HERMAN MELVILLE Extremely rare clipped signature, accompanied by an unsigned postcard photo of the author Signature: "Herman Melville", 4x1 fragment clipped from a letter. 1¾x¼-inch portion torn at lower left blank corner, lightly stained, light show-through from writing (not his) on verso. Overall, fine and rare. Accompanied by unsigned postcard photograph. B/w, 4¼x6. Fine condition. American novelist Herman Melville (1819-1891) first found fame with his romances: Typee: A Peep at Polynesian Life (1846) and Omoo, a Narrative of Adventures in the South Seas (1847). In 1851, his masterpiece, Moby-Dick; or The Whale, dedicated to his friend Nathaniel Hawthorne, introduced readers to some of literature's most enduring characters -- Captain Ahab, the cabin boy/narrator Ishmael, and Moby Dick, the great white whale. Two items.

MARGARET MITCHELL The author's typed and signed 1937 letter about learning that Gone With the Wind had won the Pulitzer Prize, addressed to the literary critic who had first predicted that it would win the award. Typed Letter Signed: "Margaret", 1 page, 6½x10. Atlanta, Georgia, 1937 May 4.To Mabel and Edwin Granberry. In full: "Your telegram has just arrived and thank you so very much for it. As soon as I got the news last night I thought of you two and Herschel at the table last summer when you predicted it and I laughed so hard my glasses fell into the gravy. Naturally, this is a happy day for me and a wire like yours adds greatly to my happiness." Typed note by Granberry at lower margin: "(NOTE: GONE WITH THE WIND had just won the Pulitzer Prize. - E.G.)". MARGARET MITCHELL(1900-1949) had won the Pulitzer Prize for her novel, Gone With the Wind, the day before she wrote this letter. Mitchell, who had begun writing her epic about the Civil War and Reconstruction South in 1926, finally submitted her manuscript to Macmillian Company in 1935.

MARGARET MITCHELL Mitchell, always shy about the spotlight on her following Gone With the Wind, confides to friend and fellow author Edwin Granberry that "it is tempting fate to ever write a book or a play. If you do, everything except a plague of grasshoppers arrives." Typed Letter signed: "Margaret", 2 pages (front and verso), 7¼x10½. Atlanta, Georgia, 1941 November 11. On personal letterhead to "Dear Mabel and Edwin" [Granberry], in full: "We were very distressed to learn of your illness, Mabel, and I was glad to see Fred Hanna at a party Sunday night and learn that you really were up and about. Don't you think you Granberrys have managed all the plagues of Egypt now? I never knew any family, except us, to have as much trouble. (And, as Michael Arlen remarked in 'The Green Hat,' 'the Marches are never let off of anything.') Things are well with us now but I remember, with no pleasure, the first five years we were married when everyone in our family seemed to have something happen to them. Perhaps it is something all couples must go through with, but I hope the Granberrys are really through now. Edwin, you know it is tempting fate to ever try to write a book or a play.

MARGARET MITCHELL Pleased that friend and fellow author Edwin Granberry is writing again, the author shares with him her relief that the frenzy over the movie version of her book has abated with the outbreak of war: "The world has far more important things to think about these days than me." Several other literary notables are mentioned in this letter. Typed Letter signed: "Margaret", 3 pages, 7¼x10½. Atlanta, Georgia, 1940 September 23. To "My dear Mabel and Edwin [Granberry], you varmint". In part: "Here I've gone around feeling blue ever since I had the last news of you (Edwin) that you had given up any notion of writing any more. I had thought about what a waste of talent it was and had heroically restrined myself from writing and telling you so. Then, a month ago, vague rumors began trickling into my ears at parties that you were writing again. Don't ask me who told me because I don't know. I go places and meet two hundred strangers in thirteen and a half minutes, and some of them say, 'Oh, do you know Edwin Granberry who is doing some writing?' and before I could catch them they would disappear and twelve more strange faces would stand before me.

HERMAN MELVILLE Autograph Quotation signed by Herman Melville, one of the rarest of all signatures, framed by the Gallery of History with a picture of Melville and an explanatory metal plaque. AQS: "Hours bright./Herman Melville/March 8, 1882.", 7¾x4¾. Herman Melville (1819-1891) worked at a young age as a cabin boy and sailor on merchant vessels. During an unsuccessful whaling expedition, he took part in a mutiny, was jailed and escaped.His seafaring inspired many of his later works, including Typee: A Peep at Polynesian Life (1846), Omoo, a Narrative of Adventures in the South Seas (1847) and his masterpiece, Moby Dick (1851). Moby Dick, unlike his earlier works, was neither a critical or financial success. Melville's later writings, such as Pierre (1852), The Confidence Man (1857) and the short stories "Bartleby the Scrivener" and "The Encantadas" reflected his despair and contempt for society's corruption, hypocrisy and materialism. He wrote this quotation at a period during which he withdrew from the literary world and took work as a customs inspector on the docks of New York.

STEPHEN CRANE The author of The Red Badge of Courage writes from England, where he had settled two years earlier. Calling Card Signed: "Yours faithfully/ Stephen Crane/ March 16, 1899", on verso of his personal 3x1½ card, printed: "Stephen Crane./ Brede Place./ Sussex” (not visible in frame). Also includes a black and white 3x4½ photograph of the author, 2x3½ visible. America's foremost "naturalistic" author Stephen Crane (1871-1900) moved to England in 1897. Although Crane never served in the military, he won international acclaim with The Red Badge of Courage, his 1895 book that told the story of a young soldier during the American Civil War. He later served as a war correspondent, covering the Greco-Turkish War (1897) and Spanish-American War (1898) for foreign newspapers. Crane's signature is virtually unobtainable in any form. The one offered here is especially desirable as it was penned by him on his calling card. Crane suffered from tuberculosis and died in a German sanitarium the year he signed this card. He was 28. Card lightly toned. Otherwise, fine condition. Framed in the Gallery of History style: 20½x11.

MARGARET MITCHELL The author writes to close friend and fellow author Edwin Granberry about his new play, and mentions several prominent US actors and writers, including Alexander Woolcott and the Lunts. Typed Letter signed: "Margaret", 2 pages (front and verso), 7¼x10½. Atlanta, Georgia, 1941 February 3. On personal letterhead to "Dear Edwin and Mabel" [Granberry], in full: "The combination of Bretaigne Windust and Roual Pene duBois gave us as much delight as it did you. The show can't hep being 120 proof with two such names. I was inclined to agree with Frank Sullivan to agree with Frank Sullivan, however, and will have to see these two gentlemen myself before I believe in their names. We were so happy and proud at the good news and hope you will have time to keep us posted on progress. Naturally, we are bursting to know what the Lunts think. I am sorry they are on tour now because that will probably delay their decision, as their time is pretty well occupied with long jumps and one-night stands. Do I understand that the interest of Mr. W. and Mr. DuB.

MARGARET MITCHELL Letter to fellow author and literary booster Edwin Granberry, accepting congratulations for her Pulitzer Prize but expressing a desire to preserve at least a little personal privacy. Typed Letter signed: "Margaret", 1 page, 7¼x10½. Atlanta, Georgia, 1937 May 12. On personal letterhead to ""Dear Edwin", [Granberry], in full: "That was certainly a grand, long letter and John and I appreciated it immediately. Thanks again for the congratulations about the Award. I am just beginning to come up for air and realizing that it is really true. Since the news came so much has happened - flashlights going off, reporters slithering out of the cracks in the floor and the house full of people - that I have had no chance to really think. One of the nice features of the affair was that Harold Latham, who dug up the book, just happened to be in Atlanta on the day the Award was announced. He gave me a party complete with newspaper friends, as many orchids as a Kentucky Derby winner and barrels of Champaigne. While you and Herschel kept telling me last summer that it would undoubtedly work out this way, I just couldn't believe it.

SAMUEL L. CLEMENS (MARK TWAIN) Visiting Sweden in search of a cure for his daughter's epilepsy, Clemens asks a bookseller to send him some "the very best of Clark Russell's sea-tales". Autograph Letter Signed: "SL C.", 1p, 5½x8½. Sanna, Rosendala, Sweden, 1899 July 16. "Telegraphic address: Sanna Jonkoping, Sweden". To bookseller "C&W". In full: "Please send me a couple of the very best of Clark Russell's sea-tales that you've got in stock. If any of my photos are only about as big as this page, we shall be glad to have them here - but bigger ones we prefer to leave with you for the present. If you haven't heard from Clara when this reaches you, please drop her a line. Jonkoping is pronounced Zhenshepping - think of that!" Samuel, his wife Olivia and their daughter Jean had arrived in Sweden early in July 1899, and remained until October. JEAN CLEMENS (1880-1910), then 19 years old, suffered from epilepsy. Clemens had heard of an osteopathic treatment as practiced by Heinrick Kellgren in Sanna. Kellgren's method was known as the "Swedish movements".

JOEL CHANDLER HARRIS.Scarce Cabinet Card Photograph signed: "Faithfully yours:/Joel Chandler Harris". Sepia, 4¼x6½ overall, image 4x5¾ (two surfaces). Photographer's imprint beneath image and on verso: "C.W. Motes/Photographer,/No. 34 Whitehall St./Atlanta/GA." In the 1880s, Harris, a former journalist for Georgia newspapers, became one of the first American writers to use original dialects in his stories rooted in Black folklore. His lead character was Uncle Remus, a servant who entertains the young son of his master with tales of Brer Rabbit, Brer Fox and Brer Bear, animals with distinctly human qualities. His books, which are credited with preserving the African-American heritage of the old South, include Uncle Remus, His Songs and His Sayings (1880), Nights with Uncle Remus (1883) and Uncle Remus and Brer Rabbit (1906). Fragile condition. The photo had split, touching the "d" in Chandler. It is repaired by conservator's tape on verso. Stained on verso. Upper corners chipped, edges worn. Pencil notes on verso (unknown hand).