TAX DOCUMENT REVEALS THAT GEORGE GERSHWIN GOT 60% AND IRA GERSHWIN RECEIVED 40% FROM THEIR COLLABORATIONS   GEORGE GERSHWIN and IRA GERSHWIN. Carbon Typed Document Signed: "George Gershwin" and "Ira Gershwin", 1p, 8½x13. Los Angeles, California, 1936 September 30. In part: "GEORGE GERSHWIN and IRA GERSHWIN each, being first duly sworn, deposes and says: That he is one of the parties to the written agreement dated July 29, 1936, executed by and between RKO STUDIOS, INC. and GEORGE GERSHWIN and IRA GERSHWIN, under the terms and conditions of which the said George Gershwin and Ira Gershwin are employed by the said RKO Studios, Inc. and under the terms and conditions of which the compensation payable to the said George Gershwin and Ira Gershwin is paid to them jointly, without any allocation between them. That under the terms and conditions of an agreement existing between the said George Gershwin and Ira Gershwin all compensation received by them read more...

JOHN COLTRANE Autograph Musical Manuscript, an early (late 1950s), 2-page arrangement of the jazz classic "Body and Soul," a part for alto sax, unsigned but handwritten by him on musical notation paper Autograph Musical Manuscript, unsigned. Titled "Body + Soul". 2 pages, 9½x12½ (conjoined) with his handwritten comments: "IIIrd Alto/Solo with 1st Alto". Written in treble clef, 2/4 time, key of B flat. John Coltrane (1926-1967) was a jazz saxophonist (tenor, but also soprano and alto) and highly innovative composer. First noted as a sideman for such jazz greats as Dizzy Gillespie, Thelonious Monk and especially Miles Davis, Coltrane released his first solo album in 1957, and the first album consisting entirely of his original compositions (Giant Steps) in 1960. That same year, he formed his first ensemble, a quartet. "Trane" explored many jazz styles during a career shortened by liver cancer. His spiritual quest helped him overcome an early addiction to heroin and greatly influenced his music. Coltrane's posthumous honors included a Grammy read more...

WILLIAM F. CODY Autograph letter to General Nelson Miles (1896), introducing a friend, signed "Your old Scout/W.F. Cody" ALS: "Your old Scout/W.F. Cody", 1 page, 6x9½. New Hampshire House, New York, 1896 January 29. To General Nelson A. Miles, Washington, D.C. In full: "Please permit me to introduce Mr. J.L. Cunningham and (sic, an) old personal friend who wishes to speak to you. If you will give him a hearing. You will greatly oblige." Both NELSON MILES and BILL CODY overlapped in their time of military service during the western campaigns against the Indians. Cody was Chief Scout for the 5th Cavalry and Miles commanded the 5th Infantry. They served under Philip Sheridan. In 1896, the year of this letter, Cody's Wild West Show was extensively touring and he was also developing his land in Cody, Wyoming; while Miles was Commander in Chief of the Army. Great associations, worthy of further research. Lightly creased. ¾-inch separation at upper left blank horizontal fold. 2-inch separation at lower left horizontal fold touches 1 word (all intact). ¾-inch separation at lower right blank horizontal fold. read more...

JAMES DEAN Ever wonder what a 1950s icon looked like in high school? Ever wonder if he really was a "Rebel Without a Cause"? This incredibly rare piece is a 1948 yearbook from Fairmount High School in Fairmount, Indiana, signed "Jim Dean" in blue ink shows the budding actor as a budding basketball player. Also signed by Dean's friends, coaches and teachers. Comes in an 11¼x14½x2¼ black-and-gold-colored frame with bio plate. Signed pieces from this early in Dean's life are highly desirable! Book signed "Jim Dean" on page 56 in blue ink, "Paul Weaver" in blue ink on page 11, "Adaline "Nall/Brookshire" in black ink on page 11 and "Edith Thomas" in pencil inside back cover. B/w, 68 pages with numerous signatures in black and blue ink and lead pencil, all in unknown hands, bound with two staples in gold-colored cardstock covers. Comes in an 11¼x14½x2¼ black-and-gold-colored frame with bio plate. Titled: "Black and Gold/1948". read more...

VERDI WRITES TO MARIA WALDMANN WHO APPEARED IN HIS FIRST PRODUCTION OF AIDA IN MILAN   GIUSEPPE VERDI. ALS: "G. Verdi", 1p, 4½x3½. Sant'Agate, 1889 November 18. To his close friend, Maria Massari Waldmann. In Italian, partially translated. In part: "Thank you, my dear Maria, and thanks to your kind Duke for the affectionate remembrance...Greetings to the Duke and a warm handshake...." On February 8, 1872, mezzo-soprano MARIA MASSARI WALDMANN starred as Amneris in the Milan premiere of Aida under Verdi's direction. At the time of this letter, Giuseppe Verdi (1813-1901) spent part of the year at the Villa Verdi at St. Agata diBusseto, close to his birthplace in Le Roncole, and part in Genoa in an apartment in the Palazzo Doria. Inscription on verso of Verdi's letter, in Italian: "To my dear/friend Margherita/from/Maria Massari/Zavaglia/Ferrara, 22-1-905". There is a collection of nearly 100 letters from Verdi to Waldmann in La Biblioteca del Conservatorio "G.B. Martini" in Bologna, Italy. Lightly stained. Overall, fine condition. read more...

W. C. FIELDS Preparing for his role as "The Great Man" in his last starring role, later titled Never Give a Sucker an Even Break, Fields hires his own writer, to be paid by him, not by the studio. The writer (John T. Neville) has also signed. Documentary Letter Signed: "W. C. Fields", "John T. Neville", 1 page, 8½x11. Universal City, California, 1941 February 22. Neville acknowledges that he has been hired personally by W. C. Fields in connection with Fields' pending movie for Universal Studios, and understands that is to be compensated by Fields, owed nothing by Universal. Fields signs his "approval and consent to the foregoing." Ink note at top left (unknown hand), underlined in red: "The Great Man". W.C. FIELDS (1879-1946) began entertaining as an amusement park juggler at the age of fourteen. He was a vaudeville headliner before he was twenty and toured Europe in 1901, giving a command performance at Buckingham Palace. His Broadway debut in The Ham Tree (1905) was followed by appearances in the Ziegfeld Follies (1915-1921) and in George White's Scandals (1933). Fields starred in Poppy on Broadway (1923) and the next year made his first film, Janice Meredith (1924). read more...

ANTONIN DVORAK A signed autograph note on a postcard, giving instructions to a music publisher in London, addressed in his hand and mailed from Prague in 1892. Both sides of the postcard can be viewed in the frame! Autograph Note Signed with two musical quotes: "A. Dvorak" in English, 5½x3¾. On verso of stamped postcard addressed by Dvorak to: "Novello & Ewer/ 1 Berners Street/London", postmarked Prague, March 24, 1892. In full: "I have no objection to it, when the two bars notes the Viola [c note] page 291. 207 are to be omitted and given to the Cello [two bars, two notes]". Czech composer Antonin Dvorak (1841-1904) is best known for his symphony in E minor, From the New World, composed in 1893. He is also noted for success in adapting folk music to serious romantic music. Dvorak was the Director of The National Conservatory of Music from 1892-1895. Note side is soiled, worn torn edges (all intact). Corners torn away affecting some writing and 1 musical quote. Address side is soiled and worn, edge flaws are framed over. Light stains. read more...

W. C. FIELDS and FLO ZIEGFELD Both sign and initial a typed documentary letter (1924) extending Fields' contractual obligation to a Ziegfeld production. Documentary Letter signed: "W. C. Fields", "F. Ziegfeld, Jr." , 1 page, 7¼x10½. New York City, 1924 November 12. On Ziegfeld's New Amsterdam Theatre letterhead to W. C. Fields, New York City. Both have initialed a one-line ink addition in Ziegfeld's hand. Noting that Fields' current Equity Run-of-the-Play Contract for J. P. McEvoy's "Comic Supplement" expires on June 1, 1925, Fields agrees to extend his commitment after that date at the rate of $1,750 per week, provided that Fields is successful through the Actors Equity Association in getting released from a conflicting commitment with Phillip Goodman. Fields' weekly salary is to rise to $2,000 per week if "Comic Supplement" should continue running into 1926. Red-nosed, gravel-voiced, bottle-hitting American comedian W. C. FIELDS (1880-1946), born William Claude Dukenfield, began his career in silents, later excelling in such films as David Copperfield (as Micawber), My Little Chickadee (with Mae West) and The Bank Dick read more...

W. C. FIELDS Very youthful 4½x6½ image in bow tie and stiff collar Photograph signed: "W. C. Fields" B/w, 4½x6½. W. C. Fields (1879-1946) began entertaining as an amusement park juggler at the age of fourteen. He was a vaudeville headliner before he was twenty and toured Europe in 1901, giving a command performance at Buckingham Palace. His Broadway debut in The Ham Tree (1905) was followed by appearances in the Ziegfeld Follies (1915-1921) and in George White's Scandals (1922). Fields starred in Poppy on Broadway (1923) and the next year made his first film, Janice Meredith (1924). Fields' style, verbal rather than visual, and his irascible con-man philosophy made him a favorite, especially with the advent of sound, where his raspy voice provided the final touch to his comedy. He starred in movies including My Little Chickadee (1940) and Never Give a Sucker an Even Break (1941). Nobody contributed more wry quotations ("Anyone who hates children and animals can't be all bad.") to American folklore. Signature in poor contrast but legible. Light silvering. Surface creases. Corners worn and chipped. Ink stamp on verso. Multiple pencil marks (unknown hand) on verso. read more...