FOR THE VICTOR TALKING MACHINE COMPANY'S RECORDING OF HIS 1929 PERFORMANCE OF AN AMERICAN IN PARIS, GERSHWIN RECEIVES ROYALTIES OF ONE CENT PER RECORD SOLD!   GEORGE GERSHWIN. Typed Document Signed: "George Gershwin", 1p, 8x10. No place, 1929 November 1. Headed: "Victor Talking Machine Company/Statement of Royalty Due on Selections by/George Gershwin". The statement is titled: "Sold by the Victor Talking Machine Company for period ending Sept. 30, 1929". Two different records were sold: An American in Paris - Parts 1 and 2 (8331 copies), $83.31 royalty and An American in Paris - Parts 3 and 4 (8327 copies), $83.27 royalty. Total: $166.58 royalty. Gershwin was paid royalties of a penny per copy! He has signed beneath this statement: "I accept the above statement of my royalty account for records of my performance in accordance with my contract dated March 13, 1929 and acknowledge the receipt of the amount for the period shown on said statement in full and final settlement of said account." An American in Paris, inspired by Gershwin's time spent in the read more...

THE MAMAS and THE PAPAS: JOHN PHILLIPS, MICHELLE PHILLIPS, DENNIS DOHERTY and CASS ELLIOTT The Mamas and the Papas sign a document terminating their contract with Dunhill Records, Inc., Beverly Hills, California. Photocopied Typed Document Signed: "John Phillips", "Michelle Phillips", "Dennis Doherty" and "Cass Elliott" and by the President of Dunhill Records, Inc. in ink, 1p, 8½x11. No place, 1967 September 25. Termination of their contract in letter form to Dunhill Records, Inc., Beverly Hills, California. Begins: "Gentlemen". In full: "This will confirm our understanding and agreement with you that the letter agreement dated as of April 28, 1966 between your predecessor in Dunhill Records Ltd. and us (a photocopy of which is annexed hereto) is hereby cancelled and nullified." Additional photocopy mentioned in document is not present. The day after this contract, Lou Adler resigned from Dunhill Records and was hired by the Mamas and the Papas to be their producer and, as an independent contractor, to supervise, direct and produce their recording sessions. read more...

TAX DOCUMENT REVEALS THAT GEORGE GERSHWIN GOT 60% AND IRA GERSHWIN RECEIVED 40% FROM THEIR COLLABORATIONS   GEORGE GERSHWIN and IRA GERSHWIN. Carbon Typed Document Signed: "George Gershwin" and "Ira Gershwin", 1p, 8½x13. Los Angeles, California, 1936 September 30. In part: "GEORGE GERSHWIN and IRA GERSHWIN each, being first duly sworn, deposes and says: That he is one of the parties to the written agreement dated July 29, 1936, executed by and between RKO STUDIOS, INC. and GEORGE GERSHWIN and IRA GERSHWIN, under the terms and conditions of which the said George Gershwin and Ira Gershwin are employed by the said RKO Studios, Inc. and under the terms and conditions of which the compensation payable to the said George Gershwin and Ira Gershwin is paid to them jointly, without any allocation between them. That under the terms and conditions of an agreement existing between the said George Gershwin and Ira Gershwin all compensation received by them read more...

BUDDY HOLLY Notebook page with his handwritten answers to a high school English quiz, signed by him at the top with the original spelling of his name ("Holley") Autograph Manuscript signed: "Buddy Holley" at upper margin, 1 page, 8x10½ lined sheet. Holly's answers to a ten-question test, likely for an English class as the answers refer to types of sentences. He answered seven questions correctly. Holly, who was graduated from Lubbock High School in 1955, was recording for Decca Records within a year. Born on September 7, 1936 in Lubbock, Texas as Charles Hardin Holley, the future recording star became known as "Buddy". His first record contract dropped the "e" in Holley, and he adopted the spelling. Before going to Lubbock High School, Holly had attended Lubbock's J.T. Hutchinson Junior High, where he met Bob Montgomery. The duo quickly became known for their musical talent and lack of stage fright. Buddy, Bob and a friend, Jerry Allison, began performing at school functions, and by September of 1953, Buddy had a regular show on Lubbock radio station KDAV. It was in Allison's home that "The Crickets" were born (with Niki Sullivan on rhythm guitar, Allison on drums and Joe B. read more...

SIGNED, HANDWRITTEN COPY OF "CHANTILLY LACE" RECOVERED FROM THE BIG BOPPER'S SUITCASE ON THE DAY THE MUSIC DIED J.P. RICHARDSON "THE BIG BOPPER" Autograph Musical Manuscript signed: "Big Bopper", 9½x12½ lined music paper. The second trumpet part for "Chantilly Lace", written in signer's hand in black ink. A "flat" sign has been added in blue ink to the key signature. Accompanied by photocopy of a handwritten letter from Richardson's son, J. P. Richardson, Jr., which reads in part: "These three pieces (Chantilly Lace, Big Boppers Wedding, Little Red Riding Hood), were recovered from my fathers' briefcase which survived the plane crash of Feb. 3, 1959." [The other two pieces mentioned are not included with the sale of this item.] Jiles Perry Richardson (1930-1959) was a Texas disc jockey who called himself "The Big Bopper" after the latest dance craze, the bop. His song, "Chantilly Lace", which he wrote and sang, reached the "Top Ten" in 1958. In January 1959, The Big Bopper was booked on the Winter Dance Party tour that would cover most of the Midwest. The tour included such headliners as Buddy Holly, Dion and the Belmonts, Waylon Jennings and Ritchie Valens. read more...

THELONIOUS MONK His rare signature on a letter of agreement with Columbia Records, concerning recorded distribution of his live performance at the 1963 Newport Jazz Festival. Documentary Letter signed: "Thelonious Monk", 1 page, 8½x11. Forest Hills, N.Y., 1963 September 23. On letterhead of Columbia Records. Monk signs his assent to a letter referencing a prior agreement by him with Columbia Records (1962 July 30), and declaring that no additional compensation will be owed him for the recording of his performance at the 1963 Newport Jazz Festival unless the company issues a complete LP album featuring his performance exclusively. Jazz pianist and composer Thelonius Monk (1917-1982) has been called "the high priest of bebop," although his idiosyncratic style defies glib categorization. Several of his compositions, including Round Midnight and Blue Monk are classics of the genre. Although Monk had been performing since the early 1940s and had already written some of his classic songs, it was not until the mid-1950s that his avant-garde style began to attract a wide audience. In 1956 he released Brilliant Corners, considered one of the classic jazz albums of all time. read more...

JOHN COLTRANE Autograph Musical Manuscript, an early (late 1950s), 2-page arrangement of the jazz classic "Body and Soul," a part for alto sax, unsigned but handwritten by him on musical notation paper Autograph Musical Manuscript, unsigned. Titled "Body + Soul". 2 pages, 9½x12½ (conjoined) with his handwritten comments: "IIIrd Alto/Solo with 1st Alto". Written in treble clef, 2/4 time, key of B flat. John Coltrane (1926-1967) was a jazz saxophonist (tenor, but also soprano and alto) and highly innovative composer. First noted as a sideman for such jazz greats as Dizzy Gillespie, Thelonious Monk and especially Miles Davis, Coltrane released his first solo album in 1957, and the first album consisting entirely of his original compositions (Giant Steps) in 1960. That same year, he formed his first ensemble, a quartet. "Trane" explored many jazz styles during a career shortened by liver cancer. His spiritual quest helped him overcome an early addiction to heroin and greatly influenced his music. Coltrane's posthumous honors included a Grammy read more...

ANTON RUBINSTEIN 4¼x6½ cabinet photo, inscribed and signed by him in 1893, a year before his death. He has also penned a 5-bar musical quotation on it. His signature on a photograph is very rare. Autograph Musical Quotation on Photograph inscribed and signed (in French): "A Madame la Comtesse Rosa Lacchis/Souvenir Ant. Rubinstein/Cadenabbia/1893". Sepia 4¼x6½. Above the inscription is his autograph musical quotation (5 measures), which he has marked "Apassionato". Anton Rubinstein (1829-1894, born in Wechwotynetz, Russia, now in Transnistria, Republic of Moldova) founded and directed the St. Petersburg Conservatory of Music (1862-1867, 1887-1891). A virtuoso pianist and prolific composer, Rubinstein wrote several operas, including operas Feramors (1863), Dmitry Donskoy (1852) and Sibirskiye okhotniki (Siberian Huntmsen, 1854), six symphonies, five piano concertos for piano and numerous songs and chamber works. Adhesive and paper residue (previous mounting) on verso. Soiled and lightly foxed. read more...

JAZZ GREATS: DJANGO REINHARDT, LOUIS ARMSTRONG, STEPHANE GRAPPELLI, JACK TEAGARDEN. EARL HINES and 17 OTHERS Program of the 1948 Jazz Festival in Nice, France, signed by 21 famed jazz musicians. The signatures are historic, but so is the program! Nice claims this event as the world's first ever jazz festival! Program signed: "D Reinhardt", "Louis Armstrong", "S Grappelli/xxx", "Jack Teagarden", "Barney Bigard", "Arvell Shaw", "Earl/Fatha/Hines" (twice!), "Rex Stewart", "Jimmy Archey", "Henry Goodwin", "Milton Mezz Mezzrow", "Big Sid Catlett", "Hugues Panassie", "Baby Dodds/2-25-48", "Good luck/George Kennedy", "Sandy Price", "Sandy Williams", "Lucky Thompson", and 3 unidentified signatures. 8 pages 9½x12. Accompanied by a 6¼x10 unsigned program, 5 pages. Program of the International Jazz Festival, Nice (France), February 22-28, 1948. In all 20 signatures! From February 22 to 28, 1948, the world's first ever jazz festival was held in Nice, France. Organized by HUGUES PANASSIE, President of Hot Club de France, the festival demonstrated Europe's recovery from World War II and helped popularize the new bop style of jazz in France. read more...