W. C. FIELDS Letter to his mistress Carlotta, lambasting New York weather, music lovers, and his latest movie, which he calls "an abortion." Fields signs ironically as "The Great Man." A vivid example of Fields' view of the world! Autograph Letter signed: "The G. Man", 3 pages, 8½x11. No place, no date, but mailing envelope is postmarked postmarked April 13, 1939, with his handwritten return address of "Bel Air, Cal". To "Dear Katrinka" [Carlotta Monti], in full: "Thanks for your letter which was despondent indeed. N. Y. will make one so. I do not want to go all over these items, again, and again, but I must divest myself of a few more - more weather pro[g]nostications. Spring in N.Y. is most capricious. One day it will snow, and the next day it will be real warm. Warm sunshine will greet you in the morning and a cold rain will follow within a few hours or vice versa. Therefore you need a light coat and my suggestion would be no sweater. The brown overcoat I gave you is ideal for an eastern spring coat. It is semi rain proof and will keep out the chill wind.

FOR THE VICTOR TALKING MACHINE COMPANY'S RECORDING OF HIS 1929 PERFORMANCE OF AN AMERICAN IN PARIS, GERSHWIN RECEIVES ROYALTIES OF ONE CENT PER RECORD SOLD!   GEORGE GERSHWIN. Typed Document Signed: "George Gershwin", 1p, 8x10. No place, 1929 November 1.Headed:"Victor Talking Machine Company/Statement of Royalty Due on Selections by/George Gershwin". The statement is titled: "Sold by the Victor Talking Machine Company for period ending Sept. 30, 1929". Two different records were sold: An American in Paris - Parts 1 and 2 (8331 copies), $83.31 royalty and An American in Paris - Parts 3 and 4 (8327 copies), $83.27 royalty. Total: $166.58 royalty. Gershwin was paid royalties of a penny per copy! He has signed beneath this statement: "I accept the above statement of my royalty account for records of my performance in accordance with my contract dated March 13, 1929 and acknowledge the receipt of the amount for the period shown on said statement in full and final settlement of said account." An American in Paris, inspired by Gershwin's time spent in the French capital, was a groundbreaking symphonic

W. C. FIELDS Signing as "The great man/Continental Claude", he pens a letter to his mistress Carlotta in New York Autograph Letter signed: "The great man/Continental Claude", 1p, 8½x10¼. On lightweight airmail paper. No place, no date, but with original envelope postmarked Los Angeles, Hollywood, December 27, 1939. Addressed by Fields to Miss C. Douglas [Carlotta Monti], Hotel Marie Antoinette, Broadway at 66 St., New York City. Torn flap. Creased, soiled and worn. Unrelated notes on verso (unknown hand). In full: "Something or other was at ah La Cava's Morales you know her and she enquired about you. I told her you were making the grade in N.Y. That you had been on here to attend your case but returned. She expressed regrets she had not seen you. She made La Cava a sweater. I think I admired the sweater and she suggested making me one. Being continental and never forgetting the days of chivalry I accepted graciously. She evidently knows Margo and they are coming some afternoon to measure me. Do you think I should order a pair if drawers too? This thing is running into a book, so will saw off. Keep well- and think for pastime. Always my best and most important wishes. M.M. sends Love." Creased, folds, lightly nicked edges. W.C.

BUDDY HOLLY His handwritten answers to an English test at Lubbock High School, 1953 Autograph Manuscript signed: "Buddy Holley", 1p, 8x10½. Lubbock (Texas), 1953 March 17. An English grammar test. Holly (original spelling "Holley") has headed the page,signing his name in the upper left and writing "English 22v (2)" beneath his name. At the upper right, he has penned "Lubbock High School" and the date "March 17, 1953". Headed: "Test" by Holly, the test had 40 questions; just the answers are written. Holly had to identify parts of speech ("adv", "noun", "pronoun", "conjunction") and types of sentences ("run-on", "phrase", "sub. clause"). Only one answer (the first) is marked wrong. Holly was graduated from Lubbock High School in 1955 and within a year was recording for Decca Records. He was an innovator who wrote his own material and was among the first to use such advanced studio techniques as double-tracking. Holly pioneered and popularized the now-standard rock-band lineup of two guitars, bass and drums. He began experimenting with orchestration shortly before his death in 1959. His first song recorded with the Crickets in 1957 was "That'll Be the Day". "Peggy Sue" followed.

WILLIAM F. CODY Autograph letter to General Nelson Miles (1896), introducing a friend, signed "Your old Scout/W.F. Cody" ALS: "Your old Scout/W.F. Cody", 1 page, 6x9½. New Hampshire House, New York, 1896 January 29. To General Nelson A. Miles, Washington, D.C. In full: "Please permit me to introduce Mr. J.L. Cunningham and (sic, an) old personal friend who wishes to speak to you. If you will give him a hearing. You will greatly oblige." Both NELSON MILES and BILL CODY overlapped in their time of military service during the western campaigns against the Indians. Cody was Chief Scout for the 5th Cavalry and Miles commanded the 5th Infantry. They served under Philip Sheridan. In 1896, the year of this letter, Cody's Wild West Show was extensively touring and he was also developing his land in Cody, Wyoming; while Miles was Commander in Chief of the Army. Great associations, worthy of further research. Lightly creased. ¾-inch separation at upper left blank horizontal fold. 2-inch separation at lower left horizontal fold touches 1 word (all intact).

JULES MASSENET Massenet handwrote, dated and signed this note with two bars of musical notation in Paris in 1887 Autograph musical quotation signed: "J. Massenet", in brown ink, 1p, 4½x7 (one sheet folded). To an unnamed recipient. In French, translated in full: "We will be there! Cou-nt on me!/ until Monday/ your affectionate/”. Paris, France, May 9, 1887. Massenet wrote two bars of music with lyrics (in French, not translated) on this note above his signature. French composer Jules Massenet (1842-1912) made his name with the comic opera Don César de Bazan (1872). Other operas followed, including The Virgin (1880), Manon (1884, considered by many to be his masterpiece), Le Cid (1885) and Werther (1892). In addition to his ambitious operas and orchestral works, Massenet wrote over 200 popular songs, many of them based on published poems. Lightly toned and creased. Random ink stains. Folded in half horizontally and unfolded. Otherwise, fine condition.

VERDI WRITES TO MARIA WALDMANN WHO APPEARED IN HIS FIRST PRODUCTION OF AIDA IN MILAN   GIUSEPPE VERDI. ALS: "G. Verdi", 1p, 4½x3½. Sant'Agate, 1889 November 18. To his close friend, Maria Massari Waldmann.In Italian, partially translated. In part: "Thank you, my dear Maria, and thanks to your kind Duke for the affectionate remembrance...Greetings to the Duke and a warm handshake...." On February 8, 1872, mezzo-soprano MARIA MASSARI WALDMANN starred as Amneris in the Milan premiere of Aida under Verdi's direction. At the time of this letter, Giuseppe Verdi (1813-1901) spent part of the year at the Villa Verdi at St. Agata diBusseto, close to his birthplace in Le Roncole, and part in Genoa in an apartment in the Palazzo Doria. Inscription on verso of Verdi's letter, in Italian: "To my dear/friend Margherita/from/Maria Massari/Zavaglia/Ferrara, 22-1-905". There is a collection of nearly 100 letters from Verdi to Waldmann in La Biblioteca del Conservatorio "G.B. Martini" in Bologna, Italy. Lightly stained. Overall, fine condition.

WILLIAM F. CODY ("BUFFALO BILL") Signed photo and photo mount both as W.F. Cody and Buffalo Bill. Photograph Mount inscribed and signed: "W.F. Cody/'Buffalo Bill'/To Ormsby Trench/1903". B/w, 7x9 overall, image 3¾x5½ (two surfaces). Photo by Marceau Studios, 258 Fifth Avenue, New York. William Frederick Cody earned the name "Buffalo Bill" for killing thousands of buffalo as a hired hunter in 1867 and 1868. Cody's theatrical career was launched in 1872 with re-enactments of Indian battles. By 1883, he formed his first Wild West spectacle, becoming a master showman. Vintage mount is lightly foxed, soiled and slightly stained with some wear at edges. Photo is lightly soiled and slightly foxed. Signature and inscription in fine condition.

W. C. FIELDS Agreement with the J. Walter Thompson advertising firm setting strict rules for Fields' script for a radio broadcast, co-signed by producer and ad executive Norman Blackburn Document signed: "W. C. Fields", "Norman Blackburn", 1 page, 8¾x14. Hollywood, California, 1946 March 13. Agreement with the J. Walter Thompson advertising agency, acting as agent for Standard Brands, Inc., governing Fields' forthcoming appearance on the Chase and Sanborn radio program, March 24, 1946. The agreement stipulates that Fields must adhere strictly to a script approved in advance by the firm and by Fields himself, and that Fields shall not "improvise, extemporize or use unapproved material." It further stipulates that Fields shall be held blameless from any claims for "slander, libel, copyright infringement, etc." arising from the program. Fields is to receive $3,500 for his performance. W.C. FIELDS (1879-1946) began entertaining as an amusement park juggler at the age of fourteen. He was a vaudeville headliner before he was twenty and toured Europe in 1901, giving a command performance at Buckingham Palace.