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REGINALD DENNY - STAMP(S) SIGNED CO-SIGNED BY: LILIAN HARVEY - HFSID 297410

REGINALD DENNY and LILIAN HARVEY Both actors sign a block of US stamps. Stamps signed: "Reginald Denny", "Lilian Harvey", 3x1. Signed in ink on a block of three US 1-cent George Washington stamps.

Sale Price $198.00

Reg. $220.00

Condition: fine condition
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REGINALD DENNY and LILIAN HARVEY
Both actors sign a block of US stamps.
Stamps signed: "Reginald Denny", "Lilian Harvey", 3x1. Signed in ink on a block of three US 1-cent George Washington stamps. British stage, screen and television actor REGINALD DENNY (1891-1967) made his film debut in the silents in 1915, and by the 1920s, he was a popular star in light comedies. With the advent of "talkies", Denny found himself relegated to character roles due to his heavy British accent, but he continued to appear in a long list of feature films, including Of Human Bondage (1934), Anna Karenina (1935), Romeo and Juliet (1936), several Bull Drummond features (as Algernon "Algy" Longworth, 1937-1939), Rebecca (1940), Tangier (1946), The Secret Life of Walter Mitty (1947), Abbott and Costello Meet Dr. Jekyll and Mr. Hyde (1953), Cat Ballou (1965), Assault on a Queen (1966) and Batman (1966). After making his television debut in 1949, Denny appeared on a number of early anthologies, and he also guest starred on such series as Please Don't Eat the Daisies (1965) and Batman (two appearances as King Boris in 1966). In addition to his acting career, Denny, a WWI veteran who remained interested in aviation, had formed a company that built model plane kits, and, in 1940, he founded Radioplane, which built target drones for the U.S. Army. LILIAN HARVEY (1906-1968, born to a German father and English mother, moved to Berlin when she was eight years old. She found her greatest success in screen operettas and, in this genre, was one of the most popular actresses in Europe. She was often cast opposite Willy Fritsch and they remained popular through the early '30s. Film highlights include such musicals as Die Drei von der Tankstelle (1930) and The Congress Dances (1931). She was a big star in Germany in the early Nazi years, but was forced to flee Germany when it became known that she was helping Jews to escape the country. Since this heroism was not widely known, her film career suffered irreparable harm from association with UFA, the German film company, and she made no movies after 1940. She remained active on European stages after the war. Fine condition.

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