W.C. FIELDS. ALS: "Willie", 2p, separate sheets, 8½x11. Bel Air, Cal., Sunday (October 15, 1939). Original envelope addressed by Fields to: "Miss Jane Fowler/National Park College/Forest Glen/Maryland". Lightly creased. Fine condition. Jane Fowler was the daughter of his friend, Gene Fowler. Fields had developed a crush on Jane but the affection was unreciprocated. To "my dear nice niece Janey pie". In full: "Thanks for your letter of the 11th, but first I want to tell you that I was coming to forest Glen and engage quarters close to the college, listen to the lesson and get a little added education. Further I could watch you and see that you took your salt peter but when I read your envelope, 'W. C. Feilds' [he has circled the "ei"] I swooned. My own plum, do they not teach you I before E except after C. Suppose after our wedding you go to the Cadillac agency and say 'two 16's, one sport roadster and one coupe, hand the gentleman in attendance a check for $17,000.00 and you sign it 'Jane Feilds.' You do not like the jailhouse any more than I do. If as much. Dear do be careful. I answered your dear wire after I got the necessary funds together to pay for it but I made a mistake and sent it care of Booker T. read more...

JAMES CAGNEY Signed letter filled with recollections of playing George M. Cohan in Yankee Doodle Dandy, and of Cohan's reaction to the film. Cagney's account, brimming with colorful anecdotes, illuminates a landmark of film history. Typed Letter signed: "J. Cagney", 2 pages 7¼x10½. Verney Farm, Staffordville, New York, 1979 July 3. To "Dear Mr. McGilligan", in full: "In answer to your recent letter, all the information you mention regarding the Cohan contribution to 'Yankee Doodle Dandy' is quite accurate. There was never a script submitted to Mr. Cohan. He sent a friend out, who was a lawyer, to view the rough cut. My brother Bill escorted Mr. Raftery to a projection room, and sat him down in a big comfortable chair. Inasmuch as the script had not been submitted, my brother was full of misgivings, feeling the lawyer would step all over it. My brother was wrong. About twenty minutes into the film it really got to Mr. Raftery. As he sat on the other end of the room, my brother could feel the lounge vibrating as he realized Mr. Raftery was crying. Bill knew he was home free then. The other obstacle was in reference to Cohan's first wife, Ethel Levy. read more...

ANNIE OAKLEY Pictured on top of her show horse, the famed dead-eye shoots a bullet straight through the heart on this 1919 signed exhibition card. Exhibition cards, as such, where Oakley hit her mark dead center were given away to the sharp-shooter's lucky fans. Accompanied by an unsigned publicity photo with Oakley posing with her rifle. Extremely Rare! Photograph Signed: "Annie Oakley/June19--1919", 4½x2 card. Accompanied by a 4¼x6 sepia photo of the markswoman holding her rifle, standing on the fabric of a teepee. The "sure shot" used exhibition cards to demonstrate her shooting prowess by taking aim from 30 paces away and splitting the card dead center. This particular card, pierced with a .22 caliber bullet through its printed black heart, is nothing short of a perfect example of Oakley's unrivaled skill and precision. Annie Oakley (1860-1926) was born Phoebe Anne Oakley Mozee in Ohio. She was the sixth of eight children. At the age of nine she began to shoot rabbits and quail and was almost a dead shot from the first. Within five years, she was a breadwinner for her family as a markswoman. read more...

ELVIS PRESLEY'S JACKET!   ELVIS PRESLEY. Velvet bolero style jacket owned by Elvis and given to his personal hairdresser, Homer M. Gilleland, known as Mr. Gill. The wine colored, four-buttoned short jacket bears a "Mr./Ray's/Palm Springs" label. Accompanied by a Typewritten Statement signed: "Homer M Gilleland/8-14-91". In full: "To whom this may concern. My name is Homer M. Gilleland. For over 20 years preceding his death, I Was the personal hairdresser of Elvis Aaron Presley. During my employment as Elvis' hairdresser, he gave me as gifts numerous Items of clothing and personal property. This wine colored velvet bolero jacket was owned by Elvis. The jacket has the Label, Mr. Rays Palm Springs. This was a favorite men's store that Elvis frequently Shopped at in the 1960's while he stayed in Palm Springs. This jacket is authentic as given to me by Elvis Aaron Presley during my employment as his personal hairdresser." Homer M. Gilleland, known as "Mr. Gill", cut Gladys Presley's hair in the 1950's at Goldsmiths Department Store in Memphis, Tennessee. When Elvis became famous he asked his mother's hairdresser to cut his hair. Mr. Gilleland cut Elvis' hair until Presley's death in 1977. read more...

THE STRATTON STORY: A FILM PRODUCTION ARCHIVE Collection of ten items from the production of this 1949 film, the true story of a great baseball comeback. Included are the original contract signed by Monty Stratton; his pass to the MGM studios; a baseball signed by 15 cast and crew members; a signed baseball card showing the White Sox pitcher; photos and lobby cards signed by stars James Stewart and June Allyson; a DVD of the movie; a release form signed by Hall of Fame catcher Bill Dickey allowing use of his photo stills from this film; and a souvenir album inscribed by cast and crew to Monty's son Dennis! Collection comprised of: 1) Contract signed: "Monty Stratton", 25 pages, 9x13½. Culver City, California, 1948 February 26. Agreement between Monty Stratton ("the artist") and Loew's, Incorporated ("the producer"), acquiring Stratton's services as "technical adviser, director, coach, and/or technical writing assistant" at the discretion of the producer. Also signed by a Loew's Vice President (name illegible). He may also be used as an actor, and shall make personal appearances for film promotion. Stratton is to be paid $500 per week for the length of the contract, one year beginning on the signing date. read more...

ANNIE OAKLEY Her rare, handwritten letter to family members, discussing her health and family finances. signed as "Missie." ALS: "Affect Missie/xxx/xxx", 2¼ pages, 6x9½. Cambridge, Maryland, no year October 11. On letterhead of The Dixon to "Dear Fern And Sister". In full, with original spelling and grammar: "Yours rec. Jimmie is here with me. Will forclose the Mortgage on the Mag[illegible] farm. Will turn it all over to Calvin Harrington for I am to much in to bother & I would love to have A Lawyer to make out the necessary papers so I will just turn it all over to him. But I will stay here & rest for A while. We have hot & cold water, plenty clean linen & food not bad here. Want to visit the Andrews before leaving. Jimmie brought my breakfast up this morning my heart is bad, but I will rest more after he goes south, And maby he will also. She has climbed the stairs 10 times to day & it is 11 Am now. He loves you. Bonnie, Irene, and Bessie, far more then his own flesh & blood, and would do more for either of you, of this I am sure. read more...

AUTOGRAPH BOOK FROM THE HOLLYWOOD CANTEEN Scottish character actress Mary Gordon compiled this personal autograph book in 1944 at the celebrity-hosted, morale-boosting nightclub for soldiers and sailors of World War II. Book inscribed and signed: "Best Wishes!/Greer Garson", "Me too/Lt. Buddy Rogers", To Mary/I hope I'll always hear/that darlin' accent every/time I see you./Love,/Maureen O'Hara", "To darling Mary Gordon - a/great actress and a greater/Most sincerely/Claire DuBrey/1945", "To Mary -/One gr-a-a-nd Scout/Art Baker", "To Mary/Bing/Crosby", "To Mary,/with all my good wishes/Merle Oberon", "Ray Milland", "Grace Moore/1943", "Frank Morgan", "To Mary/For herself alone/Harry Davenport", "With all my love/Herb Doolittle", "Scotland forever!/John Loder", "Scots Wha Hac!/Hedy Lamarr", "Cpl. Camila Miranda Ramirez/The Shangrila Kid", "To my 'Dollfora/love/Keenan Wynn", "It was wonderful/knowing you/Doris Stein", "Well Mary/It has been good/knowing you and working with you/at the Hollywood Canteen/Evelyn Balcon", "To the/'beauty girl'/of all time/June Havoc", "C. read more...

AFTER A CONTRACT BATTLE, VALENTINO ASSIGNS HIS EARNINGS TO HIS WIFE   RUDOLPH VALENTINO. Typed DS: "Rudolph Valentino", 1p, 8x10½. No place, 1924 January 30. On his personal letterhead in letter form to Famous Players-Lasky Corp., New York City. Begins: "Gentlemen". In full: "In consideration of the advance to me by my wife, Natalie Guglielmi, I desire to assign, and do hereby assign to said Natalie Guglielmi any earnings which may accrue to me under the contract entered into and signed by myself on January 15th, 1924. Any salary due me is to be made payable to my wife, Natalie Guglielmi." Also signed: "John J. Barry" as Notary Public. Romantic film leading man Rudolph Valentino (1895-1926), born Rodolpho Alphonso Raffaelo Pierre Filibert Guglielmi di Valentina d'Antonguolla, signed this request in 1924 for the Famous Players-Lasky Corporation (later Paramount) to remit his earnings to his wife, former actress Natasha Rambova. At this time, Valentino was filming Monsieur Beaucaire, his first film after settling his 1922 contract dispute with Jesse Lasky. read more...

W. C. FIELDS Very youthful 4½x6½ image in bow tie and stiff collar Photograph signed: "W. C. Fields" B/w, 4½x6½. W. C. Fields (1879-1946) began entertaining as an amusement park juggler at the age of fourteen. He was a vaudeville headliner before he was twenty and toured Europe in 1901, giving a command performance at Buckingham Palace. His Broadway debut in The Ham Tree (1905) was followed by appearances in the Ziegfeld Follies (1915-1921) and in George White's Scandals (1922). Fields starred in Poppy on Broadway (1923) and the next year made his first film, Janice Meredith (1924). Fields' style, verbal rather than visual, and his irascible con-man philosophy made him a favorite, especially with the advent of sound, where his raspy voice provided the final touch to his comedy. He starred in movies including My Little Chickadee (1940) and Never Give a Sucker an Even Break (1941). Nobody contributed more wry quotations ("Anyone who hates children and animals can't be all bad.") to American folklore. Signature in poor contrast but legible. Light silvering. Surface creases. Corners worn and chipped. Ink stamp on verso. Multiple pencil marks (unknown hand) on verso. read more...