ERNEST HEMINGWAY Nobel Prize-winning author Ernest Hemingway signed this document in 1938 to buy additional shares in a company. Document signed "Ernest Hemingway" as Trustee and by an unknown Donor, both in blue ink. Pencil notation at top edge in unknown hand. 1 page, 8½x11, carbon copy, thin paper. Aug. 11, 1938. Addressed to Ernest Hemingway, Trustee. Headed: "Delivery of Additional Securities/Under Trust dated November 2, 1936". Hemingway signed this document to buy an additional 22 shares, at $100 per share in William R. Warner & Company, Inc. This purchase was in accordance with a Trust Agreement that Hemingway had signed on Nov. 2, 1936. In May 1918, Hemingway (1899-1961) volunteered to serve in the Red Cross Ambulance Corps in World War I. On July 8, 1918, Austrian artillery hit the 19-year-old. The injuries were so severe that he had to be hospitalized in Milan. Hemingway would later condemn the savagery of war. His 1929 novel A Farewell to Arms was the study of an American ambulance officer's disillusionment in the war and his role as a deserter. read more...

MARGARET MITCHELL Pleased that friend and fellow author Edwin Granberry is writing again, she shares with him her relief that the frenzy over the movie version of her book has abated with the outbreak of war: "The world has far more important things to think about these days than me." Several other literary notables are mentioned in this letter. Typed Letter signed: "Margaret", 3 pages, 7¼x10½. Atlanta, Georgia, 1940 September 23. To "My dear Mabel and Edwin [Granberry], you varmint". In part: "Here I've gone around feeling blue ever since I had the last news of you (Edwin) that you had given up any notion of writing any more. I had thought about what a waste of talent it was and had heroically restrined myself from writing and telling you so. Then, a month ago, vague rumors began trickling into my ears at parties that you were writing again. Don't ask me who told me because I don't know. I go places and meet two hundred strangers in thirteen and a half minutes, and some of them say, 'Oh, do you know Edwin Granberry who is doing some writing?' and before I could catch them they would disappear and twelve more strange faces would stand before me. read more...

ERNEST HEMINGWAY Handwritten 1936 manuscript intended for publication in Esquire magazine, vividly describing the horrors of war, with his third person signature in the text Autograph Manuscript signed in text: "Mr. Ernest Hemingway" in pencil, 1 page, 8½x11. No place, c. 1936. Headed by him: "Please Mr. Ernest Hemingway by Paul Harris, The American Criterion, Dec 1935, about 'letters' appearing monthly in Esquire...." Ernest Hemingway was a frequent contributor to "Esquire" magazine. He wrote a total 31 "letters" which were published in "Esquire" in the 1930s. In the September 1935 issue, he wrote: "Notes on the Next War: A Serious Topical Letter". This may be a rough draft of one of the 31 "letters". Hemingway has made an "X", crossing out the entire letter. In part: "Mr. Hemingway, you were at the front. You saw people die? I was ten and I saw people, I saw something in them die and they had to go on making believe they were alive still with their guts out of them. I saw people age. I saw the unseeable, the drawn faces, the haunted eyes...A child is sensitive to change in those he knows [he is referring to an aunt, a cousin, involved in changes resulting from life in wartime]. read more...

JOHN STEINBECK Remarkable Holiday letter to a friend, reporting that his dog was poisoned and that he himself had shot Santa Claus Autograph Letter signed: "John Steinbeck", 1 page, 5½x8½. No place, December 17, n.y. To "Dear Ballou", in full: "I had intended to acknowledge your good letter, and then didn't because we were subjected to a maddening tragedy. For it developed that Tillie had been given ground glass. It took her two weeks to die of it and we only knew what it was after she was dead. It made me very said and quite tired. I gave her salt injections every fifteen minutes for almost sixty hours. No chance of knowing who did it of course as I might get a little national publicity for an ax murder. I don't know whether you celebrate Christmas. If you do I hope it's a good one. We shot Santa Clause and are having him for dinner. His skin is pretty good too if the hair doesn't slip. By the way (not by the way at all of course) Mc & O in a letter of the middle of November, said a check would be forthcoming on the first of December. Can it be that this has been lost in the mail. Would you mind asking them whether or not they sent it? These are my Christmas cards. Have you heard of the one C. read more...

JOEL CHANDLER HARRIS. Scarce Cabinet Card Photograph signed: "Faithfully yours:/Joel Chandler Harris". Sepia, 4¼x6½ overall, image 4x5¾ (two surfaces). Photographer's imprint beneath image and on verso: "C.W. Motes/Photographer,/No. 34 Whitehall St./Atlanta/GA." In the 1880s, Harris, a former journalist for Georgia newspapers, became one of the first American writers to use original dialects in his stories rooted in Black folklore. His lead character was Uncle Remus, a servant who entertains the young son of his master with tales of Brer Rabbit, Brer Fox and Brer Bear, animals with distinctly human qualities. His books, which are credited with preserving the African-American heritage of the old South, include Uncle Remus, His Songs and His Sayings (1880), Nights with Uncle Remus (1883) and Uncle Remus and Brer Rabbit (1906). Fragile condition. The photo had split, touching the "d" in Chandler. It is repaired by conservator's tape on verso and by encapsulation. Stained on verso. Upper corners chipped, edges worn. Pencil notes on verso (unknown hand). read more...

JOHN STEINBECK This contract signed by the American author authorized a German production of Of Mice and Men Typewritten contract signed: "John Steinbeck", 2p, 7½x12½ New York, New York, 1946 June 3. John Steinbeck signed this contract, dated June 3, 1946, allowing German-speaking actors to perform Of Mice and Men, his 1937 novelette featuring the tragic characters of Lennie and George, two migrant laborers. The work had been chosen by the Book-of-the-Month Club and quickly became a best seller, sparking both Broadway's and Hollywood's interest in adapting it into a play. While writing Of Mice and Men in 1936, Steinbeck was growing increasingly interested in the theater, believing it to be the best medium to reach the common working man. In fact, Steinbeck actually wrote the book with the intention of making it a novel/play - a novel which could be performed as it was without needing to be revised for the stage. However, this experiment failed, and Steinbeck was forced to adapt it - his first attempt at writing a screen play. He was advised and encouraged by dramatist George S. read more...

MARGARET MITCHELL The year she received the Pulitzer Prize for Gone With the Wind, she writes of fending off law suits, including a plagiarism suit, and desires to visit friends in Florida only if her visit can be kept secret from reporters and autograph seekers. Typed Letter signed: "Margaret", 2 pages(front and verso), 7¼x11. Atlanta, Georgia, 1937 July 27. On personal letterhead to ""Dear Mabel and Edwin", [Granberry], in full: "If your offer of hospitality still holds good I would like to come to visit you two for three days, preferably around the end of this week (arriving Saturday the 31st or Sunday the 1st). However, if this date is not convenient to you for any reason, please do not hesitate to tell me so and to fix your own dates. John will not be able to come with me. His own work at his office is very heavy at present and my business affairs which he is handling at night show no signs of slacking. We have two new lawsuits in addition to the plagiarism suit! I'll tell you about them when I see you. I think I know you two well enough to ask for frankness. Please tell me (1) just when it will be read more...

TWO RARE ORIGINAL AUTOGRAPH MANUSCRIPT PAGES FROM THE GILDED AGE, ONE IN THE HAND OF MARK TWAIN, THE OTHER IN THE HAND OF HIS COLLABORATOR, CHARLES DUDLEY WARNER (WITH A SUGGESTION BY MARK TWAIN) THE GILDED AGE: SAMUEL L. CLEMENS and CHARLES DUDLEY WARNER. Comprises: (1) SAMUEL L. CLEMENS (MARK TWAIN). Autograph Manuscript, unsigned, 1p, 5x8. From Part 2, Chapter XI of The Gilded Age. Clemens has penned: "396" at upper margin (it has been crossed out and renumbered "307" by Warner). Clemens writes, in full: "he saw the pathetic sorrow in their faces when they asked for more & there was no more to give them, he hated himself for his stupidity and pitied the hunger famishing young things with all his heart. The other matter that disturbed him was the dire inflation that had begun in his stomach. It grew & grew, it became more & more supportable. Evidently the apples turnips were swelling fermenting. He forced himself to sit still as long as he could, but the distress steadily augmented till his anguish conquered him at last. read more...

JULIA WARD HOWE She signs a mount bearing a 3¾x5½ photo of herself. Photo Mount signed: "Julia Ward Howe". B/w, 4¼x6½ overall, image 3¾x5½ (two surfaces). Photo by Hardy Studios of Boston. An ardent abolitionist, suffragette and advocate of world peace, Julia Ward Howe is best known for writing "The Battle Hymn of the Republic" (set to the tune of "John Brown's Body"), which was penned in 1861 after her visit to Civil War battlefields. Mount lightly creased at upper left corner. Signed photographs of Julia Ward Howe are scarce and desirable. Lightly creased at upper left corner of mount. Fine condition. read more...