W.C. FIELDS Original Prohibition-era W.C. Fields comedy sketch. Manuscript Comedy Sketch titled and signed: "One of the six best Cellars/By/W.C. Fields", 13¼p, 6x8¼, separate sheets. No place, no date. The 18th Amendment to the U.S. Constitution went into effect on January 16, 1920. As of that date, "the manufacture, sale, or transportation of intoxicating liquors within, the importation thereof into, or the exportation thereof from the United States and all territory subject to the jurisdiction thereof for beverage purposes is hereby prohibited." Prohibition is the topic of this comedy sketch, One of the Six Best Cellars, which is written with a bit of satire. The phrase "six best cellars" was an expression first used in 1920 referring to the best hideaways where liquor was stored during Prohibition. The phrase was used in a "Los Angeles Herald" story on December 8, 1920 stating that actress Mabel Normand, known to be a heavy drinker, had one of the "six best cellars" of Prohibition liquor in the Hollywood film colony. Although not dated, this comedy sketch was likely written during the Prohibition era. In the early 1920s Fields wrote many comedy sketches while performing in New York's vaudeville, most notably in the Ziegfeld Follies read more...

W. C. FIELDS Very youthful 4½x6½ image in bow tie and stiff collar Photograph signed: "W. C. Fields" B/w, 4½x6½. W. C. Fields (1879-1946) began entertaining as an amusement park juggler at the age of fourteen. He was a vaudeville headliner before he was twenty and toured Europe in 1901, giving a command performance at Buckingham Palace. His Broadway debut in The Ham Tree (1905) was followed by appearances in the Ziegfeld Follies (1915-1921) and in George White's Scandals (1922). Fields starred in Poppy on Broadway (1923) and the next year made his first film, Janice Meredith (1924). Fields' style, verbal rather than visual, and his irascible con-man philosophy made him a favorite, especially with the advent of sound, where his raspy voice provided the final touch to his comedy. He starred in movies including My Little Chickadee (1940) and Never Give a Sucker an Even Break (1941). Nobody contributed more wry quotations ("Anyone who hates children and animals can't be all bad.") to American folklore. Signature in poor contrast but legible. Light silvering. Surface creases. Corners worn and chipped. Ink stamp on verso. Multiple pencil marks (unknown hand) on verso. read more...

ELVIS PRESLEY'S JACKET!   ELVIS PRESLEY. Velvet bolero style jacket owned by Elvis and given to his personal hairdresser, Homer M. Gilleland, known as Mr. Gill. The wine colored, four-buttoned short jacket bears a "Mr./Ray's/Palm Springs" label. Accompanied by a Typewritten Statement signed: "Homer M Gilleland/8-14-91". In full: "To whom this may concern. My name is Homer M. Gilleland. For over 20 years preceding his death, I Was the personal hairdresser of Elvis Aaron Presley. During my employment as Elvis' hairdresser, he gave me as gifts numerous Items of clothing and personal property. This wine colored velvet bolero jacket was owned by Elvis. The jacket has the Label, Mr. Rays Palm Springs. This was a favorite men's store that Elvis frequently Shopped at in the 1960's while he stayed in Palm Springs. This jacket is authentic as given to me by Elvis Aaron Presley during my employment as his personal hairdresser." Homer M. Gilleland, known as "Mr. Gill", cut Gladys Presley's hair in the 1950's at Goldsmiths Department Store in Memphis, Tennessee. When Elvis became famous he asked his mother's hairdresser to cut his hair. Mr. Gilleland cut Elvis' hair until Presley's death in 1977. read more...

JOHN WAYNE The last cowboy hat he wore on the screen Ephemera unsigned. Tan American Eagle Outfitters "Resistol 'Self-Comforting" cowboy hat, approximately 7½-size. Heavy string hatband with tassels. Stagecoach label embossed on inside band. After completing his last film, The Shootist (1976), Wayne shot a series of commercials for the Great Western Bank of California, filmed in Grants Pass, Oregon. He wore this hat in those commercials, his last work in cowboy apparel. All-American action hero John "Duke" Wayne appeared in over 250 films, primarily in war movies and Westerns. Although he had appeared in 80 low-budget films, Wayne did not become a star until 1939, when he appeared as the Ringo Kid in John Ford's Stagecoach. Near the end of his forty-year career, Wayne was honored with his first Best Actor Academy Award for his portrayal of hard-drinking, one-eyed Marshal Rooster Cogburn in 1969's True Grit. Accompanied by authenticating letter from the L.A. Prop and Wardrobe Company. Minor staining on the left crown and right brim. Otherwise, fine condition. read more...

D. W. GRIFFITH Chastened by a messy divorce from his first wife, the famed director signs a prenuptial agreement with his bride to be, Evelyn Baldwin, who has also signed here. Document signed: "David Wark Griffith", "Evelyn Baldwin", 2 pages, 8½x13. No place, 1936 March 2. In anticipation of his pending marriage to Evelyn Baldwin, Griffith irrevocably transfers to her all rights to an annuity contract with the Aetna Life Insurance Company of Hartford, Connecticut, yielding annual income of $5,632.80 for the rest of her life. In exchange, Baldwin releases Griffith, along with his heirs and assigns, from any additional claims except for assets freely given to Baldwin by Griffith. The agreement is to become effective only on the consummation of the Griffith-Baldwin marriage. David Llewelyn Wark GRIFFITH (1875-1948) directed his first film in 1908, and in 1910 became the first to shoot a film in Hollywood. His Judith of Bethulia (1914) was among the first feature films, and the controversial Birth of a Nation (1915), became the first blockbuster movie hit, inspiring the movie industry that we have known since. read more...

W. C. FIELDS Agreement with the J. Walter Thompson advertising firm setting strict rules for Fields' script for a radio broadcast, co-signed by producer and ad executive Norman Blackburn Document signed: "W. C. Fields", "Norman Blackburn", 1 page, 8¾x14. Hollywood, California, 1946 March 13. Agreement with the J. Walter Thompson advertising agency, acting as agent for Standard Brands, Inc., governing Fields' forthcoming appearance on the Chase and Sanborn radio program, March 24, 1946. The agreement stipulates that Fields must adhere strictly to a script approved in advance by the firm and by Fields himself, and that Fields shall not "improvise, extemporize or use unapproved material." It further stipulates that Fields shall be held blameless from any claims for "slander, libel, copyright infringement, etc." arising from the program. Fields is to receive $3,500 for his performance. W.C. FIELDS (1879-1946) began entertaining as an amusement park juggler at the age of fourteen. He was a vaudeville headliner before he was twenty and toured Europe in 1901, giving a command performance at Buckingham Palace. read more...

W.C. FIELDS. ALS: "Willie", 2p, separate sheets, 8½x11. Bel Air, Cal., Sunday (October 15, 1939). Original envelope addressed by Fields to: "Miss Jane Fowler/National Park College/Forest Glen/Maryland". Lightly creased. Fine condition. Jane Fowler was the daughter of his friend, Gene Fowler. Fields had developed a crush on Jane but the affection was unreciprocated. To "my dear nice niece Janey pie". In full: "Thanks for your letter of the 11th, but first I want to tell you that I was coming to forest Glen and engage quarters close to the college, listen to the lesson and get a little added education. Further I could watch you and see that you took your salt peter but when I read your envelope, 'W. C. Feilds' [he has circled the "ei"] I swooned. My own plum, do they not teach you I before E except after C. Suppose after our wedding you go to the Cadillac agency and say 'two 16's, one sport roadster and one coupe, hand the gentleman in attendance a check for $17,000.00 and you sign it 'Jane Feilds.' You do not like the jailhouse any more than I do. If as much. Dear do be careful. I answered your dear wire after I got the necessary funds together to pay for it but I made a mistake and sent it care of Booker T. read more...

ANNIE OAKLEY Before leaving on a ship, probably on tour, "Little Sure Shot" writes to friends. EXTREMELY RARE ALS: "Annie Oakley", 2p, 5¼x8½, separate sheets. On stationery of Eastern Steamship Lines, Brocton, Mass., no year, September 24. Begins: "Dear Friends". In full, with grammatical errors and misspellings: "I realy am ashamed to think that I neglected to write you. and send our sincere regrets to dear Allice. But when I think it all over, I feel that God does things for our own good and the poorer Boy is better off and happier than he was away from his little Wife and Baby. The dear little photo is so cute. I would love to see you all again. Fern is feeling better and is in an office 35oo per week & percentage. And we hope that her Mother will strike oil on her farm. 5 wells on 2 next farms all paying. I havent been well. 5 weeks in N.Y.C. and only got one dress made. We sail in 5 minutes so must see & mail this. Bushels of love to all from both." Annie Oakley (1860-1926) was born Phoebe Anne Oakley Mozee in Ohio. She was the sixth of eight children. read more...

GONE WITH THE WIND: THOMAS MITCHELL In the best year of his career, Mitchell is loaned out to play Scarlett's father. Document signed: "Daniel T. O'Shea" on behalf of Selznick International Pictures, 3p, 8½x11. Also signed by a Vice President of Columbia Pictures (name illegible). Hollywood, California, 1939 January 26. Loan-out agreement by which Columbia Pictures loans to Selznick International Pictures the services of Thomas Mitchell - currently working on Columbia's film Plane No. 4 to portray "Gerald O'Hara" in the feature film, Gone with the Wind. Lightly toned. Paperclip impression in upper left. Staple holes in two pages. Otherwise, fine condition. Accompanied by unsigned photo of Thomas Mitchell (b/w, 8x10). Minor surface flaw in lower left corner. Otherwise, fine condition. In 1939, the epic film, Gone With The Wind, based on Margaret Mitchell's 1936 novel of the same name, broke box office records and won ten Oscars (against stiff competition). The saga of the old South remains one of the most beloved films of all time. Thomas Mitchell read more...