intruder. Samuels' Poppy made Fields a Broadway star in 1923, and he reprised the role in two film versions. Surface creases at upper right corner with fraying at that corner, else fine, handsome and rare. read more...

WILLIAM F. "BUFFALO BILL" CODY 6¾x9 black and white photograph mount with an exceptional quality image of the western icon, signed "W.F Cody, 'Buffalo Bill'" Inscribed Photograph Mount signed: "W.F Cody,/"Buffalo Bill"/To- W.S. Metz", B/w 6½x8 image, 6¾x9 overall. Photographer imprint at lower mount reading: "Prince/Parisian Panel/31 Union Square. New York/Penna Ave. & 11th St. Washington D.C." William Frederick Cody (1846-1917) earned the name "Buffalo Bill" for killing thousands of buffalo as a hired hunter in 1867 and 1868. Cody had begun his Wild West career herding cattle at age nine. Five years later, he became the Pony Express' youngest rider. Throughout the Civil War, Cody worked as a government scout, extracting from life and the West all it had to offer. His western notoriety grew with his adventures, including those during the Sioux War, in which he purportedly fought a duel with Chief Yellow Hand. Cody's theatrical career was launched that same year with his re-enactments of such Indian battles. read more...

W. C. FIELDS and FLO ZIEGFELD Both sign and initial a typed documentary letter (1924) extending Fields' contractual obligation to a Ziegfeld production. Documentary Letter signed: "W. C. Fields", "F. Ziegfeld, Jr." , 1 page, 7¼x10½. New York City, 1924 November 12. On Ziegfeld's New Amsterdam Theatre letterhead to W. C. Fields, New York City. Both have initialed a one-line ink addition in Ziegfeld's hand. Noting that Fields' current Equity Run-of-the-Play Contract for J. P. McEvoy's "Comic Supplement" expires on June 1, 1925, Fields agrees to extend his commitment after that date at the rate of $1,750 per week, provided that Fields is successful through the Actors Equity Association in getting released from a conflicting commitment with Phillip Goodman. Fields' weekly salary is to rise to $2,000 per week if "Comic Supplement" should continue running into 1926. Red-nosed, gravel-voiced, bottle-hitting American comedian W. C. FIELDS (1880-1946), born William Claude Dukenfield, began his career in silents, later excelling in such films as David Copperfield (as Micawber), My Little Chickadee (with Mae West) and The Bank Dick read more...