FOR THE VICTOR TALKING MACHINE COMPANY'S RECORDING OF HIS 1929 PERFORMANCE OF AN AMERICAN IN PARIS, GERSHWIN RECEIVES ROYALTIES OF ONE CENT PER RECORD SOLD!   GEORGE GERSHWIN. Typed Document Signed: "George Gershwin", 1p, 8x10. No place, 1929 November 1.Headed:"Victor Talking Machine Company/Statement of Royalty Due on Selections by/George Gershwin". The statement is titled: "Sold by the Victor Talking Machine Company for period ending Sept. 30, 1929". Two different records were sold: An American in Paris - Parts 1 and 2 (8331 copies), $83.31 royalty and An American in Paris - Parts 3 and 4 (8327 copies), $83.27 royalty. Total: $166.58 royalty. Gershwin was paid royalties of a penny per copy! He has signed beneath this statement: "I accept the above statement of my royalty account for records of my performance in accordance with my contract dated March 13, 1929 and acknowledge the receipt of the amount for the period shown on said statement in full and final settlement of said account." An American in Paris, inspired by Gershwin's time spent in the French capital, was a groundbreaking symphonic

THE MAMAS AND THE PAPAS: JOHN PHILLIPS, MICHELLE PHILLIPS, DENNIS DOHERTY and CASS ELLIOT The Mamas and Papas sign a document requesting that the royalties from Dunhill Records, Inc. be paid. Rare Typed Document Signed: "John Phillips", "Michelle Phillips", "Cass Elliot" and "Dennis Doherty", 1p, 8½x11. No place, 1967 September 26.To Dunhill Records, Beverly Hills.In full: "The undersigned hereby irrevocably instruct and direct you to pay a sum equal to twenty (20%) per cent of any and all royalties payable to us from Dunhill Records, Inc., attributable to the sale of records embodying our performances on master recordings produced by Lou Adler, to Mr. Lou Adler at 800 Stone Canyon Road, Los Angeles, California 90024. All recording costs are to be borne solely by us." Adler's name and address are crossed out in black pen, most probably before this document was sold to a collector/dealer. The day after this contract, Adler resigned from Dunhill Records and was hired by The Mamas and the Papas to be their producer and as an independent contractor to supervise, direct and produce their recording sessions.

VERDI WRITES TO MARIA WALDMANN WHO APPEARED IN HIS FIRST PRODUCTION OF AIDA IN MILAN   GIUSEPPE VERDI. ALS: "G. Verdi", 1p, 4½x3½. Sant'Agate, 1889 November 18. To his close friend, Maria Massari Waldmann.In Italian, partially translated. In part: "Thank you, my dear Maria, and thanks to your kind Duke for the affectionate remembrance...Greetings to the Duke and a warm handshake...." On February 8, 1872, mezzo-soprano MARIA MASSARI WALDMANN starred as Amneris in the Milan premiere of Aida under Verdi's direction. At the time of this letter, Giuseppe Verdi (1813-1901) spent part of the year at the Villa Verdi at St. Agata diBusseto, close to his birthplace in Le Roncole, and part in Genoa in an apartment in the Palazzo Doria. Inscription on verso of Verdi's letter, in Italian: "To my dear/friend Margherita/from/Maria Massari/Zavaglia/Ferrara, 22-1-905". There is a collection of nearly 100 letters from Verdi to Waldmann in La Biblioteca del Conservatorio "G.B. Martini" in Bologna, Italy. Lightly stained. Overall, fine condition.

BUDDY HOLLY Notebook page with his handwritten answers to a high school English quiz, signed by him at the top with the original spelling of his name ("Holley") Autograph Manuscript signed: "Buddy Holley" at upper margin, 1 page, 8x10½ lined sheet. Holly's answers to a ten-question test, likely for an English class as the answers refer to types of sentences. He answered seven questions correctly. Holly, who was graduated from Lubbock High School in 1955, was recording for Decca Records within a year. Born on September 7, 1936 in Lubbock, Texas as Charles Hardin Holley, the future recording star became known as "Buddy".His first record contract dropped the "e" in Holley, and he adopted the spelling. Before going to Lubbock High School, Holly had attended Lubbock's J.T. Hutchinson Junior High, where he met Bob Montgomery. The duo quickly became known for their musical talent and lack of stage fright. Buddy, Bob and a friend, Jerry Allison, began performing at school functions, and by September of 1953, Buddy had a regular show on Lubbock radio station KDAV.

TAX DOCUMENT REVEALS THAT GEORGE GERSHWIN GOT 60% AND IRA GERSHWIN RECEIVED 40% FROM THEIR COLLABORATIONS   GEORGE GERSHWIN and IRA GERSHWIN. Carbon Typed Document Signed: "George Gershwin" and "Ira Gershwin", 1p, 8½x13. Los Angeles, California, 1936 September 30. In part:"GEORGE GERSHWIN and IRA GERSHWIN each, being first duly sworn, deposes and says: That he is one of the parties to the written agreement dated July 29, 1936, executed by and between RKO STUDIOS, INC. and GEORGE GERSHWIN and IRA GERSHWIN, under the terms and conditions of which the said George Gershwin and Ira Gershwin are employed by the said RKO Studios, Inc. and under the terms and conditions of which thecompensation payable to the said George Gershwin and Ira Gershwin is paid to them jointly, without any allocation between them. That under the terms and conditions of an agreement existing between the said George Gershwin and Ira Gershwin all compensation received by them pursuant to the terms and conditions of said contract,

BUDDY HOLLY His handwritten answers to an English test at Lubbock High School, 1953 Autograph Manuscript signed: "Buddy Holley", 1p, 8x10½. Lubbock (Texas), 1953 March 17. An English grammar test. Holly (original spelling "Holley") has headed the page,signing his name in the upper left and writing "English 22v (2)" beneath his name. At the upper right, he has penned "Lubbock High School" and the date "March 17, 1953". Headed: "Test" by Holly, the test had 40 questions; just the answers are written. Holly had to identify parts of speech ("adv", "noun", "pronoun", "conjunction") and types of sentences ("run-on", "phrase", "sub. clause"). Only one answer (the first) is marked wrong. Holly was graduated from Lubbock High School in 1955 and within a year was recording for Decca Records. He was an innovator who wrote his own material and was among the first to use such advanced studio techniques as double-tracking. Holly pioneered and popularized the now-standard rock-band lineup of two guitars, bass and drums. He began experimenting with orchestration shortly before his death in 1959. His first song recorded with the Crickets in 1957 was "That'll Be the Day". "Peggy Sue" followed.

THE MAMAS AND THE PAPAS: JOHN PHILLIPS, MICHELLE PHILLIPS, DENNIS DOHERTY and CASS ELLIOT The Mamas and Papas sign a document to Dunhill Records, Inc., Trousdale Music Publishers, Inc. and Wingate Music Corp. Rare Typed Document Signed: "John Phillips", "Michelle Gilliam Phillips", "Cass Elliot" and "Dennis Doherty", 3p, 8½x11, separate sheets. No place, 1967 September 28. In letter form to Dunhill Records, Inc., Trousdale Music Publishers, Inc. and Wingate Music Corp. A listing of seven points to confirm the "understanding and agreement between you and the undersigned....". In part: "Trousdale agrees to cancel as of October 1, 1966 the 10% collection charge which was deducted in the computation of our writers' royalties for the last half of 1966...We acknowledge and agree that mechanical royalties are payable by Dunhill and its parent and affiliated companies to Trousdale and Wingate on 90% of gross sales and that writers' royalties are payable by Trousdale and Wingate on the same 90% basis...You and we hereby acknowledge that the sum of $13,330 was expended for re-mastering and reprinting slicks and labels in connection with the replacement of Jill Gibson....

THE MAMAS AND THE PAPAS: JOHN PHILLIPS, MICHELLE PHILLIPS, DENNIS DOHERTY and CASS ELLIOT The Mamas and the Papas sign a document amending their agreement with Trousdale Music Publishers, Inc. Rare Typed Document Signed: "John Phillips", "Michelle Phillips", "Cass Elliot" and "Dennis Doherty", 1p, 8½x11. No place, 1967 August 17.To the Grammy Award-winning duo in letter form from Trousdale Music Publishers, Inc. Amendment to their Agreement of October 4, 1965 (updated on April 28, 1966). In part: "Trousdale Music Publishers, Inc. shall have the right to assign to Wingate Music Corp., all rights acquired by it pursuant to the terms of the Agreement including, without limitation the songwriting services of any or all of you and any copyrights acquired thereunder...." Also signed: "Larry Newton" as President of Trousdale Music Publishers, Inc.The Mamas and the Papas, who were formed in New York in 1964 and disbanded in 1972, had already had a Grammy Award-winning hit, "Monday, Monday" (1966), by the time they signed this document. Their other hits included "California Dreamin'" and "Dedicated to the One I Love".

GEORGE GERSHWIN This framed letter that features the composer's autograph shows his interest in new phonograph recording technology Typed Letter Signed, "George Gershwin". 8¼x10½. One page. Dated September 14, 1931. On his personal letterhead. Gershwin writes to a representative of R.C.A. which was the parent company of N.B.C. (created in 1926 to broadcast on radio) and Victor Labs (acquired in 1929 which built phonographs.). The conglomerate was able to remain at the forefront of early broadcasting technology for many years due to the unique merging of technologies. Gershwin's association with R.C.A. was a long and fruitful venture. It was R.C.A. that recorded "An American in Paris", which was used in the 1951 musical film of the same name. Gershwin's letter in full: " My dear Mr. Clark: I received your invitation to dinner at the Savoy-Plaza on September seventeenth. I am tremendously interested in hearing the new development in phonograph recording, which you will probably demonstrate account of a previous engagement which I have for that evening.