34x35½ buckskin, signed by an impressive collection of Western artists in the 1970s, triple matted and custom framed for display. Some of the artists have added drawings in a Native American theme. Many signers have strong connections with the State of Montana and the Blackfoot Nation. Original Art signed: Buckskin bearing nearly 100 signatures. An unknown artist has drawn a large teepee in the center of the buckskin. Many of the signers have embellished their autograph with Western-themed drawings (teepees, horse heads, cattle brands, etc.). Some have dated their signatures, with the range of dates extending from 1970 to 1977. Many of the signers have a close connection with the state of Montana. The signers include the following: OLAF WIEGHORST (1899-1988), born in Jutland, Denmark, is best known for his poignant portrayals of the American West. Wieghorst's paintings have sold for more than $450,000. and his signed Lithographs for up to $12,000. His most famous work, Native Madonna, was published as a lithograph in 1972. Sioux painter and sculptor EARL EDER (b. 1944) has been a key figure in contemporary Indian art since the 1960s. His works are included in the collections of many museums, and of the Bureau of Indian Affairs in Washington.

This extraordinary typed manuscript for Dodge City, The Cowboy Capital about Western lawman Bat Masterson, with a total of four handwritten corrections by him, including his very rare full signature. It was written by Robert M. Wright, former mayor of Dodge City, Kansas, and sent to Masterson, a former deputy in Dodge City, for his review. Annotated typed manuscript signed "William Barclay (Bat) Masterson". Black ink and lead pencil notations in unknown hand. 6 pages, 8½x11, bound with a needle at top edge. There are a total of four corrections on the first page. The first is Masterson's signature, correcting the title "W.B. Masterson (Bat)". He also corrected the initials "W.B." in the first sentence with "William Barclay". The other two corrections pertain to his candidacy for sheriff of Ford County, Kansas, which included Dodge City. He crossed out the "6" in "1876" and corrected it with "7".  This extraordinary document is a short biography of Masterson written by Robert M. Wright for his book Dodge City, The Cowboy Capital (1913). Wright, a former mayor of Dodge City, Kansas sent this manuscript to Masterson, a former deputy in Dodge City, for his review.

Extremely rare autograph letter written by Western outlaw Frank James to his wife and son from an Alabama jail (1884), discussing the hardships of imprisonment, his feelings of betrayal by "my pretended friends", and family attendance at his coming trial. Contained in a 9x14½ brown leather folio with a b/w photo of James. Autograph and signed material by James is extremely rare and highly desirable! Rare autograph letter signed "Frank James". 2 pages, 8½x14, 1 sheet, front and verso, ruled paper. Comes in a 9x14½ (27x28¼ unfolded) brown leather folio with a 5¼x6¼ b/w photo of James and a Charles Hamilton letter of authentication. Dated: Mar. 12, 1884. James wrote this letter to his wife and son after surrendering and awaiting trial for bank robbery. "My Dear Wife and Robert... I am truly in hope I may not be ill any more while in jail at least... the only money I spend is for stamps and tobacco... As I write it rains and the heavy peals of thunder and vivid flashes of lightning very nearly raises me out of my chair... I have scarcely any fire and think I will let it die... I am waiting very impatiently for Mr. Cooper to come from the post office.…"

ALS to husband Wyatt's personal secretary, John Flood, who was trying unsuccessfully to write an authorized biography of the famous lawman. Frequent mention of actor William S. Hart ("Bill"), a close friend of Wyatt Earp. Autograph Letter signed: "E", 3 pages (front and verso), 6½x10½. Vidal (California), 1927 March 15. To "Dear Mr. [John] Flood". In full: "Very glad to get your nice letter and clippings. I was just thinking what had happened to you. Well Mr. E. is at camp doing some assessment work, so I am here with my two nieces. Weather windy not very nice for the last two weeks. Lots of surveyors here for the L.A. water. Fill a barn just now. I have never seen so many people here at one time before. Brunnels are very busy. Well, now about our little affair. Will you please call up or write to Bill. Yes I think it is better to write to him. Tell him what I think - what I mean by I, all of us think it just the right thing to do to hold it back until we can get together and talk it over. I am enclosing all letters from the first on Bill wrote us. I wrote and told you I had put them away for safe keeping, but luckily I have found them and am sending them to you. [Items not included.] And please keep them until we come to L. A.…"

Rare, signed, sepia-toned photograph of Annie Oakley holding a double-barreled shotgun in a gloved hand. Materials signed by Oakley are extremely rare and desirable! Photograph mount signed "Annie. Oakley.". B/w sepia-toned, 3¾x5½ photo mounted on a 4¼x6½ card with rounded edges. Cabinet card photograph by Baker's Art Gallery, Columbus, Ohio. Oakley (1860-1926, born Phoebe Anne Moses in Darke County, Ohio), was born to a Quaker family and began to shoot rabbits and quail at age nine. Within five years, she was a breadwinner for her family as a markswoman, and, at age 15, she saved her family's farm with income she had earned from shooting game. On August 23, 1876, at age 16, Annie married Frank Butler, a vaudeville performer who became her partner. Annie's self-effacing personality (on and off stage) made her a popular performer. In 1885, the Butlers joined Buffalo Bill Cody's Wild West Show, where Annie was a star for 17 years. The five-foot-tall Oakley got her name "Little Sure Shot" from Sitting Bull and used it in her promotional materials. In 1901, she and her husband decided to retire from public life. However, shooting was in her blood, and the Butlers continued to make appearances around the country.

At his Burton Mine, Louisiana Territory, Austin co-signs the promissory note of Joseph Whittlesey. Promissory Note signed: "Moses Austin", Jos. Whittlesey", a page, 8x5¼. Mine au Burton [Louisiana Territory], 1806 October 24. Moses co-signs a $70 promissory note for Joseph T. Whittlesey, on a sum borrowed from John Baker: "On condition Mr. Whittlesey should not be capable to pay the above I will on the condition pay the sum of Seventy Dollars." MOSES AUSTIN (1761-1821), the father of Texas pioneer Stephen F. Austin, was known as "the Lead King" of southwestern Virginia, where he owned mines and production facilities to make buckshot and other lead products. His business failed, and in 1798 Austin and his family moved to what is now Missouri, then Spanish territory. (Austin had purchased the land from Spain, but when he signed this note it was actually in French territory under a secret Franco-Spanish treaty, soon to be acquired by the United States in the Louisiana Purchase of 1803). Mine au Burton (named for Francis Burton, who had discovered the lode in1763) was the first of 10 mines Austin opened in what would become Missouri, near the town of St. Genevieve, on the Mississippi.…"

"Lucky Lindy" talks about flying Jennies and why he dislikes reunions, ceremonies and dinners. TLS: "Charles", 1p, 8½x11. Germany, 1963 March 19. To Joe. On blue light-weight stationery. In full: "This is an awfully late answer to your January letter. My mail is always hopelessly stacked up, literally, and I have taken taken (sic) some of it abroad with me in the hope of catching up a bit at least with the letters I want most to write. It is really good of you to invite me to the reunion of the 110th Observation Squadron, and I do have a very close feeling toward the Squadron -- I often think of the old days flying 'Jennies' at Lambert Field. But Joe, I think reunions are for those who like them (and may God bless them). To me, reunions are pretty awful; they always detract from qualities of memory which I prefer to leave to the past where I think they belong and have the greatest value. Also, I like to live quietly and to concentrate on my work and interests. I realized, many years ago, that this kind of life was simply not compatible with ceremonies and dinners, for one led to another and there seemed to be no end. With the exception of two in Washington, which came under the 'private' category, and which were more or less unavoidable, it is now close to a decade since I have attended a formal dinner.…"

A signed card and piece of fabric from Earhart's original Lockheed  Vega 5B. Collection comprised of: 1.) Card signed “Amelia Earhart”. 3½ x 1½, toned. Small smudge at “t”. Fine condition. 2.) Fabric tile, 2 inches x 2 inches affixed to a 13x18 poster. This swatch of fabric is from the original Lockheed Vega 5B flown by Amelia Earhart when she became the first women to make a nonstop solo flight across the Atlantic (May 20-21, 1932). Earhart made the 3260-kilometer flight from Harbor Grace, newfoundland to Culmore, Londonderry, Northern Ireland in 14 hours 54 minutes. On August 24-25, 1932, in the same Vegas, Earhart flew from Loas Angeles, California to Newark New Jersey covering the 3940 kilometers in 19 hours 5 minutes. This was the first solo nonstop transcontinental flight by a woman. The Lockheed Vegas is now part of the collection of the National Air and Space Museum. Earhart established other aviation records that did not include "woman", such as first Hawaii-to-mainland solo and first Mexico City-to-New York flight (both 1935). In 1937, Earhart was lost over the Pacific in an attempted around-the-world flight. Framed to an overall size of 28¾ x 26¼. Frame exhibits wearing at corners.

The adventerous author signs "Ned Buntline, Ready for Game" on a photograph of himself holding hunting rifle. Photograph signed: "'Ned Buntline,'/Ready for Game." Sepia, 4¼ x 6¼ overall, image 3¾ x 5¼ (one surface). Studio photograph by Sarony of New York, signed with his penname. A nautical term for the rope at the bottom of a square sail, the name Buntline was adopted from his youthful navy days. Soldier, adventurer, and writer Edward Z.C. Judson (1823-1886) had developed his sensational literary style in the 1840s, when he began submitting exaggerated accounts of his adventures to "Knickerbocker Magazine". Arrested, shot at and even hung once (someone cut the rope), in 1869, Judson "discovered" Western scout William F. Cody, nicknamed him Buffalo Bill and exploited his adventures in books and plays. Earlier, Judson had helped organize the anti-foreign, anti-labor American Party, better known, thanks to Judson, as the Know-Nothing Party (1850-1856). By the 1870s, with hunting and fishing as his primary pastimes, the shooting, wild author of nearly 400 novellas, termed "dime novels", had settled down with his fourth wife in Stamford, New York.

The only surviving Dalton Gang member writes a letter to a publisher regarding facts surrounding his supposed shooting from the hip and the use of two guns. Typed letter signed: "Emmett Dalton", black ink, 1p, 8½ x 11. Hollywood, California, June 15, 1935. To Mr. C.W. Mowre/Dell Publications/New York City. In full: "Dear Mr. Mowre:/Thank you for the two all western magazines you sent me last week. You certainly gave me a large spriad (sic) this time. Its all appreciated if you never get paid. "Chuch" told me that you had sent him a fan letter, last issue, giving me the devil for saying the Pine Pinyons were on the Salt River, etc. Then, last week Mr. McBride, who works on the L.A. Times here called my hand for saying in the last all western about faning a gun, shooting from the hip and the two-gun man. He said "I thought you claimed there was never such a man as that." Of course, he was a very good friend of mine and I very easily talked him out of "When The Daltons Rode" and told him to use it as a reference. I was too sick to read the articles at that time but you will not find any of that two-gun bunk, shooting from the hip or gun faning, any where in "When The Daltons Rode.

McLeod signs a document detailing the expenses and commitments required of a guide on an upcoming fur trapping trip. Partly Printed DS: "A.N. McLeod", 1p, 6½ x 11¾. Montreal, Canada, 1820 October 20. In French, translated. In full: "BEFORE THE NOTARIES of the Province of Lower-Canada in Montreal, residing there, undersigned: was present Joseph Alexis Jeussaume de Rigaute Who has voluntarily committed himself and commits himself by these presents to Messrs. William McGillivray, Simon McGillivray, Archibald Norman McLeod, Thomas Thain, and Henry Mackenzie, of Montreal, Merchants and associates, under the name of McTAVISH, McGILLIVRAYS & Co.…"

Plains Indian "peace pipe", an heirloom given by Younger to his close friend Harry Hoffman, who attended Cole at his death bed. This well-used Minnesota red pipestone comes from Hoffman's collection, with a notarized statement signed by him. Ephemera, unsigned. Catlinite pipestone "peace pipe", each separated piece roughly 8x3½ (due to length of handle), with the much-handled patina of an authentically used pipe (very different from the clean surfaces found on souvenir pipes). This easily worked rock type, drawn from quarries near the Pipestone River in Minnesota, was in use by several Plains Indian nations for making ceremonial pipes. "Catlinite" is a descriptive term applied to the stone since American painter George Catlin wrote about it in 1832. Accompanied by Typed Statement signed: "Harry C. Hoffman", in full: "one Indian peace pipe, given to Harry C. Hoffman by Cole Young", 7¾x4¾. Notarized by Charles Wright at Oxford, Ohio, September 21, 1948. COLE YOUNGER (1844-1916) was a Confederate guerrilla fighting in divided Missouri during the Civil War. Joining the band of William Quantrill, he participated in the bloody raid on Lawrence, Kansas.