MARGARET MITCHELL Letter to fellow author and literary booster Edwin Granberry, accepting congratulations for her Pulitzer Prize but expressing a desire to preserve at least a little personal privacy. Typed Letter signed: "Margaret", 1 page, 7¼x10½. Atlanta, Georgia, 1937 May 12. On personal letterhead to ""Dear Edwin", [Granberry], in full: "That was certainly a grand, long letter and John and I appreciated it immediately. Thanks again for the congratulations about the Award. I am just beginning to come up for air and realizing that it is really true. Since the news came so much has happened - flashlights going off, reporters slithering out of the cracks in the floor and the house full of people - that I have had no chance to really think. One of the nice features of the affair was that Harold Latham, who dug up the book, just happened to be in Atlanta on the day the Award was announced. He gave me a party complete with newspaper friends, as many orchids as a Kentucky Derby winner and barrels of Champaigne. While you and Herschel kept telling me last summer that it would undoubtedly work out this way, I just couldn't believe it.

MARGARET MITCHELL Pulitzer Prize-winning writer Margaret Mitchell, author of Gone With the Wind, sends a letter to Edwin Granberry, who wrote one of the first good reviews of her book. In it, she discusses life as a celebrated author "has been such a hell". Typed Letter signed: "Margaret", 1p, 7¼x10¾. Atlanta, Georgia, 1936 October 29. On personal letterhead to Edwin (Granberry). In full: "I forgot to say in my last letter that I admired very much your tricky side stepping in that article you wrote. How neatly you evaded the fact that you not only stood in the station of a North Carolina hamlet and waited for me but you stood and stood and waited and waited. Dearie, till I die I'll get a laugh at the memory of that day with me getting madder and madder as I waited and you three loafing with your backs against the station while I charged in and out, addressing strangers, asking questions, bargaining with taxi drivers for the trip. Edwin, all the while I was up there with you all, I let you talk about my work. Make up your mind that when next I see you, it will be your work that will be talked about.

EDGAR RICE BURROUGHS Archive of 16 letters written by Tarzan's creator to his son Jack between 1923 and 1935, plus one letter from Burroughs to a film company. He writes in depth about family matters, but also about the filming of a Tarzan movie. The letters are signed "Papa" or "OB" (Old Burroughs). A rare insight into the private and public life of the prolific author. Collection comprised of 1) Autograph Letter signed: "Papa", 1 page, 8½x11. North Platte, Nebraska, 1923 February 16. To "Dear Jack", in full: "We are just leaving North Platte, Nebr. The train shakes so that I cannot draw very well. I couldn't if it didn't shake at all, so what's the difference. Did I tell you that I found your valentine in my grip? The one of the lady kicking. That must be the way she feels before breakfast. I wired ahead for reservations on the Broadway Limited on the Pennsylvania RR so we will arrive in New York at 9:40 Sunday morning. It will be nice & wintry and cold out. The air feels & tastes & smells good. Love & kisses to my dear children." At the top of this letter Burroughs has drawn a four-panel cartoon featuring his sons Jack and Hulbert.

MARGARET MITCHELL Mitchell, always shy about the spotlight on her following Gone With the Wind, confides to friend and fellow author Edwin Granberry that "it is tempting fate to ever write a book or a play. If you do, everything except a plague of grasshoppers arrives." Typed Letter signed: "Margaret", 2 pages (front and verso), 7¼x10½. Atlanta, Georgia, 1941 November 11. On personal letterhead to "Dear Mabel and Edwin" [Granberry], in full: "We were very distressed to learn of your illness, Mabel, and I was glad to see Fred Hanna at a party Sunday night and learn that you really were up and about. Don't you think you Granberrys have managed all the plagues of Egypt now? I never knew any family, except us, to have as much trouble. (And, as Michael Arlen remarked in 'The Green Hat,' 'the Marches are never let off of anything.') Things are well with us now but I remember, with no pleasure, the first five years we were married when everyone in our family seemed to have something happen to them. Perhaps it is something all couples must go through with, but I hope the Granberrys are really through now. Edwin, you know it is tempting fate to ever try to write a book or a play.

HERMAN MELVILLE Extremely rare clipped signature, accompanied by an unsigned postcard photo of the author Signature: "Herman Melville", 4x1 fragment clipped from a letter. 1¾x¼-inch portion torn at lower left blank corner, lightly stained, light show-through from writing (not his) on verso. Overall, fine and rare. Accompanied by unsigned postcard photograph. B/w, 4¼x6. Fine condition. American novelist Herman Melville (1819-1891) first found fame with his romances: Typee: A Peep at Polynesian Life (1846) and Omoo, a Narrative of Adventures in the South Seas (1847). In 1851, his masterpiece, Moby-Dick; or The Whale, dedicated to his friend Nathaniel Hawthorne, introduced readers to some of literature's most enduring characters -- Captain Ahab, the cabin boy/narrator Ishmael, and Moby Dick, the great white whale. Two items.

JOHN STEINBECKThis contract signed by the American author authorized a German production of Of Mice and Men Typewritten contract signed: "John Steinbeck", 2p, 7½x12½ New York, New York, 1946 June 3.John Steinbeck signed this contract, dated June 3, 1946, allowing German-speaking actors to perform Of Mice and Men, his 1937 novelette featuring the tragic characters of Lennie and George, two migrant laborers. The work had been chosen by the Book-of-the-Month Club and quickly became a best seller, sparking both Broadway's and Hollywood's interest in adapting it into a play. While writing Of Mice and Men in 1936, Steinbeck was growing increasingly interested in the theater, believing it to be the best medium to reach the common working man. In fact, Steinbeck actually wrote the book with the intention of making it a novel/play - a novel which could be performed as it was without needing to be revised for the stage. However,this experiment failed, and Steinbeck was forced to adapt it - his first attempt at writing a screen play. He was advised and encouraged by dramatist George S.

JOEL CHANDLER HARRIS.Scarce Cabinet Card Photograph signed: "Faithfully yours:/Joel Chandler Harris". Sepia, 4¼x6½ overall, image 4x5¾ (two surfaces). Photographer's imprint beneath image and on verso: "C.W. Motes/Photographer,/No. 34 Whitehall St./Atlanta/GA." In the 1880s, Harris, a former journalist for Georgia newspapers, became one of the first American writers to use original dialects in his stories rooted in Black folklore. His lead character was Uncle Remus, a servant who entertains the young son of his master with tales of Brer Rabbit, Brer Fox and Brer Bear, animals with distinctly human qualities. His books, which are credited with preserving the African-American heritage of the old South, include Uncle Remus, His Songs and His Sayings (1880), Nights with Uncle Remus (1883) and Uncle Remus and Brer Rabbit (1906). Fragile condition. The photo had split, touching the "d" in Chandler. It is repaired by conservator's tape on verso and by encapsulation. Stained on verso. Upper corners chipped, edges worn. Pencil notes on verso (unknown hand).

MARGARET MITCHELL The year the film version of her Gone with the Wind premiered (1939), Mitchell signed this typed letter, forwarding with skeptical comments a letter she had received. Framed with 2 pictures of Mitchell to an overall size of 29½x18. Typed Letter signed: "Margaret", 1 page, 5¾x9. Atlanta, Georgia, 1939 May 3. On personal letterhead to "Dear Franklin" [Garrett]. One strike-over and ink correction in her hand. Triple suede matted and framed with two portraits of Mitchell to an overall size of 29½x18. In full: "I am enclosing a letter I recently received [Item not included], for I thought some of the information in it might be of interest to you. Because of the manifold errors in the letter I have doubts as to the lady's statement that her father was the first white child born in Atlanta. You will notice that she says her grandfather had fifteen hundred slaves and the plantation covered the 'whole of Dahlonega County.' I believe at that time there were about five thousand people in the county of which Dahlonega is the seat. However, knowing your interest in such matters, I am passing the letter on to you. Please return it when you have finished reading it.

MARGARET MITCHELL Her typed and signed 1937 letter upon learning that Gone With the Wind had won the Pulitzer Prize, addressed to the literary critic who had first predicted that it would, framed with her picture in the Gallery of History style to 30x22. Typed Letter Signed: "Margaret", 1 page, 6½x10. Atlanta, Georgia, 1937 May 4.To Mabel and Edwin Granberry. In full: "Your telegram has just arrived and thank you so very much for it. As soon as I got the news last night I thought of you two and Herschel at the table last summer when you predicted it and I laughed so hard my glasses fell into the gravy. Naturally, this is a happy day for me and a wire like yours adds greatly to my happiness." Typed note by Granberry at lower margin: "(NOTE: GONE WITH THE WIND had just won the Pulitzer Prize. - E.G.)". MARGARET MITCHELL(1900-1949) had won the Pulitzer Prize for her novel, Gone With the Wind, the day before she wrote this letter. Mitchell, who had begun writing her epic about the Civil War and Reconstruction South in 1926, finally submitted her manuscript to Macmillian Company in 1935.