JOEL CHANDLER HARRIS. Scarce Cabinet Card Photograph signed: "Faithfully yours:/Joel Chandler Harris". Sepia, 4¼x6½ overall, image 4x5¾ (two surfaces). Photographer's imprint beneath image and on verso: "C.W. Motes/Photographer,/No. 34 Whitehall St./Atlanta/GA." In the 1880s, Harris, a former journalist for Georgia newspapers, became one of the first American writers to use original dialects in his stories rooted in Black folklore. His lead character was Uncle Remus, a servant who entertains the young son of his master with tales of Brer Rabbit, Brer Fox and Brer Bear, animals with distinctly human qualities. His books, which are credited with preserving the African-American heritage of the old South, include Uncle Remus, His Songs and His Sayings (1880), Nights with Uncle Remus (1883) and Uncle Remus and Brer Rabbit (1906). Fragile condition. The photo had split, touching the "d" in Chandler. It is repaired by conservator's tape on verso and by encapsulation. Stained on verso. Upper corners chipped, edges worn. Pencil notes on verso (unknown hand). read more...

MARK TWAIN AND "INSIDER TRADING" IN 1876: A MILLIONAIRE MINE-OWNER ADVISES HIM ON MINING STOCKS!   SAMUEL L. CLEMENS (MARK TWAIN). Autograph Letter Signed: "Mark", 4p, 5x8, conjoining leaves. No place, [1876] March 7. To Nevada journalist Dan DeQuille, pen name of William Wright. In full: "O, you good old slow-coach! D[ea]r Dan: I supposed that Mackey would be nearly all the time in San Francisco but thought you would consult him by telegraph or letter. I didn't suppose you would see the stock droop to 81 & then rise figure by figure, day after day & then write me at last that you were still waiting for that man to come, & the stock already crept up to 92! Why didn't you telegraph me? I hope you will telegraph me next time, if it costs me $50. Did telegraphing me or Mackey never once occur to you? When I saw California go away down into the 80's, 3 weeks ago, I came near telegraphing you to put in $1500 more for me. Well-never mind-it isn't any matter to bother over a thing that has already gone by. I hope you have bought by this time, on your own judgment, even if you have had to pay 125. read more...

MARGARET MITCHELL Letter to fellow author and literary booster Edwin Granberry, accepting congratulations for her Pulitzer Prize but expressing a desire to preserve at least a little personal privacy. Typed Letter signed: "Margaret", 1 page, 7¼x10½. Atlanta, Georgia, 1937 May 12. On personal letterhead to ""Dear Edwin", [Granberry], in full: "That was certainly a grand, long letter and John and I appreciated it immediately. Thanks again for the congratulations about the Award. I am just beginning to come up for air and realizing that it is really true. Since the news came so much has happened - flashlights going off, reporters slithering out of the cracks in the floor and the house full of people - that I have had no chance to really think. One of the nice features of the affair was that Harold Latham, who dug up the book, just happened to be in Atlanta on the day the Award was announced. He gave me a party complete with newspaper friends, as many orchids as a Kentucky Derby winner and barrels of Champaigne. While you and Herschel kept telling me last summer that it would undoubtedly work out this way, I just couldn't believe it. read more...

MARGARET MITCHELL Writing to friend and fellow author Edwin Granberry, she complains of the constant invasions of her privacy following publication of Gone With the Wind; Typed Letter signed: "Margaret", 1 page, 7¼x10½. No place, no date, but undoubtedly written from her home in Atlanta in the late in the late 1930s, before the appearance of the film. On personal letterhead to Edwin and Mabel Granberry in full: "I've been intending to write to you for a long time - but you see how far my wants have gotten me. The reason was that when I went to N. Y. to see about the movie contract, my over strained eyes practically gave up the ghost. Herschel B [Brickell, a friendly literary critic], loaded me on the train in a bad way and since that time (up until a week ago) I've been lying in a dark room with a black bandage over my eyes. No, there's nothing seriously wrong and I'm writing you all to tell you so far already the rumor is out that I've gone blind. I wouldn't like for you to hear that and not know the truth. My eyes just needed a rest and so did I. Now I have new glasses and can see very well. It may be some time before I can do any reading or writing but I'm glad enough at being out of the dark. read more...

STEPHEN CRANE The author of The Red Badge of Courage writes from England, where he had settled two years earlier. Calling Card Signed: "Yours faithfully/ Stephen Crane/ March 16, 1899", on verso of his personal 3x1½ card, printed: "Stephen Crane./ Brede Place./ Sussex” (not visible in frame). Also includes a black and white 3x4½ photograph of the author, 2x3½ visible. America's foremost "naturalistic" author Stephen Crane (1871-1900) moved to England in 1897. Although Crane never served in the military, he won international acclaim with The Red Badge of Courage, his 1895 book that told the story of a young soldier during the American Civil War. He later served as a war correspondent, covering the Greco-Turkish War (1897) and Spanish-American War (1898) for foreign newspapers. Crane's signature is virtually unobtainable in any form. The one offered here is especially desirable as it was penned by him on his calling card. Crane suffered from tuberculosis and died in a German sanitarium the year he signed this card. He was 28. Card lightly toned. Otherwise, fine condition. read more...

EDGAR RICE BURROUGHS Archive of 16 letters written by Tarzan's creator to his son Jack between 1923 and 1935, plus one letter from Burroughs to a film company. He writes in depth about family matters, but also about the filming of a Tarzan movie. The letters are signed "Papa" or "OB" (Old Burroughs). A rare insight into the private and public life of the prolific author. Collection comprised of 1) Autograph Letter signed: "Papa", 1 page, 8½x11. North Platte, Nebraska, 1923 February 16. To "Dear Jack", in full: "We are just leaving North Platte, Nebr. The train shakes so that I cannot draw very well. I couldn't if it didn't shake at all, so what's the difference. Did I tell you that I found your valentine in my grip? The one of the lady kicking. That must be the way she feels before breakfast. I wired ahead for reservations on the Broadway Limited on the Pennsylvania RR so we will arrive in New York at 9:40 Sunday morning. It will be nice & wintry and cold out. The air feels & tastes & smells good. Love & kisses to my dear children." At the top of this letter Burroughs has drawn a four-panel cartoon featuring his sons Jack and Hulbert. read more...

MARGARET MITCHELL The year the film version of her Gone with the Wind premiered (1939), Mitchell signed this typed letter, forwarding with skeptical comments a letter she had received. Framed with 2 pictures of Mitchell to an overall size of 29½x18. Typed Letter signed: "Margaret", 1 page, 5¾x9. Atlanta, Georgia, 1939 May 3. On personal letterhead to "Dear Franklin" [Garrett]. One strike-over and ink correction in her hand. Triple suede matted and framed with two portraits of Mitchell to an overall size of 29½x18. In full: "I am enclosing a letter I recently received [Item not included], for I thought some of the information in it might be of interest to you. Because of the manifold errors in the letter I have doubts as to the lady's statement that her father was the first white child born in Atlanta. You will notice that she says her grandfather had fifteen hundred slaves and the plantation covered the 'whole of Dahlonega County.' I believe at that time there were about five thousand people in the county of which Dahlonega is the seat. However, knowing your interest in such matters, I am passing the letter on to you. Please return it when you have finished reading it. read more...

HERMAN MELVILLE His clipped signature, with his portrait, two first day covers of stamps honoring him, and a picture of a whale. One of the rarest of all signatures! Signature: "Herman Melville", 4½x4, with four unsigned items: a printed portrait of Melville; two first day covers of stamps honoring him; and a color illustration of a whale, presumably Moby Dick. Herman Melville (1819-1891, born in New York City) worked at a young age as a cabin boy and sailor on merchant vessels. During an unsuccessful whaling expedition, he took part in a mutiny, was jailed and escaped. His seafaring inspired many of his later works, including Typee: A Peep at Polynesian Life (1846), Omoo, a Narrative of Adventures in the South Seas (1847) and his masterpiece, Moby Dick (1851). Moby Dick, unlike his earlier works, was neither a critical or financial success. Melville's later writings, such as Pierre (1852), The Confidence Man (1857) and the short stories Bartleby the Scrivener and The Encantadas reflected his despair and contempt for society's corruption, hypocrisy and materialism. Melville took a break from writing to work as a customs read more...

MARGARET MITCHELL Pulitzer Prize-winning writer Margaret Mitchell, author of Gone With the Wind, sends a letter to Edwin Granberry, who wrote one of the first good reviews of her book. In it, she discusses life as a celebrated author "has been such a hell". Typed Letter signed: "Margaret", 1p, 7¼x10¾. Atlanta, Georgia, 1936 October 29. On personal letterhead to Edwin (Granberry). In full: "I forgot to say in my last letter that I admired very much your tricky side stepping in that article you wrote. How neatly you evaded the fact that you not only stood in the station of a North Carolina hamlet and waited for me but you stood and stood and waited and waited. Dearie, till I die I'll get a laugh at the memory of that day with me getting madder and madder as I waited and you three loafing with your backs against the station while I charged in and out, addressing strangers, asking questions, bargaining with taxi drivers for the trip. Edwin, all the while I was up there with you all, I let you talk about my work. Make up your mind that when next I see you, it will be your work that will be talked about. read more...