EDVARD GRIEG and ERNESTINE SCHUMANN HEINK Both sign their names on this album leaf containing several bars of music drawn by Grieg Autograph Musical Quotation signed: "Edvard Grieg" 1p, 6x3½. Leipzig, 1891. Three bars of music labeled: "Andante" at top by EDVARD GRIEG (1843-1907). Grieg was a Norwegian composer and pianist who learned how to play at the age of six and went on the attend Leipzig Conservatory. His works include music for Ibsen's Peer Gynt (1876) as well as many choral, orchestral, and chamber pieces. On verso is an Autograph Note signed: "Schumann Heink" in German, New York, 1902 January. From the late 1880s to the early 1900s, the exceptional contralto voice of ERNESTINE SCHUMANN HEINK (1861-1936) was heard frequently at concerts and festivals throughout Europe. She was primarily known for her interpretations of Wagner and Strauss. In 1905, she took out U.S. naturalization papers. Her German-language recording of "Silent Night" earned sales for Victor Red Seal records unmatched by any other artist. When the U.S. read more...

THE MAMAS and THE PAPAS: JOHN PHILLIPS, MICHELLE PHILLIPS, DENNIS DOHERTY and CASS ELLIOTT The Mamas and the Papas sign a document terminating their contract with Dunhill Records, Inc., Beverly Hills, California. Photocopied Typed Document Signed: "John Phillips", "Michelle Phillips", "Dennis Doherty" and "Cass Elliott" and by the President of Dunhill Records, Inc. in ink, 1p, 8½x11. No place, 1967 September 25. Termination of their contract in letter form to Dunhill Records, Inc., Beverly Hills, California. Begins: "Gentlemen". In full: "This will confirm our understanding and agreement with you that the letter agreement dated as of April 28, 1966 between your predecessor in Dunhill Records Ltd. and us (a photocopy of which is annexed hereto) is hereby cancelled and nullified." Additional photocopy mentioned in document is not present. The day after this contract, Lou Adler resigned from Dunhill Records and was hired by the Mamas and the Papas to be their producer and, as an independent contractor, to supervise, direct and produce their recording sessions. read more...

GEORGE GERSHWIN This framed letter that features the composer's autograph shows his interest in new phonograph recording technology Typed Letter Signed, "George Gershwin". 8¼x10½. One page. Dated September 14, 1931. On his personal letterhead. Gershwin writes to a representative of R.C.A. which was the parent company of N.B.C. (created in 1926 to broadcast on radio) and Victor Labs (acquired in 1929 which built phonographs.). The conglomerate was able to remain at the forefront of early broadcasting technology for many years due to the unique merging of technologies. Gershwin's association with R.C.A. was a long and fruitful venture. It was R.C.A. that recorded “An American in Paris”, which was used in the 1951 musical film of the same name. Gershwin's letter in full: " My dear Mr. Clark: I received your invitation to dinner at the Savoy-Plaza on September seventeenth. I am tremendously interested in hearing the new development in phonograph recording, which you will probably demonstrate account of a previous engagement which I have for that evening. Perhaps some day you will permit me to come down to the New York offices and listen to the new development. read more...

JULES MASSENET On the date of the premier of his comic opera masterpiece Manon, he penned and signed these four double bars from Act II. Autograph Musical Quotation signed: "J. Massenet”, in /Paris/1 er presentation op: comique/samedi 19 Janvier 1884 [1st presentation opera: comic/Saturday 19 January 1884]", in black ink, 9½x2½. The composer has drawn four double bars of music, and written in French: "Prelude de l'act II (Manon) [Prelude to Act II (Manon)]". This historical musical quote was written on the first performance of his comic opera, Manon, considered his operatic masterpiece. The opera, which premiered at the Opéra-Comique in Paris, is a staple in the repertoire of many operatic companies and has been featured on numerous recordings, beginning with the historic first recording in 1923. Jules Massenet (1842-1912), who was extremely popular in his day, wrote numerous operas, but Manon established his reputation as a composer. Lightly creased with folds, vertical fold at 1 word of writing. read more...

THELONIUS MONK His career taking off, Monk contracts for an engagement in Philadelphia. Document signed: "Thelonius Monk", 1p, 8½x11. Also signed by Blue Note club owner "Lou Church." Philadelphia, Pennsylvania, 1956 November 11. Monk signs an American Federation of Musicians contract for four performances by his quartet at the Blue Note in Philadelphia. The gig includes two evening and two matinee performances. The price agreed upon is $750, to be paid at the end of the engagement. The other members of his ensemble are not named in the document. Accompanied by unsigned, captioned photo (b/w, 10x8) of Monk performing. Jazz pianist and composer Thelonius Monk (1917-1982) has been called "the high priest of bebop," although his idiosyncratic style defies glib categorization. Several of his compositions, including Round Midnight and Blue Monk are classics of the genre. Although Monk had been performing since the early 1940s and had already written some of his classic songs, it was not until the mid-1950s that his avant-garde style began to attract a wide audience. In 1956 he released Brilliant Corners, considered one of the classic jazz albums of all time. read more...

JOHN COLTRANE Autograph Musical Manuscript, an early (late 1950s), 2-page arrangement of the jazz classic "Body and Soul," a part for alto sax, unsigned but handwritten by him on musical notation paper Autograph Musical Manuscript, unsigned. Titled "Body + Soul". 2 pages, 9½x12½ (conjoined) with his handwritten comments: "IIIrd Alto/Solo with 1st Alto". Written in treble clef, 2/4 time, key of B flat. John Coltrane (1926-1967) was a jazz saxophonist (tenor, but also soprano and alto) and highly innovative composer. First noted as a sideman for such jazz greats as Dizzy Gillespie, Thelonious Monk and especially Miles Davis, Coltrane released his first solo album in 1957, and the first album consisting entirely of his original compositions (Giant Steps) in 1960. That same year, he formed his first ensemble, a quartet. "Trane" explored many jazz styles during a career shortened by liver cancer. His spiritual quest helped him overcome an early addiction to heroin and greatly influenced his music. Coltrane's posthumous honors included a Grammy read more...

BUDDY HOLLY Notebook page with his handwritten answers to a high school English quiz, signed by him at the top with the original spelling of his name ("Holley") Autograph Manuscript signed: "Buddy Holley" at upper margin, 1 page, 8x10½ lined sheet. Holly's answers to a ten-question test, likely for an English class as the answers refer to types of sentences. He answered seven questions correctly. Holly, who was graduated from Lubbock High School in 1955, was recording for Decca Records within a year. Born on September 7, 1936 in Lubbock, Texas as Charles Hardin Holley, the future recording star became known as "Buddy". His first record contract dropped the "e" in Holley, and he adopted the spelling. Before going to Lubbock High School, Holly had attended Lubbock's J.T. Hutchinson Junior High, where he met Bob Montgomery. The duo quickly became known for their musical talent and lack of stage fright. Buddy, Bob and a friend, Jerry Allison, began performing at school functions, and by September of 1953, Buddy had a regular show on Lubbock radio station KDAV. It was in Allison's home that "The Crickets" were born (with Niki Sullivan on rhythm guitar, Allison on drums and Joe B. read more...

SIGNED, HANDWRITTEN COPY OF "CHANTILLY LACE" RECOVERED FROM THE BIG BOPPER'S SUITCASE ON THE DAY THE MUSIC DIED J.P. RICHARDSON "THE BIG BOPPER" Autograph Musical Manuscript signed: "Big Bopper", 9½x12½ lined music paper. The second trumpet part for "Chantilly Lace", written in signer's hand in black ink. A "flat" sign has been added in blue ink to the key signature. Accompanied by photocopy of a handwritten letter from Richardson's son, J. P. Richardson, Jr., which reads in part: "These three pieces (Chantilly Lace, Big Boppers Wedding, Little Red Riding Hood), were recovered from my fathers' briefcase which survived the plane crash of Feb. 3, 1959." [The other two pieces mentioned are not included with the sale of this item.] Jiles Perry Richardson (1930-1959) was a Texas disc jockey who called himself "The Big Bopper" after the latest dance craze, the bop. His song, "Chantilly Lace", which he wrote and sang, reached the "Top Ten" in 1958. In January 1959, The Big Bopper was booked on the Winter Dance Party tour that would cover most of the Midwest. The tour included such headliners as Buddy Holly, Dion and the Belmonts, Waylon Jennings and Ritchie Valens. read more...

ANTON RUBINSTEIN 4¼x6½ cabinet photo, inscribed and signed by him in 1893, a year before his death. He has also penned a 5-bar musical quotation on it. His signature on a photograph is very rare. Autograph Musical Quotation on Photograph inscribed and signed (in French): "A Madame la Comtesse Rosa Lacchis/Souvenir Ant. Rubinstein/Cadenabbia/1893". Sepia 4¼x6½. Above the inscription is his autograph musical quotation (5 measures), which he has marked "Apassionato". Anton Rubinstein (1829-1894, born in Wechwotynetz, Russia, now in Transnistria, Republic of Moldova) founded and directed the St. Petersburg Conservatory of Music (1862-1867, 1887-1891). A virtuoso pianist and prolific composer, Rubinstein wrote several operas, including operas Feramors (1863), Dmitry Donskoy (1852) and Sibirskiye okhotniki (Siberian Huntmsen, 1854), six symphonies, five piano concertos for piano and numerous songs and chamber works. Adhesive and paper residue (previous mounting) on verso. Soiled and lightly foxed. read more...