TWO RARE ORIGINAL AUTOGRAPH MANUSCRIPT PAGES FROM THE GILDED AGE, ONE IN THE HAND OF MARK TWAIN, THE OTHER IN THE HAND OF HIS COLLABORATOR, CHARLES DUDLEY WARNER (WITH A SUGGESTION BY MARK TWAIN) THE GILDED AGE: SAMUEL L. CLEMENS and CHARLES DUDLEY WARNER. Comprises: (1) SAMUEL L. CLEMENS (MARK TWAIN). Autograph Manuscript, unsigned, 1p, 5x8. From Part 2, Chapter XI of The Gilded Age.Clemens has penned: "396" at upper margin (it has been crossed out and renumbered "307" by Warner). Clemens writes, in full: "he saw the pathetic sorrow in their faces when they asked for more & there was no more to give them, he hated himself for his stupidity and pitied the hunger famishing young things with all his heart. The other matter that disturbed him was the dire inflation that had begun in his stomach. It grew & grew, it became more & more supportable. Evidently the apples turnips were swelling fermenting. He forced himself to sit still as long as he could, but the distress steadily augmented till his anguish conquered him at last." From the actual published text of The Gilded Age:

ERNEST HEMINGWAY Handwritten 1936 manuscript intended for publication in Esquire magazine, vividly describing the horrors of war, with his third person signature in the text Autograph Manuscript signed in text: "Mr. Ernest Hemingway" in pencil, 1 page, 8½x11. No place, c. 1936. Headed by him: "Please Mr. Ernest Hemingway by Paul Harris, The American Criterion, Dec 1935, about 'letters' appearing monthly in Esquire...." Ernest Hemingway was a frequent contributor to "Esquire" magazine. He wrote a total 31 "letters" which were published in "Esquire" in the 1930s. In the September 1935 issue, he wrote: "Notes on the Next War: A Serious Topical Letter". This may be a rough draft of one of the 31 "letters". Hemingway has made an "X", crossing out the entire letter. In part: "Mr. Hemingway, you were at the front. You saw people die? I was ten and I saw people, I saw something in them die and they had to go on making believe they were alive still with their guts out of them. I saw people age. I saw the unseeable, the drawn faces, the haunted eyes...A child is sensitive to change in those he knows [he is referring to an aunt, a cousin, involved in changes resulting from life in wartime].

VOLTAIRE Signed letter from Paris written just weeks before his death in 1778, fearing that hypocritical priests will deny him a church burial. This letter to the Count of Rochefort, written in fine French (fully translated) and in a beautiful hand, shows that the sage had lost none of his mental acuity Letter signed: "V", 2 pages (integral leaf) 4½x7 folded, 9x7 open flat. Paris, 1778 April 16. To the Comte de Rochefort. In French, fully translated: "I must apologize for having written so formally to Madame Dix-Neuf Ans ["Nineteen Years"]. I apologize for taking so long to thank you for your pleasant letter, sir, but I have had lately a very violent fever, following two fatal illnesses from which I escaped. I think that Monsieur the Abbey of Beauregard, preacher of Versailles, so-called former Jesuit, would willingly refuse me a burial, which is very unfair, because they say that I would not ask for more than to bury him; and he owes me, it seems, the same courtesy. I do not think whatsoever that the master and mistress of the house mocked this abbey of Beauregard.

JOHN STEINBECKThis contract signed by the American author authorized a German production of Of Mice and Men Typewritten contract signed: "John Steinbeck", 2p, 7½x12½ New York, New York, 1946 June 3.John Steinbeck signed this contract, dated June 3, 1946, allowing German-speaking actors to perform Of Mice and Men, his 1937 novelette featuring the tragic characters of Lennie and George, two migrant laborers. The work had been chosen by the Book-of-the-Month Club and quickly became a best seller, sparking both Broadway's and Hollywood's interest in adapting it into a play. While writing Of Mice and Men in 1936, Steinbeck was growing increasingly interested in the theater, believing it to be the best medium to reach the common working man. In fact, Steinbeck actually wrote the book with the intention of making it a novel/play - a novel which could be performed as it was without needing to be revised for the stage. However,this experiment failed, and Steinbeck was forced to adapt it - his first attempt at writing a screen play. He was advised and encouraged by dramatist George S.

MARGARET MITCHELL She writes to close friend and fellow author Edwin Granberry about his new play, and mentions several prominent US actors and writers, including Alexander Woolcott and the Lunts. Typed Letter signed: "Margaret", 2 pages (front and verso), 7¼x10½. Atlanta, Georgia, 1941 February 3. On personal letterhead to "Dear Edwin and Mabel" [Granberry], in full: "The combination of Bretaigne Windust and Roual Pene duBois gave us as much delight as it did you. The show can't hep being 120 proof with two such names. I was inclined to agree with Frank Sullivan to agree with Frank Sullivan, however, and will have to see these two gentlemen myself before I believe in their names. We were so happy and proud at the good news and hope you will have time to keep us posted on progress. Naturally, we are bursting to know what the Lunts think. I am sorry they are on tour now because that will probably delay their decision, as their time is pretty well occupied with long jumps and one-night stands. Do I understand that the interest of Mr. W. and Mr. DuB. Means that someone has

MARGARET MITCHELL Letter to fellow author and literary booster Edwin Granberry, accepting congratulations for her Pulitzer Prize but expressing a desire to preserve at least a little personal privacy. Typed Letter signed: "Margaret", 1 page, 7¼x10½. Atlanta, Georgia, 1937 May 12. On personal letterhead to ""Dear Edwin", [Granberry], in full: "That was certainly a grand, long letter and John and I appreciated it immediately. Thanks again for the congratulations about the Award. I am just beginning to come up for air and realizing that it is really true. Since the news came so much has happened - flashlights going off, reporters slithering out of the cracks in the floor and the house full of people - that I have had no chance to really think. One of the nice features of the affair was that Harold Latham, who dug up the book, just happened to be in Atlanta on the day the Award was announced. He gave me a party complete with newspaper friends, as many orchids as a Kentucky Derby winner and barrels of Champaigne. While you and Herschel kept telling me last summer that it would undoubtedly work out this way, I just couldn't believe it.

JOHN STEINBECK Remarkable Holiday letter to a friend, reporting that his dog was poisoned and that he himself had shot Santa Claus Autograph Letter signed: "John Steinbeck", 1 page, 5½x8½. No place, December 17, n.y. To "Dear Ballou", in full: "I had intended to acknowledge your good letter, and then didn't because we were subjected to a maddening tragedy. For it developed that Tillie had been given ground glass. It took her two weeks to die of it and we only knew what it was after she was dead. It made me very said and quite tired. I gave her salt injections every fifteen minutes for almost sixty hours. No chance of knowing who did it of course as I might get a little national publicity for an ax murder. I don't know whether you celebrate Christmas. If you do I hope it's a good one. We shot Santa Clause and are having him for dinner. His skin is pretty good too if the hair doesn't slip. By the way (not by the way at all of course) Mc & O in a letter of the middle of November, said a check would be forthcoming on the first of December. Can it be that this has been lost in the mail. Would you mind asking them whether or not they sent it? These are my Christmas cards. Have you heard of the one C.

HERMAN MELVILLE Author Herman Melville wrote this letter to publisher George P. Putnam from Pittsfield, Massachusetts. It accompanied a proof of one of his stories. Melville's signature is one of the rarest of all, and handwritten letters by him are highly desirable. Autograph letter signed "H Melville". 1 page, 4¾x7½, with embossing in top left corner. Pittsfield, Massachusetts, dated "Jan 27th". Addressed to George P. Putnam, Esq., 10 Park Place, New York City. In full: "Dear Sir: Re-enclosed is the proof [not included]. Very Truly Yours". We believe this letter was written between 1852 and 1855, when Putnam's publishing company G. Putnam Broadway was based at 1010 Park Place, New York City. Melville published a number of short stories through Putnam's Monthly Magazine during this time, including Bartleby the Scrivener (1853), The Encantadas, or: Enchanted Isles (1854) and Benito Cereno (1855). GEORGE PALMER PUTNAM (1814-1872, born in Brunswick, Maine) published many important American authors, like Melville, through his publishing house of G. Putnam Broadway, which later became G. P. Putnam's Sons.

MARGARET MITCHELL Pleased that friend and fellow author Edwin Granberry is writing again, she shares with him her relief that the frenzy over the movie version of her book has abated with the outbreak of war: "The world has far more important things to think about these days than me." Several other literary notables are mentioned in this letter. Typed Letter signed: "Margaret", 3 pages, 7¼x10½. Atlanta, Georgia, 1940 September 23. To "My dear Mabel and Edwin [Granberry], you varmint". In part: "Here I've gone around feeling blue ever since I had the last news of you (Edwin) that you had given up any notion of writing any more. I had thought about what a waste of talent it was and had heroically restrined myself from writing and telling you so. Then, a month ago, vague rumors began trickling into my ears at parties that you were writing again. Don't ask me who told me because I don't know. I go places and meet two hundred strangers in thirteen and a half minutes, and some of them say, 'Oh, do you know Edwin Granberry who is doing some writing?' and before I could catch them they would disappear and twelve more strange faces would stand before me.