This signed 28-page contract confirms that the singer will star in the 1958 film Kings Go Forth Contract signed: "Frank Sinatra" in ink on last page. Twenty-eight pages. 8½x11. Separate sheets. California. Dated August 20, 1957. Contract between Frank Ross-Eton Productions and Hobart Productions, Inc. for Sinatra to star as Sam Loggins in a film tentatively titled Kings Go Forth at a salary of $200,000. Contract in Part: "Hobart agrees to furnish to Employer the services of Artist...to act, play and perform the role of Sam Loggins in the motion picture photoplay tentatively entitled 'KINGS GO FORTH'...employer agrees to pay to Hobart...the sum of $200,000, payable at the rate of $20,000 per week...it is agreed that the name of Artist shall be above the title of the photoplay, and Tony Curtis, Natalie Wood, and Frank Ross shall be the only other parties who shall receive credit above the title of the photoplay" Also signed by representatives from Frank Ross Productions, Eton Productions, Inc. and Hobart Productions, Inc. Frank Sinatra starred as First Lieutenant Sam Loggins in Kings Go Forth, which was released in 1958. That year, he was also seen on the big screen in Some Came Running. His production company, Hobart Productions, Inc.

Carbon Typed Document Signed: "George Gershwin" and "Ira Gershwin", 1p, 8½x13. Los Angeles, California, 1936 September 30. In part: "GEORGE GERSHWIN and IRA GERSHWIN each, being first duly sworn, deposes and says: That he is one of the parties to the written agreement dated July 29, 1936, executed by and between RKO STUDIOS, INC. and GEORGE GERSHWIN and IRA GERSHWIN, under the terms and conditions of which the said George Gershwin and Ira Gershwin are employed by the said RKO Studios, Inc. and under the terms and conditions of which the compensation payable to the said George Gershwin and Ira Gershwin is paid to them jointly, without any allocation between them. That under the terms and conditions of an agreement existing between the said George Gershwin and Ira Gershwin all compensation received by them pursuant to the terms and conditions of said contract, has been and will be divided and allocated between them in the ratio of sixty per cent (60%) to the said George Gershwin and forty per cent (40%) to the said Ira Gershwin…That this affidavit is made and delivered to the said RKO Studios, Inc.…"

A signed autograph note on a postcard giving instructions to a music publisher in London. Addressed in his hand and mailed from Prague in 1892. Both sides of the postcard can be viewed in the frame! Autograph Note Signed with two musical quotes: "A. Dvorak" in English, 5½x3¾. On verso of stamped postcard addressed by Dvorak to: "Novello & Ewer/ 1 Berners Street/London", postmarked Prague, March 24, 1892. In full: "I have no objection to it, when the two bars notes the Viola [c note] page 291. 207 are to be omitted and given to the Cello [two bars, two notes]". Czech composer Antonin Dvorak (1841-1904) is best known for his symphony in E minor, From the New World, composed in 1893. He is also noted for success in adapting folk music to serious romantic music. Dvorak was the Director of The National Conservatory of Music from 1892-1895. Note side is soiled, worn torn edges (all intact). Corners torn away affecting some writing and 1 musical quote. Address side is soiled and worn, edge flaws are framed over. Light stains. Framed to an overall size of 36¾x22¼.

Framed display (35x25), including Berlin's signature on a card attached to a musical biography; and a typed letter signed by Sibelius in 1953, politely declining to answer the question of whether Berlin is "America's greatest composer". Typed Letter Signed: "Jean Sibelius" in English, 1 page, 6x8½. Järvenpää, 1953 June 4. To Cyril Clemens, President, The International Mark Twain Society. In full: "Many thanks for your latest letter with your account of my life and career. It was very well written, indeed, with much ability and sympathy. Please accept my cordial thanks for it. The article about Irving Berlin I have read with much interest. His works are indeed performed here very often. If he is America's greatest composer, is of course difficult to say. America has many prominent composers by now. It is almost impossible to say such a thing about any composer. With all my kindest regards". Mid-horizontal fold, not at signature. Fine condition. In this letter to Cyril Clemens of the Mark Twain Society, JEAN SIBELIUS (1865-1957) expressed the difficulty of calling any one composer a country's "Greatest Composer".

Thomas "Fats" Waller signs an autograph musical quotation. Autograph Music Quotation signed: "Best Wishes/Thanks/Thomas 'Fats' Waller", 1p, 6x8¼. Bar of music identified by the jazz pianist as "Ain't Misbehavin!/No! No!!" Thomas "Fats" Waller (1904-1943) left DeWitt Clinton High School in the Bronx, New York, in 1917 after one year because he felt he was wasting his time. "There isn't any rhythm in algebra" he complained. His father was a well-known violinist, so Thomas was allowed to leave Clinton to get a job so he could afford piano lessons. He was only 17 when he pressed his first records and made his first piano rolls, and at 19 he initiated his first radio broadcasts. In 1929, Waller wrote the score for the Broadway hit Hot Chocolates. His most famous song "Ain't Misbehavin'" was introduced in the show, which featured Louis Armstrong. Waller was only 39 when he died of pneumonia. Two unrelated autographs, dated 1939 on verso (no show through). Irregular left edge. Lightly shaded at margins. Light diagonal stain touches the top of the "T" in Thomas. Overall, fine condition.

His rare signature on a letter of agreement with Columbia Records, concerning recorded distribution of his live performance at the 1963 Newport Jazz Festival. Documentary Letter signed: "Thelonious Monk", 1 page, 8½x11. Forest Hills, N.Y., 1963 September 23. On letterhead of Columbia Records. Monk signs his assent to a letter referencing a prior agreement by him with Columbia Records (1962 July 30), and declaring that no additional compensation will be owed him for the recording of his performance at the 1963 Newport Jazz Festival unless the company issues a complete LP album featuring his performance exclusively. Jazz pianist and composer Thelonius Monk (1917-1982) has been called "the high priest of bebop," although his idiosyncratic style defies glib categorization. Several of his compositions, including Round Midnight and Blue Monk are classics of the genre. Although Monk had been performing since the early 1940s and had already written some of his classic songs, it was not until the mid-1950s that his avant-garde style began to attract a wide audience. In 1956 he released Brilliant Corners, considered one of the classic jazz albums of all time. Monk's reputation has only grown since his death: he received posthumously a special Pulitzer Prize for Music and a Grammy for Lifetime Achievement.

Right handprint the composer which he has signed and dated in 1925! Handprint signed: "Richard Strauss/21.4.25" in ink, 6½x8¼. Handprint of Strauss' right hand. Stamped: "M. Raschig's Handarchiv." Strauss (1864-1949, born Richard Georg Strauss in Munich, Germany) was Court Conductor at Munich (1894-1898) and Chief Conductor of the Berlin Court Opera (1898-1918). As a composer, Strauss was regarded as the leader of the New Romantic school. Among his works were 15 operas, including Salome (1905), Elektra (1909) and Der Rosenkavalier (1911), as well as ballets, symphonies, concertos and about 200 songs. Berlin palm reader MARIANNE RASCHIG, who also wrote a scientific book on the art of palm reading, put together a collection of over 2,500 handprints from 1924 to 1935. Lightly creased and soiled, irregular left edge. File notes in blank areas (unknown hand). Otherwise, fine condition.

He has signed these autograph music and lyrics, the last four measures of his religious cantata, The Virgin, and dated it himself (1880) Autograph Musical Quotation signed: "J. Massenet/Paris 17-8-80", 1p, 10¾x3½. Inscribed by Massenet in French: "To Miss Eugenie Hautier/souvenir with respect". Massenet has identified the four long measures as the last measures of "Holy Friday", Third Scene of his religious cantata The Virgin scored by Massenet for four voices, one for each long measure, identified by Massenet as "Marie Salome", "Marie Magdalena", "Jean" and "Simon", with words penned in his hand. French composer Jules Massenet (1842-1912) made his name with the comic opera Don César de Bazan (1872). Other operas followed, including Manon (1884), considered by many to be his masterpiece, Le Cid (1885) and Werther (1892). In the 3rd Part of The Virgin, "Good Friday", Mary-Salomé, Mary-Magdeleine, John and Simon have sought refuge in the Virgin's home. They try to comfort Christ's mother. In the distance one can hear the threatening voices of the people and the soldiers.

Large framed display on the Polish composers, featuring a 2x3 Autograph Musical Quotation signed by Henri and a 4x6 photo signed by Josef. Comprises: (1) HENRI WIENIAWSKI. Autograph Musical Quotation signed: "Hri. Wieniawski", 2x3. He has penned three bars of music from his "2nd Polonaise - Polonaise Brilliante No. 2" (1870). Headed in his hand: "2de Volonaise". Slightly shaded. Fine condition. (2) JOSEF WIENIAWSKI. Photograph signed: "Joseph Wieniawski" below a three-line inscription in French (not translated), dated 15 June 1910. B/w, 4x5¾. Signed with the English spelling of his name. Nicked at right edge and upper corners. Overall, fine condition. HENRYK "HENRI" WIENIAWSKI (1835-1880) and his younger brother, JOSEF "JOSEPH" WIENIAWSKI (1837-1912) were known as the "Maestros of Poland". As boys of 14 and 16, the Wieniawskis had began a two-year concert tour of Russia in 1851 with pianist Josef accompanying violinist Henryk. That year, they also published "Allegro de Sonata", which they had composed in 1848. The two brothers excelled in their chosen fields of music, with Henri composing brilliant Romantic concertos, études and genre pieces for the violin.

Third Person ALS: "Mr. Mendelssohns" in English, 1p, 4¼x4½. Hobart Place, Eaton Square (London), 1844 June 29. In full: "Mr. Mendelssohns (sic) Compliments to Mrs. Maxwell; he regrets to say that he does not give lessons, and his stay in this Country being so very limited now, he finds himself not even at liberty to fix a time at which he could play to Miss Maxwell and hear her play, which under other circumstances he would certainly have done with the greatest pleasure." At the time of this letter, German composer Felix Mendelssohn was in London during a recess from his duties as Headmaster of the Leipzig Conservatory. Mendelssohn's works include the overture to A Midsummer Night's Dream, the symphonies C Minor and Reformation, concertos and chamber music. He died in 1847 from overwork and nervous exhaustion following the death of his sister, Fanny. He was 38. Uniformly tanned except for a few light spots. Hole at paper to the left of the "2" in date, touching part of it, and in text, touching 2 words. Upper left and lower right corners missing. ½-inch diagonal tear and pinhead-size nick at blank left margin.

Both sign their names on this album leaf containing several bars of music drawn by Grieg Autograph Musical Quotation signed: "Edvard Grieg" 1p, 6x3½. Leipzig, 1891. Three bars of music labeled: "Andante" at top by EDVARD GRIEG (1843-1907). Grieg was a Norwegian composer and pianist who learned how to play at the age of six and went on the attend Leipzig Conservatory. His works include music for Ibsen's Peer Gynt (1876) as well as many choral, orchestral, and chamber pieces. On verso is an Autograph Note signed: "Schumann Heink" in German, New York, 1902 January. From the late 1880s to the early 1900s, the exceptional contralto voice of ERNESTINE SCHUMANN HEINK (1861-1936) was heard frequently at concerts and festivals throughout Europe. She was primarily known for her interpretations of Wagner and Strauss. In 1905, she took out U.S. naturalization papers. Her German-language recording of "Silent Night" earned sales for Victor Red Seal records unmatched by any other artist. When the U.S. entered World War I, Schumann-Heink put herself wholeheartedly behind the American war effort, promoting Liberty Bonds and entertaining troops, despite having a brother in command of an Austrian warship and a son in the German navy.

The Italian composer signs this touching sentiment on a photograph mount. Photograph Mount inscribed and signed: "Alla bella & gentile Signorina / Marietta Stern, / ricordo / Giacomo Puccini / Roma Gen: 1918" Photograph of Puccini by Vuillemenot Montibone, 6½ x 8½, 11¾ x 17 photograph and mount overall. Puccini was in Rome preparing for the European debut, on January 11, 1919, of his opera, Il trittico. This was a trilogy of three one-act operas including Il tabarro, Suor Angelica and Gianni Schicchi. Photograph is creased and toned. Photograph mount creased. Framed to an overall size of 24½ x 27. Giacomo Puccini (1858-1924), the greatest Italian opera composer of his time. He wrote a number of operas, including his three most famous works, La Bohème, Tosca and Madama Butterfly, while living at Torre Del Lago, the home he had purchased in 1891. Puccini and his family lived at Torre Del Lago until 1921, and the home became a museum after the death of Puccini's wife in 1930. Light partial postmark to the right of Puccini's head.