ALS: "G. Verdi", 1p, 4½x3½. Sant'Agate, 1889 November 18. To his close friend, Maria Massari Waldmann. In Italian, partially translated. In part: "Thank you, my dear Maria, and thanks to your kind Duke for the affectionate remembrance...Greetings to the Duke and a warm handshake...." On February 8, 1872, mezzo-soprano MARIA MASSARI WALDMANN starred as Amneris in the Milan premiere of Aida under Verdi's direction. At the time of this letter, Giuseppe Verdi (1813-1901) spent part of the year at the Villa Verdi at St. Agata diBusseto, close to his birthplace in Le Roncole, and part in Genoa in an apartment in the Palazzo Doria. Inscription on verso of Verdi's letter, in Italian: "To my dear/friend Margherita/from/Maria Massari/Zavaglia/Ferrara, 22-1-905". There is a collection of nearly 100 letters from Verdi to Waldmann in La Biblioteca del Conservatorio "G.B. Martini" in Bologna, Italy. Lightly stained. Overall, fine condition.

This framed letter that features the composer's autograph shows his interest in new phonograph recording technology Typed Letter Signed, "George Gershwin". 8¼x10½. One page. Dated September 14, 1931. On his personal letterhead. Gershwin writes to a representative of R.C.A. which was the parent company of N.B.C. (created in 1926 to broadcast on radio) and Victor Labs (acquired in 1929 which built phonographs.). The conglomerate was able to remain at the forefront of early broadcasting technology for many years due to the unique merging of technologies. Gershwin's association with R.C.A. was a long and fruitful venture. It was R.C.A. that recorded "An American in Paris", which was used in the 1951 musical film of the same name. Gershwin's letter in full: " My dear Mr. Clark: I received your invitation to dinner at the Savoy-Plaza on September seventeenth. I am tremendously interested in hearing the new development in phonograph recording, which you will probably demonstrate account of a previous engagement which I have for that evening. Perhaps some day you will permit me to come down to the New York offices and listen to the new development. With many thanks, I am Yours sincerely, George Gershwin gg/ob". Annotated in pencil in another hand: "File CC arrange for.…"

The Italian composer signs this touching sentiment on a photograph mount. Photograph Mount inscribed and signed: "Alla bella & gentile Signorina / Marietta Stern, / ricordo / Giacomo Puccini / Roma Gen: 1918" Photograph of Puccini by Vuillemenot Montibone, 6½ x 8½, 11¾ x 17 photograph and mount overall. Puccini was in Rome preparing for the European debut, on January 11, 1919, of his opera, Il trittico. This was a trilogy of three one-act operas including Il tabarro, Suor Angelica and Gianni Schicchi. Photograph is creased and toned. Photograph mount creased. Framed to an overall size of 24½ x 27. Giacomo Puccini (1858-1924), the greatest Italian opera composer of his time. He wrote a number of operas, including his three most famous works, La Bohème, Tosca and Madama Butterfly, while living at Torre Del Lago, the home he had purchased in 1891. Puccini and his family lived at Torre Del Lago until 1921, and the home became a museum after the death of Puccini's wife in 1930. Light partial postmark to the right of Puccini's head.

A signed autograph note on a postcard giving instructions to a music publisher in London. Addressed in his hand and mailed from Prague in 1892. Both sides of the postcard can be viewed in the frame! Autograph Note Signed with two musical quotes: "A. Dvorak" in English, 5½x3¾. On verso of stamped postcard addressed by Dvorak to: "Novello & Ewer/ 1 Berners Street/London", postmarked Prague, March 24, 1892. In full: "I have no objection to it, when the two bars notes the Viola [c note] page 291. 207 are to be omitted and given to the Cello [two bars, two notes]". Czech composer Antonin Dvorak (1841-1904) is best known for his symphony in E minor, From the New World, composed in 1893. He is also noted for success in adapting folk music to serious romantic music. Dvorak was the Director of The National Conservatory of Music from 1892-1895. Note side is soiled, worn torn edges (all intact). Corners torn away affecting some writing and 1 musical quote. Address side is soiled and worn, edge flaws are framed over. Light stains. Framed in the Gallery of History style: 36¾x22¼.

Gioacchino Rossini sends an autograph letter in Italian to send an article. Autograph Letter Signed: "Rossini" in Italian, 1p, 4¼ x 5½. No place, no date. To Severini. In full: "Please send, within today, the portion of the opera La Fata Bianca [The White Fairy] which has the tenor's role, to Mr. Curioni. All is well." Curioni was the Italian tenor, Alberico Curioni.By the time he was 18, Gioacchino Rossini (1792-1868) had written his first opera. The Italian composer is best known for his comic opera, The Barber of Seville, and his grand opera, William Tell, with its famous overture. The "Overture" to the four-act William Tell became one of the most familiar of all operatic works when it was used to open the radio and television show, The Lone Ranger. Guillame Tell was first performed in Paris in 1829. The Italian composer, the leading representative of the Bel Canto School of Opera and one of the last masters of opera buffa, spent his later years in Paris and his native Italy. Lightly stained, lightly creased, with folds. Light ink transfer from a different letter. Ink smudging present on some letters. Framed to an overall size of 32½ x 24½.

Carbon Typed Document Signed: "George Gershwin" and "Ira Gershwin", 1p, 8½x13. Los Angeles, California, 1936 September 30. In part: "GEORGE GERSHWIN and IRA GERSHWIN each, being first duly sworn, deposes and says: That he is one of the parties to the written agreement dated July 29, 1936, executed by and between RKO STUDIOS, INC. and GEORGE GERSHWIN and IRA GERSHWIN, under the terms and conditions of which the said George Gershwin and Ira Gershwin are employed by the said RKO Studios, Inc. and under the terms and conditions of which the compensation payable to the said George Gershwin and Ira Gershwin is paid to them jointly, without any allocation between them. That under the terms and conditions of an agreement existing between the said George Gershwin and Ira Gershwin all compensation received by them pursuant to the terms and conditions of said contract, has been and will be divided and allocated between them in the ratio of sixty per cent (60%) to the said George Gershwin and forty per cent (40%) to the said Ira Gershwin…That this affidavit is made and delivered to the said RKO Studios, Inc.…"