The Legendary Beatles guitarist signs check on Apple Records, Inc. account during period of significant musical projects. Check signed: "George Harrison", blue ink, 8x3½. National Westminster Bank Limited, London, England, May 20, 1971. Drawn on the account of Apple Records Inc, payable to Elloway & Co for £35 and 75 pence. Around the time this check was signed, Harrison was involved in several significant musical projects that included his collaborative work with John Lennon on the song “How Do You Sleep”, organizing a benefit concert in Bangladesh, and producing Badfinger's album “Straight Up” Bank cancellation stamps at mid-section. Small ink notation intersecting the "rr" in Harrison, with two hole-punches along check's top edge. Overall, fine condition. George Harrison (1943-2001) was an English musician, singer-songwriter, and guitarist, best known as the lead guitarist of the Beatles. Born in Liverpool, England, Harrison developed an early passion for music, influenced by skiffle and rock and roll. He joined John Lennon and Paul McCartney in the Quarrymen in 1958, which evolved into the Beatles.

Large framed display on the Polish composers, featuring a 2x3 Autograph Musical Quotation signed by Henri and a 4x6 photo signed by Josef. Comprises: (1) HENRI WIENIAWSKI. Autograph Musical Quotation signed: "Hri. Wieniawski", 2x3. He has penned three bars of music from his "2nd Polonaise - Polonaise Brilliante No. 2" (1870). Headed in his hand: "2de Volonaise". Slightly shaded. Fine condition. (2) JOSEF WIENIAWSKI. Photograph signed: "Joseph Wieniawski" below a three-line inscription in French (not translated), dated 15 June 1910. B/w, 4x5¾. Signed with the English spelling of his name. Nicked at right edge and upper corners. Overall, fine condition. HENRYK "HENRI" WIENIAWSKI (1835-1880) and his younger brother, JOSEF "JOSEPH" WIENIAWSKI (1837-1912) were known as the "Maestros of Poland". As boys of 14 and 16, the Wieniawskis had began a two-year concert tour of Russia in 1851 with pianist Josef accompanying violinist Henryk. That year, they also published "Allegro de Sonata", which they had composed in 1848. The two brothers excelled in their chosen fields of music, with Henri composing brilliant Romantic concertos, études and genre pieces for the violin.

He has signed these autograph music and lyrics, the last four measures of his religious cantata, The Virgin, and dated it himself (1880) Autograph Musical Quotation signed: "J. Massenet/Paris 17-8-80", 1p, 10¾x3½. Inscribed by Massenet in French: "To Miss Eugenie Hautier/souvenir with respect". Massenet has identified the four long measures as the last measures of "Holy Friday", Third Scene of his religious cantata The Virgin scored by Massenet for four voices, one for each long measure, identified by Massenet as "Marie Salome", "Marie Magdalena", "Jean" and "Simon", with words penned in his hand. French composer Jules Massenet (1842-1912) made his name with the comic opera Don César de Bazan (1872). Other operas followed, including Manon (1884), considered by many to be his masterpiece, Le Cid (1885) and Werther (1892). In the 3rd Part of The Virgin, "Good Friday", Mary-Salomé, Mary-Magdeleine, John and Simon have sought refuge in the Virgin's home. They try to comfort Christ's mother. In the distance one can hear the threatening voices of the people and the soldiers.

Gioacchino Rossini sends an autograph letter in Italian to send an article. Autograph Letter Signed: "Rossini" in Italian, 1p, 4¼ x 5½. No place, no date. To Severini. In full: "Please send, within today, the portion of the opera La Fata Bianca [The White Fairy] which has the tenor's role, to Mr. Curioni. All is well." Curioni was the Italian tenor, Alberico Curioni.By the time he was 18, Gioacchino Rossini (1792-1868) had written his first opera. The Italian composer is best known for his comic opera, The Barber of Seville, and his grand opera, William Tell, with its famous overture. The "Overture" to the four-act William Tell became one of the most familiar of all operatic works when it was used to open the radio and television show, The Lone Ranger. Guillame Tell was first performed in Paris in 1829. The Italian composer, the leading representative of the Bel Canto School of Opera and one of the last masters of opera buffa, spent his later years in Paris and his native Italy. Lightly stained, lightly creased, with folds. Light ink transfer from a different letter. Ink smudging present on some letters. Framed to an overall size of 32½ x 24½.

His rare signature on a letter of agreement with Columbia Records, concerning recorded distribution of his live performance at the 1963 Newport Jazz Festival. Documentary Letter signed: "Thelonious Monk", 1 page, 8½x11. Forest Hills, N.Y., 1963 September 23. On letterhead of Columbia Records. Monk signs his assent to a letter referencing a prior agreement by him with Columbia Records (1962 July 30), and declaring that no additional compensation will be owed him for the recording of his performance at the 1963 Newport Jazz Festival unless the company issues a complete LP album featuring his performance exclusively. Jazz pianist and composer Thelonius Monk (1917-1982) has been called "the high priest of bebop," although his idiosyncratic style defies glib categorization. Several of his compositions, including Round Midnight and Blue Monk are classics of the genre. Although Monk had been performing since the early 1940s and had already written some of his classic songs, it was not until the mid-1950s that his avant-garde style began to attract a wide audience. In 1956 he released Brilliant Corners, considered one of the classic jazz albums of all time. Monk's reputation has only grown since his death: he received posthumously a special Pulitzer Prize for Music and a Grammy for Lifetime Achievement.

Thomas "Fats" Waller signs an autograph musical quotation. Autograph Music Quotation signed: "Best Wishes/Thanks/Thomas 'Fats' Waller", 1p, 6x8¼. Bar of music identified by the jazz pianist as "Ain't Misbehavin!/No! No!!" Thomas "Fats" Waller (1904-1943) left DeWitt Clinton High School in the Bronx, New York, in 1917 after one year because he felt he was wasting his time. "There isn't any rhythm in algebra" he complained. His father was a well-known violinist, so Thomas was allowed to leave Clinton to get a job so he could afford piano lessons. He was only 17 when he pressed his first records and made his first piano rolls, and at 19 he initiated his first radio broadcasts. In 1929, Waller wrote the score for the Broadway hit Hot Chocolates. His most famous song "Ain't Misbehavin'" was introduced in the show, which featured Louis Armstrong. Waller was only 39 when he died of pneumonia. Two unrelated autographs, dated 1939 on verso (no show through). Irregular left edge. Lightly shaded at margins. Light diagonal stain touches the top of the "T" in Thomas. Overall, fine condition.

A signed autograph note on a postcard giving instructions to a music publisher in London. Addressed in his hand and mailed from Prague in 1892. Both sides of the postcard can be viewed in the frame! Autograph Note Signed with two musical quotes: "A. Dvorak" in English, 5½x3¾. On verso of stamped postcard addressed by Dvorak to: "Novello & Ewer/ 1 Berners Street/London", postmarked Prague, March 24, 1892. In full: "I have no objection to it, when the two bars notes the Viola [c note] page 291. 207 are to be omitted and given to the Cello [two bars, two notes]". Czech composer Antonin Dvorak (1841-1904) is best known for his symphony in E minor, From the New World, composed in 1893. He is also noted for success in adapting folk music to serious romantic music. Dvorak was the Director of The National Conservatory of Music from 1892-1895. Note side is soiled, worn torn edges (all intact). Corners torn away affecting some writing and 1 musical quote. Address side is soiled and worn, edge flaws are framed over. Light stains. Framed to an overall size of 36¾x22¼.

His handwritten notes on ruled notebook paper for a high school history test, framed with his phototo an overall size of 34x24. Autograph Manuscript, unsigned, 1 page, 7¾x10 ruled notebook paper. No place, but Lubbock, Texas, no year. Holly has written an outline of four points, likely to study for his history class. Headed: "Questions on American History/Chapter I". In full: "1. List some of the contributions of the following ancient peoples to our life today./a. Phoenicians/b. Greeks/c. Romans/2. State briefly how the following contributed to the discovery of America./a. The Renaissance/b. The Crusades/c. Marco Polo and other travelers/d. The invention of printing/e. the commercial revolution/3. Spanish Explorers - Date - Scene of Ex. Import/a. Balboa/b. Magellan/c. Cortes/d. Pizarro/e. Ponce de Leon/4. French Explorers - Date - Scene of Ex. - Import./a Verrazano/b. Cartier/c. Champlain". During his high school years in Lubbock, Texas, Buddy did his history homework, as evidenced by this manuscript, on which Holly has written a "1" at the upper right corner. But Charles Hardin "Buddy" Holley (1936-1959) was no ordinary high school student.

The Italian composer signs this touching sentiment on a photograph mount. Photograph Mount inscribed and signed: "Alla bella & gentile Signorina / Marietta Stern, / ricordo / Giacomo Puccini / Roma Gen: 1918" Photograph of Puccini by Vuillemenot Montibone, 6½ x 8½, 11¾ x 17 photograph and mount overall. Puccini was in Rome preparing for the European debut, on January 11, 1919, of his opera, Il trittico. This was a trilogy of three one-act operas including Il tabarro, Suor Angelica and Gianni Schicchi. Photograph is creased and toned. Photograph mount creased. Framed to an overall size of 24½ x 27. Giacomo Puccini (1858-1924), the greatest Italian opera composer of his time. He wrote a number of operas, including his three most famous works, La Bohème, Tosca and Madama Butterfly, while living at Torre Del Lago, the home he had purchased in 1891. Puccini and his family lived at Torre Del Lago until 1921, and the home became a museum after the death of Puccini's wife in 1930. Light partial postmark to the right of Puccini's head.

Scarce photograph of the 1950s Rock 'N' Roller Rare Photograph inscribed and signed: "To / Reg - / Thanks / for the wonderful / hospitality / Big / Bopper". B/w, 6¾ x 8½. Publicity photograph by Van Dyck Studio, Beaumont (imprint at lower left edge). Ink lightly beaded (completely legible). Minor surface creases (most not evident head on) at background. Fine condition. Framed by unknown individual: 15¼x17¾. Not reviewed by us for conservation integrity. Mat has separated from frame, resulting in the photograph not being flush with glass. Frame is scratched and chipped, backing paper is torn at upper portion. "As is" framing. Jiles Perry Richardson (1930-1959) was a Texas disc jockey who called himself "The Big Bopper" after the latest dance craze, the bop. His song, "Chantilly Lace", which he wrote and sang, reached the "Top Ten" in 1958. In January 1959, The Big Bopper was booked on the Winter Dance Party tour that would cover most of the Midwest. The tour included such headliners as Buddy Holly, Dion and the Belmonts, Waylon Jennings and Ritchie Valens.

This framed letter that features the composer's autograph shows his interest in new phonograph recording technology Typed Letter Signed, "George Gershwin". 8¼x10½. One page. Dated September 14, 1931. On his personal letterhead. Gershwin writes to a representative of R.C.A. which was the parent company of N.B.C. (created in 1926 to broadcast on radio) and Victor Labs (acquired in 1929 which built phonographs.). The conglomerate was able to remain at the forefront of early broadcasting technology for many years due to the unique merging of technologies. Gershwin's association with R.C.A. was a long and fruitful venture. It was R.C.A. that recorded "An American in Paris", which was used in the 1951 musical film of the same name. Gershwin's letter in full: " My dear Mr. Clark: I received your invitation to dinner at the Savoy-Plaza on September seventeenth. I am tremendously interested in hearing the new development in phonograph recording, which you will probably demonstrate account of a previous engagement which I have for that evening. Perhaps some day you will permit me to come down to the New York offices and listen to the new development. With many thanks, I am Yours sincerely, George Gershwin gg/ob". Annotated in pencil in another hand: "File CC arrange for.…"

Both sign their names on this album leaf containing several bars of music drawn by Grieg Autograph Musical Quotation signed: "Edvard Grieg" 1p, 6x3½. Leipzig, 1891. Three bars of music labeled: "Andante" at top by EDVARD GRIEG (1843-1907). Grieg was a Norwegian composer and pianist who learned how to play at the age of six and went on the attend Leipzig Conservatory. His works include music for Ibsen's Peer Gynt (1876) as well as many choral, orchestral, and chamber pieces. On verso is an Autograph Note signed: "Schumann Heink" in German, New York, 1902 January. From the late 1880s to the early 1900s, the exceptional contralto voice of ERNESTINE SCHUMANN HEINK (1861-1936) was heard frequently at concerts and festivals throughout Europe. She was primarily known for her interpretations of Wagner and Strauss. In 1905, she took out U.S. naturalization papers. Her German-language recording of "Silent Night" earned sales for Victor Red Seal records unmatched by any other artist. When the U.S. entered World War I, Schumann-Heink put herself wholeheartedly behind the American war effort, promoting Liberty Bonds and entertaining troops, despite having a brother in command of an Austrian warship and a son in the German navy.