BUDDY HOLLY His handwritten answers to an English test at Lubbock High School, 1953 Autograph Manuscript signed: "Buddy Holley", 1p, 8x10½. Lubbock (Texas), 1953 March 17. An English grammar test. Holly (original spelling "Holley") has headed the page, signing his name in the upper left and writing "English 22v (2)" beneath his name. At the upper right, he has penned "Lubbock High School" and the date "March 17, 1953". Headed: "Test" by Holly, the test had 40 questions; just the answers are written. Holly had to identify parts of speech ("adv", "noun", "pronoun", "conjunction") and types of sentences ("run-on", "phrase", "sub. clause"). Only one answer (the first) is marked wrong. Holly was graduated from Lubbock High School in 1955 and within a year was recording for Decca Records. He was an innovator who wrote his own material and was among the first to use such advanced studio techniques as double-tracking. Holly pioneered and popularized the now-standard rock-band lineup of two guitars, bass and drums. He began experimenting with orchestration shortly before his death in 1959. His first song recorded with the Crickets in 1957 was "That'll Be the Day". "Peggy Sue" followed. read more...

FOR THE VICTOR TALKING MACHINE COMPANY'S RECORDING OF HIS 1929 PERFORMANCE OF AN AMERICAN IN PARIS, GERSHWIN RECEIVES ROYALTIES OF ONE CENT PER RECORD SOLD!   GEORGE GERSHWIN. Typed Document Signed: "George Gershwin", 1p, 8x10. No place, 1929 November 1. Headed: "Victor Talking Machine Company/Statement of Royalty Due on Selections by/George Gershwin". The statement is titled: "Sold by the Victor Talking Machine Company for period ending Sept. 30, 1929". Two different records were sold: An American in Paris - Parts 1 and 2 (8331 copies), $83.31 royalty and An American in Paris - Parts 3 and 4 (8327 copies), $83.27 royalty. Total: $166.58 royalty. Gershwin was paid royalties of a penny per copy! He has signed beneath this statement: "I accept the above statement of my royalty account for records of my performance in accordance with my contract dated March 13, 1929 and acknowledge the receipt of the amount for the period shown on said statement in full and final settlement of said account." An American in Paris, inspired by Gershwin's time spent in the read more...

VERDI WRITES TO MARIA WALDMANN WHO APPEARED IN HIS FIRST PRODUCTION OF AIDA IN MILAN   GIUSEPPE VERDI. ALS: "G. Verdi", 1p, 4½x3½. Sant'Agate, 1889 November 18. To his close friend, Maria Massari Waldmann. In Italian, partially translated. In part: "Thank you, my dear Maria, and thanks to your kind Duke for the affectionate remembrance...Greetings to the Duke and a warm handshake...." On February 8, 1872, mezzo-soprano MARIA MASSARI WALDMANN starred as Amneris in the Milan premiere of Aida under Verdi's direction. At the time of this letter, Giuseppe Verdi (1813-1901) spent part of the year at the Villa Verdi at St. Agata diBusseto, close to his birthplace in Le Roncole, and part in Genoa in an apartment in the Palazzo Doria. Inscription on verso of Verdi's letter, in Italian: "To my dear/friend Margherita/from/Maria Massari/Zavaglia/Ferrara, 22-1-905". There is a collection of nearly 100 letters from Verdi to Waldmann in La Biblioteca del Conservatorio "G.B. Martini" in Bologna, Italy. Lightly stained. Overall, fine condition. read more...

WILLIAM F. "BUFFALO BILL" CODY His autograph letter, signed as Cousin Will, asking to be sent "some more headache powders" to relieve the headache caused by his financial woes Autograph Letter signed: "Cousin Will", 1 page, 8x10. New Rochelle, N.Y., no date. To "Dear Frank and Nellie". In full [spelling errors in original]: "I've had a lot of hard upset. Twice I've had moneyed men who were ready to put up a $150,000 to back me with a new show. And that man Tammen has scared them out by telling them he had a contract for my services for 1916 which he hasent. But he still thinks if I cant get out with a show I come back and make more money for him, which will never do. However, I haven't given up. But will stay here until know what I can do. The men are still working at the mines. Say, please send me some more headache powders. This nervous strain makes my head ache. I am living here at Rochelle with my nephew and neice. Its only 45 minutes from New York. Love ever." William Frederick CODY (1846-1917) earned the name "BUFFALO BILL" for killing thousands of buffalo as a hired hunter in 1867 and 1868. Cody had begun his wild west career herding cattle at age nine. read more...

WILLIAM F. CODY: BUFFALO BILL 4¼x6½ cabinet card photo, signed both as W.F. Cody and as Buffalo Bill Cabinet Card Photograph signed: "W.F. Cody/'Buffalo Bill'". B/w, 4¼x6½. Superb portrait of William F. Cody with his desirable double signature. Photographer's imprint, "Gessford/238 Fifth Ave./N.Y.", at lower mount. William Frederick Cody (1846-1917) was a rider for the Pony Express in 1860, a scout for the Kansas Cavalry against the Indians (1863) and served in the U.S. Army in the Civil War (1863-1865). From 1867-1868, he furnished buffalo meat for the Union Pacific Railroad construction crews, earning his nickname, "Buffalo Bill". Cody was a scout for the 5th U.S. Cavalry from 1868-1872 and in 1876. From 1872-1883, he was on stage as an actor at first in E.Z.C. Judson's play, Scouts of the Plains. He organized Buffalo Bill's Wild West Show in 1883 and toured the United States and Europe successfully for over 30 years. Fine condition. read more...

W.C. FIELDS The legendary comedian pens this letter to his mistress Carlotta in 1941 Autograph Letter signed: “W.” in black ink, 1p front and verso, 8x10½. Saturday, Bel Air. Original mailing envelope included. Addressed to “Miss Carlotta Douglas/ Hotel Paso del Norte/ El Paso/ Texas” on W.C. Fields' personalized envelope. Postmarked Los Angeles, California, December 3, 1941. To “Dear Carlotta”. In part: “I recd. your curt wire some weeks ago, saying send me $1000.00. You made no mention of the book Shoes of Happiness I had sent you several weeks previous nor made any comment on the article 'Sing Sucker Sing.' Ignored everything. It felt to me as though you had one of those real intelligent palsie walsies with you and you were going to show them the way you did things. Consequently I ignored it. I had a phone message from Weikert saying the case had been postponed until late in June and that he had, had word from you that you would be present for the trial. I shouldn't say trial. It will be the same sort of affair as the last one no press permitted. read more...

BORIS KARLOFF Movie still from 1931's Frankenstein, with Karloff as the monster and choking a victim to death in a doorway, signed "Sincerely" by him. A must have for horror fans! Photograph signed "Sincerely/Boris Karloff". B/w, 7¾x10 overall, 7¼x9¼ image, one surface. This is a prize horror autograph and one that every horror fan should have: a signed photograph of Boris Karloff as the monster in 1931's Frankenstein! Karloff (1887-1969, born William Henry Pratt in Camberwell, London, England) was an English actor. Karloff had originally wanted a career in the diplomatic service, but he instead became one of Hollywood's most frightening actors. In 1931, he starred as the monster in the original Frankenstein, a role that had been turned down by Bela Lugosi. Karloff, who also scared the daylights out of movie-goers in the films The Mummy (1932) and The Ghoul (1933), also hosted and occasionally starred in the TV series Thriller. He gave one of the best of his many film performances in the 1968 Peter Bogdanovich film Targets, in which he virtually played himself - an aging star of horror movies. Lightly toned, creased and bowed. read more...

W. C. FIELDS Signing as "The great man/Continental Claude", he pens a letter to his mistress Carlotta in New York Autograph Letter signed: "The great man/Continental Claude", 1p, 8½x10¼. On lightweight airmail paper. No place, no date, but with original envelope postmarked Los Angeles, Hollywood, December 27, 1939. Addressed by Fields to Miss C. Douglas [Carlotta Monti], Hotel Marie Antoinette, Broadway at 66 St., New York City. Torn flap. Creased, soiled and worn. Unrelated notes on verso (unknown hand). In full: "Something or other was at ah La Cava's Morales you know her and she enquired about you. I told her you were making the grade in N.Y. That you had been on here to attend your case but returned. She expressed regrets she had not seen you. She made La Cava a sweater. I think I admired the sweater and she suggested making me one. Being continental and never forgetting the days of chivalry I accepted graciously. She evidently knows Margo and they are coming some afternoon to measure me. Do you think I should order a pair if drawers too? This thing is running into a book, so will saw off. Keep well- and think for pastime. Always my best and most important wishes. M.M. sends Love." Creased, folds, lightly nicked edges. W.C. read more...

W. C. FIELDS and FLO ZIEGFELD Both sign a contract for Fields' appearance in the play "J. P. McEvoy's Comic Supplement". Not a standard form contract, this one has been written with Fields in mind. Contract signed: "Flo Ziegfeld", "W. C. Fields", 4 pages, 7¼x10½. Also initialed by both at a minor correction: "F.Z.", "W. C. F." New Amsterdam Theatre, New York, N.Y., 1924 November 10. On Ziegfeld's personal letterhead, Fields signs his acceptance of a commitment to appear in a play bearing the temporary title "J. P. McEvoy's Comic Supplement," to be produced on or before January 15, 1925. Fields is guaranteed top billing in the play credits and all advertising, and will receive $1, 750 per week for the full run of the play. He must attend five weeks of rehearsals without compensation. Clause 5 is of special interest: "You agree to get in touch promptly after the execution of this agreement with the author of this play, Mr. McAvoy and to aid and facilitate him and co-operate with him in every matter to the end that the parts to be assigned to you shall be adapted to your special talents and ability. You agree to render such services without any additional compensation. read more...