MARGARET MITCHELL The year she received the Pulitzer Prize for Gone With the Wind, she writes of fending off law suits, including a plagiarism suit, and desires to visit friends in Florida only if her visit can be kept secret from reporters and autograph seekers. Typed Letter signed: "Margaret", 2 pages(front and verso), 7¼x11. Atlanta, Georgia, 1937 July 27. On personal letterhead to ""Dear Mabel and Edwin", [Granberry], in full: "If your offer of hospitality still holds good I would like to come to visit you two for three days, preferably around the end of this week (arriving Saturday the 31st or Sunday the 1st). However, if this date is not convenient to you for any reason, please do not hesitate to tell me so and to fix your own dates. John will not be able to come with me. His own work at his office is very heavy at present and my business affairs which he is handling at night show no signs of slacking. We have two new lawsuits in addition to the plagiarism suit! I'll tell you about them when I see you. I think I know you two well enough to ask for frankness. Please tell me (1) just when it will be read more...

MARK TWAIN AND "INSIDER TRADING" IN 1876: A MILLIONAIRE MINE-OWNER ADVISES HIM ON MINING STOCKS!   SAMUEL L. CLEMENS (MARK TWAIN). Autograph Letter Signed: "Mark", 4p, 5x8, conjoining leaves. No place, [1876] March 7. To Nevada journalist Dan DeQuille, pen name of William Wright. In full: "O, you good old slow-coach! D[ea]r Dan: I supposed that Mackey would be nearly all the time in San Francisco but thought you would consult him by telegraph or letter. I didn't suppose you would see the stock droop to 81 & then rise figure by figure, day after day & then write me at last that you were still waiting for that man to come, & the stock already crept up to 92! Why didn't you telegraph me? I hope you will telegraph me next time, if it costs me $50. Did telegraphing me or Mackey never once occur to you? When I saw California go away down into the 80's, 3 weeks ago, I came near telegraphing you to put in $1500 more for me. Well-never mind-it isn't any matter to bother over a thing that has already gone by. I hope you have bought by this time, on your own judgment, even if you have had to pay 125. read more...

MARGARET MITCHELL Pulitzer Prize-winning writer Margaret Mitchell, author of Gone With the Wind, sends a letter to Edwin Granberry, who wrote one of the first good reviews of her book. In it, she discusses life as a celebrated author "has been such a hell". Typed Letter signed: "Margaret", 1p, 7¼x10¾. Atlanta, Georgia, 1936 October 29. On personal letterhead to Edwin (Granberry). In full: "I forgot to say in my last letter that I admired very much your tricky side stepping in that article you wrote. How neatly you evaded the fact that you not only stood in the station of a North Carolina hamlet and waited for me but you stood and stood and waited and waited. Dearie, till I die I'll get a laugh at the memory of that day with me getting madder and madder as I waited and you three loafing with your backs against the station while I charged in and out, addressing strangers, asking questions, bargaining with taxi drivers for the trip. Edwin, all the while I was up there with you all, I let you talk about my work. Make up your mind that when next I see you, it will be your work that will be talked about. read more...

MARGARET MITCHELL Typed letter from Pulitzer Prize-winning writer and author of Gone With the Wind, to Edwin Granberry (and wife), who wrote one of the first good reviews of her book. She discusses the up roar of a Dutch publisher bringing Gone With the Wind out in Holland without her consent Typed Letter Signed: "Margaret", 1p, 7x11. Atlanta, Georgia, 1937 December 15. On personal letterhead to Edwin and Mabel. In part: "By all means keep 'Co. "Aytch"' as long as you like. Our plans, as usual, are in a snarl. Perhaps you've seen items in the paper about a Dutch publisher bringing out 'Gone With the Wind' in Holland without my consent. I have lost my case in the lower Dutch courts and have appealed. I took the matter to the Department of State in Washington and they are working on it now. That may mean we will have to remain in Atlanta in case we are needed...." "CO. AYTCH", MAURY GRAYS, FIRST TENNESSEE REGIMENT; OR, A SIDE SHOW OF THE BIG SHOW , published in 1882, was written by Samuel R. Watkins. Watkins, a Confederate private with Co. H, 1st Tennessee Infantry, fought in the western theatre of the war and saw action in most of the major battles in the west. read more...

MARGARET MITCHELL She writes to close friend and fellow author Edwin Granberry about his new play, and mentions several prominent US actors and writers, including Alexander Woolcott and the Lunts. Typed Letter signed: "Margaret", 2 pages (front and verso), 7¼x10½. Atlanta, Georgia, 1941 February 3. On personal letterhead to "Dear Edwin and Mabel" [Granberry], in full: "The combination of Bretaigne Windust and Roual Pene duBois gave us as much delight as it did you. The show can't hep being 120 proof with two such names. I was inclined to agree with Frank Sullivan to agree with Frank Sullivan, however, and will have to see these two gentlemen myself before I believe in their names. We were so happy and proud at the good news and hope you will have time to keep us posted on progress. Naturally, we are bursting to know what the Lunts think. I am sorry they are on tour now because that will probably delay their decision, as their time is pretty well occupied with long jumps and one-night stands. Do I understand that the interest of Mr. W. and Mr. DuB. Means that someone has bought the play or intends to produce it if they can get the right stars? We hope so ardently for the Lunts and can hardly wait to know what happens. read more...

JOHN STEINBECK Remarkable Holiday letter to a friend, reporting that his dog was poisoned and that he himself had shot Santa Claus Autograph Letter signed: "John Steinbeck", 1 page, 5½x8½. No place, December 17, n.y. To "Dear Ballou", in full: "I had intended to acknowledge your good letter, and then didn't because we were subjected to a maddening tragedy. For it developed that Tillie had been given ground glass. It took her two weeks to die of it and we only knew what it was after she was dead. It made me very said and quite tired. I gave her salt injections every fifteen minutes for almost sixty hours. No chance of knowing who did it of course as I might get a little national publicity for an ax murder. I don't know whether you celebrate Christmas. If you do I hope it's a good one. We shot Santa Clause and are having him for dinner. His skin is pretty good too if the hair doesn't slip. By the way (not by the way at all of course) Mc & O in a letter of the middle of November, said a check would be forthcoming on the first of December. Can it be that this has been lost in the mail. Would you mind asking them whether or not they sent it? These are my Christmas cards. Have you heard of the one C. read more...

SAMUEL CLEMENS ("MARK TWAIN") Preparing to set sail for America, he defers a dinner invitation in Florence by explaining that he will arrive by way of New York and Chicago, "because it is much more creditable to go 8,000 miles to pay a dinner-call than it is to go a matter of 600 yards". A classic example of the author's dry wit, matted and framed to 13½x11½. Autograph Letter signed: "Auf Wiedersehen/S L Clemens", 2 pages (integral leaf), 3¾x6. Double-matted and framed with an unsigned picture of Clemens and explanatory plaque, to an overall size of 13½x11½. Villa Villiani, Settignano, Florence [Italy], 1893 March 20. To "Mrs. Ross" [Janet, Mrs. Henry Ross], in full: "It was my purpose to run in & indulge my pleasure in the society of Sir William & my Lady a little more, & I count it a loss that I failed of the chance; but my time has been all taken up in clearing the decks for America. I shall go over & pay my dinner-call the moment I get back from America. This seems unprompt; but I have a read more...

MARGARET MITCHELL The year the film version of her Gone with the Wind premiered (1939), Mitchell signed this typed letter, forwarding with skeptical comments a letter she had received. Framed with 2 pictures of Mitchell to an overall size of 29½x18. Typed Letter signed: "Margaret", 1 page, 5¾x9. Atlanta, Georgia, 1939 May 3. On personal letterhead to "Dear Franklin" [Garrett]. One strike-over and ink correction in her hand. Triple suede matted and framed with two portraits of Mitchell to an overall size of 29½x18. In full: "I am enclosing a letter I recently received [Item not included], for I thought some of the information in it might be of interest to you. Because of the manifold errors in the letter I have doubts as to the lady's statement that her father was the first white child born in Atlanta. You will notice that she says her grandfather had fifteen hundred slaves and the plantation covered the 'whole of Dahlonega County.' I believe at that time there were about five thousand people in the county of which Dahlonega is the seat. However, knowing your interest in such matters, I am passing the letter on to you. Please return it when you have finished reading it. read more...

JOEL CHANDLER HARRIS. Scarce Cabinet Card Photograph signed: "Faithfully yours:/Joel Chandler Harris". Sepia, 4¼x6½ overall, image 4x5¾ (two surfaces). Photographer's imprint beneath image and on verso: "C.W. Motes/Photographer,/No. 34 Whitehall St./Atlanta/GA." In the 1880s, Harris, a former journalist for Georgia newspapers, became one of the first American writers to use original dialects in his stories rooted in Black folklore. His lead character was Uncle Remus, a servant who entertains the young son of his master with tales of Brer Rabbit, Brer Fox and Brer Bear, animals with distinctly human qualities. His books, which are credited with preserving the African-American heritage of the old South, include Uncle Remus, His Songs and His Sayings (1880), Nights with Uncle Remus (1883) and Uncle Remus and Brer Rabbit (1906). Fragile condition. The photo had split, touching the "d" in Chandler. It is repaired by conservator's tape on verso and by encapsulation. Stained on verso. Upper corners chipped, edges worn. Pencil notes on verso (unknown hand). read more...