JULES MASSENETOn the date of the premier of his comic opera masterpiece Manon, he penned and signed these four double bars from Act II. Autograph Musical Quotation signed: "J. Massenet”, in /Paris/1 er presentation op: comique/samedi 19 Janvier 1884 [1st presentation opera: comic/Saturday 19 January 1884]", in black ink, 9½x2½. The composer has drawn four double bars of music, and written in French: "Prelude de l'act II (Manon) [Prelude to Act II (Manon)]".This historical musical quote was written on the first performance of his comic opera, Manon, considered his operatic masterpiece. The opera, which premiered at the Opéra-Comique in Paris, is a staple in the repertoire of many operatic companies and has been featured on numerous recordings, beginning with the historic first recording in 1923. Jules Massenet (1842-1912), who was extremely popular in his day, wrote numerous operas, but Manon established his reputation as a composer. Lightly creased with folds, vertical fold at 1 word of writing. Slightly soiled. Irregularly cut. Overall, fine condition.

BUDDY HOLLY Notebook page with his handwritten answers to a high school English quiz, signed by him at the top with the original spelling of his name ("Holley") Autograph Manuscript signed: "Buddy Holley" at upper margin, 1 page, 8x10½ lined sheet. Holly's answers to a ten-question test, likely for an English class as the answers refer to types of sentences. He answered seven questions correctly. Holly, who was graduated from Lubbock High School in 1955, was recording for Decca Records within a year. Born on September 7, 1936 in Lubbock, Texas as Charles Hardin Holley, the future recording star became known as "Buddy".His first record contract dropped the "e" in Holley, and he adopted the spelling. Before going to Lubbock High School, Holly had attended Lubbock's J.T. Hutchinson Junior High, where he met Bob Montgomery. The duo quickly became known for their musical talent and lack of stage fright. Buddy, Bob and a friend, Jerry Allison, began performing at school functions, and by September of 1953, Buddy had a regular show on Lubbock radio station KDAV.

FOR THE VICTOR TALKING MACHINE COMPANY'S RECORDING OF HIS 1929 PERFORMANCE OF AN AMERICAN IN PARIS, GERSHWIN RECEIVES ROYALTIES OF ONE CENT PER RECORD SOLD!   GEORGE GERSHWIN. Typed Document Signed: "George Gershwin", 1p, 8x10. No place, 1929 November 1.Headed:"Victor Talking Machine Company/Statement of Royalty Due on Selections by/George Gershwin". The statement is titled: "Sold by the Victor Talking Machine Company for period ending Sept. 30, 1929". Two different records were sold: An American in Paris - Parts 1 and 2 (8331 copies), $83.31 royalty and An American in Paris - Parts 3 and 4 (8327 copies), $83.27 royalty. Total: $166.58 royalty. Gershwin was paid royalties of a penny per copy! He has signed beneath this statement: "I accept the above statement of my royalty account for records of my performance in accordance with my contract dated March 13, 1929 and acknowledge the receipt of the amount for the period shown on said statement in full and final settlement of said account." An American in Paris, inspired by Gershwin's time spent in the French capital, was a groundbreaking symphonic

JOHN COLTRANE Autograph Musical Manuscript, an early (late 1950s), 2-page arrangement of the jazz classic "Body and Soul," a part for alto sax, unsigned but handwritten by him on musical notation paper Autograph Musical Manuscript, unsigned. Titled "Body + Soul". 2 pages, 9½x12½ (conjoined) with his handwritten comments: "IIIrd Alto/Solo with 1st Alto". Written in treble clef, 2/4 time, key of B flat. John Coltrane (1926-1967) was a jazz saxophonist (tenor, but also soprano and alto) and highly innovative composer. First noted as a sideman for such jazz greats as Dizzy Gillespie, Thelonious Monk and especially Miles Davis, Coltrane released his first solo album in 1957, and the first album consisting entirely of his original compositions (Giant Steps) in 1960. That same year, he formed his first ensemble, a quartet. "Trane" explored many jazz styles during a career shortened by liver cancer. His spiritual quest helped him overcome an early addiction to heroin and greatly influenced his music. Coltrane's posthumous

WILLIAM F. CODY The famous Wild West showman pens a hopeful letter to his friend, stating "New England was never big for me. But wait till we start west. I predict a big season." The letter was written during the downfall of Cody's show empire due to outside expenses draining the immense profits from his show Autograph letter signed: "Col.", 1 page, 8½x11 framed to an overall size of 25½x18½. Buffalo Bill's Wild West combined with Pawnee Bill's Great Far East. May 29, 1911. Portsmouth, [New Hampshire]. In full: "Dear Mayor Glad Light, Your letter which found me is fine health. We had two bad towns last week. Fitchburg & Newburyport. No one ever done business in either. The week hurt us at least $2000 in Lowell-sent your bank 5100 today to take up one of my notes. Been getting good deposits from the mines. Been getting in shape [illegible] or any one. I believe I'll walk a sale of the [illegible]. Note if good are doing. [illegible]. While I telegraph you for now we are all OK here-now. And barring accident we will be OK. New England was never big for me. But wait till we start west. I predict a big season.

W. C. FIELDS and FLO ZIEGFELD Both sign and initial a typed documentary letter (1924) extending Fields' contractual obligation to a Ziegfeld production. Documentary Letter signed: "W. C. Fields", "F. Ziegfeld, Jr." , 1 page, 7¼x10½. New York City, 1924 November 12. On Ziegfeld's New Amsterdam Theatre letterhead to W. C. Fields, New York City. Both have initialed a one-line ink addition in Ziegfeld's hand. Noting that Fields' current Equity Run-of-the-Play Contract for J. P. McEvoy's "Comic Supplement" expires on June 1, 1925, Fields agrees to extend his commitment after that date at the rate of $1,750 per week, provided that Fields is successful through the Actors Equity Association in getting released from a conflicting commitment with Phillip Goodman. Fields' weekly salary is to rise to $2,000 per week if "Comic Supplement" should continue running into 1926. Red-nosed, gravel-voiced, bottle-hitting American comedian W. C. FIELDS (1880-1946), born William Claude Dukenfield, began his career in silents, later excelling in such films as David Copperfield (as Micawber), My Little Chickadee (with Mae West) and The Bank Dick.

W. C. FIELDS 11x14 sepia photo of Fields in the stage version of his skit, "The Caledonian Express," signed and inscribed to author and publisher Arthur Samuels. Field's inscription includes one of his famous lines from the stage and screen skit: "You'll ha to git oot/o' the compartment." Oversized Photograph inscribed and signed: "To My friend/Arthur -you'll ha to git oot/o' the compartment,/from his friend/Bill Fields/Oct 11 - 1928." Sepia, 11x14. Remarkable studio portrait inscribed to Arthur Samuels, who was involved with the publishing of "Ladies Home Journal" and authored Poppy. Half-view left profile by Hal Phype. Fields has quoted one of his lines from the Earl Carroll's Vanities sketch "The Caledonian Express" (1928), in which the legendary comedian played four Scottish characters trying to remove an uninvited guest from a train compartment. Fields repeated the skit in the film Follow the Boys (1945), but that time played the intruder. Samuels' Poppy made Fields a Broadway star in 1923, and he reprised the role in two film versions. Surface creases at upper right corner with fraying at that corner, else fine, handsome and rare.

BUDDY HOLLY His handwritten answers to an English test at Lubbock High School, 1953 Autograph Manuscript signed: "Buddy Holley", 1p, 8x10½. Lubbock (Texas), 1953 March 17. An English grammar test. Holly (original spelling "Holley") has headed the page,signing his name in the upper left and writing "English 22v (2)" beneath his name. At the upper right, he has penned "Lubbock High School" and the date "March 17, 1953". Headed: "Test" by Holly, the test had 40 questions; just the answers are written. Holly had to identify parts of speech ("adv", "noun", "pronoun", "conjunction") and types of sentences ("run-on", "phrase", "sub. clause"). Only one answer (the first) is marked wrong. Holly was graduated from Lubbock High School in 1955 and within a year was recording for Decca Records. He was an innovator who wrote his own material and was among the first to use such advanced studio techniques as double-tracking. Holly pioneered and popularized the now-standard rock-band lineup of two guitars, bass and drums. He began experimenting with orchestration shortly before his death in 1959. His first song recorded with the Crickets in 1957 was "That'll Be the Day". "Peggy Sue" followed.

VERDI WRITES TO MARIA WALDMANN WHO APPEARED IN HIS FIRST PRODUCTION OF AIDA IN MILAN   GIUSEPPE VERDI. ALS: "G. Verdi", 1p, 4½x3½. Sant'Agate, 1889 November 18. To his close friend, Maria Massari Waldmann.In Italian, partially translated. In part: "Thank you, my dear Maria, and thanks to your kind Duke for the affectionate remembrance...Greetings to the Duke and a warm handshake...." On February 8, 1872, mezzo-soprano MARIA MASSARI WALDMANN starred as Amneris in the Milan premiere of Aida under Verdi's direction. At the time of this letter, Giuseppe Verdi (1813-1901) spent part of the year at the Villa Verdi at St. Agata diBusseto, close to his birthplace in Le Roncole, and part in Genoa in an apartment in the Palazzo Doria. Inscription on verso of Verdi's letter, in Italian: "To my dear/friend Margherita/from/Maria Massari/Zavaglia/Ferrara, 22-1-905". There is a collection of nearly 100 letters from Verdi to Waldmann in La Biblioteca del Conservatorio "G.B. Martini" in Bologna, Italy. Lightly stained. Overall, fine condition.