CULLEN LANDIS - TYPED LETTER SIGNED 11/28/1966 - HFSID 214748
Price: $460.00
CULLEN LANDIS
The silent film star reminisces about the old days in a letter to a
fan, signs name in blue ink
Typed letter signed: "Cullen Landis" in blue ink. 1 page,
7¼x10¼. Written on personal stationary. November 28, 1966. Addressed to a
"Mr. Smith", in full: "Your nice letter awaited me on my return
from Detroit. A last trip to the City, before the onset of Winter. I might add
that it is snowing like mad right now. We live in the heart of fishing, hunting
and skiing country, so there is never a dull season. Mrs. Landis and I love it
and look forward to this time during all of our years abroad. - in Tehran -
Manila - Kabul - Istanbul - Pnom Penh and Saigon. The era of silent films was a
great one - everyone heled and it was a kinder business than it is now. I did
disappear into the world of Industrial films, where I remained until War - #2 -
I spend those years with the Signal Corps and went back to the Philippines with
MacArthur in 1944. Then the Foreign Service, so you see I have never left the
business at all. I do thank you for you kind words, and am sending a picture
years later. Things were not as well regulated in my day - tho my wife of 36
years; swears she sent 25› and got a picture years ago. Many thanks again.
Cordially". Cullen Landis (1896-1975) was an American motion
picture actor and director, whose career began and his most remembered during
Hollywood's silent film era, of which he was one of its most popular stars.
He starred in the first "all-talking" motion picture Lights of New
York (1928), later expressing that talkies were perfect for musicals and
that he was no song and dance man. Landis left Hollywood for Detroit in 1930
where he produced and directed industrial films for automobile companies. His
silent pictures include The Outcasts of Poker Flat (1919),
The Famous Mr. Fair (1923), A Broadway Butterfly
(1925), The Crimson Flash (1927) and The Little Wild
Girl (1928). Normal mailing folds. Toned. Light surface creased. Corners
rounded. Adhesive residue in top margin. Pencil notes on verso in unknown hand.
Otherwise, fine condition.
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