His handwritten notes on ruled notebook paper for a high school history test, framed with his phototo an overall size of 34x24. Autograph Manuscript, unsigned, 1 page, 7¾x10 ruled notebook paper. No place, but Lubbock, Texas, no year. Holly has written an outline of four points, likely to study for his history class. Headed: "Questions on American History/Chapter I". In full: "1. List some of the contributions of the following ancient peoples to our life today./a. Phoenicians/b. Greeks/c. Romans/2. State briefly how the following contributed to the discovery of America./a. The Renaissance/b. The Crusades/c. Marco Polo and other travelers/d. The invention of printing/e. the commercial revolution/3. Spanish Explorers - Date - Scene of Ex. Import/a. Balboa/b. Magellan/c. Cortes/d. Pizarro/e. Ponce de Leon/4. French Explorers - Date - Scene of Ex. - Import./a Verrazano/b. Cartier/c. Champlain". During his high school years in Lubbock, Texas, Buddy did his history homework, as evidenced by this manuscript, on which Holly has written a "1" at the upper right corner. But Charles Hardin "Buddy" Holley (1936-1959) was no ordinary high school student.

Gioacchino Rossini sends an autograph letter in Italian to send an article. Autograph Letter Signed: "Rossini" in Italian, 1p, 4¼ x 5½. No place, no date. To Severini. In full: "Please send, within today, the portion of the opera La Fata Bianca [The White Fairy] which has the tenor's role, to Mr. Curioni. All is well." Curioni was the Italian tenor, Alberico Curioni.By the time he was 18, Gioacchino Rossini (1792-1868) had written his first opera. The Italian composer is best known for his comic opera, The Barber of Seville, and his grand opera, William Tell, with its famous overture. The "Overture" to the four-act William Tell became one of the most familiar of all operatic works when it was used to open the radio and television show, The Lone Ranger. Guillame Tell was first performed in Paris in 1829. The Italian composer, the leading representative of the Bel Canto School of Opera and one of the last masters of opera buffa, spent his later years in Paris and his native Italy. Lightly stained, lightly creased, with folds. Light ink transfer from a different letter. Ink smudging present on some letters. Framed to an overall size of 32½ x 24½.

In this rare letter in untranslated Italian, composer Giuseppe Verdi wrote in 1892 that his business affairs would delay his visit to Montecatini, Italy. With original mailing envelope and book illustration with facsimile signature. Autograph letter signed "G Verdi". 1 page, 4 ½ x 7, 1 page folded, front and verso. Milan, Italy, July 3, 1892. Written in Italian, untranslated. In summary: Verdi wrote this letter to a Signor Galimberti to say that he hoped to come to Montecatini, Italy, but the weight of his business affairs forced him to postpone his intended arrival from the following morning to a Wednesday. He added that Galimberti should nevertheless hold the apartment available for that day. Lightly toned and soiled. Lighten around edges, possibly from frame. Tape remnants on verso. Folded once and unfolded. Otherwise in fine condition. Accompanied by: 1) Unsigned autograph envelope addressed in Verdi's hand. Postmarked July 4, 1892, with blue ink stamp of the Grand Hôtel Milan in Milan, Italy on verso. Addressed to Signor Galimberti, Locanda Maggiore, Montecatini, Italy. One orange-and-white Italian stamp affixed. Lightly toned, soiled and creased. Normal postal stamps, which touch address. Lightened around edges, possibly from frame. Tape remnants on verso.

Third Person ALS: "Mr. Mendelssohns" in English, 1p, 4¼x4½. Hobart Place, Eaton Square (London), 1844 June 29. In full: "Mr. Mendelssohns (sic) Compliments to Mrs. Maxwell; he regrets to say that he does not give lessons, and his stay in this Country being so very limited now, he finds himself not even at liberty to fix a time at which he could play to Miss Maxwell and hear her play, which under other circumstances he would certainly have done with the greatest pleasure." At the time of this letter, German composer Felix Mendelssohn was in London during a recess from his duties as Headmaster of the Leipzig Conservatory. Mendelssohn's works include the overture to A Midsummer Night's Dream, the symphonies C Minor and Reformation, concertos and chamber music. He died in 1847 from overwork and nervous exhaustion following the death of his sister, Fanny. He was 38. Uniformly tanned except for a few light spots. Hole at paper to the left of the "2" in date, touching part of it, and in text, touching 2 words. Upper left and lower right corners missing. ½-inch diagonal tear and pinhead-size nick at blank left margin.

Hammerstein and Romberg both inscribe and sign Romberg's handwritten musical quotation from the musical, with Hammerstein adding, "I'm only the guy who wrote the words …" Framed with an inscribed and signed photo of Romberg to 34½x25½ Comprises: (1) SIGMUND ROMBERG and OSCAR HAMMERSTEIN II. Autograph Musical Quotation inscribed and signed: "To John/With the composers (sic)/best wishes/Sigmund Romberg", 1p, 7½x9½. Above his signature, Romberg has drawn 5 bars of music and written "etc -". Above them, he has written "from the 'Desert Song'/Valse Mod". ANS: "Oscar Hammerstein 2 -" at lower portion of sheet. To "Dear John". In full: "I'm only the guy who wrote the words to the above notes - and they don't matter. Best regards". Slightly creased. Fine condition. (2) SIGMUND ROMBERG. Photograph inscribed and signed: "To Mr. James C. Stratton/Sincerely/Sig Romberg". B/w, 8x9¾ overall, image 7½x8½ (one surface). Publicity photograph by James J. Kriegsmann, N.Y. Typed caption at lower margin: "Sigmund Romberg and his Concert Orchestra". Minor surface creases, else fine condition.

The Legendary Beatles guitarist signs check on Apple Records, Inc. account during period of significant musical projects. Check signed: "George Harrison", blue ink, 8x3½. National Westminster Bank Limited, London, England, May 20, 1971. Drawn on the account of Apple Records Inc, payable to Elloway & Co for £35 and 75 pence. Around the time this check was signed, Harrison was involved in several significant musical projects that included his collaborative work with John Lennon on the song “How Do You Sleep”, organizing a benefit concert in Bangladesh, and producing Badfinger's album “Straight Up” Bank cancellation stamps at mid-section. Small ink notation intersecting the "rr" in Harrison, with two hole-punches along check's top edge. Overall, fine condition. George Harrison (1943-2001) was an English musician, singer-songwriter, and guitarist, best known as the lead guitarist of the Beatles. Born in Liverpool, England, Harrison developed an early passion for music, influenced by skiffle and rock and roll. He joined John Lennon and Paul McCartney in the Quarrymen in 1958, which evolved into the Beatles.

The songwriter and folk singer penned this undated letter and his signature about a possible job at the California radio station KGIL Autograph Letter Signed: "Woody Guthrie". Pencil notations near top left, left edge and bottom right corner, all in unknown hand. 1 page, 7x10½, ruled paper, rounded right corners, three binder holes at left edge, affixed to a 8½x11 sheet of paper with adhesive labels in top left and bottom right corners. El Ray Hotel, Los Angeles, California. Addressed to Cyrus Adler. In full: "Dear Cy & Clement & All: A certain disc jockey, George Wilhelm, plays on [sic] hour of folk records every night from 10 to 11 p.m., at the studios of KGIL, 4919 Van Nuys Blvd., Sherman Oaks, California. He makes a big splash over Burls [sic] records, Josh White's, My own, and others, He draws a goodly stack of mail per day. I hear that he invites live talent to come down and do a few numbers in betwixt & between folk rec-ordings. Burl quested out there some few days ago. They've had fold music & ballad lovers (performers) come into studio and knock off a whole evening in tribute to me & my legend & my ballads.…"

Framed display (35x25), including Berlin's signature on a card attached to a musical biography; and a typed letter signed by Sibelius in 1953, politely declining to answer the question of whether Berlin is "America's greatest composer". Typed Letter Signed: "Jean Sibelius" in English, 1 page, 6x8½. Järvenpää, 1953 June 4. To Cyril Clemens, President, The International Mark Twain Society. In full: "Many thanks for your latest letter with your account of my life and career. It was very well written, indeed, with much ability and sympathy. Please accept my cordial thanks for it. The article about Irving Berlin I have read with much interest. His works are indeed performed here very often. If he is America's greatest composer, is of course difficult to say. America has many prominent composers by now. It is almost impossible to say such a thing about any composer. With all my kindest regards". Mid-horizontal fold, not at signature. Fine condition. In this letter to Cyril Clemens of the Mark Twain Society, JEAN SIBELIUS (1865-1957) expressed the difficulty of calling any one composer a country's "Greatest Composer".

The Italian composer signs this touching sentiment on a photograph mount. Photograph Mount inscribed and signed: "Alla bella & gentile Signorina / Marietta Stern, / ricordo / Giacomo Puccini / Roma Gen: 1918" Photograph of Puccini by Vuillemenot Montibone, 6½ x 8½, 11¾ x 17 photograph and mount overall. Puccini was in Rome preparing for the European debut, on January 11, 1919, of his opera, Il trittico. This was a trilogy of three one-act operas including Il tabarro, Suor Angelica and Gianni Schicchi. Photograph is creased and toned. Photograph mount creased. Framed to an overall size of 24½ x 27. Giacomo Puccini (1858-1924), the greatest Italian opera composer of his time. He wrote a number of operas, including his three most famous works, La Bohème, Tosca and Madama Butterfly, while living at Torre Del Lago, the home he had purchased in 1891. Puccini and his family lived at Torre Del Lago until 1921, and the home became a museum after the death of Puccini's wife in 1930. Light partial postmark to the right of Puccini's head.

Both sign their names on this album leaf containing several bars of music drawn by Grieg Autograph Musical Quotation signed: "Edvard Grieg" 1p, 6x3½. Leipzig, 1891. Three bars of music labeled: "Andante" at top by EDVARD GRIEG (1843-1907). Grieg was a Norwegian composer and pianist who learned how to play at the age of six and went on the attend Leipzig Conservatory. His works include music for Ibsen's Peer Gynt (1876) as well as many choral, orchestral, and chamber pieces. On verso is an Autograph Note signed: "Schumann Heink" in German, New York, 1902 January. From the late 1880s to the early 1900s, the exceptional contralto voice of ERNESTINE SCHUMANN HEINK (1861-1936) was heard frequently at concerts and festivals throughout Europe. She was primarily known for her interpretations of Wagner and Strauss. In 1905, she took out U.S. naturalization papers. Her German-language recording of "Silent Night" earned sales for Victor Red Seal records unmatched by any other artist. When the U.S. entered World War I, Schumann-Heink put herself wholeheartedly behind the American war effort, promoting Liberty Bonds and entertaining troops, despite having a brother in command of an Austrian warship and a son in the German navy.

Right handprint the composer which he has signed and dated in 1925! Handprint signed: "Richard Strauss/21.4.25" in ink, 6½x8¼. Handprint of Strauss' right hand. Stamped: "M. Raschig's Handarchiv." Strauss (1864-1949, born Richard Georg Strauss in Munich, Germany) was Court Conductor at Munich (1894-1898) and Chief Conductor of the Berlin Court Opera (1898-1918). As a composer, Strauss was regarded as the leader of the New Romantic school. Among his works were 15 operas, including Salome (1905), Elektra (1909) and Der Rosenkavalier (1911), as well as ballets, symphonies, concertos and about 200 songs. Berlin palm reader MARIANNE RASCHIG, who also wrote a scientific book on the art of palm reading, put together a collection of over 2,500 handprints from 1924 to 1935. Lightly creased and soiled, irregular left edge. File notes in blank areas (unknown hand). Otherwise, fine condition.

Scarce photograph of the 1950s Rock 'N' Roller Rare Photograph inscribed and signed: "To / Reg - / Thanks / for the wonderful / hospitality / Big / Bopper". B/w, 6¾ x 8½. Publicity photograph by Van Dyck Studio, Beaumont (imprint at lower left edge). Ink lightly beaded (completely legible). Minor surface creases (most not evident head on) at background. Fine condition. Framed by unknown individual: 15¼x17¾. Not reviewed by us for conservation integrity. Mat has separated from frame, resulting in the photograph not being flush with glass. Frame is scratched and chipped, backing paper is torn at upper portion. "As is" framing. Jiles Perry Richardson (1930-1959) was a Texas disc jockey who called himself "The Big Bopper" after the latest dance craze, the bop. His song, "Chantilly Lace", which he wrote and sang, reached the "Top Ten" in 1958. In January 1959, The Big Bopper was booked on the Winter Dance Party tour that would cover most of the Midwest. The tour included such headliners as Buddy Holly, Dion and the Belmonts, Waylon Jennings and Ritchie Valens.