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ROBERTSON HARE - AUTOGRAPH CO-SIGNED BY: ANTHONY MARLOWE, FRANCES CLARE - HFSID 156352

A guest sheet signed by the three British actors, penning their current address beside their names. Extremely rare! Signatures: "Robertson Hare. 27 S'Mary Abbouts Court W14", "Anthony Marlow M.A. Denebridge!!", "Frances Clare 51, Kings Court South/S.W.B", 11¼x8¼.

Price: $180.00

Condition: See item description
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ROBERTSON HARE, ANTHONY MARLOWE, and FRANCES CLARE
A guest sheet signed by the three British actors, penning their current address beside their names. Extremely rare!
Signatures: "Robertson Hare. 27 S'Mary Abbouts Court W14", "Anthony Marlow M.A. Denebridge!!", "Frances Clare 51, Kings Court South/S.W.B", 11¼x8¼. These signers, while present, have no further information available: "Georginne Whitby", "Jack Hyens", "Robb Stewart", "Kenneth Broadberry", "Rosaline Haddan", "Merdue Watts", "Christopher Sroe", "Bryan Michie", "Wally Patrici". British actor ROBERTSON HARE (1891-1979) appeared on stage and in films for over fifty years, but is well remembered for his role as The Archdeacon, The Venerable Henry Blunt in the television series All Gas and Gaiters (1966-1971). His films credits include Turkey Time (1933), A Cup of Kindness (1934), Banana Ridge (1942), My Wife's Family (1956) and Salt and Pepper (1968). Actor ANTHONY MARLOWE (1913-1975) became best known for his work on television and film, making his first credited debut as a singer in The Great Commandment (1939). He had 23 credits to his career, including a recurring role as Geoffrey Stock in the series Ghost Squad. Marlowe also appeared in several stage productions in London, with roles in Billy Budd (1951), The Moment of Truth (1952), and The Last Hero (1957). Actress FRANCES CLARE (1904-1994) was the first wife to actor Esmond Knight, with the couple meeting while acting in the play Yellow Sands. She had very few acting roles outside of the theatre world, appearing in only three films: Panic at Madame Tussaud's (1948), Gone to Earth (1950), and The Wild Heart (1952). Large section clipped from upper right. Left edge notched and frayed. Toned. Light surface creases. Ink stains on front and verso. Edges slightly worn and frayed. Corners lightly worn. Otherwise, fine condition.

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