JOHN STEINBECKThis contract signed by the American author authorized a German production of Of Mice and Men Typewritten contract signed: "John Steinbeck", 2p, 7½x12½ New York, New York, 1946 June 3.John Steinbeck signed this contract, dated June 3, 1946, allowing German-speaking actors to perform Of Mice and Men, his 1937 novelette featuring the tragic characters of Lennie and George, two migrant laborers. The work had been chosen by the Book-of-the-Month Club and quickly became a best seller, sparking both Broadway's and Hollywood's interest in adapting it into a play. While writing Of Mice and Men in 1936, Steinbeck was growing increasingly interested in the theater, believing it to be the best medium to reach the common working man. In fact, Steinbeck actually wrote the book with the intention of making it a novel/play - a novel which could be performed as it was without needing to be revised for the stage. However,this experiment failed, and Steinbeck was forced to adapt it - his first attempt at writing a screen play. He was advised and encouraged by dramatist George S.

TWO RARE ORIGINAL AUTOGRAPH MANUSCRIPT PAGES FROM THE GILDED AGE, ONE IN THE HAND OF MARK TWAIN, THE OTHER IN THE HAND OF HIS COLLABORATOR, CHARLES DUDLEY WARNER (WITH A SUGGESTION BY MARK TWAIN) THE GILDED AGE: SAMUEL L. CLEMENS and CHARLES DUDLEY WARNER. Comprises: (1) SAMUEL L. CLEMENS (MARK TWAIN). Autograph Manuscript, unsigned, 1p, 5x8. From Part 2, Chapter XI of The Gilded Age.Clemens has penned: "396" at upper margin (it has been crossed out and renumbered "307" by Warner). Clemens writes, in full: "he saw the pathetic sorrow in their faces when they asked for more & there was no more to give them, he hated himself for his stupidity and pitied the hunger famishing young things with all his heart. The other matter that disturbed him was the dire inflation that had begun in his stomach. It grew & grew, it became more & more supportable. Evidently the apples turnips were swelling fermenting. He forced himself to sit still as long as he could, but the distress steadily augmented till his anguish conquered him at last." From the actual published text of The Gilded Age:

HERMAN MELVILLE Author Herman Melville wrote this letter to publisher George P. Putnam from Pittsfield, Massachusetts. It accompanied a proof of one of his stories. Melville's signature is one of the rarest of all, and handwritten letters by him are highly desirable. Autograph letter signed "H Melville". 1 page, 4¾x7½, with embossing in top left corner. Pittsfield, Massachusetts, dated "Jan 27th". Addressed to George P. Putnam, Esq., 10 Park Place, New York City. In full: "Dear Sir: Re-enclosed is the proof [not included]. Very Truly Yours". We believe this letter was written between 1852 and 1855, when Putnam's publishing company G. Putnam Broadway was based at 1010 Park Place, New York City. Melville published a number of short stories through Putnam's Monthly Magazine during this time, including Bartleby the Scrivener (1853), The Encantadas, or: Enchanted Isles (1854) and Benito Cereno (1855). GEORGE PALMER PUTNAM (1814-1872, born in Brunswick, Maine) published many important American authors, like Melville, through his publishing house of G. Putnam Broadway, which later became G. P. Putnam's Sons.

JOEL CHANDLER HARRIS.Scarce Cabinet Card Photograph signed: "Faithfully yours:/Joel Chandler Harris". Sepia, 4¼x6½ overall, image 4x5¾ (two surfaces). Photographer's imprint beneath image and on verso: "C.W. Motes/Photographer,/No. 34 Whitehall St./Atlanta/GA." In the 1880s, Harris, a former journalist for Georgia newspapers, became one of the first American writers to use original dialects in his stories rooted in Black folklore. His lead character was Uncle Remus, a servant who entertains the young son of his master with tales of Brer Rabbit, Brer Fox and Brer Bear, animals with distinctly human qualities. His books, which are credited with preserving the African-American heritage of the old South, include Uncle Remus, His Songs and His Sayings (1880), Nights with Uncle Remus (1883) and Uncle Remus and Brer Rabbit (1906). Fragile condition. The photo had split, touching the "d" in Chandler. It is repaired by conservator's tape on verso and by encapsulation. Stained on verso. Upper corners chipped, edges worn. Pencil notes on verso (unknown hand).

HERMAN MELVILLE Extremely rare clipped signature, accompanied by an unsigned postcard photo of the author Signature: "Herman Melville", 4x1 fragment clipped from a letter. 1¾x¼-inch portion torn at lower left blank corner, lightly stained, light show-through from writing (not his) on verso. Overall, fine and rare. Accompanied by unsigned postcard photograph. B/w, 4¼x6. Fine condition. American novelist Herman Melville (1819-1891) first found fame with his romances: Typee: A Peep at Polynesian Life (1846) and Omoo, a Narrative of Adventures in the South Seas (1847). In 1851, his masterpiece, Moby-Dick; or The Whale, dedicated to his friend Nathaniel Hawthorne, introduced readers to some of literature's most enduring characters -- Captain Ahab, the cabin boy/narrator Ishmael, and Moby Dick, the great white whale. Two items.

MARGARET MITCHELL Pulitzer Prize-winning writer Margaret Mitchell, author of Gone With the Wind, sends a letter to Edwin Granberry, who wrote one of the first good reviews of her book. In it, she discusses life as a celebrated author "has been such a hell". Typed Letter signed: "Margaret", 1p, 7¼x10¾. Atlanta, Georgia, 1936 October 29. On personal letterhead to Edwin (Granberry). In full: "I forgot to say in my last letter that I admired very much your tricky side stepping in that article you wrote. How neatly you evaded the fact that you not only stood in the station of a North Carolina hamlet and waited for me but you stood and stood and waited and waited. Dearie, till I die I'll get a laugh at the memory of that day with me getting madder and madder as I waited and you three loafing with your backs against the station while I charged in and out, addressing strangers, asking questions, bargaining with taxi drivers for the trip. Edwin, all the while I was up there with you all, I let you talk about my work. Make up your mind that when next I see you, it will be your work that will be talked about.

MARGARET MITCHELL Typed letter from Pulitzer Prize-winning writer and author of Gone With the Wind, to Edwin Granberry (and wife), who wrote one of the first good reviews of her book. She discusses how sorry she is for not writing them sooner describing herself as "oafish of oafs", explaining how busy she has become and will send a lengthier letter when the time is allowed Autograph Letter Signed: "M. M. M", 4p, 7x11. No place, 1936 July 27. To "Mabel and Edwin" [Granberry, an early reviewer of Gone With the Wind]. In full: "You two have every right to think me the most oafish of oafs for not having written you sooner to thank you for sanctuary, good food and best of all, marvelous company. Each morning I've risen, bent on writing to you and, as Hell began to pop before I even got my coffee down, I'd think 'No, I'll wait till I get time for a long letter.' And the time hasn't come. I don't know when it will come as John and my brother Steve, after a five hour conference about this so-and-so contract, sprung on me tonight a plan to go to N.Y. tomorrow and settle the thing in person. I have no clothes, no hats, not a change of underwear or an extra pair of stockings, but it seems that I'm going to N.Y.

DASHIELL HAMMETT Signed and notarized 1930 contract selling Paramount the rights to one of his stories Typed Contract signed: "Dashiell Hammett", 4 pages, 8½x11, separate sheets. No place, but County of Los Angeles, 1930 November 26. Contract between Hammett and Paramount Publix Corporation regarding the sale of the rights "to an original story entitled AFTER SCHOOL written by the seller [Hammett]." Hammett was paid "the sum of Five Thousand ($5000.00) Dollars, receipt whereof is hereby acknowledged." Countersigned by the Executive Manager of Paramount Publix Corporation. Lightly creased. Nicked at upper right blank corner of first page, file holes at blank left margins. Fine condition. Accompanied by typed notarized statement signed: "Alfred A. Grosser" as Notary Public, 1 page, 8½x11. Attesting that "personally appeared DASHIELL HAMMETT, personally known to me to be the person whose name is subscribed to the foregoing instrument...." Lightly creased, chipped at upper right blank corner. File holes at blank left margin. Fine condition. After School became City Streets, released in 1931 and starring Gary Cooper.

MARGARET MITCHELL The year the film version of her Gone with the Wind premiered (1939), Mitchell signed this typed letter, forwarding with skeptical comments a letter she had received. Framed with 2 pictures of Mitchell to an overall size of 29½x18. Typed Letter signed: "Margaret", 1 page, 5¾x9. Atlanta, Georgia, 1939 May 3. On personal letterhead to "Dear Franklin" [Garrett]. One strike-over and ink correction in her hand. Triple suede matted and framed with two portraits of Mitchell to an overall size of 29½x18. In full: "I am enclosing a letter I recently received [Item not included], for I thought some of the information in it might be of interest to you. Because of the manifold errors in the letter I have doubts as to the lady's statement that her father was the first white child born in Atlanta. You will notice that she says her grandfather had fifteen hundred slaves and the plantation covered the 'whole of Dahlonega County.' I believe at that time there were about five thousand people in the county of which Dahlonega is the seat. However, knowing your interest in such matters, I am passing the letter on to you. Please return it when you have finished reading it.