THELONIUS MONK His career taking off, Monk contracts for an engagement in Philadelphia. Document signed: "Thelonius Monk", 1p, 8½x11. Also signed by Blue Note club owner "Lou Church." Philadelphia, Pennsylvania,1956 November 11. Monk signs an American Federation of Musicians contract for four performances by his quartet at the Blue Note in Philadelphia. The gig includes two evening and two matinee performances. The price agreed upon is $750, to be paid at the end of the engagement. The other members of his ensemble are not named in the document. Accompanied by unsigned, captioned photo (b/w, 10x8) of Monk performing. Jazz pianist and composer Thelonius Monk (1917-1982) has been called "the high priest of bebop," although his idiosyncratic style defies glib categorization. Several of his compositions, including Round Midnight and Blue Monk are classics of the genre. Although Monk had been performing since the early 1940s and had already written some of his classic songs, it was not until the mid-1950s that his avant-garde style began to attract a wide audience. In 1956 he released Brilliant Corners, considered one of the classic jazz albums of all time.

JOHN COLTRANE Autograph Musical Manuscript, an early (late 1950s), 2-page arrangement of the jazz classic "Body and Soul," a part for alto sax, unsigned but handwritten by him on musical notation paper Autograph Musical Manuscript, unsigned. Titled "Body + Soul". 2 pages, 9½x12½ (conjoined) with his handwritten comments: "IIIrd Alto/Solo with 1st Alto". Written in treble clef, 2/4 time, key of B flat. John Coltrane (1926-1967) was a jazz saxophonist (tenor, but also soprano and alto) and highly innovative composer. First noted as a sideman for such jazz greats as Dizzy Gillespie, Thelonious Monk and especially Miles Davis, Coltrane released his first solo album in 1957, and the first album consisting entirely of his original compositions (Giant Steps) in 1960. That same year, he formed his first ensemble, a quartet. "Trane" explored many jazz styles during a career shortened by liver cancer. His spiritual quest helped him overcome an early addiction to heroin and greatly influenced his music. Coltrane's posthumous

THE MAMAS AND THE PAPAS: JOHN PHILLIPS, MICHELLE PHILLIPS, DENNIS DOHERTY and CASS ELLIOT The Mamas and Papas sign a document to Dunhill Records, Inc., Trousdale Music Publishers, Inc. and Wingate Music Corp. Rare Typed Document Signed: "John Phillips", "Michelle Gilliam Phillips", "Cass Elliot" and "Dennis Doherty", 3p, 8½x11, separate sheets. No place, 1967 September 28. In letter form to Dunhill Records, Inc., Trousdale Music Publishers, Inc. and Wingate Music Corp. A listing of seven points to confirm the "understanding and agreement between you and the undersigned....". In part: "Trousdale agrees to cancel as of October 1, 1966 the 10% collection charge which was deducted in the computation of our writers' royalties for the last half of 1966...We acknowledge and agree that mechanical royalties are payable by Dunhill and its parent and affiliated companies to Trousdale and Wingate on 90% of gross sales and that writers' royalties are payable by Trousdale and Wingate on the same 90% basis...You and we hereby acknowledge that the sum of $13,330 was expended for re-mastering and reprinting slicks and labels in connection with the replacement of Jill Gibson....

JOHN LENNON and MAY PANGFramed Gallery of History display (46x30) featuring the t-shirt from Caribou Ranch studio given to Lennon when he recorded there with Elton John, accompanied by an authentication signed by Lennon's lover at the time, May Pang, and by a photo of Lennon and Pang together Comprises: (1) DS: "May Pang". 1 page, 8x5. No place, no date. In full: "From John Lennon's T-shirt collection, Caribou Ranch t-shirt. Given to John during his visit to Caribou Ranch Studio, when he and Elton John recorded 'Lucy In The Sky With Diamonds'". Fine condition. (2) Extremely Rare Caribou Ranch T-shirt. Long-sleeve Collegiate Pacific, cream-colored, size 34-36. Slightly stained. Fine condition. From October 1973 until March 1975, JOHN LENNON (1940-1980) and MAY PANG lived, loved and worked together. During the Lennon-Yoko Ono separation and at Ono's instigation, their young, personal assistant became his constant companion. Deeply emotional and trying "to find himself", Lennon worked diligently to create the songs for his 1974 album Walls and Bridges, in which he dedicated one song to Ono and "Surprise Surprise" to his lover.

FOR THE VICTOR TALKING MACHINE COMPANY'S RECORDING OF HIS 1929 PERFORMANCE OF AN AMERICAN IN PARIS, GERSHWIN RECEIVES ROYALTIES OF ONE CENT PER RECORD SOLD!   GEORGE GERSHWIN. Typed Document Signed: "George Gershwin", 1p, 8x10. No place, 1929 November 1.Headed:"Victor Talking Machine Company/Statement of Royalty Due on Selections by/George Gershwin". The statement is titled: "Sold by the Victor Talking Machine Company for period ending Sept. 30, 1929". Two different records were sold: An American in Paris - Parts 1 and 2 (8331 copies), $83.31 royalty and An American in Paris - Parts 3 and 4 (8327 copies), $83.27 royalty. Total: $166.58 royalty. Gershwin was paid royalties of a penny per copy! He has signed beneath this statement: "I accept the above statement of my royalty account for records of my performance in accordance with my contract dated March 13, 1929 and acknowledge the receipt of the amount for the period shown on said statement in full and final settlement of said account." An American in Paris, inspired by Gershwin's time spent in the French capital, was a groundbreaking symphonic

VERDI WRITES TO MARIA WALDMANN WHO APPEARED IN HIS FIRST PRODUCTION OF AIDA IN MILAN   GIUSEPPE VERDI. ALS: "G. Verdi", 1p, 4½x3½. Sant'Agate, 1889 November 18. To his close friend, Maria Massari Waldmann.In Italian, partially translated. In part: "Thank you, my dear Maria, and thanks to your kind Duke for the affectionate remembrance...Greetings to the Duke and a warm handshake...." On February 8, 1872, mezzo-soprano MARIA MASSARI WALDMANN starred as Amneris in the Milan premiere of Aida under Verdi's direction. At the time of this letter, Giuseppe Verdi (1813-1901) spent part of the year at the Villa Verdi at St. Agata diBusseto, close to his birthplace in Le Roncole, and part in Genoa in an apartment in the Palazzo Doria. Inscription on verso of Verdi's letter, in Italian: "To my dear/friend Margherita/from/Maria Massari/Zavaglia/Ferrara, 22-1-905". There is a collection of nearly 100 letters from Verdi to Waldmann in La Biblioteca del Conservatorio "G.B. Martini" in Bologna, Italy. Lightly stained. Overall, fine condition.

TAX DOCUMENT REVEALS THAT GEORGE GERSHWIN GOT 60% AND IRA GERSHWIN RECEIVED 40% FROM THEIR COLLABORATIONS   GEORGE GERSHWIN and IRA GERSHWIN. Carbon Typed Document Signed: "George Gershwin" and "Ira Gershwin", 1p, 8½x13. Los Angeles, California, 1936 September 30. In part:"GEORGE GERSHWIN and IRA GERSHWIN each, being first duly sworn, deposes and says: That he is one of the parties to the written agreement dated July 29, 1936, executed by and between RKO STUDIOS, INC. and GEORGE GERSHWIN and IRA GERSHWIN, under the terms and conditions of which the said George Gershwin and Ira Gershwin are employed by the said RKO Studios, Inc. and under the terms and conditions of which thecompensation payable to the said George Gershwin and Ira Gershwin is paid to them jointly, without any allocation between them. That under the terms and conditions of an agreement existing between the said George Gershwin and Ira Gershwin all compensation received by them pursuant to the terms and conditions of said contract,

THE MAMAS AND THE PAPAS: JOHN PHILLIPS, MICHELLE PHILLIPS, DENNIS DOHERTY and CASS ELLIOT The Mamas and Papas sign a document requesting that the royalties from Dunhill Records, Inc. be paid. Rare Typed Document Signed: "John Phillips", "Michelle Phillips", "Cass Elliot" and "Dennis Doherty", 1p, 8½x11. No place, 1967 September 26.To Dunhill Records, Beverly Hills.In full: "The undersigned hereby irrevocably instruct and direct you to pay a sum equal to twenty (20%) per cent of any and all royalties payable to us from Dunhill Records, Inc., attributable to the sale of records embodying our performances on master recordings produced by Lou Adler, to Mr. Lou Adler at 800 Stone Canyon Road, Los Angeles, California 90024. All recording costs are to be borne solely by us." Adler's name and address are crossed out in black pen, most probably before this document was sold to a collector/dealer. The day after this contract, Adler resigned from Dunhill Records and was hired by The Mamas and the Papas to be their producer and as an independent contractor to supervise, direct and produce their recording sessions.

JULES MASSENETOn the date of the premier of his comic opera masterpiece Manon, he penned and signed these four double bars from Act II. Autograph Musical Quotation signed: "J. Massenet”, in /Paris/1 er presentation op: comique/samedi 19 Janvier 1884 [1st presentation opera: comic/Saturday 19 January 1884]", in black ink, 9½x2½. The composer has drawn four double bars of music, and written in French: "Prelude de l'act II (Manon) [Prelude to Act II (Manon)]".This historical musical quote was written on the first performance of his comic opera, Manon, considered his operatic masterpiece. The opera, which premiered at the Opéra-Comique in Paris, is a staple in the repertoire of many operatic companies and has been featured on numerous recordings, beginning with the historic first recording in 1923. Jules Massenet (1842-1912), who was extremely popular in his day, wrote numerous operas, but Manon established his reputation as a composer. Lightly creased with folds, vertical fold at 1 word of writing. Slightly soiled. Irregularly cut. Overall, fine condition.