Her rare, handwritten letter to family members, discussing her health and family finances. signed as "Missie." ALS: "Affect Missie/xxx/xxx", 2¼ pages, 6x9½. Cambridge, Maryland, no year October 11. On letterhead of  The Dixon to "Dear Fern And Sister". In full, with original spelling and grammar: "Yours rec. Jimmie is here with me. Will forclose the Mortgage on the Mag[illegible] farm. Will turn it all over to Calvin Harrington for I am to much in to bother & I would love to have A Lawyer to make out the necessary papers so I will just turn it all over to him. But I will stay here & rest for A while. We have hot & cold water, plenty clean linen & food not bad here. Want to visit the Andrews before leaving. Jimmie brought my breakfast up this morning my heart is bad, but I will rest more after he goes south, And maby he will also. She  has climbed the stairs 10 times to day & it is 11 Am now. He loves you. Bonnie, Irene, and Bessie, far more then his own flesh & blood, and would do more for either of you, of this I am sure. And I love all of my flesh & blood no matter what has happened in the past.…"

Right handprint the composer which he has signed and dated in 1925! Handprint signed: "Richard Strauss/21.4.25" in ink, 6½x8¼. Handprint of Strauss' right hand. Stamped: "M. Raschig's Handarchiv." Strauss (1864-1949, born Richard Georg Strauss in Munich, Germany) was Court Conductor at Munich (1894-1898) and Chief Conductor of the Berlin Court Opera (1898-1918). As a composer, Strauss was regarded as the leader of the New Romantic school. Among his works were 15 operas, including Salome (1905), Elektra (1909) and Der Rosenkavalier (1911), as well as ballets, symphonies, concertos and about 200 songs. Berlin palm reader MARIANNE RASCHIG, who also wrote a scientific book on the art of palm reading, put together a collection of over 2,500 handprints from 1924 to 1935. Lightly creased and soiled, irregular left edge. File notes in blank areas (unknown hand). Otherwise, fine condition.

SIR WALTER SCOTT 1823 promissory note signed by Sir Walter Scott highlights relationship with publisher James Ballantyne. Promissory Note signed: "Walter Scott", 8x3¼. Edinburgh, 1823 May 3. The great Scottish poet and novelist agrees to repay his publisher in twelve months. In full: "Twelve months after date, pay to our order, at our Printing Office here, eight hundred and seventy five pounds sterling, for value received. James Ballantyne & Co." Sir WALTER SCOTT (1771-1832), considered to be the father of the historical novel, had first met JAMES BALLANTYNE (1772-1833) in 1783 while attending Kelso Grammar School. In 1799, Ballantyne privately printed the two pamphlets with which Scott began his writing career, An Apology for Tales of Terror and The Eve of St. John, a ballad, beginning a literary and business partnership that would last throughout Scott's lifetime. The greatest success of James Ballantyne and Co. came in 1808, when Scott's second narrative poem, Marmion, was printed by Ballantyne for publisher Archibald Constable (Scott's first narrative poem, The Lay of the Last Minstral, had been published by Constable in 1805). Scott's romantic work, Rob Roy (1818) was also published by James Ballantyne and Co.

Gioacchino Rossini sends an autograph letter in Italian to send an article. Autograph Letter Signed: "Rossini" in Italian, 1p, 4¼ x 5½. No place, no date. To Severini. In full: "Please send, within today, the portion of the opera La Fata Bianca [The White Fairy] which has the tenor's role, to Mr. Curioni. All is well." Curioni was the Italian tenor, Alberico Curioni.By the time he was 18, Gioacchino Rossini (1792-1868) had written his first opera. The Italian composer is best known for his comic opera, The Barber of Seville, and his grand opera, William Tell, with its famous overture. The "Overture" to the four-act William Tell became one of the most familiar of all operatic works when it was used to open the radio and television show, The Lone Ranger. Guillame Tell was first performed in Paris in 1829. The Italian composer, the leading representative of the Bel Canto School of Opera and one of the last masters of opera buffa, spent his later years in Paris and his native Italy. Lightly stained, lightly creased, with folds. Light ink transfer from a different letter. Ink smudging present on some letters. Framed to an overall size of 32½ x 24½.

Both sign their names on this album leaf containing several bars of music drawn by Grieg Autograph Musical Quotation signed: "Edvard Grieg" 1p, 6x3½. Leipzig, 1891. Three bars of music labeled: "Andante" at top by EDVARD GRIEG (1843-1907). Grieg was a Norwegian composer and pianist who learned how to play at the age of six and went on the attend Leipzig Conservatory. His works include music for Ibsen's Peer Gynt (1876) as well as many choral, orchestral, and chamber pieces. On verso is an Autograph Note signed: "Schumann Heink" in German, New York, 1902 January. From the late 1880s to the early 1900s, the exceptional contralto voice of ERNESTINE SCHUMANN HEINK (1861-1936) was heard frequently at concerts and festivals throughout Europe. She was primarily known for her interpretations of Wagner and Strauss. In 1905, she took out U.S. naturalization papers. Her German-language recording of "Silent Night" earned sales for Victor Red Seal records unmatched by any other artist. When the U.S. entered World War I, Schumann-Heink put herself wholeheartedly behind the American war effort, promoting Liberty Bonds and entertaining troops, despite having a brother in command of an Austrian warship and a son in the German navy.

His handwritten notes on ruled notebook paper for a high school history test, framed with his phototo an overall size of 34x24. Autograph Manuscript, unsigned, 1 page, 7¾x10 ruled notebook paper. No place, but Lubbock, Texas, no year. Holly has written an outline of four points, likely to study for his history class. Headed: "Questions on American History/Chapter I". In full: "1. List some of the contributions of the following ancient peoples to our life today./a. Phoenicians/b. Greeks/c. Romans/2. State briefly how the following contributed to the discovery of America./a. The Renaissance/b. The Crusades/c. Marco Polo and other travelers/d. The invention of printing/e. the commercial revolution/3. Spanish Explorers - Date - Scene of Ex. Import/a. Balboa/b. Magellan/c. Cortes/d. Pizarro/e. Ponce de Leon/4. French Explorers - Date - Scene of Ex. - Import./a Verrazano/b. Cartier/c. Champlain". During his high school years in Lubbock, Texas, Buddy did his history homework, as evidenced by this manuscript, on which Holly has written a "1" at the upper right corner. But Charles Hardin "Buddy" Holley (1936-1959) was no ordinary high school student.

This framed letter that features the composer's autograph shows his interest in new phonograph recording technology Typed Letter Signed, "George Gershwin". 8¼x10½. One page. Dated September 14, 1931. On his personal letterhead. Gershwin writes to a representative of R.C.A. which was the parent company of N.B.C. (created in 1926 to broadcast on radio) and Victor Labs (acquired in 1929 which built phonographs.). The conglomerate was able to remain at the forefront of early broadcasting technology for many years due to the unique merging of technologies. Gershwin's association with R.C.A. was a long and fruitful venture. It was R.C.A. that recorded "An American in Paris", which was used in the 1951 musical film of the same name. Gershwin's letter in full: " My dear Mr. Clark: I received your invitation to dinner at the Savoy-Plaza on September seventeenth. I am tremendously interested in hearing the new development in phonograph recording, which you will probably demonstrate account of a previous engagement which I have for that evening. Perhaps some day you will permit me to come down to the New York offices and listen to the new development. With many thanks, I am Yours sincerely, George Gershwin gg/ob". Annotated in pencil in another hand: "File CC arrange for.…"

Signed move still from the move Bullitt. Photograph inscribed and signed: "To/Kevin/Best Wishes/Steve McQueen". B/w, 8x10. Still from the 1968 film, Bullitt. Steve McQueen (1930-1980) played a police detective in the film, portraying him in the stunt-driving role typical of his anti-hero image. McQueen had his first starring film role in The Blob (1958), the same year he began a three-year run as a moody bounty hunter in TV's Wanted: Dead or Alive. McQueen was nominated for the Best Actor Academy Award for The Sand Pebbles (1966). Among his many other movie hits were The Magnificent Seven (1960), The Great Escape (1963), The Cincinnati Kid (1965) and Papillon (1973). He was married to actress Ali MacGraw from 1973-1977. Writing light but legible. Fine condition. Framed to an overall size of 15½ x 23¼. Frame exhibits wearing at corners.

Striking photograph of Reeves in his service uniform Photograph inscribed and signed: "To Jack / George / Reeves". B/w, 6¾ x 9 Framed to an overall size of 31 x 20½. Minor chips on corners of frame. Fine condition. Best known for playing the "Man of Steel" on film and on television, George Reeves (1914-1959), born George Bessolo, made his film debut in 1939. Reeves played Stuart Tarleton, one of the Scarlett O'Hara's hopeful beaus, in David O. Selznick's Civil War epic, Gone With the Wind. Making an excellent impression in that role, in 1940, Reeves was cast in 17 films, including Knute Rockne, All American, Virginia City, The Fighting 69th, 'Til We Meet Again, Pony Express Days and Meet the Fleet. Shown with his girlfriend, played by Jan Clayton, and her unwelcoming father (Grant Mitchell), Father is a Prince (1940). Reeves' career took a fateful turn when he was cast as Superman/Clark Kent in 1951's Superman and the Mole Men, a role he reprised in the 1953-1957 television series. Reeves' death by gunshot wound on June 16, 1959, was officially ruled a suicide, but suspicions of murder have persisted. Accompanied by PSA/DNA LOA.

Partly printed DS: "Humphrey Bogart," 1p, 8-3/8x11. No place, 1949 March 3. To the News Syndicate Co., Inc., 220 East 42nd Street, New York (Daily News building). A printed "Release Form" letter. In full: "In consideration of the publicity to be given to me and which may arise herefrom, my consent is hereby irrevocably given to you, your assignees and licensees, and to the Chicago Tribune-New York News Syndicate, Inc., and its subscribers and licensees, to use my name, picture, or portrait, in publications for editorial or promotional purposes, excluding, however, commercial advertising." Bogart's films include High Sierra, The Maltese Falcon, Casablanca, The Treasure of the Sierra Madre, Key Largo, and The African Queen for which he was awarded the 1951 Academy Award for Best Actor. Fold at lower left blank corner, small (nail-head size) stain at lower right blank corner, else fine.

The German composer who succeeded in influencing numerous fields of study outside of music signed handwrote and signed this note! Autograph Note Signed: "R. Wagner" in German, 1p, 5x7. No place, no date. To "Dear Friend". In full: "Would you be so kind as to settle the little matter enclosed herewith." Wilhelm Richard Wagner (1813-1883) dominated the development of classical music from about 1850 to 1875. He originated the musical drama and was a pioneer in the development of the leitmotifs, specific sounds and harmonies that are associated with characters. Wagner produced both the text (libretto) and music for his operas and prioritized the drama in each production over specific artistic and theatrical mediums. His best-known production is called Der Ring des Nibelungen, but is commonly referred to as the Ring Cycle. Since Wagner's death, his music and writings have seen their share of controversy. Evidence exists of Wagner's antisemitism, and as a result Wagner's music was used by Adolph Hitler to bolster his Third Reich fascist government. Although the use of Wagner's work by Nazi Germany has complicated his legacy, there can be no doubt that Wagner was one of the greatest musical composers of all time.

Original Prohibition-era W.C. Fields comedy sketch. Manuscript Comedy Sketch titled and signed: "One of the six best Cellars/By/W.C. Fields", 13¼p, 6x8¼, separate sheets. No place, no date. The 18th Amendment to the U.S. Constitution went into effect on January 16, 1920. As of that date, "the manufacture, sale, or transportation of intoxicating liquors within, the importation thereof into, or the exportation thereof from the United States and all territory subject to the jurisdiction thereof for beverage purposes is hereby prohibited." Prohibition is the topic of this comedy sketch, One of the Six Best Cellars, which is written with a bit of satire. The phrase "six best cellars" was an expression first used in 1920 referring to the best hideaways where liquor was stored during Prohibition. The phrase was used in a "Los Angeles Herald" story on December 8, 1920 stating that actress Mabel Normand, known to be a heavy drinker, had one of the "six best cellars" of Prohibition liquor in the Hollywood film colony. Although not dated, this comedy sketch was likely written during the Prohibition era. In the early 1920s Fields wrote many comedy sketches while performing in New York's vaudeville, most notably in the Ziegfeld Follies.