PEGGY PHILLIPS - TYPED LETTER SIGNED 11/01/1951 - HFSID 318343
Price: $320.00
PEGGY PHILLIPS
The writer and press agent sends a letter to Theatre World
founder Daniel Blum on the behalf of her client, the famous Jessica
Tandy
Typed letter signed: "Peggy" in blue ink. 1 page, 8½x7¼. New
York City, New York, November 1, 1951. On letterhead of The Playwrights Company,
New York. To "Dear Dan" In full: "Your telephone has been
continually busy, so am writing to let you know that regarding photos of Jessica
Tandy, we are having new ones made next week, and will send one to you just as
soon as the prints come in. Sincerely" PEGGY PHILLIPS (1916-2004) was
a longtime screenplay and script writer who wrote episodes for Days of Our
Lives (1965-1966), Lassie (1958-1963), and The
Adventures of Robin Hood (1956-1958). Also a press agent, Phillips is
credited to over 20 Broadway productions, beginning as early as 1944. She was
the press rep for her last Broadway show, My Fair Lady as the show
toured from 1956 to 1962. Possessing a great dignity tempered by the humorous
sparkle in her clear blue eyes, JESSICA TANDY (1909-1994) was among the
Grande dames of stage and screen. She earned Tony awards for the premier of
A Streetcar Named Desire (1947) and The Gin Game (1978). She won
an Oscar as Best Actress for Driving Miss Daisy (1989), and won her third
Tony for her work in 1983's Foxfire (she would win an Emmy in 1987 for
the same role in the play's televised version). In 1942, she married
Canadian stage and screen actor Hume Cronyn and they remained professional and
personal partners until Tandy's death in 1994. JOHN A. WILLIS (1916-2010),
active in Theatre World from the beginning, became its chief editor in
1965, holding that position until 2008. Willis is regarded as one of the
foremost theatre and film historians of the 20th century. While producing (and
presenting) the annual Theatre World Awards, Willis also served on the
nominating committee for the Tony Awards. Theatre World, which
received its own Tony for Excellence in Theatre in 2001, continues
under chief editor Ben Hodges. Creased from fold. Fine
condition.
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