ERNEST HEMINGWAY Handwritten 1936 manuscript intended for publication in Esquire magazine, vividly describing the horrors of war, with his third person signature in the text Autograph Manuscript signed in text: "Mr. Ernest Hemingway" in pencil, 1 page, 8½x11. No place, c. 1936. Headed by him: "Please Mr. Ernest Hemingway by Paul Harris, The American Criterion, Dec 1935, about 'letters' appearing monthly in Esquire...." Ernest Hemingway was a frequent contributor to "Esquire" magazine. He wrote a total 31 "letters" which were published in "Esquire" in the 1930s. In the September 1935 issue, he wrote: "Notes on the Next War: A Serious Topical Letter". This may be a rough draft of one of the 31 "letters". Hemingway has made an "X", crossing out the entire letter. In part: "Mr. Hemingway, you were at the front. You saw people die? I was ten and I saw people, I saw something in them die and they had to go on making believe they were alive still with their guts out of them. I saw people age. I saw the unseeable, the drawn faces, the haunted eyes...A child is sensitive to change in those he knows [he is referring to an aunt, a cousin, involved in changes resulting from life in wartime].

MARGARET MITCHELL The year the film version of her Gone with the Wind premiered (1939), Mitchell signed this typed letter, forwarding with skeptical comments a letter she had received. Framed with 2 pictures of Mitchell to an overall size of 29½x18. Typed Letter signed: "Margaret", 1 page, 5¾x9. Atlanta, Georgia, 1939 May 3. On personal letterhead to "Dear Franklin" [Garrett]. One strike-over and ink correction in her hand. Triple suede matted and framed with two portraits of Mitchell to an overall size of 29½x18. In full: "I am enclosing a letter I recently received [Item not included], for I thought some of the information in it might be of interest to you. Because of the manifold errors in the letter I have doubts as to the lady's statement that her father was the first white child born in Atlanta. You will notice that she says her grandfather had fifteen hundred slaves and the plantation covered the 'whole of Dahlonega County.' I believe at that time there were about five thousand people in the county of which Dahlonega is the seat. However, knowing your interest in such matters, I am passing the letter on to you. Please return it when you have finished reading it.

MARGARET MITCHELL Mitchell, always shy about the spotlight on her following Gone With the Wind, confides to friend and fellow author Edwin Granberry that "it is tempting fate to ever write a book or a play. If you do, everything except a plague of grasshoppers arrives." Typed Letter signed: "Margaret", 2 pages (front and verso), 7¼x10½. Atlanta, Georgia, 1941 November 11. On personal letterhead to "Dear Mabel and Edwin" [Granberry], in full: "We were very distressed to learn of your illness, Mabel, and I was glad to see Fred Hanna at a party Sunday night and learn that you really were up and about. Don't you think you Granberrys have managed all the plagues of Egypt now? I never knew any family, except us, to have as much trouble. (And, as Michael Arlen remarked in 'The Green Hat,' 'the Marches are never let off of anything.') Things are well with us now but I remember, with no pleasure, the first five years we were married when everyone in our family seemed to have something happen to them. Perhaps it is something all couples must go through with, but I hope the Granberrys are really through now. Edwin, you know it is tempting fate to ever try to write a book or a play.

MARGARET MITCHELL The year she received the Pulitzer Prize for Gone With the Wind, she writes of fending off law suits, including a plagiarism suit, and desires to visit friends in Florida only if her visit can be kept secret from reporters and autograph seekers. Typed Letter signed: "Margaret", 2 pages(front and verso), 7¼x11. Atlanta, Georgia, 1937 July 27. On personal letterhead to ""Dear Mabel and Edwin", [Granberry], in full: "If your offer of hospitality still holds good I would like to come to visit you two for three days, preferably around the end of this week (arriving Saturday the 31st or Sunday the 1st). However, if this date is not convenient to you for any reason, please do not hesitate to tell me so and to fix your own dates. John will not be able to come with me. His own work at his office is very heavy at present and my business affairs which he is handling at night show no signs of slacking. We have two new lawsuits in addition to the plagiarism suit! I'll tell you about them when I see you. I think I know you two well enough to ask for frankness.

VOLTAIRE Signed letter from Paris written just weeks before his death in 1778, fearing that hypocritical priests will deny him a church burial. This letter to the Count of Rochefort, written in fine French (fully translated) and in a beautiful hand, shows that the sage had lost none of his mental acuity Letter signed: "V", 2 pages (integral leaf) 4½x7 folded, 9x7 open flat. Paris, 1778 April 16. To the Comte de Rochefort. In French, fully translated: "I must apologize for having written so formally to Madame Dix-Neuf Ans ["Nineteen Years"]. I apologize for taking so long to thank you for your pleasant letter, sir, but I have had lately a very violent fever, following two fatal illnesses from which I escaped. I think that Monsieur the Abbey of Beauregard, preacher of Versailles, so-called former Jesuit, would willingly refuse me a burial, which is very unfair, because they say that I would not ask for more than to bury him; and he owes me, it seems, the same courtesy. I do not think whatsoever that the master and mistress of the house mocked this abbey of Beauregard.

MARGARET MITCHELL Long personal letter to friend and fellow author Edwin Granberry, mentioning several literary friends and the exigencies of life in wartime Typed Letter signed: "Margaret", 3 pages, 7¼x10. Atlanta, Georgia, 1942 September 21. On personal letterhead to "Dear Mabel and Edwin" [Granberry], in part: "I have been laying off to write to you for the longest and foolishly postponed doing so until I could write a long letter. That time may never come, and so I am grabbing this opportunity while the house painters are out at lunch. ... I've just come back from a quick trip to New York where John had to be on business. The only people I saw were the Clifford Dowdeys, who asked to be remembered to you. Clifford has been having fits trying to get into the army, with no luck so far because his eyes are bad. He has almost finished a new novel , which is about Memphis or Natchez in the 1830's. He told me news of Kenneth Littauer which I am passing on to you. He has been in the air corps for nearly a year, with the rank of major. His address is Headquarters 21st Bomb Group, MacDill Field, Tampa, Florida.

STEPHEN CRANEThe author of The Red Badge of Courage writes from England, where he had settled two years earlier. Calling Card Signed: "Yours faithfully/ Stephen Crane/ March 16, 1899", on verso of his personal 3x1½ card, printed: "Stephen Crane./ Brede Place./ Sussex” (not visible in frame). Also includes a black and white 3x4½ photograph of the author, 2x3½ visible. America's foremost "naturalistic" author Stephen Crane (1871-1900) moved to England in 1897. Although Crane never served in the military, he won international acclaim with The Red Badge of Courage, his 1895 book that told the story of a young soldier during the American Civil War. He later served as a war correspondent, covering the Greco-Turkish War (1897) and Spanish-American War (1898) for foreign newspapers. Crane's signature is virtually unobtainable in any form. The one offered here is especially desirable as it was penned by him on his calling card. Crane suffered from tuberculosis and died in a German sanitarium the year he signed this card. He was 28. Card lightly toned. Otherwise, fine condition. Framed in the Gallery of History style: 20½x11.

JOHN STEINBECKThis contract signed by the American author authorized a German production of Of Mice and Men Typewritten contract signed: "John Steinbeck", 2p, 7½x12½ New York, New York, 1946 June 3.John Steinbeck signed this contract, dated June 3, 1946, allowing German-speaking actors to perform Of Mice and Men, his 1937 novelette featuring the tragic characters of Lennie and George, two migrant laborers. The work had been chosen by the Book-of-the-Month Club and quickly became a best seller, sparking both Broadway's and Hollywood's interest in adapting it into a play. While writing Of Mice and Men in 1936, Steinbeck was growing increasingly interested in the theater, believing it to be the best medium to reach the common working man. In fact, Steinbeck actually wrote the book with the intention of making it a novel/play - a novel which could be performed as it was without needing to be revised for the stage. However,this experiment failed, and Steinbeck was forced to adapt it - his first attempt at writing a screen play. He was advised and encouraged by dramatist George S.

MARGARET MITCHELL Pleased that friend and fellow author Edwin Granberry is writing again, she shares with him her relief that the frenzy over the movie version of her book has abated with the outbreak of war: "The world has far more important things to think about these days than me." Several other literary notables are mentioned in this letter. Typed Letter signed: "Margaret", 3 pages, 7¼x10½. Atlanta, Georgia, 1940 September 23. To "My dear Mabel and Edwin [Granberry], you varmint". In part: "Here I've gone around feeling blue ever since I had the last news of you (Edwin) that you had given up any notion of writing any more. I had thought about what a waste of talent it was and had heroically restrined myself from writing and telling you so. Then, a month ago, vague rumors began trickling into my ears at parties that you were writing again. Don't ask me who told me because I don't know. I go places and meet two hundred strangers in thirteen and a half minutes, and some of them say, 'Oh, do you know Edwin Granberry who is doing some writing?' and before I could catch them they would disappear and twelve more strange faces would stand before me.