EDVARD GRIEG and ERNESTINE SCHUMANN HEINK Both sign their names on this album leaf containing several bars of music drawn by Grieg Autograph Musical Quotation signed: "Edvard Grieg" 1p, 6x3½. Leipzig, 1891.Three bars of music labeled: "Andante" at top by EDVARD GRIEG (1843-1907). Grieg was a Norwegian composer and pianist who learned how to play at the age of six and went on the attend Leipzig Conservatory. His works include music for Ibsen's Peer Gynt (1876) as well as many choral, orchestral, and chamber pieces. On verso is an Autograph Note signed: "Schumann Heink" in German, New York, 1902 January. From the late 1880s to the early 1900s, the exceptional contralto voice of ERNESTINE SCHUMANN HEINK (1861-1936) was heard frequently at concerts and festivals throughout Europe. She was primarily known for her interpretations of Wagner and Strauss. In 1905, she took out U.S. naturalization papers. Her German-language recording of "Silent Night" earned sales for Victor Red Seal records unmatched by any other artist. When the U.S.

THE MAMAS AND THE PAPAS: JOHN PHILLIPS, MICHELLE PHILLIPS, DENNIS DOHERTY and CASS ELLIOT and LOU ADLER The singing group The Mamas and the Papas sign a document terminating their contract with Lou Adler. Rare Partly Printed Document Signed: "John Phillips", "Michelle Phillips", "Dennis Doherty", "Cass Elliot" and "Lou Adler", 2p, 8½x10½, separate sheets. No place, 1967 September 27.To Lou Adler, who has signed under "Agreed to and Accepted". In part: "We have requested that you terminate your contract with Dunhill Records, Inc., pursuant to which you act as our Producer in connection with the making of phonograph records for Dunhill Records, Inc. In consideration of your doing so, and in consideration of your rendering services as our Producer in the future, we agree as follows: We hereby engage your nonexclusive services as a producer and as an independent contractor to supervise, direct and produce our recording sessions, up to the point of delivery of finished tapes....

TAX DOCUMENT REVEALS THAT GEORGE GERSHWIN GOT 60% AND IRA GERSHWIN RECEIVED 40% FROM THEIR COLLABORATIONS   GEORGE GERSHWIN and IRA GERSHWIN. Carbon Typed Document Signed: "George Gershwin" and "Ira Gershwin", 1p, 8½x13. Los Angeles, California, 1936 September 30. In part:"GEORGE GERSHWIN and IRA GERSHWIN each, being first duly sworn, deposes and says: That he is one of the parties to the written agreement dated July 29, 1936, executed by and between RKO STUDIOS, INC. and GEORGE GERSHWIN and IRA GERSHWIN, under the terms and conditions of which the said George Gershwin and Ira Gershwin are employed by the said RKO Studios, Inc. and under the terms and conditions of which thecompensation payable to the said George Gershwin and Ira Gershwin is paid to them jointly, without any allocation between them. That under the terms and conditions of an agreement existing between the said George Gershwin and Ira Gershwin all compensation received by them pursuant to the terms and conditions of said contract,

JAZZ GREATS: DJANGO REINHARDT, LOUIS ARMSTRONG, STEPHANE GRAPPELLI, JACK TEAGARDEN. EARL HINES and 17 OTHERS Program of the 1948 Jazz Festival in Nice, France, signed by 21 famed jazz musicians. The signatures are historic, but so is the program! Nice claims this event as the world's first ever jazz festival! Program signed: "D Reinhardt", "Louis Armstrong", "S Grappelli/xxx", "Jack Teagarden", "Barney Bigard", "Arvell Shaw", "Earl/Fatha/Hines" (twice!), "Rex Stewart", "Jimmy Archey", "Henry Goodwin", "Milton Mezz Mezzrow", "Big Sid Catlett", "Hugues Panassie", "Baby Dodds/2-25-48", "Good luck/George Kennedy", "Sandy Price", "Sandy Williams", "Lucky Thompson", and 3 unidentified signatures. 8 pages 9½x12. Accompanied by a 6¼x10 unsigned program, 5 pages. Program of the International Jazz Festival, Nice (France), February 22-28, 1948.In all 20 signatures! From February 22 to 28, 1948, the world's first ever jazz festival was held in Nice, France. Organized byHUGUES PANASSIE, President of Hot Club de France, the festival demonstrated Europe's recovery from World War II and helped popularize the new bop style of jazz in France. Especially renowned signers here include Belgian-born gypsy Jean Baptise "DJANGO" REINHARDT(1910-1953).

DJANGO REINHARDT Rare photograph signed by one of Europe's first great jazz musicians, considered by many to be the finest guitarist the world has ever known. Rare Photograph signed: "D. Reinhardt". B/w, 5x6. Captioned at lower margin: "Club Rythmique de Belgique." Jean Baptise "Django" Reinhardt (1910-1953), who was born in Belgium, grew up in a gypsy camp near Paris. Originally a violinist, he is best remembered for his jazz and swing performances on the acoustic guitar (because of youthful burn injuries that cost him two fingers, Reinhardt had to develop an original fingering system). In the 1930s, he performed with Stephane Grappelli in the Quintet of the Hot Club of France. Although he couldn't read music, Reinhardt created many influential jazz compositions. The pioneer of the concept of the lead guitarist in a musical group, Reinhardt is best remembered for such songs as "My Sweet", "Minor Swing", "Tears", "Belleville" "Djangology" and "Nauges". In addition to touring throughout Europe, Reinhardt was acclaimed in the U.S., opening for Duke Ellington and playing at Carnegie Hall.

J.P. RICHARDSON [THE BIG BOPPER] Scarce photograph of the 1950s Rock 'N' Roller Rare Photograph inscribed and signed: "To / Reg - / Thanks / for the wonderful / hospitality / Big / Bopper". B/w, 6¾ x 8½. Publicity photograph by Van Dyck Studio, Beaumont (imprint at lower left edge). Ink lightly beaded (completely legible). Minor surface creases (most not evident head on) at background. Fine condition. Framed, not by the Gallery of History: 15¼x17¾. Not reviewed by us for conservation integrity. Mat has separated from frame, resulting in the photograph not being flush with glass. Frame is scratched and chipped, backing paper is torn at upper portion. "As is" framing. Jiles Perry Richardson (1930-1959) was a Texas disc jockey who called himself "The Big Bopper" after the latest dance craze, the bop. His song, "Chantilly Lace", which he wrote and sang, reached the "Top Ten" in 1958. In January 1959, The Big Bopper was booked on the Winter Dance Party tour that would cover most of the Midwest.

FOR THE VICTOR TALKING MACHINE COMPANY'S RECORDING OF HIS 1929 PERFORMANCE OF AN AMERICAN IN PARIS, GERSHWIN RECEIVES ROYALTIES OF ONE CENT PER RECORD SOLD!   GEORGE GERSHWIN. Typed Document Signed: "George Gershwin", 1p, 8x10. No place, 1929 November 1.Headed:"Victor Talking Machine Company/Statement of Royalty Due on Selections by/George Gershwin". The statement is titled: "Sold by the Victor Talking Machine Company for period ending Sept. 30, 1929". Two different records were sold: An American in Paris - Parts 1 and 2 (8331 copies), $83.31 royalty and An American in Paris - Parts 3 and 4 (8327 copies), $83.27 royalty. Total: $166.58 royalty. Gershwin was paid royalties of a penny per copy! He has signed beneath this statement: "I accept the above statement of my royalty account for records of my performance in accordance with my contract dated March 13, 1929 and acknowledge the receipt of the amount for the period shown on said statement in full and final settlement of said account." An American in Paris, inspired by Gershwin's time spent in the French capital, was a groundbreaking symphonic

THE MAMAS AND THE PAPAS: JOHN PHILLIPS, MICHELLE PHILLIPS, DENNIS DOHERTY and CASS ELLIOT The Mamas and the Papas sign a document amending their agreement with Trousdale Music Publishers, Inc. Rare Typed Document Signed: "John Phillips", "Michelle Phillips", "Cass Elliot" and "Dennis Doherty", 1p, 8½x11. No place, 1967 August 17.To the Grammy Award-winning duo in letter form from Trousdale Music Publishers, Inc. Amendment to their Agreement of October 4, 1965 (updated on April 28, 1966). In part: "Trousdale Music Publishers, Inc. shall have the right to assign to Wingate Music Corp., all rights acquired by it pursuant to the terms of the Agreement including, without limitation the songwriting services of any or all of you and any copyrights acquired thereunder...." Also signed: "Larry Newton" as President of Trousdale Music Publishers, Inc.The Mamas and the Papas, who were formed in New York in 1964 and disbanded in 1972, had already had a Grammy Award-winning hit, "Monday, Monday" (1966), by the time they signed this document. Their other hits included "California Dreamin'" and "Dedicated to the One I Love".

WOODY GUTHRIE Folk singer and songwriter Woody Guthrie wrote this manuscript for a proposed series of albums with Asch Record Company, only one of which, Struggle: Documentary #1, was ever released. This rare document, signed with Guthrie's rank in the U. S. Army and his service number, chronicles a confrontation with a racist soldier and gives insight into this reluctant soldier's time in the Armed Forces during World War II! Autograph manuscript signed "Pvt. Woody W. Guthrie, #42234634." 2 pages, 7x10½, 1 sheet, front and verso, two columns. Written at "Scott Field", Aug. 12, 1945. Titled: "American Document/art number one". In part: "I met a soldier out on a rifle range down in Texas that was telling a gang of men, 'There's good and bad in every church and every race. They just got to be put in their place and made to stay in it. I say give every color his part of town and make him stay in it. My home town had a fight or a killing just about every few days. I'm as good a trade union man as the next one, but

GEORGE GERSHWIN This framed letter that features the composer's autograph shows his interest in new phonograph recording technology Typed Letter Signed, "George Gershwin". 8¼x10½. One page. Dated September 14, 1931. On his personal letterhead. Gershwin writes to a representative of R.C.A. which was the parent company of N.B.C. (created in 1926 to broadcast on radio) and Victor Labs (acquired in 1929 which built phonographs.). The conglomerate was able to remain at the forefront of early broadcasting technology for many years due to the unique merging of technologies. Gershwin's association with R.C.A. was a long and fruitful venture. It was R.C.A. that recorded "An American in Paris", which was used in the 1951 musical film of the same name. Gershwin's letter in full: " My dear Mr. Clark: I received your invitation to dinner at the Savoy-Plaza on September seventeenth. I am tremendously interested in hearing the new development in phonograph recording, which you will probably demonstrate account of a previous engagement which I have for that evening.