MARGARET MITCHELL The year she received the Pulitzer Prize for Gone With the Wind, she writes of fending off law suits, including a plagiarism suit, and desires to visit friends in Florida only if her visit can be kept secret from reporters and autograph seekers. Typed Letter signed: "Margaret", 2 pages(front and verso), 7¼x11. Atlanta, Georgia, 1937 July 27. On personal letterhead to ""Dear Mabel and Edwin", [Granberry], in full: "If your offer of hospitality still holds good I would like to come to visit you two for three days, preferably around the end of this week (arriving Saturday the 31st or Sunday the 1st). However, if this date is not convenient to you for any reason, please do not hesitate to tell me so and to fix your own dates. John will not be able to come with me. His own work at his office is very heavy at present and my business affairs which he is handling at night show no signs of slacking. We have two new lawsuits in addition to the plagiarism suit! I'll tell you about them when I see you. I think I know you two well enough to ask for frankness.

MARGARET MITCHELL Mitchell, always shy about the spotlight on her following Gone With the Wind, confides to friend and fellow author Edwin Granberry that "it is tempting fate to ever write a book or a play. If you do, everything except a plague of grasshoppers arrives." Typed Letter signed: "Margaret", 2 pages (front and verso), 7¼x10½. Atlanta, Georgia, 1941 November 11. On personal letterhead to "Dear Mabel and Edwin" [Granberry], in full: "We were very distressed to learn of your illness, Mabel, and I was glad to see Fred Hanna at a party Sunday night and learn that you really were up and about. Don't you think you Granberrys have managed all the plagues of Egypt now? I never knew any family, except us, to have as much trouble. (And, as Michael Arlen remarked in 'The Green Hat,' 'the Marches are never let off of anything.') Things are well with us now but I remember, with no pleasure, the first five years we were married when everyone in our family seemed to have something happen to them. Perhaps it is something all couples must go through with, but I hope the Granberrys are really through now. Edwin, you know it is tempting fate to ever try to write a book or a play.

MARGARET MITCHELL Pleased that friend and fellow author Edwin Granberry is writing again, she shares with him her relief that the frenzy over the movie version of her book has abated with the outbreak of war: "The world has far more important things to think about these days than me." Several other literary notables are mentioned in this letter. Typed Letter signed: "Margaret", 3 pages, 7¼x10½. Atlanta, Georgia, 1940 September 23. To "My dear Mabel and Edwin [Granberry], you varmint". In part: "Here I've gone around feeling blue ever since I had the last news of you (Edwin) that you had given up any notion of writing any more. I had thought about what a waste of talent it was and had heroically restrined myself from writing and telling you so. Then, a month ago, vague rumors began trickling into my ears at parties that you were writing again. Don't ask me who told me because I don't know. I go places and meet two hundred strangers in thirteen and a half minutes, and some of them say, 'Oh, do you know Edwin Granberry who is doing some writing?' and before I could catch them they would disappear and twelve more strange faces would stand before me.

JOHN STEINBECK This contract signed by the American author authorized a German production of Of Mice and Men Typewritten contract signed: "John Steinbeck", 2p, 7½x12½ New York, New York, 1946 June 3.John Steinbeck signed this contract, dated June 3, 1946, allowing German-speaking actors to perform Of Mice and Men, his 1937 novelette featuring the tragic characters of Lennie and George, two migrant laborers. The work had been chosen by the Book-of-the-Month Club and quickly became a best seller, sparking both Broadway's and Hollywood's interest in adapting it into a play. While writing Of Mice and Men in 1936, Steinbeck was growing increasingly interested in the theater, believing it to be the best medium to reach the common working man. In fact, Steinbeck actually wrote the book with the intention of making it a novel/play - a novel which could be performed as it was without needing to be revised for the stage. However,this experiment failed, and Steinbeck was forced to adapt it - his first attempt at writing a screen play. He was advised and encouraged by dramatist George S.

MARGARET MITCHELL The year the film version of her Gone with the Wind premiered (1939), Mitchell signed this typed letter, forwarding with skeptical comments a letter she had received. Framed with 2 pictures of Mitchell to an overall size of 29½x18. Typed Letter signed: "Margaret", 1 page, 5¾x9. Atlanta, Georgia, 1939 May 3. On personal letterhead to "Dear Franklin" [Garrett]. One strike-over and ink correction in her hand. Triple suede matted and framed with two portraits of Mitchell to an overall size of 29½x18. In full: "I am enclosing a letter I recently received [Item not included], for I thought some of the information in it might be of interest to you. Because of the manifold errors in the letter I have doubts as to the lady's statement that her father was the first white child born in Atlanta. You will notice that she says her grandfather had fifteen hundred slaves and the plantation covered the 'whole of Dahlonega County.' I believe at that time there were about five thousand people in the county of which Dahlonega is the seat. However, knowing your interest in such matters, I am passing the letter on to you. Please return it when you have finished reading it.

MARGARET MITCHELL Writing to friend and literary ally Edwin Granberry the year she won the Pulitzer Prize, she declares herself "yearning for battle" against "lawsuits, racketeers and chiselers". The author of Gone With the Wind laments that "there are so few novels about happy married life." Typed Letter signed: "Margaret", 2 pages (front and verso), 7¼x11. Atlanta, Georgia, 1937 August 8. On personal letterhead to ""Dear Mabel and Edwin", [Granberry], in full: "Yesterday I sent Edwin, Jr. 'Microbe Hunters' and "two Little Confederates' and if they do not arrive shortly, please let me know and I will get behind the book store. I hope he likes them both. I found that John, during my absence, had not been devoting his time to riotous living and making the most of his opportunities. He and my brother had worked every night - and all night - on this and that and both looked tired and frayed. The suit against Billy Rose isn't to open tomorrow due to a delay in drawing up the papers and the suit against the Dutch pirate is also held up due to some complication or other but the opening guns of both should begin in a week or so.

MARGARET MITCHELL Letter to fellow author and literary booster Edwin Granberry, accepting congratulations for her Pulitzer Prize but expressing a desire to preserve at least a little personal privacy. Typed Letter signed: "Margaret", 1 page, 7¼x10½. Atlanta, Georgia, 1937 May 12. On personal letterhead to ""Dear Edwin", [Granberry], in full: "That was certainly a grand, long letter and John and I appreciated it immediately. Thanks again for the congratulations about the Award. I am just beginning to come up for air and realizing that it is really true. Since the news came so much has happened - flashlights going off, reporters slithering out of the cracks in the floor and the house full of people - that I have had no chance to really think. One of the nice features of the affair was that Harold Latham, who dug up the book, just happened to be in Atlanta on the day the Award was announced. He gave me a party complete with newspaper friends, as many orchids as a Kentucky Derby winner and barrels of Champaigne. While you and Herschel kept telling me last summer that it would undoubtedly work out this way, I just couldn't believe it.

MARGARET MITCHELL Writing to friend and fellow author Edwin Granberry, she complains of the constant invasions of her privacy following publication of Gone With the Wind; Typed Letter signed: "Margaret", 1 page, 7¼x10½. No place, no date, but undoubtedly written from her home in Atlanta in the late in the late 1930s, before the appearance of the film. On personal letterhead to Edwin and Mabel Granberry in full: "I've been intending to write to you for a long time - but you see how far my wants have gotten me. The reason was that when I went to N. Y. to see about the movie contract, my over strained eyes practically gave up the ghost. Herschel B [Brickell, a friendly literary critic], loaded me on the train in a bad way and since that time (up until a week ago) I've been lying in a dark room with a black bandage over my eyes. No, there's nothing seriously wrong and I'm writing you all to tell you so far already the rumor is out that I've gone blind. I wouldn't like for you to hear that and not know the truth. My eyes just needed a rest and so did I. Now I have new glasses and can see very well. It may be some time before I can do any reading or writing but I'm glad enough at being out of the dark.

ERNEST HEMINGWAY Handwritten 1936 manuscript likely intended for publication in Esquire magazine, vividly describing the horrors of war, with his third person signature in the text Autograph Manuscript signed in text: "Mr. Ernest Hemingway" in pencil, 1 page, 8½x11. No place, c. 1936. Headed by him: "Please Mr. Ernest Hemingway by Paul Harris, The American Criterion, Dec 1935, about 'letters' appearing monthly in Esquire…." Ernest Hemingway was a frequent contributor to "Esquire" magazine. He wrote a total 31 "letters" which were published in "Esquire" in the 1930s. In the September 1935 issue, he wrote: "Notes on the Next War: A Serious Topical Letter". This may be a rough draft of one of the 31 "letters". Hemingway has made an "X", crossing out the entire letter. In part: "Mr. Hemingway, you were at the front. You saw people die? I was ten and I saw people, I saw something in them die and they had to go on making believe they were alive still with their guts out of them. I saw people age.