JULES MASSENET Massenet handwrote, dated and signed this note with two bars of musical notation in Paris in 1887 Autograph musical quotation signed: "J. Massenet", in brown ink, 1p, 4½x7 (one sheet folded). To an unnamed recipient. In French, translated in full: "We will be there! Cou-nt on me!/ until Monday/ your affectionate/”. Paris, France, May 9, 1887. Massenet wrote two bars of music with lyrics (in French, not translated) on this note above his signature. French composer Jules Massenet (1842-1912) made his name with the comic opera Don César de Bazan (1872). Other operas followed, including The Virgin (1880), Manon (1884, considered by many to be his masterpiece), Le Cid (1885) and Werther (1892). In addition to his ambitious operas and orchestral works, Massenet wrote over 200 popular songs, many of them based on published poems. Lightly toned and creased. Random ink stains. Folded in half horizontally and unfolded. Otherwise, fine condition.

FOR THE VICTOR TALKING MACHINE COMPANY'S RECORDING OF HIS 1929 PERFORMANCE OF AN AMERICAN IN PARIS, GERSHWIN RECEIVES ROYALTIES OF ONE CENT PER RECORD SOLD!   GEORGE GERSHWIN. Typed Document Signed: "George Gershwin", 1p, 8x10. No place, 1929 November 1.Headed:"Victor Talking Machine Company/Statement of Royalty Due on Selections by/George Gershwin". The statement is titled: "Sold by the Victor Talking Machine Company for period ending Sept. 30, 1929". Two different records were sold: An American in Paris - Parts 1 and 2 (8331 copies), $83.31 royalty and An American in Paris - Parts 3 and 4 (8327 copies), $83.27 royalty. Total: $166.58 royalty. Gershwin was paid royalties of a penny per copy! He has signed beneath this statement: "I accept the above statement of my royalty account for records of my performance in accordance with my contract dated March 13, 1929 and acknowledge the receipt of the amount for the period shown on said statement in full and final settlement of said account." An American in Paris, inspired by Gershwin's time spent in the French capital, was a groundbreaking symphonic

EDVARD GRIEG and ERNESTINE SCHUMANN HEINK Both sign their names on this album leaf containing several bars of music drawn by Grieg Autograph Musical Quotation signed: "Edvard Grieg" 1p, 6x3½. Leipzig, 1891.Three bars of music labeled: "Andante" at top by EDVARD GRIEG (1843-1907). Grieg was a Norwegian composer and pianist who learned how to play at the age of six and went on the attend Leipzig Conservatory. His works include music for Ibsen's Peer Gynt (1876) as well as many choral, orchestral, and chamber pieces. On verso is an Autograph Note signed: "Schumann Heink" in German, New York, 1902 January. From the late 1880s to the early 1900s, the exceptional contralto voice of ERNESTINE SCHUMANN HEINK (1861-1936) was heard frequently at concerts and festivals throughout Europe. She was primarily known for her interpretations of Wagner and Strauss. In 1905, she took out U.S. naturalization papers. Her German-language recording of "Silent Night" earned sales for Victor Red Seal records unmatched by any other artist. When the U.S.

BUDDY HOLLY Notebook page with his handwritten answers to a high school English quiz, signed by him at the top with the original spelling of his name ("Holley") Autograph Manuscript signed: "Buddy Holley" at upper margin, 1 page, 8x10½ lined sheet. Holly's answers to a ten-question test, likely for an English class as the answers refer to types of sentences. He answered seven questions correctly. Holly, who was graduated from Lubbock High School in 1955, was recording for Decca Records within a year. Born on September 7, 1936 in Lubbock, Texas as Charles Hardin Holley, the future recording star became known as "Buddy".His first record contract dropped the "e" in Holley, and he adopted the spelling. Before going to Lubbock High School, Holly had attended Lubbock's J.T. Hutchinson Junior High, where he met Bob Montgomery. The duo quickly became known for their musical talent and lack of stage fright. Buddy, Bob and a friend, Jerry Allison, began performing at school functions, and by September of 1953, Buddy had a regular show on Lubbock radio station KDAV.

JAZZ GREATS: DJANGO REINHARDT, LOUIS ARMSTRONG, STEPHANE GRAPPELLI, JACK TEAGARDEN. EARL HINES and 17 OTHERS Program of the 1948 Jazz Festival in Nice, France, signed by 21 famed jazz musicians. The signatures are historic, but so is the program! Nice claims this event as the world's first ever jazz festival! Program signed: "D Reinhardt", "Louis Armstrong", "S Grappelli/xxx", "Jack Teagarden", "Barney Bigard", "Arvell Shaw", "Earl/Fatha/Hines" (twice!), "Rex Stewart", "Jimmy Archey", "Henry Goodwin", "Milton Mezz Mezzrow", "Big Sid Catlett", "Hugues Panassie", "Baby Dodds/2-25-48", "Good luck/George Kennedy", "Sandy Price", "Sandy Williams", "Lucky Thompson", and 3 unidentified signatures. 8 pages 9½x12. Accompanied by a 6¼x10 unsigned program, 5 pages. Program of the International Jazz Festival, Nice (France), February 22-28, 1948.In all 20 signatures! From February 22 to 28, 1948, the world's first ever jazz festival was held in Nice, France. Organized byHUGUES PANASSIE, President of Hot Club de France, the festival demonstrated Europe's recovery from World War II and helped popularize the new bop style of jazz in France. Especially renowned signers here include Belgian-born gypsy Jean Baptise "DJANGO" REINHARDT(1910-1953).

DJANGO REINHARDT Rare photograph signed by one of Europe's first great jazz musicians, considered by many to be the finest guitarist the world has ever known. Rare Photograph signed: "D. Reinhardt". B/w, 5x6. Captioned at lower margin: "Club Rythmique de Belgique." Jean Baptise "Django" Reinhardt (1910-1953), who was born in Belgium, grew up in a gypsy camp near Paris. Originally a violinist, he is best remembered for his jazz and swing performances on the acoustic guitar (because of youthful burn injuries that cost him two fingers, Reinhardt had to develop an original fingering system). In the 1930s, he performed with Stephane Grappelli in the Quintet of the Hot Club of France. Although he couldn't read music, Reinhardt created many influential jazz compositions. The pioneer of the concept of the lead guitarist in a musical group, Reinhardt is best remembered for such songs as "My Sweet", "Minor Swing", "Tears", "Belleville" "Djangology" and "Nauges". In addition to touring throughout Europe, Reinhardt was acclaimed in the U.S., opening for Duke Ellington and playing at Carnegie Hall.

BUDDY HOLLY His handwritten answers to an English test at Lubbock High School, 1953 Autograph Manuscript signed: "Buddy Holley", 1p, 8x10½. Lubbock (Texas), 1953 March 17. An English grammar test. Holly (original spelling "Holley") has headed the page,signing his name in the upper left and writing "English 22v (2)" beneath his name. At the upper right, he has penned "Lubbock High School" and the date "March 17, 1953". Headed: "Test" by Holly, the test had 40 questions; just the answers are written. Holly had to identify parts of speech ("adv", "noun", "pronoun", "conjunction") and types of sentences ("run-on", "phrase", "sub. clause"). Only one answer (the first) is marked wrong. Holly was graduated from Lubbock High School in 1955 and within a year was recording for Decca Records. He was an innovator who wrote his own material and was among the first to use such advanced studio techniques as double-tracking. Holly pioneered and popularized the now-standard rock-band lineup of two guitars, bass and drums. He began experimenting with orchestration shortly before his death in 1959. His first song recorded with the Crickets in 1957 was "That'll Be the Day". "Peggy Sue" followed.

J.P. RICHARDSON [THE BIG BOPPER] Scarce photograph of the 1950s Rock 'N' Roller Rare Photograph inscribed and signed: "To / Reg - / Thanks / for the wonderful / hospitality / Big / Bopper". B/w, 6¾ x 8½. Publicity photograph by Van Dyck Studio, Beaumont (imprint at lower left edge). Ink lightly beaded (completely legible). Minor surface creases (most not evident head on) at background. Fine condition. Framed, not by the Gallery of History: 15¼x17¾. Not reviewed by us for conservation integrity. Mat has separated from frame, resulting in the photograph not being flush with glass. Frame is scratched and chipped, backing paper is torn at upper portion. "As is" framing. Jiles Perry Richardson (1930-1959) was a Texas disc jockey who called himself "The Big Bopper" after the latest dance craze, the bop. His song, "Chantilly Lace", which he wrote and sang, reached the "Top Ten" in 1958. In January 1959, The Big Bopper was booked on the Winter Dance Party tour that would cover most of the Midwest.

VERDI WRITES TO MARIA WALDMANN WHO APPEARED IN HIS FIRST PRODUCTION OF AIDA IN MILAN   GIUSEPPE VERDI. ALS: "G. Verdi", 1p, 4½x3½. Sant'Agate, 1889 November 18. To his close friend, Maria Massari Waldmann.In Italian, partially translated. In part: "Thank you, my dear Maria, and thanks to your kind Duke for the affectionate remembrance...Greetings to the Duke and a warm handshake...." On February 8, 1872, mezzo-soprano MARIA MASSARI WALDMANN starred as Amneris in the Milan premiere of Aida under Verdi's direction. At the time of this letter, Giuseppe Verdi (1813-1901) spent part of the year at the Villa Verdi at St. Agata diBusseto, close to his birthplace in Le Roncole, and part in Genoa in an apartment in the Palazzo Doria. Inscription on verso of Verdi's letter, in Italian: "To my dear/friend Margherita/from/Maria Massari/Zavaglia/Ferrara, 22-1-905". There is a collection of nearly 100 letters from Verdi to Waldmann in La Biblioteca del Conservatorio "G.B. Martini" in Bologna, Italy. Lightly stained. Overall, fine condition.

THE MAMAS AND THE PAPAS: JOHN PHILLIPS, MICHELLE PHILLIPS, DENNIS DOHERTY and CASS ELLIOT The Mamas and Papas sign a document to Dunhill Records, Inc., Trousdale Music Publishers, Inc. and Wingate Music Corp. Rare Typed Document Signed: "John Phillips", "Michelle Gilliam Phillips", "Cass Elliot" and "Dennis Doherty", 3p, 8½x11, separate sheets. No place, 1967 September 28. In letter form to Dunhill Records, Inc., Trousdale Music Publishers, Inc. and Wingate Music Corp. A listing of seven points to confirm the "understanding and agreement between you and the undersigned....". In part: "Trousdale agrees to cancel as of October 1, 1966 the 10% collection charge which was deducted in the computation of our writers' royalties for the last half of 1966...We acknowledge and agree that mechanical royalties are payable by Dunhill and its parent and affiliated companies to Trousdale and Wingate on 90% of gross sales and that writers' royalties are payable by Trousdale and Wingate on the same 90% basis...You and we hereby acknowledge that the sum of $13,330 was expended for re-mastering and reprinting slicks and labels in connection with the replacement of Jill Gibson....