The year the film version of her Gone with the Wind premiered (1939), Mitchell signed this typed letter, forwarding with skeptical comments a letter she had received. Framed with 2 pictures of Mitchell to an overall size of 29½x18. Typed Letter signed: "Margaret", 1 page, 5¾x9. Atlanta, Georgia, 1939 May 3. On personal letterhead to "Dear Franklin" [Garrett]. One strike-over and ink correction in her hand. Triple suede matted and framed with two portraits of Mitchell to an overall size of 29½x18. In full: "I am enclosing a letter I recently received [Item not included], for I thought some of the information in it might be of interest to you. Because of the manifold errors in the letter I have doubts as to the lady's statement that her father was the first white child born in Atlanta. You will notice that she says her grandfather had fifteen hundred slaves and the plantation covered the 'whole of Dahlonega County.' I believe at that time there were about five thousand people in the county of which Dahlonega is the seat. However, knowing your interest in such matters, I am passing the letter on to you. Please return it when you have finished reading it.…"

For an article he wrote featuring art by Luis Quintanilla, Hemingway pencils short notes on a magazine page, describing Quintanilla as, "My best friend in Spain." Autograph Note unsigned, 1p, 10x14. On a magazine page: "This guy [the artist who drew the pictures] is my best friend in Spain. We got him out of jail by the way." at upper right margin and "They cut out my lead to make room for the pictures." at right margin above article. Circa 1935. Page 26 from an "Esquire" magazine that features two drawings and the beginning of an article written by Hemingway. In the 1930s, American novelist and short story writer Ernest Hemingway (1899-1961), who was a frequent contributor to "Esquire", wrote a series of 31 "letters" for the magazine. In this article, he writes about the growing tensions that would result in the Spanish Civil War (1936-1939). Hemingway, who supported the Loyalist side and served as a war correspondent during that war (1937), used his experiences as the background for his most ambitious novel, For Whom the Bell Tolls (1940).

Collection including a charming Christmas letter from the celebrated American author and the original mailing envelope in which it was sent Comprises: (1) Autograph Letter signed: "Harper" in black ink, 2p (front and verso of a single piece of card stock), 5¼x7½. 2009 December 17. On her personal stationery with emblazoned letterhead containing her initials: NHL (Nelle Harper Lee). To "Dear Don" In full: "Santa Claus arrived today!/ The candy is gorgeous and I do thank you for it. You have been so kind to me for so long, you are the best friend I never met!/ Merry Christmas, and may the new year bring you an abundance of good things!/ With love,/ Harper". Corners and edges gently worn. Otherwise, fine condition. (2) Envelope signed: "N.H. Lee" on seal flap with "Post Office Box 278/ Monroeville, Alabama 36461" printed beneath, 8x5½. Addressed to in the author's hand on front to "Mr. Don Salter/ 1201 New St. Francis Street/ Mobile, Alabama 36604". Postmarked Montgomery, Alabama, December 21, 2009. 44¢ Black Heritage stamp affixed featuring Anna Julia Cooper, a prominent African-American scholar and author of A Voice from the South: By A Woman from the South.

This contract, signed by the American author, authorized a German production of Of Mice and Men Typewritten contract signed: "John Steinbeck", 2p, 7½x12½ New York, New York, 1946 June 3. John Steinbeck signed this contract, dated June 3, 1946, allowing German-speaking actors to perform Of Mice and Men, his 1937 novelette featuring the tragic characters of Lennie and George, two migrant laborers. The work had been chosen by the Book-of-the-Month Club and quickly became a best seller, sparking both Broadway's and Hollywood's interest in adapting it into a play. While writing Of Mice and Men in 1936, Steinbeck was growing increasingly interested in the theater, believing it to be the best medium to reach the common working man. In fact, Steinbeck actually wrote the book with the intention of making it a novel/play - a novel which could be performed as it was without needing to be revised for the stage. However, this experiment failed, and Steinbeck was forced to adapt it - his first attempt at writing a screen play. He was advised and encouraged by dramatist George S.