W. C. FIELDS Signed contract for purchase and delivery of a Phaeton automobile from a Cadillac dealership in Chicago (1916). Itemized bill for the "fully loaded" luxury car includes a credit for trade-in of his 1915 Pathfinder. Document signed: "W. C. Fields/Sherman Hotel", 1 page, 8½x11. Chicago, 1916 December 29. Also signed "H. M. McCord" as Sales Manager. Signed order form for one Type 55 Phaeton, with the following extra equipment: 1 Bumper ($10), 1 Spotlight ($5), Royal Cord tires all around ($70), 2 extra Royal Cord tires ($101.27), 2 extra Tubes ($12.73), 1 extra Rim ($7.25). Total price = $2,471.25. The order is contingent on the satisfactory sale of Fields' 1915 Pathfinder touring car, provided by him in partial payment. Two filing holes at left edge. Lightly toned and soiled at edges. "Duplicate" stamp at upper right corner. Upper left corner has small staple holes and is lightly creased. Horizontal mailing folds. Otherwise, fine condition. Accompanied by typed letter (1 page, 8½x11) to Fields from H. M. McCord, dated 1917 January 3, informing him that the Pathfinder has been sold, for a $400 credit toward his purchase price, and assuring him of good service on his new Phaeton. Lightly toned. Horizontal mailing folds. read more...

WILLIAM F. CODY: BUFFALO BILL 4¼x6½ cabinet card photo, signed both as W.F. Cody and as Buffalo Bill Cabinet Card Photograph signed: "W.F. Cody/'Buffalo Bill'". B/w, 4¼x6½. Superb portrait of William F. Cody with his desirable double signature. Photographer's imprint, "Gessford/238 Fifth Ave./N.Y.", at lower mount. William Frederick Cody (1846-1917) was a rider for the Pony Express in 1860, a scout for the Kansas Cavalry against the Indians (1863) and served in the U.S. Army in the Civil War (1863-1865). From 1867-1868, he furnished buffalo meat for the Union Pacific Railroad construction crews, earning his nickname, "Buffalo Bill". Cody was a scout for the 5th U.S. Cavalry from 1868-1872 and in 1876. From 1872-1883, he was on stage as an actor at first in E.Z.C. Judson's play, Scouts of the Plains. He organized Buffalo Bill's Wild West Show in 1883 and toured the United States and Europe successfully for over 30 years. Fine condition. read more...

WILLIAM F. 'BUFFALO BILL' CODY The man known for his showmanship and scouting skills signed this handwritten letter concerning his financial issues. Various close associates liquidate Cody's assets so that he can pay his creditors. Autograph Letter Signed: "W. C. Cody" one page both sides, 8.5 x 11, Chicago Shan-Kive and Round-Up letterhead. Dated September 18, 1916. Letter to his attorney Henry Hersey regarding his grim financial situation. In Part: “They can explain this situation to you better than I care for they have not kept me well footed. But if you do not hear from them, I'll write you all I know. First Link got judgement for about $11,800. And sold the Irma hotel and four lots and bid it in him self. I have until Jan. 15th 1917. In which to reclaim the property. There separately he sold the fixtures, paintings, etc - I furnished the money and had W.L. Walls bid them in for me. Then Link advertised and sold a hotel of mine called Pahaska Tepee. I furnished the money and had Walls bid that in for me.” read more...

W. C. FIELDS Handwritten letter to his mistress Carlotta Monti, signed as "The Great Man". Monti is not spared Fields' caustic wit: "You say your voice has improved ... Thank Christ you never took up the cornet." Autograph Letter signed: "The Great Man", 2 pages (integral leaf), 8½x11. No place, 1939 January 11. To "Dear Carlotta". In full: "You say your voice has improved, but if you cannot commercialize on it, it will do you very little good, and cause others who have to listen to it quite a bit of business. Thank Christ you never took up the cornet. I will ask mickey mouse or pals to meet you at the station with station wagon. So look for either upon your arrival. [next 3 sentences written in cramped script in margin.] I will call you up at 8th St. Don't be fretting about your birthday. You know money is very good and I hate to hear anyone mention it. I will be out of town as the painters come in Monday. We will be most anxious to see you and have you tell us about London, Berlin, Paris, Moscow, etc. Carlo-Ta-Carlo-Ta". W.C. Fields (1879-1946) began entertaining as an amusement park juggler at the age of fourteen. read more...

W. C. FIELDS 11x14 sepia photo of Fields in the stage version of his skit, "The Caledonian Express," signed and inscribed to author and publisher Arthur Samuels. Field's inscription includes one of his famous lines from the stage and screen skit: "You'll ha to git oot/o' the compartment." Oversized Photograph inscribed and signed: "To My friend/Arthur -you'll ha to git oot/o' the compartment,/from his friend/Bill Fields/Oct 11 - 1928." Sepia, 11x14. Remarkable studio portrait inscribed to Arthur Samuels, who was involved with the publishing of "Ladies Home Journal" and authored Poppy. Half-view left profile by Hal Phype. Fields has quoted one of his lines from the Earl Carroll's Vanities sketch "The Caledonian Express" (1928), in which the legendary comedian played four Scottish characters trying to remove an uninvited guest from a train compartment. Fields repeated the skit in the film Follow the Boys (1945), but that time played the intruder. Samuels' Poppy made Fields a Broadway star in 1923, and he reprised the role in two film versions. Surface creases at upper right corner with fraying at that corner, else fine, handsome and rare. read more...

W. C. FIELDS Preparing for his role as "The Great Man" in his last starring role, later titled Never Give a Sucker an Even Break, Fields hires his own writer, to be paid by him, not by the studio. The writer (John T. Neville) has also signed. Documentary Letter Signed: "W. C. Fields", "John T. Neville", 1 page, 8½x11. Universal City, California, 1941 February 22. Neville acknowledges that he has been hired personally by W. C. Fields in connection with Fields' pending movie for Universal Studios, and understands that is to be compensated by Fields, owed nothing by Universal. Fields signs his "approval and consent to the foregoing." Ink note at top left (unknown hand), underlined in red: "The Great Man". W.C. FIELDS (1879-1946) began entertaining as an amusement park juggler at the age of fourteen. He was a vaudeville headliner before he was twenty and toured Europe in 1901, giving a command performance at Buckingham Palace. His Broadway debut in The Ham Tree (1905) was followed by appearances in the Ziegfeld Follies (1915-1921) and in George White's Scandals (1933). Fields starred in Poppy on Broadway (1923) and the next year made his first film, Janice Meredith (1924). read more...

JAMES CAGNEY Signed letter filled with recollections of playing George M. Cohan in Yankee Doodle Dandy, and of Cohan's reaction to the film. Cagney's account, brimming with colorful anecdotes, illuminates a landmark of film history. Typed Letter signed: "J. Cagney", 2 pages 7¼x10½. Verney Farm, Staffordville, New York, 1979 July 3. To "Dear Mr. McGilligan", in full: "In answer to your recent letter, all the information you mention regarding the Cohan contribution to 'Yankee Doodle Dandy' is quite accurate. There was never a script submitted to Mr. Cohan. He sent a friend out, who was a lawyer, to view the rough cut. My brother Bill escorted Mr. Raftery to a projection room, and sat him down in a big comfortable chair. Inasmuch as the script had not been submitted, my brother was full of misgivings, feeling the lawyer would step all over it. My brother was wrong. About twenty minutes into the film it really got to Mr. Raftery. As he sat on the other end of the room, my brother could feel the lounge vibrating as he realized Mr. Raftery was crying. Bill knew he was home free then. The other obstacle was in reference to Cohan's first wife, Ethel Levy. read more...

W.C. FIELDS. ALS: "Willie", 2p, separate sheets, 8½x11. Bel Air, Cal., Sunday (October 15, 1939). Original envelope addressed by Fields to: "Miss Jane Fowler/National Park College/Forest Glen/Maryland". Lightly creased. Fine condition. Jane Fowler was the daughter of his friend, Gene Fowler. Fields had developed a crush on Jane but the affection was unreciprocated. To "my dear nice niece Janey pie". In full: "Thanks for your letter of the 11th, but first I want to tell you that I was coming to forest Glen and engage quarters close to the college, listen to the lesson and get a little added education. Further I could watch you and see that you took your salt peter but when I read your envelope, 'W. C. Feilds' [he has circled the "ei"] I swooned. My own plum, do they not teach you I before E except after C. Suppose after our wedding you go to the Cadillac agency and say 'two 16's, one sport roadster and one coupe, hand the gentleman in attendance a check for $17,000.00 and you sign it 'Jane Feilds.' You do not like the jailhouse any more than I do. If as much. Dear do be careful. I answered your dear wire after I got the necessary funds together to pay for it but I made a mistake and sent it care of Booker T. read more...

ANNIE OAKLEY This wonderful note from the Carolina Hotel in Pinehurst, North Carolina was signed "Congratulations" by Oakley and includes a 1919 penny shot by her during one of performances - proof that Oakley really was that good. Items signed by Oakley are extremely rare, and the targets that she used in her performances are even more so, making this combination an extraordinary find by any measure. Autograph sentiment signed "Congratulations/Annie Oakley". 5x6¼, on stationery from the Carolina Hotel in Pinehurst, North Carolina with colored cachet near top edge, 1 sheet folded. This note has a 1919 Lincoln head penny tied to it with twine. What makes this penny extraordinary is that it's been bent by a small-caliber bullet impact on its left edge. The crater still has a trace of lead and is consistent with that caused by a .22 bullet, the caliber that Oakley used in her performances. The note itself is also significant, as Oakley was hired by the Carolina Hotel (now the Pinehurst Resort, in Pinehurst, North Carolina) to teach and demonstrate shooting in the mid-1910s. read more...