WILLIAM F. "BUFFALO BILL" CODY 6¾x9 black and white photograph mount with an exceptional quality image of the western icon, signed "W.F Cody, 'Buffalo Bill'" Inscribed Photograph Mount signed: "W.F Cody,/"Buffalo Bill"/To- W.S. Metz", B/w 6½x8 image, 6¾x9 overall. Photographer imprint at lower mount reading: "Prince/Parisian Panel/31 Union Square. New York/Penna Ave. & 11th St. Washington D.C."William Frederick Cody (1846-1917) earned the name "Buffalo Bill" for killing thousands of buffalo as a hired hunter in 1867 and 1868. Cody had begun his Wild West career herding cattle at age nine. Five years later, he became the Pony Express' youngest rider. Throughout the Civil War, Cody worked as a government scout, extracting from life and the West all it had to offer. His western notoriety grew with his adventures, including those during the Sioux War, in which he purportedly fought a duel with Chief Yellow Hand. Cody's theatrical career was launched that same year with his re-enactments of such Indian battles.

DAVID COPPERFIELD MOVIE CAST: LIONEL BARRYMORE, W.C. FIELDS, BASIL RATHBONE, MAUREEN O'HARA and othersBarrymore's personal copy of the complete original movie script, signed by himself and 33 other members of the cast and crew Original Movie Script signed. This script belonged to Academy Award winning actor Lionel Barrymore. Typed on the cover at the upper left corner: "FOR USE OF LIONEL/BARRYMORE", to which he signed to its right "Lionel Barrymore" (Dan Peggotty). Also signed:"George Cukor" (Director), "W.C. Fields" (Micawber), "Freddie Bartholomew/('David')" (David Copperfield as a boy), "Frank Lawton" (David Copperfield as a man), "Basil Rathbone" (Mr. Murdstone), "Maureen O'Sullivan/(Dora)", "Edna May Oliver" (Aunt Betsey), "Roland Young" (Uriah Heep), "Fay Chaldecott/Little Emily" (Little Emily as a child), "Madge Evans" (Agnes), "Elizabeth Allen/(Mrs.

W. C. FIELDS and FLO ZIEGFELD Both sign a contract for Fields' appearance in the play "J. P. McEvoy's Comic Supplement". Not a standard form contract, this one has been written with Fields in mind. Contract signed: "Flo Ziegfeld", "W. C. Fields", 4 pages, 7¼x10½. Also initialed by both at a minor correction: "F.Z.", "W. C. F." New Amsterdam Theatre, New York, N.Y., 1924 November 10. On Ziegfeld's personal letterhead, Fields signs his acceptance of a commitment to appear in a play bearing the temporary title "J. P. McEvoy's Comic Supplement," to be produced on or before January 15, 1925. Fields is guaranteed top billing in the play credits and all advertising, and will receive $1, 750 per week for the full run of the play. He must attend five weeks of rehearsals without compensation. Clause 5 is of special interest: "You agree to get in touch promptly after the execution of this agreement with the author of this play, Mr. McAvoy and to aid and facilitate him and co-operate with him in every matter to the end that the parts to be assigned to you shall be adapted to your special talents and ability. You agree to render such services without any additional compensation.

W.C. FIELDS Original Prohibition-era W.C. Fields comedy sketch. Manuscript Comedy Sketch titled and signed: "One of the six best Cellars/By/W.C. Fields", 13¼p, 6x8¼, separate sheets. No place, no date. The 18th Amendment to the U.S. Constitution went into effect on January 16, 1920. As of that date, "the manufacture, sale, or transportation of intoxicating liquors within, the importation thereof into, or the exportation thereof from the United States and all territory subject to the jurisdiction thereof for beverage purposes is hereby prohibited." Prohibition is the topic of this comedy sketch, One of the Six Best Cellars, which is written with a bit of satire. The phrase "six best cellars" was an expression first used in 1920 referring to the best hideaways where liquor was stored during Prohibition. The phrase was used in a "Los Angeles Herald" story on December 8, 1920 stating that actress Mabel Normand, known to be a heavy drinker, had one of the "six best cellars" of Prohibition liquor in the Hollywood film colony. Although not dated, this comedy sketch was likely written during the Prohibition era. In the early 1920s Fields wrote many comedy sketches while performing in New York's vaudeville, most notably in the Ziegfeld Follies.

ANNIE OAKLEY Out of character but not out of extravagance, the "sure-shot" poses in an extraordinary "Indian Princess" garb, hand-made with the feathers of her prized kills for a Valentine's Day Masquerade. Winning the costume contest that night, Oakley again demonstrates versatility and creative ingenuity, and this rare and exclusive photo captures it all. Signed and dated in her script, with pencil note in her hand on verso. This whimsical photo, not shot for publicity, was probably gifted to a family member or dear friend. Extremely Rare! Photograph signed in ink: "Annie Oakley 1919", and in pencil on verso: "Pinehurst 1919". Sepia, 3½x6. Shown in elaborate Indian costume with feathered head dress, gazing at the horizon. Annie Oakley (1860-1926) was born Phoebe Anne Oakley Mozee in Ohio. She was the sixth of eight children. At the age of nine she began to shoot rabbits and quail and was almost a dead shot from the first. Within five years, she was a breadwinner for her family as a markswoman. In 1876, at age 16, she married Frank Butler, a vaudeville performer who became her partner.

W. C. FIELDS Very youthful 4½x6½ image in bow tie and stiff collar Photograph signed: "W. C. Fields" B/w, 4½x6½. W. C. Fields (1879-1946) began entertaining as an amusement park juggler at the age of fourteen. He was a vaudeville headliner before he was twenty and toured Europe in 1901, giving a command performance at Buckingham Palace. His Broadway debut in The Ham Tree (1905) was followed by appearances in the Ziegfeld Follies (1915-1921) and in George White's Scandals (1922). Fields starred in Poppy on Broadway (1923) and the next year made his first film, Janice Meredith (1924). Fields' style, verbal rather than visual, and his irascible con-man philosophy made him a favorite, especially with the advent of sound, where his raspy voice provided the final touch to his comedy. He starred in movies including My Little Chickadee (1940) and Never Give a Sucker an Even Break (1941). Nobody contributed more wry quotations ("Anyone who hates children and animals can't be all bad.") to American folklore. Signature in poor contrast but legible. Light silvering. Surface creases. Corners worn and chipped. Ink stamp on verso. Multiple pencil marks (unknown hand) on verso.

ANNIE OAKLEY Recovering slowly from an auto accident late in her life, she writes a 4-page letter to a female journalist, enthusiastically describing her move to North Carolina. Autograph Letter signed: "Annie Oakley Butler", 4 pages (integral leaf), 5½x6¾. Greensboro, North Carolina, October 10 (Pencil note in unknown hand dates it 1923.) Oakley has struck through the original letterhead of the O'Henry and written her new address in Greensboro. To "Dear Miss Tildesley", in full: "I was pleased to see the sweet letter. We left Cambridge just two weeks ago. And stopped off in Balto. to see Dr. Baer. He said there was an improvement in my foot though it had been very slow. But for me to fight on and he was sure I would win out in time. So we both feel incouraged. I can walk much better than when you seen me. We have just left the Hotel and taken A suite here. We have A pretty living room, furnished in wicker with pretty colors. A wicker table with plate glass top so we can make coffee. Tea. Toast. and even boil eggs if we like. A french door opens on A private varanda with pretty flowers.

ANNIE OAKLEY This wonderful note from the Carolina Hotel in Pinehurst, North Carolina was signed "Congratulations" by Oakley and includes a 1919 penny shot by her during one of performances - proof that Oakley really was that good. Items signed by Oakley are extremely rare, and the targets that she used in her performances are even more so, making this combination an extraordinary find by any measure. Autograph sentiment signed "Congratulations/Annie Oakley". 5x6¼, on stationery from the Carolina Hotel in Pinehurst, North Carolina with colored cachet near top edge, 1 sheet folded. This note has a 1919 Lincoln head penny tied to it with twine. What makes this penny extraordinary is that it's been bent by a small-caliber bullet impact on its left edge. The crater still has a trace of lead and is consistent with that caused by a .22 bullet, the caliber that Oakley used in her performances. The note itself is also significant, as Oakley was hired by the Carolina Hotel (now the Pinehurst Resort, in Pinehurst, North Carolina) to teach and demonstrate shooting in the mid-1910s.

D. W. GRIFFITH Chastened by a messy divorce from his first wife, the famed director signs a prenuptial agreement with his bride to be, Evelyn Baldwin, who has also signed here. Document signed: "David Wark Griffith", "Evelyn Baldwin", 2 pages, 8½x13. No place, 1936 March 2. In anticipation of his pending marriage to Evelyn Baldwin, Griffith irrevocably transfers to her all rights to an annuity contract with the Aetna Life Insurance Company of Hartford, Connecticut, yielding annual income of $5,632.80 for the rest of her life. In exchange, Baldwin releases Griffith, along with his heirs and assigns, from any additional claims except for assets freely given to Baldwin by Griffith. The agreement is to become effective only on the consummation of the Griffith-Baldwin marriage. David Llewelyn Wark GRIFFITH (1875-1948) directed his first film in 1908, and in 1910 became the first to shoot a film in Hollywood. His Judith of Bethulia (1914) was among the first feature films, and the controversial Birth of a Nation (1915), became the first blockbuster movie hit, inspiring the movie industry that we have known since.