STRATTON STORY MOVIE CAST - COLLECTION CIRCA 1948 WITH BILL WILLIAMS, JAMES "JIMMY" STEWART, AGNES MOOREHEAD, JUNE ALLYSON, BILL DICKEY, FRANK MORGAN, CLAUDE JARMAN JR., SAM WOOD, JACK CUMMINGS AND OTHERS - HFSID 294066
Price: $5,000.00
THE STRATTON STORY: A FILM PRODUCTION ARCHIVE
Collection of ten items from the production of this 1949 film, the
true story of a great baseball comeback. Included are the original contract
signed by Monty Stratton; his pass to the MGM studios; a baseball signed by 15
cast and crew members; a signed baseball card showing the White Sox pitcher;
photos and lobby cards signed by stars James Stewart and June Allyson; a DVD of
the movie; a release form signed by Hall of Fame catcher Bill Dickey allowing
use of his photo stills from this film; and a souvenir album inscribed by cast
and crew to Monty's son Dennis!
Collection comprised of: 1) Contract signed: "Monty
Stratton", 25 pages, 9x13½. Culver City, California, 1948 February 26.
Agreement between Monty Stratton ("the artist") and Loew's, Incorporated
("the producer"), acquiring Stratton's services as "technical adviser,
director, coach, and/or technical writing assistant" at the discretion of the
producer. Also signed by a Loew's Vice President (name illegible). He may
also be used as an actor, and shall make personal appearances for film
promotion. Stratton is to be paid $500 per week for the length of the contract,
one year beginning on the signing date. Interestingly, the contract never
mentions The Stratton Story. Stratton was available for any project the
studio might have chosen to assign him. Loew's, Inc. in 1948 was a subsidiary of
Metro-Goldwyn-Mayer, responsible for film distribution. In the very year of this
contract, a US Supreme Court decision required movie studios to divest
themselves of their distribution arms, and Loew's subsequently became
independent of MGM. Two horizontal folds. Lightly creased. Slightly worn. Two
staples at top. Otherwise, fine condition; 2) Pass signed: "Monty
Stratton", 3½x2½. Metro-Goldwyn-Mayer Pictures studio pass #12210,
issued to Stratton on February 23, [1948]. Valid until issuance of his final
paycheck. The pass is to be carried by the holder whenever he is on the studio
lot, to produce it upon request, to abide by studio rules and respect studio
property. Issued three days before the above contract was signed, this pass
permitted Stratton on site to negotiate and sign the contract, and then to carry
out his duties as an adviser on the film, identified on this card as "The Story
of Monty Stratton."Worn. Slightly creased. Lightly soiled. Otherwise,
fine condition. 3) Baseball signed: "Bill
Williams", "Jimmy Stewart", "Agnes Moorehead", "Frank Morgan", "Jack Cummings",
"Dave/Crooked Arm/Friedmann", "Major Roup", "Sid Sidman", "Sam Wood",
"June/Allyson", "Harold Rosson", "Robert Gist", and 2 unidentified signers.
In all 15 signatures. Lightly toned. Multiple signature lightly beaded but
legible. Otherwise fine condition; 4) Lobby Card signed: "James
Stewart", Color, 14x11. Illustrated with scene from the film, showing
Stewart (in the title role as Stratton), seated in the Chicago White Sox dugout,
getting ready to take the mound for the first time, encouraged by Sox manager
Jimmy Dykes (who played himself) Ink stamps on verso (no show through). Overall,
fine condition; 5) Lobby Card signed: "James Stewart", "June/Allyson"
and "Bill Dickey". Color, 14x11. Illustrated with scene from
the film, showing Allyson (as Mrs. Stratton) seated at a restaurant table, as
Stewart converses with New York Yankees Hall of Fame catcher Bill Dickey (who
played himself) Staple holes at each corner and at bottom and top center. ½-inch
tear at top center staple holes. Otherwise, fine condition; 6) Baseball Card
signed: "Monty Stratton", B/w, 2½x3½. Sealed in a PSA/DNA, 5½x3¼,
plastic casing. 1979 Diamond Greats card No. 126. With an image of Stratton
wearing his White Sox uniform and his lifetime pitching statistics printed on
front. Fine condition. 7) Photograph signed: "James Stewart". B/w,
8x10. Movie still showing Stewart as Stratton, during the pitcher's comeback.
Fine condition; 8) Album inscribed and signed: "1948/Dennis Lee
Stratton", "To Dennis/Was nice seeing you,/Good Luck and Best Wishes/Claude
Jarman, Jr./June 1, 1950", "For Dennis -/My very/fondest thoughts/June/Allyson",
"Great Dad/you got there/Frank Morgan", "To Dennis -/A fine son/of a fine
man/James Stewart", "To Dennis -/Thank you for letting me play/your
'grandma'/Best Wishes/Agnes Moorehead", "Denny -/The last time you threw a
ball/to me you threw it so fast my/hand still hurts. So I can't sign/my name
very well./But on account of we're pals -/Douglas Morrow", "To Dennis/with best
wishes from/Macey Hodges", 6x4½, green book marked "Autographs" on the
cover.Dennis Stratton, Monty's son, was on the set during the
filming. This album was presented to him by the signing members of the cast
and crew. Overall, fine condition; 9) Document signed: "Bill Dickey",
1 page, 8½x11. Culver City, California, 1951 March 21. Dickey
authorizes Loew's Inc. to use still photos of him, taken while he was appearing
in The Stratton Story, as set dressing for another baseball movie,
Angels and Pirates. [This film was released in the US later in 1951 as
Angels in the Outfield.] Filing holes at top edge. Lightly toned and
creased. Multiple mailing folds. Otherwise, fine condition. 10) DVD,
unsigned. Complete version of The Stratton Story. In addition to the
story itself and its well-loved stars, the movie offers its owner the chance to
see some of the best ballplayers of the era, including Jimmy Dykes, Gene Bearden
and Joe Dimaggio, as well as signer Bill Dickey. No wonder reviewers praised the
realism of this film's baseball scenes. Unopened and in original condition;
MONTY STRATTON (1912-1982) pitched for the Chicago White Sox from 1934 to
1938, winning 36 games and losing only 23. His career really took off in
1937, the first of his two 15-win seasons and the year he made the American
League All-Star team. Then tragedy struck. During the off-season, Stratton
accidentally shot himself in the leg while hunting, and the leg had to be
amputated. This would have ended most baseball careers, but not Stratton's.
After coaching with the White Sox for several seasons, Stratton made a
successful comeback. In 1946, he won 18 games for Sherman of the East Texas
League. He never made it back to the Majors; his willpower couldn't lift him
quite that high. But he continued pitching through the 1953 season. In 1948,
MGM resolved to film this classic baseball story, with Stratton as the movie's
technical adviser. Stratton personally recommended JAMES STEWART
(1908-1997) to portray him. (Ronald Reagan, who would portray another
comeback pitcher (Grover Alexander) in The Winning Team (1952), wanted to
play Stratton, but couldn't get permission from his own studio, Warner Bros.)
James Stewart was already one of America's greatest film stars, having won the
Best Actor Oscar for The Philadelphia Story (1940) and garnered
nominations for Mr. Smith Goes to Washington (1939) and It's a
Wonderful Life (1946). He would go on to two more nominations (for
Harvey, 1950; and Anatomy of a Murder (1959). With other classic
films to his credit, including Destry Rides Again, Rear Window,
The Spirit of St Louis and Vertigo, Stewart was destined to
receive a special Honorary Academy Award in 1984. JUNE ALLYSON
(1917-2006), who often played wholesome girls next door and ideal wives, was
a natural choice for the role of Ethel Stratton. This proved to be the first of
three performances for her as Stewart's screen wife. The others would be The
Glenn Miller Story (1954) and Strategic Air Command (1955). In real
life, she was married to actor Dick Powell until his death in 1963. After many
more screen roles, mostly in positive roles like Jo in Little Woman
(1949), Allyson hosted her own TV anthology series (1959-1961), and appeared
often in the medium through 2001. The premier catcher of the late 1930s and
early 1940s, the lefthanded-hitting Hall of Famer BILL DICKEY
(1907-1993) was the soul of the Yankee dynasty bridging the Babe Ruth, Lou
Gehrig and Joe DiMaggio eras as a player, and the Mickey Mantle era as a coach.
A key performer for the Yankees on eight American League pennant-winners and
seven World Series championships, Dickey hit .313 over his 17-year career. From
1947-1957, he was a Yankee coach. SAM WOOD (1883-1949) hired as an
assistant by Cecil B. DeMille in 1915, directed his first film in 1919. Wood was
three times nominated for an Oscar as Best Director: for Goodbye, Mr.
Chips (1939), Kitty Foyle (1940) and King's Row (1942,
considered Ronald Reagan's best screen performance). His other films
included the Marx Brothers comedies A Night at the Opera and A Day at
the Races (1937), For Whom the Bell Tolls (1943) and another classic
baseball film, The Pride of the Yankees (1942), with Gary Cooper starring
as the recently deceased Yankee superstar. FRANK MORGAN (1890-1949, cast
in this film as former Major-Leaguer and Stratton mentor Barney Wile, began in
silent films in 1916. Morgan is most famous from The Wizard of Oz,
where he played three roles: the Wizard, carnival huckster Professor Marvel, and
the gatekeeper of the Emerald City. Morgan received two Oscar nominations: one
as Best Actor for The Affairs of Cellini (1934), and one for Best
Supporting Actor (Tortilla Flat, 1942). AGNES MOOREHEAD
(1900-1974), cast here as Stratton's mother, debuted onscreen as
Charles Foster Kane's mother in Orson Welles' Citizen Kane. She
received Best Supporting Actress Academy Award nominations for her roles
in The Magnificent Ambersons, Mrs. Parkington, Johnny
Belinda and Hush...Hush, Sweet Charlotte.She was Elizabeth Montgomery's mother,
Endora in Bewitched. BILL WILLIAMS (1916-1992, born Herman
Katt) got his first major film role as a returning GI in Till the End of
Time (1946). Seen in many second leads and B-movies, Williams found success
on the small screen in the 1950s with the title role in The Adventures of
Kit Carson and as Betty White's husband in Date with the Angels.
Williams and his wife Barbara Hale (of Perry Mason fame) were the parents
of actor William Katt. JACK CUMMINGS (1900-1989), although a nephew of
Louis B. Mayer, worked his way up from office boy to producer. Cummings was
especially known for his movie musicals, including Three Little Words,
Kiss Me Kate, Seven Brides for Seven Brothers and Viva, Las
Vegas. DAVE FRIEDMANN was production manager of The Stratton
Story and of a long line of MGM hits, including Ben-Hur (1925 and
1959 versions), The Good Earth (1937), Meet Me in St Louis (1944)
and Forbidden Planet (1956). CARL MAJOR ROUP (1915-2002) was
second assistant manager on this production and on many others, including
Show Boat, Raintree County and Mutiny on the Bounty (1962
version). He was even more successful on television as assistant producer of
multiple episodes of such hits as Twilight Zone, Hogan's Heroes,
The Patty Duke Show, High Chaparral and Trapper John, M.D.
The film career of SID SIDMAN (1908-1975) closely paralleled Roup's.
Beginning as assistant director of Two Smart People and The Courage of
Lassie in 1946, he worked steadily at MGM, including that role on The
Stratton Story, before moving to TV in the mid-1950s. There he contributed
to such series as Wyatt Earp, The Millionaire, and finally of
My Three Sons (360 episodes). HAROLD ROSSON (1895-1988) was
cinematographer on a long string of films, beginning in the silent
era (1915). His greatest accomplishment must have been The Wizard of
Oz (1939), which became the first Technicolor film when Dorothy arrived
in Oz. Besides The Stratton Story Rosson's cinematography included
Thirty Seconds Over Tokyo (1944). Singin' in the Rain and No
Time for Sergeants (1958). Supporting actor ROBERT GIST (1917-1998),
cast as "Earnie" in this picture, had moved from Chicago radio to Broadway
stages, where he appeared in Harvey and The Caine Mutiny Court
Martial. He also seen in Miracle on 34th Street (1947) and
Strangers on a Train (1951). He later became a TV director,
credited with episodes of Peter Gunn, Naked City, Twilight
Zone, Route 66 and Gunsmoke. He was briefly married to
Agnes Moorehead (1953, separated 1954 and divorced 1958). DENNNIS
STRATTON (1940-1964), the younger of Monty Stratton's two sons, was on
the lot during the filming of The Stratton Story, and must have been
popular with the movie cast and crew, who presented him with the souvenir album
offered here. Stratton remained in Greenville, Texas (his father's home),
married and had two daughters, and worked for the conglomerate Ling - Temco -
Vought. At age 23 he killed himself with a shotgun blast to the chest. CLAUDE
JARMAN, JR. (b. 1934) was a child star, winning a "Juvenile Oscar" for
his lead role in the multi-Oscar winning MGM film The Yearling
(1947). He had no credited role in The Stratton Story, but was under
contract with MGM at the time, working on the studio's Intruder in the
Dust. Jarman left the film industry when he outgrew juvenile roles, but
returned for the TV movie Centennial (1968), and later became Director of
Cultural Affairs for the City of San Francisco. DOUGLAS MORROW (1913-1994)
wrote the screenplay for The Stratton Story. This was his first
feature length film; Jim Thorpe - All-American would follow two years
later. After that he became a prolific scriptwriter for television,
contributing to such popular series as The Millionaire, 77 Sunset
Strip, Mr. Roberts, The Lucy Show and The Virginian
into the early 1970s. MACEY HODGES is something of a mystery. He does not
appear on cast and crew listings for The Stratton Story, or for any film
work in the Internet Movie Database. He was probably Gus Macey Hodges
(1908-1992), who grew up in Stratton's home town of Greenville, Texas, and
practiced personal injury law during the 1930s. He later became a highly
honored law professor at the University of Texas.
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