MARGARET MITCHELL Letter to fellow author and literary booster Edwin Granberry, accepting congratulations for her Pulitzer Prize but expressing a desire to preserve at least a little personal privacy. Typed Letter signed: "Margaret", 1 page, 7¼x10½. Atlanta, Georgia, 1937 May 12. On personal letterhead to ""Dear Edwin", [Granberry], in full: "That was certainly a grand, long letter and John and I appreciated it immediately. Thanks again for the congratulations about the Award. I am just beginning to come up for air and realizing that it is really true. Since the news came so much has happened - flashlights going off, reporters slithering out of the cracks in the floor and the house full of people - that I have had no chance to really think. One of the nice features of the affair was that Harold Latham, who dug up the book, just happened to be in Atlanta on the day the Award was announced. He gave me a party complete with newspaper friends, as many orchids as a Kentucky Derby winner and barrels of Champaigne. While you and Herschel kept telling me last summer that it would undoubtedly work out this way, I just couldn't believe it. read more...

MARGARET MITCHELL Typed letter from Pulitzer Prize-winning writer and author of Gone With the Wind, to Edwin Granberry (and wife), who wrote one of the first good reviews of her book. She discusses how sorry she is for not writing them sooner describing herself as "oafish of oafs", explaining how busy she has become and will send a lengthier letter when the time is allowed Autograph Letter Signed: "M. M. M", 4p, 7x11. No place, 1936 July 27. To "Mabel and Edwin" [Granberry, an early reviewer of Gone With the Wind]. In full: "You two have every right to think me the most oafish of oafs for not having written you sooner to thank you for sanctuary, good food and best of all, marvelous company. Each morning I've risen, bent on writing to you and, as Hell began to pop before I even got my coffee down, I'd think 'No, I'll wait till I get time for a long letter.' And the time hasn't come. I don't know when it will come as John and my brother Steve, after a five hour conference about this so-and-so contract, sprung on me tonight a plan to go to N.Y. tomorrow and settle the thing in person. I have no clothes, no hats, not a change of underwear or an extra pair of stockings, but it seems that I'm going to N.Y. read more...

MARGARET MITCHELL She writes to close friend and fellow author Edwin Granberry about his new play, and mentions several prominent US actors and writers, including Alexander Woolcott and the Lunts. Typed Letter signed: "Margaret", 2 pages (front and verso), 7¼x10½. Atlanta, Georgia, 1941 February 3. On personal letterhead to "Dear Edwin and Mabel" [Granberry], in full: "The combination of Bretaigne Windust and Roual Pene duBois gave us as much delight as it did you. The show can't hep being 120 proof with two such names. I was inclined to agree with Frank Sullivan to agree with Frank Sullivan, however, and will have to see these two gentlemen myself before I believe in their names. We were so happy and proud at the good news and hope you will have time to keep us posted on progress. Naturally, we are bursting to know what the Lunts think. I am sorry they are on tour now because that will probably delay their decision, as their time is pretty well occupied with long jumps and one-night stands. Do I understand that the interest of Mr. W. and Mr. DuB. Means that someone has bought the play or intends to produce it if they can get the right stars? We hope so ardently for the Lunts and can hardly wait to know what happens. read more...

JOHN STEINBECK This contract signed by the American author authorized a German production of Of Mice and Men Typewritten contract signed: "John Steinbeck", 2p, 7½x12½ New York, New York, 1946 June 3. John Steinbeck signed this contract, dated June 3, 1946, allowing German-speaking actors to perform Of Mice and Men, his 1937 novelette featuring the tragic characters of Lennie and George, two migrant laborers. The work had been chosen by the Book-of-the-Month Club and quickly became a best seller, sparking both Broadway's and Hollywood's interest in adapting it into a play. While writing Of Mice and Men in 1936, Steinbeck was growing increasingly interested in the theater, believing it to be the best medium to reach the common working man. In fact, Steinbeck actually wrote the book with the intention of making it a novel/play - a novel which could be performed as it was without needing to be revised for the stage. However, this experiment failed, and Steinbeck was forced to adapt it - his first attempt at writing a screen play. He was advised and encouraged by dramatist George S. read more...

ERNEST HEMINGWAY Handwritten letter to associate Peter Buckley, signed "Papa," filled with tales of his time spent in Spain and France meeting bullfighters and other famous friends. Autograph Letter signed: "Papa", 1 page, 8¼x10½. Paris, 1956 November 24. On letterhead of the Hotel Ritz to "Dear Peter" [Buckley], in full: "Thank you very much for the lovely big pictures. The ones at Zaragosa and the one of Antonio [Ordonez] and Mary were especially good. Would you do me a very big favour and be a good boy and do it promptly? Please send the pictures you took of Mary and me and Cooch Behar and Gina Egan in the bariera to Miss Gina Egan [at London address]. I promised to see they were sent and have worried about them. Please do this Peter. We saw a lot of Juanito Madinaveitia and also had lunch once and dinner twice with Juan Belamonte . We had a wonderful time together. Mary is much better in every way. I've been following Juanito's regime faithfully. When get next pressure taken will assess how things go. Coldest Nov. 23 in Paris since 1914, -4°. Shot a lot of partridges in Spain. Got some good pictures. We took Caro to the shoot. He sends his best to you. Mary and I send love. read more...

MARGARET MITCHELL The year she received the Pulitzer Prize for Gone With the Wind, she writes of fending off law suits, including a plagiarism suit, and desires to visit friends in Florida only if her visit can be kept secret from reporters and autograph seekers. Typed Letter signed: "Margaret", 2 pages(front and verso), 7¼x11. Atlanta, Georgia, 1937 July 27. On personal letterhead to ""Dear Mabel and Edwin", [Granberry], in full: "If your offer of hospitality still holds good I would like to come to visit you two for three days, preferably around the end of this week (arriving Saturday the 31st or Sunday the 1st). However, if this date is not convenient to you for any reason, please do not hesitate to tell me so and to fix your own dates. John will not be able to come with me. His own work at his office is very heavy at present and my business affairs which he is handling at night show no signs of slacking. We have two new lawsuits in addition to the plagiarism suit! I'll tell you about them when I see you. I think I know you two well enough to ask for frankness. Please tell me (1) just when it will be read more...

ERNEST HEMINGWAY Handwritten 1936 manuscript intended for publication in Esquire magazine, vividly describing the horrors of war, with his third person signature in the text Autograph Manuscript signed in text: "Mr. Ernest Hemingway" in pencil, 1 page, 8½x11. No place, c. 1936. Headed by him: "Please Mr. Ernest Hemingway by Paul Harris, The American Criterion, Dec 1935, about 'letters' appearing monthly in Esquire...." Ernest Hemingway was a frequent contributor to "Esquire" magazine. He wrote a total 31 "letters" which were published in "Esquire" in the 1930s. In the September 1935 issue, he wrote: "Notes on the Next War: A Serious Topical Letter". This may be a rough draft of one of the 31 "letters". Hemingway has made an "X", crossing out the entire letter. In part: "Mr. Hemingway, you were at the front. You saw people die? I was ten and I saw people, I saw something in them die and they had to go on making believe they were alive still with their guts out of them. I saw people age. I saw the unseeable, the drawn faces, the haunted eyes...A child is sensitive to change in those he knows [he is referring to an aunt, a cousin, involved in changes resulting from life in wartime]. read more...

MARGARET MITCHELL Her typed and signed 1937 letter upon learning that Gone With the Wind had won the Pulitzer Prize, addressed to the literary critic who had first predicted that it would, framed with her picture in the Gallery of History style to 30x22. Typed Letter Signed: "Margaret", 1 page, 6½x10. Atlanta, Georgia, 1937 May 4. To Mabel and Edwin Granberry. In full: "Your telegram has just arrived and thank you so very much for it. As soon as I got the news last night I thought of you two and Herschel at the table last summer when you predicted it and I laughed so hard my glasses fell into the gravy. Naturally, this is a happy day for me and a wire like yours adds greatly to my happiness." Typed note by Granberry at lower margin: "(NOTE: GONE WITH THE WIND had just won the Pulitzer Prize. - E.G.)". MARGARET MITCHELL (1900-1949) had won the Pulitzer Prize for her novel, Gone With the Wind, the day before she wrote this letter. Mitchell, who had begun writing her epic about the Civil War and Reconstruction South in 1926, finally submitted her manuscript to Macmillian Company in 1935. read more...

MARGARET MITCHELL Pleased that friend and fellow author Edwin Granberry is writing again, she shares with him her relief that the frenzy over the movie version of her book has abated with the outbreak of war: "The world has far more important things to think about these days than me." Several other literary notables are mentioned in this letter. Typed Letter signed: "Margaret", 3 pages, 7¼x10½. Atlanta, Georgia, 1940 September 23. To "My dear Mabel and Edwin [Granberry], you varmint". In part: "Here I've gone around feeling blue ever since I had the last news of you (Edwin) that you had given up any notion of writing any more. I had thought about what a waste of talent it was and had heroically restrined myself from writing and telling you so. Then, a month ago, vague rumors began trickling into my ears at parties that you were writing again. Don't ask me who told me because I don't know. I go places and meet two hundred strangers in thirteen and a half minutes, and some of them say, 'Oh, do you know Edwin Granberry who is doing some writing?' and before I could catch them they would disappear and twelve more strange faces would stand before me. read more...