MARGARET MITCHELL The year she received the Pulitzer Prize for Gone With the Wind, she writes of fending off law suits, including a plagiarism suit, and desires to visit friends in Florida only if her visit can be kept secret from reporters and autograph seekers. Typed Letter signed: "Margaret", 2 pages(front and verso), 7¼x11. Atlanta, Georgia, 1937 July 27. On personal letterhead to ""Dear Mabel and Edwin", [Granberry], in full: "If your offer of hospitality still holds good I would like to come to visit you two for three days, preferably around the end of this week (arriving Saturday the 31st or Sunday the 1st). However, if this date is not convenient to you for any reason, please do not hesitate to tell me so and to fix your own dates. John will not be able to come with me. His own work at his office is very heavy at present and my business affairs which he is handling at night show no signs of slacking. We have two new lawsuits in addition to the plagiarism suit! I'll tell you about them when I see you. I think I know you two well enough to ask for frankness.

MARGARET MITCHELL She writes to close friend and fellow author Edwin Granberry about his new play, and mentions several prominent US actors and writers, including Alexander Woolcott and the Lunts. Typed Letter signed: "Margaret", 2 pages (front and verso), 7¼x10½. Atlanta, Georgia, 1941 February 3. On personal letterhead to "Dear Edwin and Mabel" [Granberry], in full: "The combination of Bretaigne Windust and Roual Pene duBois gave us as much delight as it did you. The show can't hep being 120 proof with two such names. I was inclined to agree with Frank Sullivan to agree with Frank Sullivan, however, and will have to see these two gentlemen myself before I believe in their names. We were so happy and proud at the good news and hope you will have time to keep us posted on progress. Naturally, we are bursting to know what the Lunts think. I am sorry they are on tour now because that will probably delay their decision, as their time is pretty well occupied with long jumps and one-night stands. Do I understand that the interest of Mr. W. and Mr. DuB. Means that someone has

MARGARET MITCHELL Mitchell, always shy about the spotlight on her following Gone With the Wind, confides to friend and fellow author Edwin Granberry that "it is tempting fate to ever write a book or a play. If you do, everything except a plague of grasshoppers arrives." Typed Letter signed: "Margaret", 2 pages (front and verso), 7¼x10½. Atlanta, Georgia, 1941 November 11. On personal letterhead to "Dear Mabel and Edwin" [Granberry], in full: "We were very distressed to learn of your illness, Mabel, and I was glad to see Fred Hanna at a party Sunday night and learn that you really were up and about. Don't you think you Granberrys have managed all the plagues of Egypt now? I never knew any family, except us, to have as much trouble. (And, as Michael Arlen remarked in 'The Green Hat,' 'the Marches are never let off of anything.') Things are well with us now but I remember, with no pleasure, the first five years we were married when everyone in our family seemed to have something happen to them. Perhaps it is something all couples must go through with, but I hope the Granberrys are really through now. Edwin, you know it is tempting fate to ever try to write a book or a play.

MARGARET MITCHELL Pleased that friend and fellow author Edwin Granberry is writing again, she shares with him her relief that the frenzy over the movie version of her book has abated with the outbreak of war: "The world has far more important things to think about these days than me." Several other literary notables are mentioned in this letter. Typed Letter signed: "Margaret", 3 pages, 7¼x10½. Atlanta, Georgia, 1940 September 23. To "My dear Mabel and Edwin [Granberry], you varmint". In part: "Here I've gone around feeling blue ever since I had the last news of you (Edwin) that you had given up any notion of writing any more. I had thought about what a waste of talent it was and had heroically restrined myself from writing and telling you so. Then, a month ago, vague rumors began trickling into my ears at parties that you were writing again. Don't ask me who told me because I don't know. I go places and meet two hundred strangers in thirteen and a half minutes, and some of them say, 'Oh, do you know Edwin Granberry who is doing some writing?' and before I could catch them they would disappear and twelve more strange faces would stand before me.

MARGARET MITCHELL Letter to fellow author and literary booster Edwin Granberry, accepting congratulations for her Pulitzer Prize but expressing a desire to preserve at least a little personal privacy. Typed Letter signed: "Margaret", 1 page, 7¼x10½. Atlanta, Georgia, 1937 May 12. On personal letterhead to ""Dear Edwin", [Granberry], in full: "That was certainly a grand, long letter and John and I appreciated it immediately. Thanks again for the congratulations about the Award. I am just beginning to come up for air and realizing that it is really true. Since the news came so much has happened - flashlights going off, reporters slithering out of the cracks in the floor and the house full of people - that I have had no chance to really think. One of the nice features of the affair was that Harold Latham, who dug up the book, just happened to be in Atlanta on the day the Award was announced. He gave me a party complete with newspaper friends, as many orchids as a Kentucky Derby winner and barrels of Champaigne. While you and Herschel kept telling me last summer that it would undoubtedly work out this way, I just couldn't believe it.

MARGARET MITCHELL Writing to friend and literary ally Edwin Granberry the year she won the Pulitzer Prize, she declares herself "yearning for battle" against "lawsuits, racketeers and chiselers". The author of Gone With the Wind laments that "there are so few novels about happy married life." Typed Letter signed: "Margaret", 2 pages (front and verso), 7¼x11. Atlanta, Georgia, 1937 August 8. On personal letterhead to ""Dear Mabel and Edwin", [Granberry], in full: "Yesterday I sent Edwin, Jr. 'Microbe Hunters' and "two Little Confederates' and if they do not arrive shortly, please let me know and I will get behind the book store. I hope he likes them both. I found that John, during my absence, had not been devoting his time to riotous living and making the most of his opportunities. He and my brother had worked every night - and all night - on this and that and both looked tired and frayed. The suit against Billy Rose isn't to open tomorrow due to a delay in drawing up the papers and the suit against the Dutch pirate is also held up due to some complication or other but the opening guns of both should begin in a week or so.

ERNEST HEMINGWAY and PAULINE HEMINGWAY The author and his second wife sign a 1930 Trust Agreement, consigning bonds and preferred stocks to the trust. Typed Document signed: "Ernest Hemingway" and "Pauline Pfeiffer Hemingway" on page 7, 10 pages, 8¾x11¼. New York, 1930 February 18.Trust Agreement with City Bank Farmers Trust Company. The Hemingways, who were living in Paris, France at this time, donate property described on Schedule A for "Trust Estate": "$10,000 Kingdom of Belgium External Sinking Fund 6% bonds due January 1, 1955; 100 Shares Electric Bond and Share Company 6.00 Cumulative Preferred Stock; 300 Shares William H. Warner & Co. Inc. Preferred Stock Par Value $100".Also signed by a Trust Officer. Struggling writer Ernest Hemingway (1899-1961) met Pauline Pfeiffer, an editor with the Paris edition of "Vogue" at a party in Paris in 1925. Hemingway, who was married to his first wife, Hadley Richardson, at the time, divorced Hadley, the mother of his first son, and married Pauline on May 10, 1927, the year after his novel, The Sun Also Rises, had been published. The Hemingways, who had two sons, Patrick and Gregory, traveled extensively.

ERNEST HEMINGWAYHandwritten 1936 manuscript likely intended for publication in Esquire magazine, vividly describing the horrors of war, with his third person signature in the text Autograph Manuscript signed in text: "Mr. Ernest Hemingway" in pencil, 1 page, 8½x11. No place, c. 1936. Headed by him: "Please Mr. Ernest Hemingway by Paul Harris, The American Criterion, Dec 1935, about 'letters' appearing monthly in Esquire…." Ernest Hemingway was a frequent contributor to "Esquire" magazine. He wrote a total 31 "letters" which were published in "Esquire" in the 1930s. In the September 1935 issue, he wrote: "Notes on the Next War: A Serious Topical Letter". This may be a rough draft of one of the 31 "letters". Hemingway has made an "X", crossing out the entire letter. In part: "Mr. Hemingway, you were at the front. You saw people die? I was ten and I saw people, I saw something in them die and they had to go on making believe they were alive still with their guts out of them. I saw people age.

MARGARET MITCHELL Writing to friend and fellow author Edwin Granberry, she complains of the constant invasions of her privacy following publication of Gone With the Wind; Typed Letter signed: "Margaret", 1 page, 7¼x10½. No place, no date, but undoubtedly written from her home in Atlanta in the late in the late 1930s, before the appearance of the film. On personal letterhead to Edwin and Mabel Granberry in full: "I've been intending to write to you for a long time - but you see how far my wants have gotten me. The reason was that when I went to N. Y. to see about the movie contract, my over strained eyes practically gave up the ghost. Herschel B [Brickell, a friendly literary critic], loaded me on the train in a bad way and since that time (up until a week ago) I've been lying in a dark room with a black bandage over my eyes. No, there's nothing seriously wrong and I'm writing you all to tell you so far already the rumor is out that I've gone blind. I wouldn't like for you to hear that and not know the truth. My eyes just needed a rest and so did I. Now I have new glasses and can see very well. It may be some time before I can do any reading or writing but I'm glad enough at being out of the dark.