TAX DOCUMENT REVEALS THAT GEORGE GERSHWIN GOT 60% AND IRA GERSHWIN RECEIVED 40% FROM THEIR COLLABORATIONS   GEORGE GERSHWIN and IRA GERSHWIN. Carbon Typed Document Signed: "George Gershwin" and "Ira Gershwin", 1p, 8½x13. Los Angeles, California, 1936 September 30. In part: "GEORGE GERSHWIN and IRA GERSHWIN each, being first duly sworn, deposes and says: That he is one of the parties to the written agreement dated July 29, 1936, executed by and between RKO STUDIOS, INC. and GEORGE GERSHWIN and IRA GERSHWIN, under the terms and conditions of which the said George Gershwin and Ira Gershwin are employed by the said RKO Studios, Inc. and under the terms and conditions of which the compensation payable to the said George Gershwin and Ira Gershwin is paid to them jointly, without any allocation between them. That under the terms and conditions of an agreement existing between the said George Gershwin and Ira Gershwin all compensation received by them read more...

BUDDY HOLLY Notebook page with his handwritten answers to a high school English quiz, signed by him at the top with the original spelling of his name ("Holley") Autograph Manuscript signed: "Buddy Holley" at upper margin, 1 page, 8x10½ lined sheet. Holly's answers to a ten-question test, likely for an English class as the answers refer to types of sentences. He answered seven questions correctly. Holly, who was graduated from Lubbock High School in 1955, was recording for Decca Records within a year. Born on September 7, 1936 in Lubbock, Texas as Charles Hardin Holley, the future recording star became known as "Buddy". His first record contract dropped the "e" in Holley, and he adopted the spelling. Before going to Lubbock High School, Holly had attended Lubbock's J.T. Hutchinson Junior High, where he met Bob Montgomery. The duo quickly became known for their musical talent and lack of stage fright. Buddy, Bob and a friend, Jerry Allison, began performing at school functions, and by September of 1953, Buddy had a regular show on Lubbock radio station KDAV. It was in Allison's home that "The Crickets" were born (with Niki Sullivan on rhythm guitar, Allison on drums and Joe B. read more...

THE MAMAS AND THE PAPAS: JOHN PHILLIPS, MICHELLE PHILLIPS, DENNIS DOHERTY and CASS ELLIOT The Mamas and the Papas sign a document amending their agreement with Trousdale Music Publishers, Inc. Rare Typed Document Signed: "John Phillips", "Michelle Phillips", "Cass Elliot" and "Dennis Doherty", 1p, 8½x11. No place, 1967 August 17. To the Grammy Award-winning duo in letter form from Trousdale Music Publishers, Inc. Amendment to their Agreement of October 4, 1965 (updated on April 28, 1966). In part: "Trousdale Music Publishers, Inc. shall have the right to assign to Wingate Music Corp., all rights acquired by it pursuant to the terms of the Agreement including, without limitation the songwriting services of any or all of you and any copyrights acquired thereunder...." Also signed: "Larry Newton" as President of Trousdale Music Publishers, Inc. The Mamas and the Papas, who were formed in New York in 1964 and disbanded in 1972, had already had a Grammy Award-winning hit, "Monday, Monday" (1966), by the time they signed this document. read more...

WOODY GUTHRIE Folk singer and songwriter Woody Guthrie wrote this manuscript for a proposed series of albums with Asch Record Company, only one of which, Struggle: Documentary #1, was ever released. This rare document, signed with Guthrie's rank in the U. S. Army and his service number, chronicles a confrontation with a racist soldier and gives insight into this reluctant soldier's time in the Armed Forces during World War II! Autograph manuscript signed "Pvt. Woody W. Guthrie, #42234634." 2 pages, 7x10½, 1 sheet, front and verso, two columns. Written at "Scott Field", Aug. 12, 1945. Titled: "American Document/art number one". In part: "I met a soldier out on a rifle range down in Texas that was telling a gang of men, 'There's good and bad in every church and every race. They just got to be put in their place and made to stay in it. I say give every color his part of town and make him stay in it. My home town had a fight or a killing just about every few days. read more...

THE MAMAS AND THE PAPAS: JOHN PHILLIPS, MICHELLE PHILLIPS, DENNIS DOHERTY and CASS ELLIOT The Mamas and Papas sign a document to Dunhill Records, Inc., Trousdale Music Publishers, Inc. and Wingate Music Corp. Rare Typed Document Signed: "John Phillips", "Michelle Gilliam Phillips", "Cass Elliot" and "Dennis Doherty", 3p, 8½x11, separate sheets. No place, 1967 September 28. In letter form to Dunhill Records, Inc., Trousdale Music Publishers, Inc. and Wingate Music Corp. A listing of seven points to confirm the "understanding and agreement between you and the undersigned....". In part: "Trousdale agrees to cancel as of October 1, 1966 the 10% collection charge which was deducted in the computation of our writers' royalties for the last half of 1966...We acknowledge and agree that mechanical royalties are payable by Dunhill and its parent and affiliated companies to Trousdale and Wingate on 90% of gross sales and that writers' royalties are payable by Trousdale and Wingate on the same 90% basis...You and we hereby read more...

ELVIS PRESLEY'S JACKET!   ELVIS PRESLEY. Velvet bolero style jacket owned by Elvis and given to his personal hairdresser, Homer M. Gilleland, known as Mr. Gill. The wine colored, four-buttoned short jacket bears a "Mr./Ray's/Palm Springs" label. Accompanied by a Typewritten Statement signed: "Homer M Gilleland/8-14-91". In full: "To whom this may concern. My name is Homer M. Gilleland. For over 20 years preceding his death, I Was the personal hairdresser of Elvis Aaron Presley. During my employment as Elvis' hairdresser, he gave me as gifts numerous Items of clothing and personal property. This wine colored velvet bolero jacket was owned by Elvis. The jacket has the Label, Mr. Rays Palm Springs. This was a favorite men's store that Elvis frequently Shopped at in the 1960's while he stayed in Palm Springs. This jacket is authentic as given to me by Elvis Aaron Presley during my employment as his personal hairdresser." Homer M. Gilleland, known as "Mr. Gill", cut Gladys Presley's hair in the 1950's at Goldsmiths Department Store in Memphis, Tennessee. When Elvis became famous he asked his mother's hairdresser to cut his hair. Mr. Gilleland cut Elvis' hair until Presley's death in 1977. read more...

VERDI WRITES TO MARIA WALDMANN WHO APPEARED IN HIS FIRST PRODUCTION OF AIDA IN MILAN   GIUSEPPE VERDI. ALS: "G. Verdi", 1p, 4½x3½. Sant'Agate, 1889 November 18. To his close friend, Maria Massari Waldmann. In Italian, partially translated. In part: "Thank you, my dear Maria, and thanks to your kind Duke for the affectionate remembrance...Greetings to the Duke and a warm handshake...." On February 8, 1872, mezzo-soprano MARIA MASSARI WALDMANN starred as Amneris in the Milan premiere of Aida under Verdi's direction. At the time of this letter, Giuseppe Verdi (1813-1901) spent part of the year at the Villa Verdi at St. Agata diBusseto, close to his birthplace in Le Roncole, and part in Genoa in an apartment in the Palazzo Doria. Inscription on verso of Verdi's letter, in Italian: "To my dear/friend Margherita/from/Maria Massari/Zavaglia/Ferrara, 22-1-905". There is a collection of nearly 100 letters from Verdi to Waldmann in La Biblioteca del Conservatorio "G.B. Martini" in Bologna, Italy. Lightly stained. Overall, fine condition. read more...

JEAN SIBELIUS and IRVING BERLIN Framed Gallery of History display (35x25), including Berlin's signature on a card attached to a musical biography; and a typed letter signed by Sibelius in 1953, politely declining to answer the question of whether Berlin is "America's greatest composer". TLS: "Jean Sibelius" in English, 1 page, 6x8½. Järvenpää, 1953 June 4. To Cyril Clemens, President, The International Mark Twain Society. In full: "Many thanks for your latest letter with your account of my life and career. It was very well written, indeed, with much ability and sympathy. Please accept my cordial thanks for it. The article about Irving Berlin I have read with much interest. His works are indeed performed here very often. If he is America's greatest composer, is of course difficult to say. America has many prominent composers by now. It is almost impossible to say such a thing about any composer. With all my kindest regards". Mid-horizontal fold, not at signature. Fine condition. In this letter to Cyril Clemens of the Mark Twain Society, JEAN SIBELIUS (1865-1957) expressed the difficulty of calling any one composer a country's "Greatest Composer". read more...

FOR THE VICTOR TALKING MACHINE COMPANY'S RECORDING OF HIS 1929 PERFORMANCE OF AN AMERICAN IN PARIS, GERSHWIN RECEIVES ROYALTIES OF ONE CENT PER RECORD SOLD!   GEORGE GERSHWIN. Typed Document Signed: "George Gershwin", 1p, 8x10. No place, 1929 November 1. Headed: "Victor Talking Machine Company/Statement of Royalty Due on Selections by/George Gershwin". The statement is titled: "Sold by the Victor Talking Machine Company for period ending Sept. 30, 1929". Two different records were sold: An American in Paris - Parts 1 and 2 (8331 copies), $83.31 royalty and An American in Paris - Parts 3 and 4 (8327 copies), $83.27 royalty. Total: $166.58 royalty. Gershwin was paid royalties of a penny per copy! He has signed beneath this statement: "I accept the above statement of my royalty account for records of my performance in accordance with my contract dated March 13, 1929 and acknowledge the receipt of the amount for the period shown on said statement in full and final settlement of said account." An American in Paris, inspired by Gershwin's time spent in the read more...