JOEL CHANDLER HARRIS.Scarce Cabinet Card Photograph signed: "Faithfully yours:/Joel Chandler Harris". Sepia, 4¼x6½ overall, image 4x5¾ (two surfaces). Photographer's imprint beneath image and on verso: "C.W. Motes/Photographer,/No. 34 Whitehall St./Atlanta/GA." In the 1880s, Harris, a former journalist for Georgia newspapers, became one of the first American writers to use original dialects in his stories rooted in Black folklore. His lead character was Uncle Remus, a servant who entertains the young son of his master with tales of Brer Rabbit, Brer Fox and Brer Bear, animals with distinctly human qualities. His books, which are credited with preserving the African-American heritage of the old South, include Uncle Remus, His Songs and His Sayings (1880), Nights with Uncle Remus (1883) and Uncle Remus and Brer Rabbit (1906). Fragile condition. The photo had split, touching the "d" in Chandler. It is repaired by conservator's tape on verso. Stained on verso. Upper corners chipped, edges worn. Pencil notes on verso (unknown hand).

STEPHEN CRANE The author of The Red Badge of Courage writes from England, where he had settled two years earlier. Calling Card Signed: "Yours faithfully/ Stephen Crane/ March 16, 1899", on verso of his personal 3x1½ card, printed: "Stephen Crane./ Brede Place./ Sussex” (not visible in frame). Also includes a black and white 3x4½ photograph of the author, 2x3½ visible. America's foremost "naturalistic" author Stephen Crane (1871-1900) moved to England in 1897. Although Crane never served in the military, he won international acclaim with The Red Badge of Courage, his 1895 book that told the story of a young soldier during the American Civil War. He later served as a war correspondent, covering the Greco-Turkish War (1897) and Spanish-American War (1898) for foreign newspapers. Crane's signature is virtually unobtainable in any form. The one offered here is especially desirable as it was penned by him on his calling card. Crane suffered from tuberculosis and died in a German sanitarium the year he signed this card. He was 28. Card lightly toned. Otherwise, fine condition. Framed in the Gallery of History style: 20½x11.

MARGARET MITCHELL Typed letter from Pulitzer Prize-winning writer and author of Gone With the Wind, to Edwin Granberry (and wife), who wrote one of the first good reviews of her book. She discusses the up roar of a Dutch publisher bringing Gone With the Wind out in Holland without her consent Typed Letter Signed: "Margaret", 1p, 7x11. Atlanta, Georgia, 1937 December 15. On personal letterhead to Edwin and Mabel. In part: "By all means keep 'Co. "Aytch"' as long as you like. Our plans, as usual, are in a snarl. Perhaps you've seen items in the paper about a Dutch publisher bringing out 'Gone With the Wind' in Holland without my consent. I have lost my case in the lower Dutch courts and have appealed. I took the matter to the Department of State in Washington and they are working on it now. That may mean we will have to remain in Atlanta in case we are needed...." "CO. AYTCH", MAURY GRAYS, FIRST TENNESSEE REGIMENT; OR, A SIDE SHOW OF THE BIG SHOW ,published in 1882, was written by Samuel R. Watkins. Watkins, a Confederate private with Co. H, 1st Tennessee Infantry, fought in the western theatre of the war and saw action in most of the major battles in the west.

HERMAN MELVILLE Extremely rare clipped signature, accompanied by an unsigned postcard photo of the author Signature: "Herman Melville", 4x1 fragment clipped from a letter. 1¾x¼-inch portion torn at lower left blank corner, lightly stained, light show-through from writing (not his) on verso. Overall, fine and rare. Accompanied by unsigned postcard photograph. B/w, 4¼x6. Fine condition. American novelist Herman Melville (1819-1891) first found fame with his romances: Typee: A Peep at Polynesian Life (1846) and Omoo, a Narrative of Adventures in the South Seas (1847). In 1851, his masterpiece, Moby-Dick; or The Whale, dedicated to his friend Nathaniel Hawthorne, introduced readers to some of literature's most enduring characters -- Captain Ahab, the cabin boy/narrator Ishmael, and Moby Dick, the great white whale. Two items.

MARGARET MITCHELL Letter to fellow author and literary booster Edwin Granberry, accepting congratulations for her Pulitzer Prize but expressing a desire to preserve at least a little personal privacy. Typed Letter signed: "Margaret", 1 page, 7¼x10½. Atlanta, Georgia, 1937 May 12. On personal letterhead to ""Dear Edwin", [Granberry], in full: "That was certainly a grand, long letter and John and I appreciated it immediately. Thanks again for the congratulations about the Award. I am just beginning to come up for air and realizing that it is really true. Since the news came so much has happened - flashlights going off, reporters slithering out of the cracks in the floor and the house full of people - that I have had no chance to really think. One of the nice features of the affair was that Harold Latham, who dug up the book, just happened to be in Atlanta on the day the Award was announced. He gave me a party complete with newspaper friends, as many orchids as a Kentucky Derby winner and barrels of Champaigne. While you and Herschel kept telling me last summer that it would undoubtedly work out this way, I just couldn't believe it.

MARGARET MITCHELL Pulitzer Prize-winning writer Margaret Mitchell, author of Gone With the Wind, sends a letter to Edwin Granberry, who wrote one of the first good reviews of her book. In it, she discusses life as a celebrated author "has been such a hell". Typed Letter signed: "Margaret", 1p, 7¼x10¾. Atlanta, Georgia, 1936 October 29. On personal letterhead to Edwin (Granberry). In full: "I forgot to say in my last letter that I admired very much your tricky side stepping in that article you wrote. How neatly you evaded the fact that you not only stood in the station of a North Carolina hamlet and waited for me but you stood and stood and waited and waited. Dearie, till I die I'll get a laugh at the memory of that day with me getting madder and madder as I waited and you three loafing with your backs against the station while I charged in and out, addressing strangers, asking questions, bargaining with taxi drivers for the trip. Edwin, all the while I was up there with you all, I let you talk about my work. Make up your mind that when next I see you, it will be your work that will be talked about.

MARGARET MITCHELL The year the film version of her Gone with the Wind premiered (1939), Mitchell signed this typed letter, forwarding with skeptical comments a letter she had received. Framed with 2 pictures of Mitchell to an overall size of 29½x18. Typed Letter signed: "Margaret", 1 page, 5¾x9. Atlanta, Georgia, 1939 May 3. On personal letterhead to "Dear Franklin" [Garrett]. One strike-over and ink correction in her hand. Triple suede matted and framed with two portraits of Mitchell to an overall size of 29½x18. In full: "I am enclosing a letter I recently received [Item not included], for I thought some of the information in it might be of interest to you. Because of the manifold errors in the letter I have doubts as to the lady's statement that her father was the first white child born in Atlanta. You will notice that she says her grandfather had fifteen hundred slaves and the plantation covered the 'whole of Dahlonega County.' I believe at that time there were about five thousand people in the county of which Dahlonega is the seat. However, knowing your interest in such matters, I am passing the letter on to you. Please return it when you have finished reading it.

MARGARET MITCHELL Pleased that friend and fellow author Edwin Granberry is writing again, she shares with him her relief that the frenzy over the movie version of her book has abated with the outbreak of war: "The world has far more important things to think about these days than me." Several other literary notables are mentioned in this letter. Typed Letter signed: "Margaret", 3 pages, 7¼x10½. Atlanta, Georgia, 1940 September 23. To "My dear Mabel and Edwin [Granberry], you varmint". In part: "Here I've gone around feeling blue ever since I had the last news of you (Edwin) that you had given up any notion of writing any more. I had thought about what a waste of talent it was and had heroically restrined myself from writing and telling you so. Then, a month ago, vague rumors began trickling into my ears at parties that you were writing again. Don't ask me who told me because I don't know. I go places and meet two hundred strangers in thirteen and a half minutes, and some of them say, 'Oh, do you know Edwin Granberry who is doing some writing?' and before I could catch them they would disappear and twelve more strange faces would stand before me.

ERNEST HEMINGWAY Handwritten 1936 manuscript likely intended for publication in Esquire magazine, vividly describing the horrors of war, with his third person signature in the text Autograph Manuscript signed in text: "Mr. Ernest Hemingway" in pencil, 1 page, 8½x11. No place, c. 1936. Headed by him: "Please Mr. Ernest Hemingway by Paul Harris, The American Criterion, Dec 1935, about 'letters' appearing monthly in Esquire…." Ernest Hemingway was a frequent contributor to "Esquire" magazine. He wrote a total 31 "letters" which were published in "Esquire" in the 1930s. In the September 1935 issue, he wrote: "Notes on the Next War: A Serious Topical Letter". This may be a rough draft of one of the 31 "letters". Hemingway has made an "X", crossing out the entire letter. In part: "Mr. Hemingway, you were at the front. You saw people die? I was ten and I saw people, I saw something in them die and they had to go on making believe they were alive still with their guts out of them. I saw people age.