THELONIUS MONK His career taking off, Monk contracts for an engagement in Philadelphia. Document signed: "Thelonius Monk", 1p, 8½x11. Also signed by Blue Note club owner "Lou Church." Philadelphia, Pennsylvania, 1956 November 11. Monk signs an American Federation of Musicians contract for four performances by his quartet at the Blue Note in Philadelphia. The gig includes two evening and two matinee performances. The price agreed upon is $750, to be paid at the end of the engagement. The other members of his ensemble are not named in the document. Accompanied by unsigned, captioned photo (b/w, 10x8) of Monk performing. Jazz pianist and composer Thelonius Monk (1917-1982) has been called "the high priest of bebop," although his idiosyncratic style defies glib categorization. Several of his compositions, including Round Midnight and Blue Monk are classics of the genre. Although Monk had been performing since the early 1940s and had already written some of his classic songs, it was not until the mid-1950s that his avant-garde style began to attract a wide audience. In 1956 he released Brilliant Corners, considered one of the classic jazz albums of all time. read more...

JULES MASSENET He has signed these autograph music and lyrics, the last four measures of his religious cantata, The Virgin, and dated it himself (1880) Autograph Musical Quotation signed: "J. Massenet/Paris 17-8-80", 1p, 10¾x3½. Inscribed by Massenet in French: "To Miss Eugenie Hautier/souvenir with respect". Massenet has identified the four long measures as the last measures of "Holy Friday", Third Scene of his religious cantata The Virgin scored by Massenet for four voices, one for each long measure, identified by Massenet as "Marie Salome", "Marie Magdalena", "Jean" and "Simon", with words penned in his hand. French composer Jules Massenet (1842-1912) made his name with the comic opera Don César de Bazan (1872). read more...

SIGNED, HANDWRITTEN COPY OF "CHANTILLY LACE" RECOVERED FROM THE BIG BOPPER'S SUITCASE ON THE DAY THE MUSIC DIED J.P. RICHARDSON "THE BIG BOPPER" Autograph Musical Manuscript signed: "Big Bopper", 9½x12½ lined music paper. The second trumpet part for "Chantilly Lace", written in signer's hand in black ink. A "flat" sign has been added in blue ink to the key signature. Accompanied by photocopy of a handwritten letter from Richardson's son, J. P. Richardson, Jr., which reads in part: "These three pieces (Chantilly Lace, Big Boppers Wedding, Little Red Riding Hood), were recovered from my fathers' briefcase which survived the plane crash of Feb. 3, 1959." [The other two pieces mentioned are not included with the sale of this item.] Jiles Perry Richardson (1930-1959) was a Texas disc jockey who called himself "The Big Bopper" after the latest dance craze, the bop. His song, "Chantilly Lace", which he wrote and sang, reached the "Top Ten" in 1958. In January 1959, The Big Bopper was booked on the Winter Dance Party tour that would cover most of the Midwest. The tour included such headliners as Buddy Holly, Dion and the Belmonts, Waylon Jennings and Ritchie Valens. read more...

THE MAMAS AND THE PAPAS: JOHN PHILLIPS, MICHELLE PHILLIPS, DENNIS DOHERTY and CASS ELLIOT The Mamas and Papas sign a document to Dunhill Records, Inc., Trousdale Music Publishers, Inc. and Wingate Music Corp. Rare Typed Document Signed: "John Phillips", "Michelle Gilliam Phillips", "Cass Elliot" and "Dennis Doherty", 3p, 8½x11, separate sheets. No place, 1967 September 28. In letter form to Dunhill Records, Inc., Trousdale Music Publishers, Inc. and Wingate Music Corp. A listing of seven points to confirm the "understanding and agreement between you and the undersigned....". In part: "Trousdale agrees to cancel as of October 1, 1966 the 10% collection charge which was deducted in the computation of our writers' royalties for the last half of 1966...We acknowledge and agree that mechanical royalties are payable by Dunhill and its parent and affiliated companies to Trousdale and Wingate on 90% of gross sales and that writers' royalties are payable by Trousdale and Wingate on the same 90% basis...You and we hereby read more...

VERDI WRITES TO MARIA WALDMANN WHO APPEARED IN HIS FIRST PRODUCTION OF AIDA IN MILAN   GIUSEPPE VERDI. ALS: "G. Verdi", 1p, 4½x3½. Sant'Agate, 1889 November 18. To his close friend, Maria Massari Waldmann. In Italian, partially translated. In part: "Thank you, my dear Maria, and thanks to your kind Duke for the affectionate remembrance...Greetings to the Duke and a warm handshake...." On February 8, 1872, mezzo-soprano MARIA MASSARI WALDMANN starred as Amneris in the Milan premiere of Aida under Verdi's direction. At the time of this letter, Giuseppe Verdi (1813-1901) spent part of the year at the Villa Verdi at St. Agata diBusseto, close to his birthplace in Le Roncole, and part in Genoa in an apartment in the Palazzo Doria. Inscription on verso of Verdi's letter, in Italian: "To my dear/friend Margherita/from/Maria Massari/Zavaglia/Ferrara, 22-1-905". There is a collection of nearly 100 letters from Verdi to Waldmann in La Biblioteca del Conservatorio "G.B. Martini" in Bologna, Italy. Lightly stained. Overall, fine condition. read more...

TAX DOCUMENT REVEALS THAT GEORGE GERSHWIN GOT 60% AND IRA GERSHWIN RECEIVED 40% FROM THEIR COLLABORATIONS   GEORGE GERSHWIN and IRA GERSHWIN. Carbon Typed Document Signed: "George Gershwin" and "Ira Gershwin", 1p, 8½x13. Los Angeles, California, 1936 September 30. In part: "GEORGE GERSHWIN and IRA GERSHWIN each, being first duly sworn, deposes and says: That he is one of the parties to the written agreement dated July 29, 1936, executed by and between RKO STUDIOS, INC. and GEORGE GERSHWIN and IRA GERSHWIN, under the terms and conditions of which the said George Gershwin and Ira Gershwin are employed by the said RKO Studios, Inc. and under the terms and conditions of which the compensation payable to the said George Gershwin and Ira Gershwin is paid to them jointly, without any allocation between them. That under the terms and conditions of an agreement existing between the said George Gershwin and Ira Gershwin all compensation received by them read more...

JULES MASSENET Massenet handwrote, dated and signed this note with two bars of musical notation in Paris in 1887 Autograph musical quotation signed: "J. Massenet", in brown ink, 1p, 4½x7 (one sheet folded). To an unnamed recipient. In French, translated in full: "We will be there! Cou-nt on me!/ until Monday/ your affectionate/”. Paris, France, May 9, 1887. Massenet wrote two bars of music with lyrics (in French, not translated) on this note above his signature. French composer Jules Massenet (1842-1912) made his name with the comic opera Don César de Bazan (1872). Other operas followed, including The Virgin (1880), Manon (1884, considered by many to be his masterpiece), Le Cid (1885) and Werther (1892). In addition to his ambitious operas and orchestral works, Massenet wrote over 200 popular songs, many of them based on published poems. Lightly toned and creased. Random ink stains. Folded in half horizontally and unfolded. Otherwise, fine condition. read more...

ELVIS PRESLEY'S JACKET!   ELVIS PRESLEY. Velvet bolero style jacket owned by Elvis and given to his personal hairdresser, Homer M. Gilleland, known as Mr. Gill. The wine colored, four-buttoned short jacket bears a "Mr./Ray's/Palm Springs" label. Accompanied by a Typewritten Statement signed: "Homer M Gilleland/8-14-91". In full: "To whom this may concern. My name is Homer M. Gilleland. For over 20 years preceding his death, I Was the personal hairdresser of Elvis Aaron Presley. During my employment as Elvis' hairdresser, he gave me as gifts numerous Items of clothing and personal property. This wine colored velvet bolero jacket was owned by Elvis. The jacket has the Label, Mr. Rays Palm Springs. This was a favorite men's store that Elvis frequently Shopped at in the 1960's while he stayed in Palm Springs. This jacket is authentic as given to me by Elvis Aaron Presley during my employment as his personal hairdresser." Homer M. Gilleland, known as "Mr. Gill", cut Gladys Presley's hair in the 1950's at Goldsmiths Department Store in Memphis, Tennessee. When Elvis became famous he asked his mother's hairdresser to cut his hair. Mr. Gilleland cut Elvis' hair until Presley's death in 1977. read more...

BUDDY HOLLY Notebook page with his handwritten answers to a high school English quiz, signed by him at the top with the original spelling of his name ("Holley") Autograph Manuscript signed: "Buddy Holley" at upper margin, 1 page, 8x10½ lined sheet. Holly's answers to a ten-question test, likely for an English class as the answers refer to types of sentences. He answered seven questions correctly. Holly, who was graduated from Lubbock High School in 1955, was recording for Decca Records within a year. Born on September 7, 1936 in Lubbock, Texas as Charles Hardin Holley, the future recording star became known as "Buddy". His first record contract dropped the "e" in Holley, and he adopted the spelling. Before going to Lubbock High School, Holly had attended Lubbock's J.T. Hutchinson Junior High, where he met Bob Montgomery. The duo quickly became known for their musical talent and lack of stage fright. Buddy, Bob and a friend, Jerry Allison, began performing at school functions, and by September of 1953, Buddy had a regular show on Lubbock radio station KDAV. It was in Allison's home that "The Crickets" were born (with Niki Sullivan on rhythm guitar, Allison on drums and Joe B. read more...