EDVARD GRIEG and ERNESTINE SCHUMANN HEINK Both sign their names on this album leaf containing several bars of music drawn by Grieg Autograph Musical Quotation signed: "Edvard Grieg" 1p, 6x3½. Leipzig, 1891.Three bars of music labeled: "Andante" at top by EDVARD GRIEG (1843-1907). Grieg was a Norwegian composer and pianist who learned how to play at the age of six and went on the attend Leipzig Conservatory. His works include music for Ibsen's Peer Gynt (1876) as well as many choral, orchestral, and chamber pieces. On verso is an Autograph Note signed: "Schumann Heink" in German, New York, 1902 January. From the late 1880s to the early 1900s, the exceptional contralto voice of ERNESTINE SCHUMANN HEINK (1861-1936) was heard frequently at concerts and festivals throughout Europe. She was primarily known for her interpretations of Wagner and Strauss. In 1905, she took out U.S. naturalization papers. Her German-language recording of "Silent Night" earned sales for Victor Red Seal records unmatched by any other artist. When the U.S.

W. C. FIELDS Very youthful 4½x6½ image in bow tie and stiff collar Photograph signed: "W. C. Fields" B/w, 4½x6½. W. C. Fields (1879-1946) began entertaining as an amusement park juggler at the age of fourteen. He was a vaudeville headliner before he was twenty and toured Europe in 1901, giving a command performance at Buckingham Palace. His Broadway debut in The Ham Tree (1905) was followed by appearances in the Ziegfeld Follies (1915-1921) and in George White's Scandals (1922). Fields starred in Poppy on Broadway (1923) and the next year made his first film, Janice Meredith (1924). Fields' style, verbal rather than visual, and his irascible con-man philosophy made him a favorite, especially with the advent of sound, where his raspy voice provided the final touch to his comedy. He starred in movies including My Little Chickadee (1940) and Never Give a Sucker an Even Break (1941). Nobody contributed more wry quotations ("Anyone who hates children and animals can't be all bad.") to American folklore. Signature in poor contrast but legible. Light silvering. Surface creases. Corners worn and chipped. Ink stamp on verso. Multiple pencil marks (unknown hand) on verso.

WILLIAM F. 'BUFFALO BILL' CODY The man known for his showmanship and scouting skills signed this handwritten letter concerning his financial issues. Various close associates liquidate Cody's assets so that he can pay his creditors. Autograph Letter Signed: "W. C. Cody" one page both sides, 8.5 x 11, Chicago Shan-Kive and Round-Up letterhead. Dated September 18, 1916. Letter to his attorney Henry Hersey regarding his grim financial situation. In Part: “They can explain this situation to you better than I care for they have not kept me well footed. But if you do not hear from them, I'll write you all I know. First Link got judgement for about $11,800. And sold the Irma hotel and four lots and bid it in him self. I have until Jan. 15th 1917. In which to reclaim the property. There separately he sold the fixtures, paintings, etc - I furnished the money and had W.L. Walls bid them in for me. Then Link advertised and sold a hotel of mine called Pahaska Tepee. I furnished the money and had Walls bid that in for me.

W.C. FIELDS. ALS: "Willie", 2p, separate sheets, 8½x11. Bel Air, Cal., Sunday (October 15, 1939). Original envelope addressed by Fields to: "Miss Jane Fowler/National Park College/Forest Glen/Maryland". Lightly creased. Fine condition. Jane Fowler was the daughter of his friend, Gene Fowler. Fields had developed a crush on Jane but the affection was unreciprocated. To "my dear nice niece Janey pie". In full: "Thanks for your letter of the 11th, but first I want to tell you that I was coming to forest Glen and engage quarters close to the college, listen to the lesson and get a little added education. Further I could watch you and see that you took your salt peter but when I read your envelope, 'W. C. Feilds' [he has circled the "ei"] I swooned. My own plum, do they not teach you I before E except after C. Suppose after our wedding you go to the Cadillac agency and say 'two 16's, one sport roadster and one coupe, hand the gentleman in attendance a check for $17,000.00 and you sign it 'Jane Feilds.' You do not like the jailhouse any more than I do. If as much. Dear do be careful. I answered your dear wire after I got the necessary funds together to pay for it but I made a mistake and sent it care of Booker T.

W.C. FIELDS Original Prohibition-era W.C. Fields comedy sketch. Manuscript Comedy Sketch titled and signed: "One of the six best Cellars/By/W.C. Fields", 13¼p, 6x8¼, separate sheets. No place, no date. The 18th Amendment to the U.S. Constitution went into effect on January 16, 1920. As of that date, "the manufacture, sale, or transportation of intoxicating liquors within, the importation thereof into, or the exportation thereof from the United States and all territory subject to the jurisdiction thereof for beverage purposes is hereby prohibited." Prohibition is the topic of this comedy sketch, One of the Six Best Cellars, which is written with a bit of satire. The phrase "six best cellars" was an expression first used in 1920 referring to the best hideaways where liquor was stored during Prohibition. The phrase was used in a "Los Angeles Herald" story on December 8, 1920 stating that actress Mabel Normand, known to be a heavy drinker, had one of the "six best cellars" of Prohibition liquor in the Hollywood film colony. Although not dated, this comedy sketch was likely written during the Prohibition era. In the early 1920s Fields wrote many comedy sketches while performing in New York's vaudeville, most notably in the Ziegfeld Follies.

W.C. FIELDS, MAURICE CLEARY and GENE TOWNE The legendary comedian and actor and two others sign a six-month agreement for the production and airing of radio broadcasts starring Fields. Typed DS: "W.C. Fields" as Party of the First Part on page 4 and intiialed: "W.C.F." three times on page 3 and once on page 4, 4p, 8½x13, separate sheets, bound together onto 9x13¾ blue legal sheet (imprinted "Stephen Monteleone/Attorney and Counsellor at Law/Petroleum Securities Building/Flower Street at Tenth/Los Angeles)". Los Angeles, California, 1932 November 11.This agreement, which is for a period of six months (November 11, 1932-May 11, 1933), states that Fields, who "possesses special, unique and unusual ability as an artist", Cleary, "skilled and experienced in arranging for the production of any such performances [by Fields] and the disposal of the same for use over the radio", and Towne, who "possesses unique ability in the presentation of original stories and plays to be used [by Fields] in broadcasting the same over the radio", agree to collaborate on radio performances.

W. C. FIELDS Handwritten letter to his mistress Carlotta Monti, signed as "The Great Man". Monti is not spared Fields' caustic wit: "You say your voice has improved ... Thank Christ you never took up the cornet." Autograph Letter signed: "The Great Man", 2 pages (integral leaf), 8½x11. No place, 1939 January 11. To "Dear Carlotta". In full: "You say your voice has improved, but if you cannot commercialize on it, it will do you very little good, and cause others who have to listen to it quite a bit of business. Thank Christ you never took up the cornet. I will ask mickey mouse or pals to meet you at the station with station wagon. So look for either upon your arrival. [next 3 sentences written in cramped script in margin.] I will call you up at 8th St. Don't be fretting about your birthday. You know money is very good and I hate to hear anyone mention it. I will be out of town as the painters come in Monday. We will be most anxious to see you and have you tell us about London, Berlin, Paris, Moscow, etc. Carlo-Ta-Carlo-Ta". W.C. Fields (1879-1946) began entertaining as an amusement park juggler at the age of fourteen.

W. C. FIELDS Signing as "The great man/Continental Claude", he pens a letter to his mistress Carlotta in New York Autograph Letter signed: "The great man/Continental Claude", 1p, 8½x10¼. On lightweight airmail paper. No place, no date, but with original envelope postmarked Los Angeles, Hollywood, December 27, 1939. Addressed by Fields to Miss C. Douglas [Carlotta Monti], Hotel Marie Antoinette, Broadway at 66 St., New York City. Torn flap. Creased, soiled and worn. Unrelated notes on verso (unknown hand). In full: "Something or other was at ah La Cava's Morales you know her and she enquired about you. I told her you were making the grade in N.Y. That you had been on here to attend your case but returned. She expressed regrets she had not seen you. She made La Cava a sweater. I think I admired the sweater and she suggested making me one. Being continental and never forgetting the days of chivalry I accepted graciously. She evidently knows Margo and they are coming some afternoon to measure me. Do you think I should order a pair if drawers too? This thing is running into a book, so will saw off. Keep well- and think for pastime. Always my best and most important wishes. M.M. sends Love." Creased, folds, lightly nicked edges. W.C.

W. C. FIELDS 11x14 sepia photo of Fields in the stage version of his skit, "The Caledonian Express," signed and inscribed to author and publisher Arthur Samuels. Field's inscription includes one of his famous lines from the stage and screen skit: "You'll ha to git oot/o' the compartment." Oversized Photograph inscribed and signed: "To My friend/Arthur -you'll ha to git oot/o' the compartment,/from his friend/Bill Fields/Oct 11 - 1928." Sepia, 11x14. Remarkable studio portrait inscribed to Arthur Samuels, who was involved with the publishing of "Ladies Home Journal" and authored Poppy. Half-view left profile by Hal Phype. Fields has quoted one of his lines from the Earl Carroll's Vanities sketch "The Caledonian Express" (1928), in which the legendary comedian played four Scottish characters trying to remove an uninvited guest from a train compartment. Fields repeated the skit in the film Follow the Boys (1945), but that time played the intruder. Samuels' Poppy made Fields a Broadway star in 1923, and he reprised the role in two film versions. Surface creases at upper right corner with fraying at that corner, else fine, handsome and rare.