George Burns' smoking jacket, size Medium, style 0783. Red and black silk with black pinstriped belt. Label, 2¾ inches by ¾ inches, of fashion designer Fernando Sanchez sewn in. George Burns  was a well-known cigar smoker. In 1994, Arthur Marx, son of Groucho, interviewed Burns for "Cigar Aficionado Magazine" and asked him why he started smoking cigars. Burns' answer: "I smoked them because I wanted people to think I was doing well. When they saw me walking down the street smoking a cigar, they'd say, 'hey, that 14-year-old kid must be going places.' Of course, it's also a good prop on the stage. That's why so many performers, including your father, use them. When you can't think of what you are supposed to say next, you take a puff on your cigar until you do think of your next line…If I'd taken my doctor's advice and quit smoking when he advised me to, I wouldn't have lived to go to his funeral." Burns died in 1996 at age 100. Fine condition.

Four legendary actors draw caricatures of themselves and sign them in ink, completing this incredible framed collection Comprises: 1) Self-caricature signed: "Ernest Borgnine" 7½x6½ visible. Lightly toned. Otherwise, fine condition. 2) Self-caricature signed: "John Gielgud/ 1985". 2¾x4½. Fine condition. 3) Self-caricature signed: "Good Wishes/ Alec Guinness/ 1981". 5½x8. Fine condition. 4) Self-caricature signed: "Ch". 5¼x8. Fine condition. These four actors - two Brits, two Americans - dominated the screen and stage on both sides of the Atlantic for decades. JOHN GIELGUD (1904-2000) was born a generation before the other three. He performed on Broadway and London stages for many years, eventually becoming an accomplished theatre director as well. He was the fourth person to win at least one individual Emmy, Grammy, Oscar, and Tony award. ALEC GUINNESS (1914-2000), much like Gielgud, earned acclaim on the stage and transitioned to film and television right after WWII. One of his most famous screen roles is that of Obi-Wan Kenobi in the first trilogy of Star Wars films.

Partly printed DS: "Humphrey Bogart," 1p, 8-3/8x11. No place, 1949 March 3. To the News Syndicate Co., Inc., 220 East 42nd Street, New York (Daily News building). A printed "Release Form" letter. In full: "In consideration of the publicity to be given to me and which may arise herefrom, my consent is hereby irrevocably given to you, your assignees and licensees, and to the Chicago Tribune-New York News Syndicate, Inc., and its subscribers and licensees, to use my name, picture, or portrait, in publications for editorial or promotional purposes, excluding, however, commercial advertising." Bogart's films include High Sierra, The Maltese Falcon, Casablanca, The Treasure of the Sierra Madre, Key Largo, and The African Queen for which he was awarded the 1951 Academy Award for Best Actor. Fold at lower left blank corner, small (nail-head size) stain at lower right blank corner, else fine.

B/w movie still from one of Charlie Chapin's later film, with Chaplin and other old man sitting at a tea table and looking startled (and with Chaplin tossing the sugar cubes in the air, of course) Photograph signed "Chas Chaplin". B/w, 9¾x8. The first great screen comedian, and arguably the best of all time, Chaplin (1889-1977, born Charles Spencer Chaplin in London, United Kingdom) was also a talented director and screenwriter. In the silent era, his many outstanding films included Tillie's Punctured Romance (1914), The Kid (1921), Gold Rush (1925) and City Lights (1931). Chaplin was less consistently successful in the talking era, the great strength of his character the Little Tramp having been physical comedy, but his later noteworthy films included Modern Times (1936), The Great Dictator (1940) and Limelight (1952). Lightly toned, creased and bowed. Errors in negative were reproduced in photo. Light scratches on image (not visible head-on). Otherwise in fine condition.

Action photograph of Reeves as Superman apprehending two villains. Photograph signed: "Thank you / for watching / George Reeves / Superman". B/w, 9 x 7½. Framed to an overall size of 17½  x 28½. Fine condition. Best known for playing the "Man of Steel" on film and on television, George Reeves (1914-1959), born George Bessolo, made his film debut in 1939. Reeves played Stuart Tarleton, one of the Scarlett O'Hara's hopeful beaus, in David O. Selznick's Civil War epic, Gone With the Wind. Making an excellent impression in that role, in 1940, Reeves was cast in 17 films, including Knute Rockne, All American, Virginia City, The Fighting 69th, 'Til We Meet Again, Pony Express Days and Meet the Fleet. Shown with his girlfriend, played by Jan Clayton, and her unwelcoming father (Grant Mitchell), Father is a Prince (1940). Reeves' career took a fateful turn when he was cast as Superman/Clark Kent in 1951's Superman and the Mole Men, a role he reprised in the 1953-1957 television series. Reeves' death by gunshot wound on June 16, 1959, was officially ruled a suicide, but suspicions of murder have persisted.

Early portrait signed by the legendary vaudeville performer and American comedian. Photograph signed: "W. C. Fields" B/w, 4½x6½. W. C. Fields (1879-1946) began entertaining as an amusement park juggler at the age of fourteen. He was a vaudeville headliner before he was twenty and toured Europe in 1901, giving a command performance at Buckingham Palace. His Broadway debut in The Ham Tree (1905) was followed by appearances in the Ziegfeld Follies (1915-1921) and in George White's Scandals (1922). Fields starred in Poppy on Broadway (1923) and the next year made his first film, Janice Meredith (1924). Fields' style, verbal rather than visual, and his irascible con-man philosophy made him a favorite, especially with the advent of sound, where his raspy voice provided the final touch to his comedy. He starred in movies including My Little Chickadee (1940) and Never Give a Sucker an Even Break (1941). Nobody contributed more wry quotations ("Anyone who hates children and animals can't be all bad.") to American folklore. Signature in poor contrast but legible. Light silvering. Surface creases. Corners worn and chipped. Ink stamp on verso. Multiple pencil marks (unknown hand) on verso. Finger print impressions at top right. Otherwise, fine condition.

Garbo filled out and signed this application for a title search on a property in Beverly Hills (1944). Partly Printed DS: "Greta Garbo". 1 page, 8½ x 11. No place, 1944 September 8. Title Insurance Application for use by the Title Company in searching the records in connection with the purchase of property at 603 N. Beverly Drive, Beverly Hills, California. She has filled in her name, birthplace, address, and occupation. In 1954, Garbo was awarded a Special Academy Award "for her unforgettable screen performances" in films such as Anna Christie, Anna Karenina, Camille and Ninotchka. After four Oscar nominations, she retired in 1941 at the age of 36. A millionaire many times over, Garbo had no need to act, nor any desire to conduct an active social life. Even after her death in 1990, the legend of Garbo was undiminished. To her devotees, she was not so much film legend as film goddess. Lightly creased. Fine condition. Anything signed by the reclusive Garbo is rarely encountered. Framed to an overall size of 32 x 18½.

10¼x13 rare, stunning image of the ill-fated star, signed "for the lovely hair", from the estate of Hollywood hairdresser Wally Wallace! Exceptional item from Farmer, who is rare in any format! Photograph signed: "For the lovely hair/Frances F.". B/w, 10¼x13. FRANCES FARMER (1913-1970) had a reputation as a talented, but demanding and rebellious, actress who battled the studios, alcohol and other addictions and mental illness. At the time of the release of her film Son of Fury, costarring Tyrone Power, in 1942, the 29-year-old actress was arrested and convicted of drunk driving. Inundated with negative publicity, she traveled to Mexico. However, by leaving the U.S., Farmer was found in violation of her probation. Put on trial and deemed mentally ill, Farmer was committed to a mental institution where she underwent shock treatments, hydrotherapy baths and reportedly received a trans-orbital lobotomy. Over the next few years, her physical and mental health deteriorated; she developed a debilitating dependency on alcohol and suffered from a series of nervous breakdowns. Her best films included Come and Get It (1936) and Son of Fury (1942). A film about her life, Frances, starring Jessica Lang, was released in 1982.

This extremely rare piece is a 1924 yearbook from John Wayne's 1924 Glendale Union High School in Glendale, California. It shows the future Oscar winning actor as junior class vice-president and in football gear in the football section and is signed with his birth name Marion Morrison! Items signed with Wayne's birth name are both extremely rare and highly desirable! Book signed "Marion/Morrison" on page 121, with other signatures in unknown hands. B/w, 228 pages, bound in brown paper covers. Titled: "Stylus/1924". This book is a copy of the 1924 Stylus yearbook from Glendale Union High School in Glendale, California. It's autographed by junior class vice-president John Wayne with his birth name, Marion Morrison, on the junior class introduction page on page 121. It also has an unsigned photo of him in football gear in football team section on page 159. Wayne (1907-1979, born Marion Michael Morrison in Winterset, Iowa) appeared in more films (over 250) than any other star. Best known for his roles in Westerns and war movies, he was the embodiment of the American hero in over 200 films, fighting (on screen) for his country in many of them.

The first black actress to win an Academy Award is shown standing in a living room and wearing a fur coat in this sepia photograph, signed in blue felt tip. Inscribed Photograph Signed: "Best Wishes/Always To/Miriam Hutchinson/From/Hattie McDaniel/9-3-46" in blue felt tip. Sepia, 8x10. Hattie McDaniel (1895-1952) was the first Black actress to win an Academy Award, capturing the Best Supporting Actress Oscar in 1939 for her role of Mammy in Gone With the Wind. McDaniel had a strong film resume even before Gone With the Wind, especially in light of the limited opportunities for black actors in that era, beginning with small roles in films like Mae West's I'm No Angel (1934) and Shirley Temple's The Little Colonel (1935), working up to major roles in Saratoga (1937) and The Shopworn Angel (1938). She was also the first Black woman to sing on American radio, and after many performances on such radio programs as Amos 'n Andy and the Eddie Cantor Show, she starred in the title role of Beulah on the radio. Because of other commitments, she appeared in only six 1952 episodes of the television version, which ran from 1950-1953. Autographs of McDaniel are scarce and desirable. Minor crease at lower right background. Lightly soiled at right background, edges slightly worn.

Chastened by a messy divorce from his first wife, the famed director signs a prenuptial agreement with his bride to be, Evelyn Baldwin, who has also signed here. Document signed: "David Wark Griffith", "Evelyn Baldwin", 2 pages, 8½x13. No place, 1936 March 2. In anticipation of his pending marriage to Evelyn Baldwin, Griffith irrevocably transfers to her all rights to an annuity contract with the Aetna Life Insurance Company of Hartford, Connecticut, yielding annual income of $5,632.80 for the rest of her life. In exchange, Baldwin releases Griffith, along with his heirs and assigns, from any additional claims except for assets freely given to Baldwin by Griffith. The agreement is to become effective only on the consummation of the Griffith-Baldwin marriage. David Llewelyn Wark GRIFFITH (1875-1948) directed his first film in 1908, and in 1910 became the first to shoot a film in Hollywood. His Judith of Bethulia (1914) was among the first feature films, and the controversial Birth of a Nation (1915), became the first blockbuster movie hit, inspiring the movie industry that we have known since. Griffith co-founded United Artists studio with Charlie Chaplin, Mary Pickford and Douglas Fairbanks. Five of his movies are deemed important enough for preservation in the US Film Registry.

Pantaloons owned by Jean Harlow which were given to her as a joke from Clark Gable. White pantaloons with a large "JH" embroidered in red at the top and lace trim at the legs. Small piece of embroidery missing from the lower right of the "H". These pantaloons, originally obtained from Jean Harlow's agent, Arthur Landau, were given to JEAN HARLOW (1911-1937) by Clark Gable, her co-star in five films, as a joke. The blonde bombshell, who was known for her sizzling on-screen performances and sexy styles, fell in love with the pantaloons and wore them on many occasions, including at a Halloween party, to which she had come dressed as a saloon girl. Includes PROVENANCE: (1) Partly Printed ALS: "Richard Wilson", 1p, 8½ x 11. Chevy Chase, MD, 1999 July 14.  Printed at right: "Celebrity/Memorabilia/Norma's Jeans/Buy-Sell, Collect,/Appraise, Search". In full: (typed) "To Whom It May Concern:" (handwritten) "Jean Harlow pantaloons, white with lace and decoration at legs and large 'JH' embroidered at top. Given to her as a prank by Clark Gable. Originally obtained from Jean's agent Arthur Landau by Sally Cramier's mother, later obtained from Sally by Norma's Jeans.…"