FOR THE VICTOR TALKING MACHINE COMPANY'S RECORDING OF HIS 1929 PERFORMANCE OF AN AMERICAN IN PARIS, GERSHWIN RECEIVES ROYALTIES OF ONE CENT PER RECORD SOLD!   GEORGE GERSHWIN. Typed Document Signed: "George Gershwin", 1p, 8x10. No place, 1929 November 1.Headed:"Victor Talking Machine Company/Statement of Royalty Due on Selections by/George Gershwin". The statement is titled: "Sold by the Victor Talking Machine Company for period ending Sept. 30, 1929". Two different records were sold: An American in Paris - Parts 1 and 2 (8331 copies), $83.31 royalty and An American in Paris - Parts 3 and 4 (8327 copies), $83.27 royalty. Total: $166.58 royalty. Gershwin was paid royalties of a penny per copy! He has signed beneath this statement: "I accept the above statement of my royalty account for records of my performance in accordance with my contract dated March 13, 1929 and acknowledge the receipt of the amount for the period shown on said statement in full and final settlement of said account." An American in Paris, inspired by Gershwin's time spent in the French capital, was a groundbreaking symphonic

W.C. FIELDS Original Prohibition-era W.C. Fields comedy sketch. Manuscript Comedy Sketch titled and signed: "One of the six best Cellars/By/W.C. Fields", 13¼p, 6x8¼, separate sheets. No place, no date. The 18th Amendment to the U.S. Constitution went into effect on January 16, 1920. As of that date, "the manufacture, sale, or transportation of intoxicating liquors within, the importation thereof into, or the exportation thereof from the United States and all territory subject to the jurisdiction thereof for beverage purposes is hereby prohibited." Prohibition is the topic of this comedy sketch, One of the Six Best Cellars, which is written with a bit of satire. The phrase "six best cellars" was an expression first used in 1920 referring to the best hideaways where liquor was stored during Prohibition. The phrase was used in a "Los Angeles Herald" story on December 8, 1920 stating that actress Mabel Normand, known to be a heavy drinker, had one of the "six best cellars" of Prohibition liquor in the Hollywood film colony. Although not dated, this comedy sketch was likely written during the Prohibition era. In the early 1920s Fields wrote many comedy sketches while performing in New York's vaudeville, most notably in the Ziegfeld Follies.

VERDI WRITES TO MARIA WALDMANN WHO APPEARED IN HIS FIRST PRODUCTION OF AIDA IN MILAN   GIUSEPPE VERDI. ALS: "G. Verdi", 1p, 4½x3½. Sant'Agate, 1889 November 18. To his close friend, Maria Massari Waldmann.In Italian, partially translated. In part: "Thank you, my dear Maria, and thanks to your kind Duke for the affectionate remembrance...Greetings to the Duke and a warm handshake...." On February 8, 1872, mezzo-soprano MARIA MASSARI WALDMANN starred as Amneris in the Milan premiere of Aida under Verdi's direction. At the time of this letter, Giuseppe Verdi (1813-1901) spent part of the year at the Villa Verdi at St. Agata diBusseto, close to his birthplace in Le Roncole, and part in Genoa in an apartment in the Palazzo Doria. Inscription on verso of Verdi's letter, in Italian: "To my dear/friend Margherita/from/Maria Massari/Zavaglia/Ferrara, 22-1-905". There is a collection of nearly 100 letters from Verdi to Waldmann in La Biblioteca del Conservatorio "G.B. Martini" in Bologna, Italy. Lightly stained. Overall, fine condition.

W. C. FIELDS 11x14 sepia photo of Fields in the stage version of his skit, "The Caledonian Express," signed and inscribed to author and publisher Arthur Samuels. Field's inscription includes one of his famous lines from the stage and screen skit: "You'll ha to git oot/o' the compartment." Oversized Photograph inscribed and signed: "To My friend/Arthur -you'll ha to git oot/o' the compartment,/from his friend/Bill Fields/Oct 11 - 1928." Sepia, 11x14. Remarkable studio portrait inscribed to Arthur Samuels, who was involved with the publishing of "Ladies Home Journal" and authored Poppy. Half-view left profile by Hal Phype. Fields has quoted one of his lines from the Earl Carroll's Vanities sketch "The Caledonian Express" (1928), in which the legendary comedian played four Scottish characters trying to remove an uninvited guest from a train compartment. Fields repeated the skit in the film Follow the Boys (1945), but that time played the intruder. Samuels' Poppy made Fields a Broadway star in 1923, and he reprised the role in two film versions. Surface creases at upper right corner with fraying at that corner, else fine, handsome and rare.

W.C. FIELDS. ALS: "Willie", 2p, separate sheets, 8½x11. Bel Air, Cal., Sunday (October 15, 1939). Original envelope addressed by Fields to: "Miss Jane Fowler/National Park College/Forest Glen/Maryland". Lightly creased. Fine condition. Jane Fowler was the daughter of his friend, Gene Fowler. Fields had developed a crush on Jane but the affection was unreciprocated. To "my dear nice niece Janey pie". In full: "Thanks for your letter of the 11th, but first I want to tell you that I was coming to forest Glen and engage quarters close to the college, listen to the lesson and get a little added education. Further I could watch you and see that you took your salt peter but when I read your envelope, 'W. C. Feilds' [he has circled the "ei"] I swooned. My own plum, do they not teach you I before E except after C. Suppose after our wedding you go to the Cadillac agency and say 'two 16's, one sport roadster and one coupe, hand the gentleman in attendance a check for $17,000.00 and you sign it 'Jane Feilds.' You do not like the jailhouse any more than I do. If as much. Dear do be careful. I answered your dear wire after I got the necessary funds together to pay for it but I made a mistake and sent it care of Booker T.

JULES MASSENET On the date of the premier of his comic opera masterpiece Manon, he penned and signed these four double bars from Act II. Autograph Musical Quotation signed: "J. Massenet”, in /Paris/1 er presentation op: comique/samedi 19 Janvier 1884 [1st presentation opera: comic/Saturday 19 January 1884]", in black ink, 9½x2½. The composer has drawn four double bars of music, and written in French: "Prelude de l'act II (Manon) [Prelude to Act II (Manon)]".This historical musical quote was written on the first performance of his comic opera, Manon, considered his operatic masterpiece. The opera, which premiered at the Opéra-Comique in Paris, is a staple in the repertoire of many operatic companies and has been featured on numerous recordings, beginning with the historic first recording in 1923. Jules Massenet (1842-1912), who was extremely popular in his day, wrote numerous operas, but Manon established his reputation as a composer. Lightly creased with folds, vertical fold at 1 word of writing. Slightly soiled. Irregularly cut. Overall, fine condition.

JOHN LENNON and MAY PANG Framed Gallery of History display (46x30) featuring the t-shirt from Caribou Ranch studio given to Lennon when he recorded there with Elton John, accompanied by an authentication signed by Lennon's lover at the time, May Pang, and by a photo of Lennon and Pang together Comprises: (1) DS: "May Pang". 1 page, 8x5. No place, no date. In full: "From John Lennon's T-shirt collection, Caribou Ranch t-shirt. Given to John during his visit to Caribou Ranch Studio, when he and Elton John recorded 'Lucy In The Sky With Diamonds'". Fine condition. (2) Extremely Rare Caribou Ranch T-shirt. Long-sleeve Collegiate Pacific, cream-colored, size 34-36. Slightly stained. Fine condition. From October 1973 until March 1975, JOHN LENNON (1940-1980) and MAY PANG lived, loved and worked together. During the Lennon-Yoko Ono separation and at Ono's instigation, their young, personal assistant became his constant companion. Deeply emotional and trying "to find himself", Lennon worked diligently to create the songs for his 1974 album Walls and Bridges, in which he dedicated one song to Ono and "Surprise Surprise" to his lover.

WILLIAM F. CODY ("BUFFALO BILL") Signed photo and photo mount both as W.F. Cody and Buffalo Bill. Photograph Mount inscribed and signed: "W.F. Cody/'Buffalo Bill'/To Ormsby Trench/1903". B/w, 7x9 overall, image 3¾x5½ (two surfaces). Photo by Marceau Studios, 258 Fifth Avenue, New York. William Frederick Cody earned the name "Buffalo Bill" for killing thousands of buffalo as a hired hunter in 1867 and 1868. Cody's theatrical career was launched in 1872 with re-enactments of Indian battles. By 1883, he formed his first Wild West spectacle, becoming a master showman. Vintage mount is lightly foxed, soiled and slightly stained with some wear at edges. Photo is lightly soiled and slightly foxed. Signature and inscription in fine condition.

W. C. FIELDS and FLO ZIEGFELD Both sign a contract for Fields' appearance in the play "J. P. McEvoy's Comic Supplement". Not a standard form contract, this one has been written with Fields in mind. Contract signed: "Flo Ziegfeld", "W. C. Fields", 4 pages, 7¼x10½. Also initialed by both at a minor correction: "F.Z.", "W. C. F." New Amsterdam Theatre, New York, N.Y., 1924 November 10. On Ziegfeld's personal letterhead, Fields signs his acceptance of a commitment to appear in a play bearing the temporary title "J. P. McEvoy's Comic Supplement," to be produced on or before January 15, 1925. Fields is guaranteed top billing in the play credits and all advertising, and will receive $1, 750 per week for the full run of the play. He must attend five weeks of rehearsals without compensation. Clause 5 is of special interest: "You agree to get in touch promptly after the execution of this agreement with the author of this play, Mr. McAvoy and to aid and facilitate him and co-operate with him in every matter to the end that the parts to be assigned to you shall be adapted to your special talents and ability. You agree to render such services without any additional compensation.