MARGARET MITCHELL The year the film version of her Gone with the Wind premiered (1939), Mitchell signed this typed letter, forwarding with skeptical comments a letter she had received. Framed with 2 pictures of Mitchell to an overall size of 29½x18. Typed Letter signed: "Margaret", 1 page, 5¾x9. Atlanta, Georgia, 1939 May 3. On personal letterhead to "Dear Franklin" [Garrett]. One strike-over and ink correction in her hand. Triple suede matted and framed with two portraits of Mitchell to an overall size of 29½x18. In full: "I am enclosing a letter I recently received [Item not included], for I thought some of the information in it might be of interest to you. Because of the manifold errors in the letter I have doubts as to the lady's statement that her father was the first white child born in Atlanta. You will notice that she says her grandfather had fifteen hundred slaves and the plantation covered the 'whole of Dahlonega County.' I believe at that time there were about five thousand people in the county of which Dahlonega is the seat. However, knowing your interest in such matters, I am passing the letter on to you. Please return it when you have finished reading it.

MARGARET MITCHELL Writing to friend and literary ally Edwin Granberry the year she won the Pulitzer Prize, she declares herself "yearning for battle" against "lawsuits, racketeers and chiselers". The author of Gone With the Wind laments that "there are so few novels about happy married life." Typed Letter signed: "Margaret", 2 pages (front and verso), 7¼x11. Atlanta, Georgia, 1937 August 8. On personal letterhead to ""Dear Mabel and Edwin", [Granberry], in full: "Yesterday I sent Edwin, Jr. 'Microbe Hunters' and "two Little Confederates' and if they do not arrive shortly, please let me know and I will get behind the book store. I hope he likes them both. I found that John, during my absence, had not been devoting his time to riotous living and making the most of his opportunities. He and my brother had worked every night - and all night - on this and that and both looked tired and frayed. The suit against Billy Rose isn't to open tomorrow due to a delay in drawing up the papers and the suit against the Dutch pirate is also held up due to some complication or other but the opening guns of both should begin in a week or so.

AS HER WRITING CAREER WINDS DOWN, THE FAMED AUTHOR SELLS THE INVENTORY OF SEVERAL OF HER PUBLISHED WORKS - BUT RETAINS CONTROL OVER HER LITERARY LEGACY   AYN RAND, ROBERT HESSEN and BEATRICE HESSEN.Scarce Typed DS: "Ayn Rand" on page 3, 3p, 8½x11, separate sheets. New York City, 1976 June 12 (dated by Rand).Letter of Agreement to Rand from Palo Alto Book Service.Begins: "Dear Ayn". In full: "This will serve as our Agreement for the Palo Alto Book Service for the purpose of promoting and selling the remaining inventory of The Ayn Rand Letter, The Objectivist, the bound copies of The Objectivist Newsletter, and the pamphlets published by The Objectivist Newsletter and The Objectivist.We will receive the physical inventory of the above as well as any remaining stock of your novels and non-fiction works, including Introduction to Objectivist Epistemology, all of which are held by The Objectivist Book Service, Inc. The inventory will be shipped to us, insured, via book rate, or by truck, if that method should prove less expensive. We will share the cost of shipment with the Objectivist Book Service, Inc. The physical inventory shall, at all times, remain your property.

STEPHEN CRANE The author of The Red Badge of Courage writes from England, where he had settled two years earlier. Calling Card Signed: "Yours faithfully/ Stephen Crane/ March 16, 1899", on verso of his personal 3x1½ card, printed: "Stephen Crane./ Brede Place./ Sussex” (not visible in frame). Also includes a black and white 3x4½ photograph of the author, 2x3½ visible. America's foremost "naturalistic" author Stephen Crane (1871-1900) moved to England in 1897. Although Crane never served in the military, he won international acclaim with The Red Badge of Courage, his 1895 book that told the story of a young soldier during the American Civil War. He later served as a war correspondent, covering the Greco-Turkish War (1897) and Spanish-American War (1898) for foreign newspapers. Crane's signature is virtually unobtainable in any form. The one offered here is especially desirable as it was penned by him on his calling card. Crane suffered from tuberculosis and died in a German sanitarium the year he signed this card. He was 28. Card lightly toned. Otherwise, fine condition. Framed in the Gallery of History style: 20½x11.

MARGARET MITCHELL Letter to fellow author and literary booster Edwin Granberry, accepting congratulations for her Pulitzer Prize but expressing a desire to preserve at least a little personal privacy. Typed Letter signed: "Margaret", 1 page, 7¼x10½. Atlanta, Georgia, 1937 May 12. On personal letterhead to ""Dear Edwin", [Granberry], in full: "That was certainly a grand, long letter and John and I appreciated it immediately. Thanks again for the congratulations about the Award. I am just beginning to come up for air and realizing that it is really true. Since the news came so much has happened - flashlights going off, reporters slithering out of the cracks in the floor and the house full of people - that I have had no chance to really think. One of the nice features of the affair was that Harold Latham, who dug up the book, just happened to be in Atlanta on the day the Award was announced. He gave me a party complete with newspaper friends, as many orchids as a Kentucky Derby winner and barrels of Champaigne. While you and Herschel kept telling me last summer that it would undoubtedly work out this way, I just couldn't believe it.

HERMAN MELVILLE His clipped signature, with his portrait, two first day covers of stamps honoring him, and a picture of a whale. One of the rarest of all signatures! Signature: "Herman Melville", 4½x4, with four unsigned items: a printed portrait of Melville; two first day covers of stamps honoring him; and a color illustration of a whale, presumably Moby Dick. Herman Melville (1819-1891, born in New York City) worked at a young age as a cabin boy and sailor on merchant vessels. During an unsuccessful whaling expedition, he took part in a mutiny, was jailed and escaped. His seafaring inspired many of his later works, including Typee: A Peep at Polynesian Life (1846), Omoo, a Narrative of Adventures in the South Seas (1847) and his masterpiece, Moby Dick (1851). Moby Dick, unlike his earlier works, was neither a critical or financial success. Melville's later writings, such as Pierre (1852), The Confidence Man (1857) and the short stories Bartleby the Scrivener and The Encantadas reflected his despair and contempt for society's corruption, hypocrisy and materialism. Melville took a break from writing to work as a customs inspector on

MARGARET MITCHELL Pleased that friend and fellow author Edwin Granberry is writing again, the author shares with him her relief that the frenzy over the movie version of her book has abated with the outbreak of war: "The world has far more important things to think about these days than me." Several other literary notables are mentioned in this letter. Typed Letter signed: "Margaret", 3 pages, 7¼x10½. Atlanta, Georgia, 1940 September 23. To "My dear Mabel and Edwin [Granberry], you varmint". In part: "Here I've gone around feeling blue ever since I had the last news of you (Edwin) that you had given up any notion of writing any more. I had thought about what a waste of talent it was and had heroically restrined myself from writing and telling you so. Then, a month ago, vague rumors began trickling into my ears at parties that you were writing again. Don't ask me who told me because I don't know. I go places and meet two hundred strangers in thirteen and a half minutes, and some of them say, 'Oh, do you know Edwin Granberry who is doing some writing?' and before I could catch them they would disappear and twelve more strange faces would stand before me.

VOLTAIRE Signed letter from Paris written just weeks before his death in 1778, fearing that hypocritical priests will deny him a church burial. This letter to the Count of Rochefort, written in fine French (fully translated) and in a beautiful hand, shows that the sage had lost none of his mental acuity Letter signed: "V", 2 pages (integral leaf) 4½x7 folded, 9x7 open flat. Paris, 1778 April 16. To the Comte de Rochefort. In French, fully translated: "I must apologize for having written so formally to Madame Dix-Neuf Ans ["Nineteen Years"]. I apologize for taking so long to thank you for your pleasant letter, sir, but I have had lately a very violent fever, following two fatal illnesses from which I escaped. I think that Monsieur the Abbey of Beauregard, preacher of Versailles, so-called former Jesuit, would willingly refuse me a burial, which is very unfair, because they say that I would not ask for more than to bury him; and he owes me, it seems, the same courtesy. I do not think whatsoever that the master and mistress of the house mocked this abbey of Beauregard.

MARGARET MITCHELL Typed letter from Pulitzer Prize-winning writer and author of Gone With the Wind, to Edwin Granberry (and wife), who wrote one of the first good reviews of her book. She discusses the up roar of a Dutch publisher bringing Gone With the Wind out in Holland without her consent Typed Letter Signed: "Margaret", 1p, 7x11. Atlanta, Georgia, 1937 December 15. On personal letterhead to Edwin and Mabel. In part: "By all means keep 'Co. "Aytch"' as long as you like. Our plans, as usual, are in a snarl. Perhaps you've seen items in the paper about a Dutch publisher bringing out 'Gone With the Wind' in Holland without my consent. I have lost my case in the lower Dutch courts and have appealed. I took the matter to the Department of State in Washington and they are working on it now. That may mean we will have to remain in Atlanta in case we are needed...." "CO. AYTCH", MAURY GRAYS, FIRST TENNESSEE REGIMENT; OR, A SIDE SHOW OF THE BIG SHOW ,published in 1882, was written by Samuel R. Watkins. Watkins, a Confederate private with Co. H, 1st Tennessee Infantry, fought in the western theatre of the war and saw action in most of the major battles in the west.